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TRENDS OK CIVILIZATION AND CULTURE
Other Books By
CHARLES GRAY SHAW
ROADS 70 CULTURE
CHRISTIANITY AND MOOttRN CUI/rtf
THK VALUK AND DIGNITY ()!' HUMAN
THK WJO AND ITS PhAt'H JN Til!'; W
THE CiHOtJND AND OOAI, OF HUMAN
SIIOET TALKS ON f^Y
OUTLINI-: or
CHRISTIANITY AND MOOKKN CtU.T
TRENDS OF CIVILIZATION
AND CULTURE
BY
CHARLES GRAY SHAW, PH.D.
PROVttflHOR OK niaoHOPHY, NttW YORK I'NIVKROTY
i
AMERICAN 1KX)K COMPANY
NEW YORK CINCINNATI CHICAGO
BOSTON ATLANTA
COPYRIGHT, 1932, BY
AMERICAN BOOK COMPANY
All Rights Reserved
TRENDS OF CIVILIZATION AND CULTURE
E. P. I.
MADE IN U.S.A..
780672
THIS WORK WAS WRITTEN UPON THE OCCASION
OF THE CENTENARY OF NEW YORK UNIVERSITY
PREFACE
A STUDY OF CIVILIZATION IS NO NOVELTY. FROM THE BEGINNING
of human history, if not in the pre-historic period, man has
shown such interest in himself as to record his deeds and
thoughts. Hence the concern for civilization shown by our con-
temporaries is not wholly different from that of fossil men in the
geologic past, while the enthusiasm that Americans feel for their
cities is fairly well matched by similar emotions in the hearts of
Aurignacian men, who were proud of their caves.
In addition to recording his activities, man has rationalized
them; hence we have the intensive studies of civilization as found
in the writings of Polybius and St. Augustine, Hegel and
Spengler, to say nothing of certain impressionistic works which
have appeared since the World War. In the present work, it has
been the intention of the author to come to an understanding
with the present, although not to the extent of discussing " what's
wrong with the world " or " what this country needs."
The pursuit of the present, as carried on in the following pages,
has necessitated a consideration of the past even unto the forma-
tion of the planet whereon civilization has been set up. For the
civilization that is now bearing fruits both bitter and sweet is
deeply rooted in the past. The range of this book is that of west-
ern civilization although, as will appear toward the close of it,
the East has not been overlooked.
The sources of this study of civilization and culture have been
varied but none too many and they have been duly noted. But
in addition to aid from books, the author has been helped by
certain of his colleagues at New York University. He is in-
debted to the following scholars for material assistance in the
connections mentioned: Floyd A. Spencer, Ph.D., Greek Culture
and Roman Civilization; Charles C. Thach, Ph.D., Feudal Civili-
zation; G. Roland Collins, A.M., The Economic View of Civiliza-
tion; Albert Sheppard, A.M., The Industrial Form of Civilization;
Younghill Kang, Sc.B., The Eastern Question; Rudolph M.
Binder, Ph.D., The Present Outlook; Vincent Jones, A.M.,
viii PREFACE
Contemporary Music; and E. Herman Hespelt, Ph.D., Spanish
Culture.
The author desires to make special acknowledgment of aid re-
ceived from his daughter, Winifred Clarke Shaw, A.B., who con-
tributed liberally to the chapters on Hebrew Religion and The
Religious Trend of Modern Life and rendered valuable assistance
by correcting both manuscript and proof.
CONTENTS
PAGE
I. THE EVOLUTION OF MAN i
The Solar System-— The Earth — A Terrestrial Point of
View — The Origin of Life — The Life Process — Amphibians
and Reptiles — The Mammals — The Origin of Man — Fossil
Men — Homo Sapiens — Life and Food — Food and Brain —
The Human Brain — Brain and Mind — Man the End of
Creation — The Liberation of Consciousness — The Emer-
gence of Mind
II. THE HUMANIZING OF MANKIND .25
The Discovery of Man — The Free Brain — Emancipation
through Industry — Industry and Intellect — The Effect of Art
— Art as Play — Art as Expression — The Development of
Language — Social Life and Humanity — Family, Village, City
— Totemism — The Natural and the Supernatural — Animism
— Magic — Survivals of Primitive Belief — The Nature of Hu-
manity — The Emancipation of Man
III. THE FACTORS IN CIVILIZATION 50
The Meaning of Civilization — The Point of Departure —
Nature and Humanity — Instruments and Institutions — Cause
and Purpose — The Double Task of Civilization — Determin-
ism — Physical Causation — Social Determinism — Determin-
ism Inadequate — Civilization and Progress — What Progress
Means — Past and Present — Stages of Progress — Standards
of Progress — Physical and Moral Progress
IV. FORMS OF CULTURE 75
The Meaning of Culture — Culture and Civilization — Cul-
ture and Humanity — Culture Contrasts — Animality and Hu-
manity — The Immediate and the Remote — Conquest and
Contemplation — Outer Existence and Inner Life — Oppo-
nents of Culture — Culture and Work — Culture and Democ-
racy — Decadence and Dilettantism
ix
x CONTENTS
PAGE
V. HEBREW RELIGION 99
Judaism and Christianity — The Origin of the Hebrews —
The Call of Abraham — The Hebrews in Egypt — The Career
of Moses — The Exodus — Moses as Legislator — Hebrews and
Hittites — The History of the Kings — The Kingdom of David
— Davidic Literature — Solomon's Temple — Babylonian Exile
— The End of Jewish Nationalism — Hebrew Culture — The
Prophets and the Law — The Hebrew Idea of God — Hebrew
Conception of Religion
VI. GREEK CULTURE 125
Greek and Hebrew — The Classic Conception of the Greeks
— Versatility of Greek Genius — Mythology and City-State Re-
ligion— Gods and Men — High Gods and Low — Priesthood
and Sacrifice — Belief in Immortality — Greek Science and
Philosophy — Greek Mathematics — Medical Practice — Natu-
ral Science — Greek Politics and Education — The Individual
and the City-State — Greek Education — Greek Philosophy —
Political Theory — The Forms of Greek Literature — Greek
Tragedy — Greek Aesthetics
VII. ROMAN CIVILIZATION 158
Greece and Rome — Roman Religion — Roman Deities —
Roman Philosophy — Latin Science — Roman Medicine — Ap-
plied Science — Law and Government — Roman Bureaucracy
— Deification of the Emperors — The Romans as Artists and
Builders — Architecture — Construction and Decoration —
Aqueducts — Latin Language and Literature — The Persistence
of Latin — Popular Literature — Satire
VIII. CHRISTIANITY 187
"The Second Empire " — Christian Culture — Christianity
and Classicism — Christianity a " Culture Conquest " — The
Essence of Christianity — The Gospels and the Epistles — The
Religion of Christ — Paulinism — Two Tendencies in the Gos-
pels—The Political Interpretation of Christianity — The Psy-
CONTENTS xi
PAGE
chology of Christ's Mind — Christ no Reformer — Christ and
Money Power — God and Caesar — The Ideal Kingdom
IX. FEUDAL CIVILIZATION 212
The Origin of Feudalism — Land Tenure — Political Feu-
dalism— Feudal Law — The Truce of God — The Power of
the Pope — Church and State — The Secular Power of the
Church — The Essence of Feudalism — Lord and Vassal —
Feudal " Anarchy " — Feudal Economics — Feudal Ethics —
Fief and Town — Agriculture and Commerce — Feudalism and
the Crusades
X. SCHOLASTIC CULTURE 234
The Nature of Scholasticism — The Scholastic Method —
Scholastic Culture — The Gothic Era — The Rise of Universi-
ties— The University of Paris — Mediaeval Realism — Real-
ism Today — Modern Nominalism — The Fusion of Paganism
and Christianity — Aquinas and Aristotle — Roger Bacon —
Dante — The Old Scholasticism and the New
XL THE EMERGENCE OF THE MODERN MIND 259
Are We Modern? — Features of Modern Thought — The
Art of Printing — Modern Painting — The Spirit of the Renais-
sance — The German Reformation — The Ecclesiastical and the
Economic — Protestantism and Capitalism — Calvinistic and
Puritan Economics — The Copernican Revolution — Modern
Mechanism — Galileo and Modern Science — Classic Physics —
Modern Dualism — Mind and Matter — Freedom and Mecha-
nism — The Encyclopedic Tendency — Modern Ideologies
XII. MODERN SCIENTIFIC METHOD 289
The Magic of Science — The Value of Science — Friend or
Foe? — The Social Character of Science — Is Science Subjec-
tive? — Man the Measurer of All Things — Our Fourth Dimen-
sion— Science More than Measurement — The Unity of
Things __ The Scientific Paradox — Physical and Social Science
— Relativity — The Space-Time Continuum — Matter and
Gravity — The New Atom — Man Remains Unchanged
- CONTENTS
^^ PAGE
XIII. THE INFLUENCE OF PHILOSOPHY 3X4
Everyman's Philosophy — No Philosophic Field — The
Ground of Things — The Spirit of Intellectualism — Plato and
Aristotle— -The Goal of Life — Ancient and Modern Art —
The Problem of the Soul — The Modern View — Empiricist
and Rationalist — tf priori and a posteriori — Pragmatism — -
Philosophy and Politics — Tests of Pragmatism
XIV. THE POLITICAL FACTOR. IN MODERN CIVILIZATION 338
The Consent of the Governed — Plato's Republic — The
Realization of the Republic — Man a Political Animal — The
Best State — Democracy — Post-Classic Politics — The Chris-
tian State— Modern Political Theory — Protestant Politics —
The State of Nature — The War of All Against All— Pessi-
mistic Politics — The Historical View — Rousseau's Romantic
Politics — The Social Contract — The General Will — The
American Conception — The Political and Economic — Dicta-
torial and Democratic Government
XV. THE SOCIAL CONCEPTION OF LIFE 368
The Social and Political — The Anti-Social View — The
Opposition to Egoism — The Ideal of Sympathy — The Social
View of Man — Modern Sociology — Social Science — The So-
cialization of Life — The Socialization of Work — Socialized
Labor— The Socialization of Morality — The Social Ideal in
Literature — The Thesis-Drama — Individualism-Opposition to
the Social — The Personal Protest — Nihilism — The Inade-
quacy of the Social
XVI. THE ECONOMIC VIEW OF CIVILIZATION 395
How Economics Arose — Money-Making — Greek Merchants
and Philosophers — Roman Economics and Laws — Money in
the Middle Ages — Modern Mercantilism — The Physiocrats
— The Economists — Laissez Faire — The Socialists — The
Critical School — The Historical School — The Mathematical
School — The Psychological School — The Institutional School
— Theoretical Difficulties — The "New Era"
CONTENTS
Xlll
PAGE
XVII. THE INDUSTRIAL FORM OF CIVILIZATION 424
Industry Old and New — Causes of the Revolution — The
Soil — Scientific Farming — The Enclosed Farm — Enclosure
Acts — Man and Machine — Looms New and Old — Steam
— Coal and Iron — Steel — The Railroad — The Steamboat —
— The Industrial Revolution on the Continent — The German
Awakening — American Industrialism — The New House of
Bondage — " Progress and Poverty " — Labor Legislation
XVIII. THE RELIGIOUS TREND OF MODERN LIFE 453
Contemporary Religion — English Deism — Natural Religion
and Natural Rights — Free Thought and Toleration — Ra-
tional Christianity — The Downfall of Deism — German Phi-
losophy of Religion — Kant — Hegel — Schleiermacher — Con-
flict of Science and Religion in America — Astronomy — Bi-
ology and Evolution — Higher Criticism — New Testament
Criticism — The Fourth Gospel — Comparative Religion —
The Psychology of Religion — The Social Gospel — The Social
Creed — Humanism
XIX. THE PLACE OF ART IN CONTEMPORARY CIVILIZATION 482
The Art of Architecture — American Architecture — Sculp-
ture and Civilization — Modern Sculpture — How Painting
Pictures Civilization — Studio Technique — Modern Painting
and Physics — The Anthropological Tendency — Two Effects
of Painting — The Progress of Painting to the Present — Con-
temporary Music — French and German Composers — New
Chords — American Composers — Up-to-Date Poetry — The
Poetic Renaissance of 1912 — The Range of American Verse
— Tender Bards — The Women Poets
XX. THE VALUES OF CIVILIZATION 510
Man a Valuing Animal — Value and Energy — Oriental
Values — The Christian Idea of Worth — Modern Theories of
Value — Form, Piety, and Force — Value and Human Life —
What is Value? — Value as Pleasure — Value and Desire —
Values and Desiderata — The Desires of the Nations — Our
xiv CONTENTS
PAGE
Seven Deadly Values — Communication — Speed — Entertain-
ment — Health — Psychology — Sex — Youth — New Values
Needed
XXL TYPES OF NATIONAL CULTURE 537
Culture Personal and National — Greek Culture of Beauty
— The Greek Language — Classicism — Roman Culture of
Dignity — Roman Culture and Civilization — The Latin Lan-
guage — Italian Culture and the Renaissance — Realism of Ital-
ian Culture — The Dilettantism of French Culture — Gallic
Skepticism — The Continuity of English Culture — English
Poetry — Persistence of the Poetic Principle — The Sporadic
Nature of German Culture — Goethe as Culture Pattern —
Dogmatic Character of German Culture — The Two Epochs
of Spanish Culture — Don Quixote — The Picaresque Novel
— Russian Culture and Nihilism — The Russian Novel — The
Values of Russian Culture — American Culture an Aspiration
— The Mental Melting Pot — Emerson as Culture Prophet
XXII. THE EASTERN QUESTION 569
The Orient Awakens — East and West — Old China — The
Sons of Han — Contacts of East and West — Westerners Go
East — The Rise of Orientalism — French Interest in China —
Eastern and Western Thought — The Study of Chinese Lit-
erature— Oriental Pessimism — P'olitical Approaches to the
East — Eastern Trade — How China Awoke — China and
Japan — Our Asiatic Relatives — India Today — Hindu Indus-
try—What Does India Want? -—Can India Govern Herself?
XXIII. THE PRESENT OUTLOOK 596
The So-Called Present — From Century to Century — The
World War — Economic Losses — Figures Written in Red —
Ideal Losses — Europe Since the Armistice — Political Activi-
ties — Economic Enterprises — Russia's Five Year Plan — The
League of Nations — Other Pacific Movements — Social Ef-
fects of the War — Aeronautics — The American Skyline —
Moving Pictures — Popular Science — Laxity in Morals — The
Status of Woman — Prohibition — Urban Life — Capitalism
CONTENTS
xv
PAGE
and Communism — The End of Immigration — Present Se-
riousness
XXIV. THE RESULTANT VIEW OF HISTORY 624
The Meaning of History — Periods and Trends — Historical
Coherence — Past and Present — The Inadequacy of Facts —
Facts and Truths — Historical Methods — The Linear Method
— The Circular Method — The Pendular Method — The Spiral
Method — " The Decline of the West " — Spengler's Method —
The Two Keys to History — Three Types of Culture — Civili-
zation and Machinery — Sovietism and Caesarism — One Cul-
ture or Many — A Nation's Culture and its Soul— -Is the
Machine a Frankenstein Monster?
LIST OF ILLUSTRATIONS
facing page
Detail from the Ceiling of the Sistine Chapel. Michelangelo . iii
The Great Nebula in Andromeda. Photograph by Roberts . . 5
Primitive Art from the Ceiling of the Altamira Cave in Spain . 32
Earliest Extant Writing, from the Tomb of Menes at Abydos . 32
Prehistoric European Pottery, Found in Excavations of a Lake
Dwellers' Village 32
Egyptian Hieroglyphics and Carving 56
Fragment of the Prisse Papyrus, in Hieratic Writing, Found in
Upper Egypt 56
Early Press 56
Modern Automatic Rotary Press 56
Caravan of Canaanites, about 1900 B.C 104
Ancient Egyptian Painting of Captives Working in a Brickyard,
about 1600 B.C 104
Carving on the Temple at Abydos, Showing Amorite Auxiliaries
of a Hittite Army 104
Solomon's Temple 113
Ruins of the Parthenon on the Crown of the Acropolis . . . 137
Section of the " Panathenaic Procession," from a Frieze in the
Parthenon 157
The " Fates," from the Eastern Pediment of the Parthenon . . 157
The Arch of Trajan 176
Roman Forum and Surrounding Buildings 176
xvi LIST OF ILLUSTRATIONS
facing page
Roman Aqueduct near Nimes (Ancient Nemausus), Southern
France 180
Ruins of the Colosseum, the Arch of Titus in the Foreground . 180
The Altar in the Basilica of St. Paul 196
Feudal Castle on the Moselle River 224
Feudal Warfare 224
Fagade of the Cathedral of Rheims 237
Cannon of the Fifteenth Century 240
Fragment of Caxton's Printing from his Edition of the Prologue
to Virgil's Aeneid 240
Notre Dame Cathedral, Paris 240
" Moses." Michelangelo 265
Detail from the " Last Supper." Leonardo da Vinci ... 265
Philosophers of Athens. Raphael 345
Greek Smithy, Painted on a Grecian Vase 437
Modern American Steel Mills 437
"Wolf and Fox Hunt" Rubens 489
" Christ on Lake Gennesaret." Delacroix 489
" A Wheelwright's Yard on the Banks of the Seine." Corot . 496
"The Forest of Fontainebleau." Cezanne 496
The Doge's Palace, Venice 548
Senate Chamber in the Doge's Palace 548
The Great Wall of China, Built about 214 B.C 577
Temple of Confucius, Peking, China : 577
Dilwarra Temple, Mt Abu, India 592
Japanese Print, from an Old Woodcut 592
Airplanes Maneuvering 597
The Liner Manhattan, in the Hudson River ...... 597
The Empire State Building, New York City 612
Brooklyn Bridge and the New York Skyline 612
CHAPTER I
THE EVOLUTION OF MAN
THE SOLAR SYSTEM
p "'I ^HE SUBJECT OF CIVILIZATION AND CULTURE IS MAN; THE SECRET
I of what man has done and thought is to be found in the
JL history of mankind The study of marf by man — that
identifies the matter and indicates the manner of such a study as
we are about to take up. Other factors will enter in to give hu-
man life its more complete setting, and we shall have to consider
the earth in its divisions of sea and land, life in its enormous span
of time between protoplasm and the man of the present. Other
forces than human volition will be found in operation, gravita-
tion and energy, electricity and life; but it is the nature and work
of man which most concerns us. We desire to discover whence
man came and whither he is tending, how he has worked and
what he has accomplished. Thus we investigate the trends of
civilization and culture.
The seat of man's activities is the planet earth. Other planets
in our solar system, that private park in the universe, may be
thought inhabited. Other stars than our sun may be imagined
to have their planets spinning around them. On these solar and
stellar planets there may be conscious life akin to our own, but
we are responsible for only what we observe and experience in
one tiniest speck of matter in the whole universe. It is, of course,
the only habitable place we know and, perhaps, the only spot we
dare dream of as supporting life. At any rate, it is here without
our immediate ken, a stage upon a stage, that the drama of hu-
man life is acted. Earth may not have been made for man, but
it is here that he has learned how to live. He draws his suste-
nance from plants and other animals; these are fed by the earth
and the earth itself is supplied with such foodstuffs in the form
of solar energy. In the last analysis, man is fed by the sun.
How are planets produced? They might seem to have come
from the stars by a process of excessive rotation casting off gaseous
2 THE EVOLUTION OF MAN
matter. This was the nebular hypothesis advanced by Laplace,
only to be discarded for a more plausible view. This is the tidal
conception of Sir James Jeans according to which the planetary
matter was drawn off by a gravitational process pretty much as
the waters of the sea are drawn away in the form of tides by the
moon. In the universe the excessive rotation of a star, which was
supposed to have generated the solar system, is not unusual and
it is quite common for stars to be split up in this way. But the
effect of such fissioning has been stellar., not planetary. The stars,
or about a third of them, experience the effect of rotation by split-
ting into double stars, creating binary systems. But in the case of
" our star/' as we may call the sun, there seems to have been no
such surplus of centrifugal force, no tendency to split up into
celestial twins. Something quite different, extremely exceptional,
must have happened in our part o£ the universe*
What did happen, it is conjectured, was the approach of some
wandering star which carne close to the region that was destined
to be our solar system. There it exercised tidal influence and drew
off a filament of solar stuff which broke up, as it were, into so
many planetary drops* In this manner, the passing star became
the father of the planetary family. Two forces have been and still
are at work in the heavens — the rotational and the tidal. One has
produced double stars, the other a planetary system. " We know
of myriads of double stars," says Eddington, " and of only one
planetary system. . . . The solar system is not the typical prod-
uct of development of a star; it is not even a common variety of
development; it is a freak." 1 It is this " freak " of Creation that
interests us. This vulgar fraction of the universe represents the
field of our investigation.
THE EARTH
If, then, we can whittle the range of life down to the confines
of our solar system, can we bring the matter to a point by asserting
that it is on the planet earth alone that life is findable? This also
seems to be the most likely idea in the case. Life depends upon
the sun. Some planets are too close, others too far from this
source of heat to be habitable. Inside the earth's orbit is Venus,
1 The Nature of the "Physical World, p. 1 7 6.
THE EARTH 3
outside it is Mars, and in a general way the conditions of life at
these points may seem to be analogous to what we actually find
on the earth. As far as Venus is concerned, the general situation
seems to be maritime and its atmosphere vaporous, so that, if it
be inhabited, it must be by creatures different from what we are
now; it must be a place where, as Eddington says, " fishes are
supreme." Unlike Venus, the planet Mars has solid land and an
atmosphere containing oxygen, but no seas. Moreover, its climate
is so chilly and with such sharp differences between the tempera-
ture of day and night that it is difficult to accept the idea that
Mars harbors life in our sense of that term. " There is no defi-
nite evidence of life," says Jeans, " and certainly not of conscious
life, on Mars ... or indeed anywhere else in the universe."2
Earth alone appears to be the place of conscious life.
But after we have detached the planet earth and located life
upon it, there remains the rest of the universe. What shall we do
with it? We will set aside the earth as the place of culture and
civilization and relegate the rest to mathematics and mechanics.
'* The world is made up of human beings and astronomers," says
Harlow Shapley; very well, then, we human beings will stick to
our private planet and let the astronomers consider the heavens.
But in all this we should not be appalled by any idea of size that
the astronomer may hold up before us, and should be unusually
careful in applying the adjective " infinite " to what looks like a
finite universe. The situation in the skies and the latest report
from the observatories are such as to make the whole universe
appear small indeed. Science is now talking about the " radius
of space." Eddington's estimate includes a hundred million light-
years; Hubble made his estimate equal a million million. In
either case, the farthest reaches of space are within our mathemati-
cal grasp.
By a process of mental arithmetic, we can figure that, since
light travels six million million miles in a year, it will travel some-
what over five thousand times that number of feet. Once we
have a light-year in the form of feet, we can reduce the distance
to inches and fractions thereof. The result is that the radius of
the universe, expressed in terms of razor-blade edges, yields a sum
2 The Universe Around Us, p. 322.
4 THE EVOLUTION OF MAN
made up of comparatively few figures. The row of such digits
would extend only half way across the page along a single line of
this book. In the case of one computation, thirty figures would
suffice, while the other would require only thirty-five. As far as
the size of man is concerned, if we measure this by a comparison
with the macroscopic universe, man is bound to appear small, but
let him contrast his dimensions with those of the electron and he
will appear correspondingly large. We may conclude, therefore,
that since man is of about average size in the total universe, there
is no reason to belittle his being or think lightly of his work.
A TERRESTRIAL POINT OF VIEW
But this line of popular reasoning is not to be taken as a return
to any manlike view of the universe, or anthropomorphism. It
will be sufficient to assume that the earth is good enough as a
viewpoint for considering the universe, just as it will be safe to
conclude that man is able to grasp the meaning of things gener-
ally. In some ways it does look as though the advanced science
of the XXth century had thrown us back upon a geocentric posi-
tion and an anthropocentric point of view as these restricted out-
looks prevailed up to the beginning of modern times. But if,
again, we assume those limited points of view, it is only after we
have surveyed the whole galaxy in which we live and thus are
like returned tourists who appreciate the advantages and disad-
vantages of home-life after they have been abroad for an extended
tour. Since we realize that all depends upon the point of view,
we may make due allowance for this and avoid misconceptions.
If we were placed on Vega, we should take a Vegan viewpoint
and regard the whole heavens as though they revolved about us
there. If, as in the case of Copernican astronomy, the standpoint
is the sun, we take a solar point of view. But being actually lo-
cated upon the earth, we view the universe from a terrestrial van-
tage point, realizing that our outlook is not an absolute but a
relative one. We take man where we find him.
Our subject is man, his arts and sciences, languages and laws,
beliefs and customs. But we. cannot pass at once from the forma-
tion of the earth to the development of civilization. We must
THE ORIGIN OF LIFE 5
wait for the earth to cool down and prepare itself for organisms,
watch for the emergence of life from the sea, note the develop-
ment of animal existence, the evolution of mammals, and the final
appearance of crude mankind. We shall have difficulty in mak-
ing the transition from matter to the organism, and that difficulty
will occur again when we attempt to pass from animal existence
to human life. It will not be easy to abide by the dogma that the
world permits no leaps; if these have not been taken by nature
herself they will have to be taken by us in our study of the world.
We must be prepared to consider, not one missing link as that
between the ape and man, but such a number of them that the
blank spaces in the panorama are far more numerous than those
occupied. Our program is — from sun to earth, from earth to
life, from life to man, from the man of the present to the being
who is going to continue or destroy our civilization. Suppose we
begin by glancing at life with the hope of gaining some hint as to
our own existence. In doing this we must observe how life arose,
what was the general course of its development, and what is sig-
nificant in the emergence of the human species.
THE ORIGIN OF LIFE
We are accustomed to use the word " life " in a nobly narrow
sense to indicate the existence of the human family on earth or
even the history of civilization. That we take to be the life of
man and it is just that which forms the ultimate object of our
present study. But the life principle within man, that out of
which he has developed arts and sciences and the manifold forms
of his civilization and culture, has had such a long history that
the life of humanity seems no more than the twinkling of an eye.
Hence, before we can study man as he has appeared in history, we
must investigate life as it is known in geology. Nature must be
allowed to relate a long story before man can tell his little tale.
We must seek the living among the dead and view the brightness
of the present in the darkness of the past.
By studying the remains of former living things we begin to
understand those that live now. Such fossils as the entombed
bones of animals in the bedded rocks or shell-forms of creatures
6 THE EVOLUTION OF MAN
that once lived on the sands o£ the sea-floor, enable the geologists
to restore the life assemblages of the geologic periods. These
trace back in time for hundreds of millions of years. The age of
the earth is set by geologists, as also by astronomers, at something
like 2,000 million years. The rocks abundantly supplied with
fossils are in a long series which carries us back to a period of at
least half that length of time. Such is the age of the earth on
which, as though it were yesterday, the history of humanity has
been conducted. The life of man in the larger sense of the term
is far more recent.
What was the origin of the life-process that, beginning a hun-
dred million years ago, is still felt by us in our breathing, in our
immediate experience of our surroundings? We can reply, but
cannot give answer to that question, by saying that we do not
know. If our ignorance is devout, we may follow tradition and
attribute the origin of life to a divine source; but still we should
be confronted by the question how that miraculous life came into
existence. With such scientists as Helmholtz and Lord Kelvin,
we might think of life as having come to earth in the form of
meteorites or meteoric dust, but that would amount to no more
than a change of venue. We should still have to inquire how life
came into existence elsewhere. Or we might follow Sir Ray
Lancaster and look upon life as a happy combination of proteids
in a colloid state which itself had come out of a natural synthesis
of inorganic substances. But here again we should wonder how
that happy combination came about. The best we can do, per-
haps, is to speak of life as something that emerges from inorganic
matter, realizing that our explanation is nothing more than a
description of some inscrutable process. We cannot assert that
the principle of life is radically different from every other form
of physical existence, as though there were some extra element
called " vita " or " bios," yet we cannot deny that the outcome of
life has been different from the effects observed in connection
with inorganic matter. Life means growth and out of this grow-
ing life has come man.
Our subject is man and his development, his exterior civiliza-
tion and interior culture. In proceeding from the generation of
the earth to the evolution of its leading inhabitants, we are like
THE LIFE PROCESS 7
travelers on an express train, their minds intent upon their des-
tination, their eyes observing the way stations through which the
train passes without stopping. Nevertheless we desire to take
cognizance of our route more for the purpose of assuring our-
selves of the evolutionary line than with the idea of indicating
stages along the path it follows. What was the origin of life?
Or, if we do not care to meet that profound question directly,
what views of this origin are we expected to assume? These
seem to center in the idea of novelty, as though life were some-
thing new in the inorganic universe. If we cannot assert that
life means a new substance or a new energy, we may feel assured
that it represents a new and unusual combination of old elements.
As far as the life process is concerned, we may assume with
Osborn that " living matter does not follow the old evolutionary
order, but represents a new assemblage of energies and new types
of action." 3 What course has this taken in arriving at man ?
To answer that question would be to trace out the genealogy of
a multitude of species and encounter various conflicting schools
of geology and biology. We start with the lifeless earth and the
equally lifeless sea upon its surface and follow the view that " life
originated on the continents, either in the moist crevices of rocks
or soils, in the fresh waters of continental pools, or in the slightly
saline waters of the bordering primordial seas." 4 We seem to
find the origin of life in or near the sea and let the biologist show
us that the life elements in both sea-water and blood serum are
pretty much the same, as though the sea were a fine medium for
organic existence.
THE LIFE PROCESS
The life process itself seems to reveal neither continuity nor
abruptness, but a graded system of development marked by leaps
and bounds of no great length. Such primordial life looks like,
more than anything else, a grouping of life's essential elements
in an aggregation so distinct as to constitute an organism. This
primitive thing was of a gelatinous or colloidal character involv-
ing an energy which had not existed previously. The vital char-
8 The Origin and Evolution of Life, pp. 4-5.
4 1*., p- 35-
g THE EVOLUTION OF MAN
acter of this novel form of matter began to show itself when, in
addition to the laws of physics and chemistry, the biological
principle of Natural Selection entered in. From then on the story
of nature became more thrilling, the plot thickened, and the most
simple kinds of life assumed a highly complex form. No specific
principle of vitality showed itself, but the behavior of the new
organism was such as to reveal a novel form of existence and a
new way of handling energy.
Life made a beginning with bacteria which, themselves able to
find food and store up energy in a world without life, prepared
both the earth and the sea for the coming of plants and animals.
These bacteria are known better by what they do than what they
are, by their energy rather than their form. In the beginnings of
life, they operated between the chemical stage of existence and
that of the most primitive forms of life. They were not satisfied,
we might say, in adapting themselves to their, lifeless environ-
ment; they went to work upon the earth, decomposed rocks and
formed the soil. " These bacteria," says Osborn, " were at once
the soil-forming and the soil-nourishing agents of the primal
earth; they throve in the presence of energy-liberating compounds
of extremely primitive character." 5
The work of forming the earth for the appearance of life was
continued by the primitive algae, seaweeds, and simpler forms of
aqueous vegetation. These primitive forms of vegetable life have
exhibited remarkable power as earth-forming agents, reef-builders,
and the makers of ancient limestones. From them the whole
plant-world spreads out. " In their evolution, while there is a
continuous specialization and differentiation of the modes of ob-
taining energy, plants may not attain a higher chemical stage than
that observed among the bacteria and algae. ... In the energy
which they derive from the soil, plants continue to be closely de-
pendent upon bacteria, because they derive their nitrogen from
nitrates generated by bacteria and absorbed along with water by
the roots. In reaching out into the air and sunlight, the chloro-
phyllic organs differentiate into the marvelous variety of leaf
forms, and these in turn are supported upon stems and branches
which finally lead into the creation of woody tissues and the
5 The Origin and Evolution of Life, p. 84.
AMPHIBIANS AND REPTILES 9
clothing of the earth with forests. Through the specialization
of leaves in connection with the germ cells, flowers are developed
and plants establish a marvelous series of balanced relations with
their life environment, first with the developing insect-life and
finally with developing bird-life." 6
Life seems to consist of obtaining food and storing up energy.
In the case of animal life, this energy is derived indirectly from
plants, or from both bacteria and plants. Science cannot tell us
exactly when animal life in the form of Protozoa made its appear-
ance on earth. It may have been during the period of the primi-
tive algae or may trace as far back as the bacterial epoch. The
animals began to distinguish themselves from the plants by their
powers of locomotion; indeed, we might go so far as to say, by
behavior. The course of evolution carries us from the single-
celled Protozoa to the many-celled Metazoa, which evince a more
effective locomotive apparatus in that fundamental life-operation
which we recognize in the food-quest. Here among the Metazoa
we find fast- and slow-moving creatures; the one with superior
means of propulsion, the other covered with dense armature for
defense. To the eye of the layman, the Sagitta looks very much
like a modern submarine, while the heavy Trilobite seems to
resemble the old-style monitor. Each conducted its life-warfare
or struggle for existence in its own way.
AMPHIBIANS AND REPTILES
The potentiality of living matter brings life closer to us in the
form of the Vertebrata. The structure and function of these back-
boned creatures brought about a release of animal existence from
its immediate habitat in that the new type of animal was able to
swim in the water, walk, or otherwise move on the land and fly
in the air. Accordingly we observe the appearance of fishes,
amphibians, reptiles, birds, mammals, men. Our interest seems
to be drawn toward the Amphibia, since they knew how to
effect the transition from sea-life to life on land. This required
important modifications — a double set of locomotive organs, as
fins and legs; a double equipment of respiratory apparatus, as
6 /£., p. 105.
I0 THE EVOLUTION OF MAN
the old gills and new lungs. We recognize such a duplex crea-
ture in the modern salamander, small-headed, long-bodied, and
small-limbed, adapted to either swimming or crawling.
The attempts of the Amphibia to adapt themselves to sea-and-
land life were matched and surpassed by the Reptilia. We are
not specially interested in these primitive monsters, although
their amphibious existence and their predatory habits cannot help
remind us of certain primitive traits in our own human life.
But we must observe these reptiles since they are, in a way, our
ancestors, and since they were the potential ancestors of our large
mammalian family. Thus our life must be viewed as passing
through the reptilian form. There seem to have been eighteen
different orders of these creatures; among them we recognize the
turtles, snakes, and lizards of our own experience; the ichthyo-
saurs, plesiosaurs, and dinosaurs we observe in museums. Ap-
parently nature did not particularly favor the forms of life she
had produced thus far, if we may put it that way, but was pre-
paring the way for a more successful life-form. This appeared
in the family to which we belong — the Mammalia.
THE MAMMALS
"During this (Tertiary) period of 3,000,000 million years,"
says Osborn, " the entire plant world, the invertebrate world, the
fish, the amphibian and the reptilian worlds have all remained as
relatively balanced, static, unchanged, or persistent types, while
the mammals, radiating 3 million years ago from very small and
inconspicuous forms, have undergone a phenomenal evolution,
spreading into every geographic region formerly occupied by the
Reptilia and passing through multitudinously varied phases not
only of direct but of alternating and of reversed evolution." 7
When we distinguish between the reptiles and mammals, we
do so by observing their different ways of producing their young,
by hatching or by giving birth to them; that is, in an oviparous or
viviparous manner. If we wish to connect the two types histori-
cally, we call attention to the egg-laying mammals, the Mono-
tremata of Australia and New Guinea, recognizable to the lay-
7 The Origin and Evolution of Life, p. 231,
THE ORIGIN OF MAN IZ
man in the form of the spiny anteater. If we desire to fill in the
evolutionary gap more thoroughly, we make mention of the
pouched mammals, or marsupials, of Australia. In our own opos-
sums we observe the way in which these marsupials are now typi-
fied. In these mammals we find the results of evolution, whatever
the purposes may have been. We observe ten great branches of
the original stock, including whales, seals, and sea-cows; bats, ro-
dents, and primates like ourselves. These covered the face of the
earth and may seem to have been the heirs of Creation. As it ap-
pears now, one family has taken possession of the earth and is
selecting for further existence such types of mammalian and other
life as seem best to it. That is the peculiar family to which we
belong, the human one.
THE ORIGIN OF MAN
Our concern is with the human species, hence we have referred
to the origin of the earth and the appearance of life on its surface
only for the sake of setting man in bold relief. What was the
origin of human life and by what means did civilized man come
into existence? Here, again, we are confronted by those trouble-
some questions: "Whence?" and "How?" Here, again, we
are tempted to let the experienced fact act as a vehicle for the im-
plied cause and content ourselves by saying, " Man emerged from
the general order of life, animal, mammalian, simian." From
the standpoint of civilization, man seems so utterly different from
other animals that evolution cannot account for him or anthro-
pology convey the content of his life. But, since we wish our
development of human civilization to be as fully rooted as pos-
sible, we postpone our consideration of man's cultured traits and
survey him in the dim light of his long natural history. In order
to know what we are and are to be, we must observe what we
have been and were at the very beginning. Hence, we pause for
a moment and consider man in the form of fossil remains which
may have some message for us.
The fossil population of the globe is pathetically scanty, its
members widely scattered, and their family resemblances remote.
Yet they also were men and it may be that some of their early
I2 THE EVOLUTION OF MAN
strivings still persist, some of the primitive traits remain unto
this day. Man appeared on earth 500 thousand years ago; in
only the last tenth of that time has he been what we may call a
human being. In the period between the original anthropoid and
man as we know him today we find a few hundred skeletons,
most of them in fragmentary form. It is not a question of dis-
covering the so-called " missing link " ; that we seem to have in
the Java man. It is the series of missing links between these fossil
men that perplexes us. It is as though nature had made a moving ,
picture film one hundred miles long and had then destroyed all of
it save for a few random snapshots. Of these isolated exposures
we are reasonably sure; of the whole picture we must conjecture.
The record itself was made in different parts of the world: in
Java and China, in England and on the Continent. We must
look at these fossil men and note all possible human resemblances.
FOSSIL MEN
The Java man, pithecanthropus erectus, is the oldest fossil man
known to us but can hardly be claimed as an ancestor, since he
represents an unusual and unprogressive type. What we actually
know of him amounts to the upper part of a skull, three molars,
and a femur bone. His title of ape-man, pithecanthropus, is am-
biguous, but he seems to be so far above the ape that the human
family can hardly reject him. The discovery of this specimen is
a fact of recent history, for it was only in 1891 that he was un-
earthed in Trinil, East Java. His own geologic date is that of
the earliest Pleistocene period. The significant feature of the Java
man is not his head but his feet. He had the ability to assume
an erect posture and move about freely on earth. " Since the
human type of leg and foot is already present in the oldest known
fossil man, it is clear that this evolution also took place prior to
the Pleistocene. The human type of leg and foot was, then, de-
veloped long before the human brain came to be as we see it
now."8
When we change the geologic scene from Asia to Europe, we
observe the Piltdown man, discovered in 1913 and represented by
* Pirsson and Schuchert, Introductory Geology (1924), p. 656.
HOMO SAPIENS !3
parts of a skull and jaw, a human skull and an ape-jaw. The
head, according to the way it has been restored, reveals human
features as far as the forehead is concerned and indicates a brain
capacity not much below that of the average European. It is
the lower part of the face that betokens lack of human develop-
ment in that the chin is wanting. Something resembling weap-
ons are associated with this type of man who is known by the
name of eoanthropus, as his implements, found rather than made,
are called eoliths. Closely related to eoanthropus was the Heidel-
berg man, discovered in 1907, and consisting of no more than a
jaw with all of the teeth, these being of distinctly human form.
The unformed human face is signified by the lack of a chin.
HOMO SAPIENS
The Neanderthal man was much earlier in the history of ge-
ology, dating back to 1856, but ever so much later in the line of
the human series. He represents an approach to man as we know
him and is significant for his large head and the manufacture of
stone implements and hearths. The use of fire is probably the
most significant factor in his material culture. This type of man,
homo primigenius, was succeeded by the Aurignacian man who
seems entitled to the name of homo sapiens; he appeared at the
dawn of human civilization, which dates back to less than 20
thousand years ago. He is found in the New Stone Age, the
Neolithic, but the manufacture and use of stone implements is
not the most significant feature of his existence. He had mastered
the art of fire and ate cooked food. To his tool-making he added
the arts of pottery, weaving, basket-making, and spinning. More
significant still for his culture were his sculpture and drawing,
indicative of free mentality out of which came language and re-
ligion also.
When we look back upon the broken record of mankind as this
is made by geology, we observe that the skeletal features of fossil
men were not altogether different from our own. We note that
from the beginning the ultimate human ancestor had a human
posture and gait and that, in time, he acquired the use of his
hands in the manufacture and manipulation of tools. Himself
I4 THE EVOLUTION OF MAN
wanting in the mechanical appliances peculiar to so many other
creatures, man had to make his own machinery. The simplicity
of his body led to the complexity of his work. In his development,
the most marked feature was his head. This had to be tilted
forward, the brow enlarged, the cerebellum tucked away, as it
were, under the cortex, and the jaw so altered as to project the
jawbones in the form of the chin. " Whatever the precise cause
may have been," says Robert Monroe, " there can be no doubt
that the gradual formation of the chin has had a striking par-
allelism with the progressive stages in man's intellectual develop-
ment ever since he started his human career." 9 It has taken
nature a large part of a million years to form the human face.
Perhaps we are right in assuming that human life as such has
just begun, since the period of human existence on earth is very
brief in comparison with the age of the earth, to say nothing of
the whole universe.
LIFE AND FOOD
If we cannot decide how life arose, we may be able to tell what
it is. From our own intuitive experience we know what life is
like; we feel it within us as a sensation, although its meaning is
far from clear. From the physical point of view, life appears to
exhibit vital phenomena in the way that it uses energy. Instead
of expending this, life in the plant tends to save it and thus re-
tard the degradation of energy so peculiar to the inorganic world.
Chemically viewed, life is metabolism; its system of activity is
such that it preserves itself in the midst of the building-up and
breaking-down process of organic existence. When life is re-
garded in its own special realm of biology, it shows itself to be
a self-preserving and self-propagating entity capable further of
growth and variability. From a psychological standpoint, the
vital process in animals involves awareness of environment, re-
sponse to stimuli, and purposive behavior. In all of these phases
of organic existence there is one factor that should not be over-
looked; that is, the need of food common to plants and animals.
Their methods of obtaining and digesting food are quite different,
9 Article " Anthropology," Encyclopedia of Religion and Ethics,
FOOD AND BRAIN I5
but their need is common. All life obtains its necessary suste-
nance from the sun.
" Earth," said Anatole France, ce is the planet of hunger, the
place where one eats." Life means food. The source of our food
supply, as we have said, is the sun, whose solar energy the plant
acquires from the air above and the soil below in the mineral
form of carbon and nitrogen. Since the plant is so constituted
that it can create organic matter out of these mineral elements, it
is not necessary for it to move about in search of food. This it
derives directly from the earth. With the animal it is otherwise;
the animal must feed on organic matter as it finds this in the
plant or other animal that has fed upon the plant. Hence the
animal must be able to move about to obtain food; to move about
involves the existence and operation of a motor mechanism.
We are in the habit of attributing the faculty of locomotion to
an animal as though it were a sort of luxury when, as a matter
of fact, this mobility is a necessary factor in the all-imperative
work of food-getting. From the simplest animal down to the
inhabitant of a civilized community, the primary question in life
is, "What shall we eat?"
But movement is not of itself sufficient to constitute and sustain
animal existence. The movement in the great food-quest must
be directed. This implies a sensory mechanism to accompany
and act as a guide for the motor one. The two together consti-
tute the nervous system of the animal, and the nervous system
is the animal par excellence. It is by such means that the animal
is enabled to seek food and supply its bodily wants. In the lowest
type of animality, this may not be the nervous system as such
but a kind of combined sensitivity and spontaneity out of which
the cerebro-spinal system develops. If the animal does not have
a brain, it requires the equivalent of one.
FOOD AND BRAIN
Man is brain. We make this statement in view of the biological
facts of man's life, not in behalf of any ideals of his spiritual
nature. We speak of man's body, not his mind. And when we
say " brain," we refer to the cerebro-spinal nervous system as this
Z6 THE EVOLUTION OF MAN
branches out into the moto-sensory system with its terminations
in muscles and sense-organs. This extended nervous system, pre-
siding over the systems of respiration, digestion, circulation, and
the like, is the creature itself — in this case, man. In his animal
capacity, man is placed in a situation akin to that of other species;
all alike require food, must be able to store up the energy the food
supplies, and be in a condition to release this in the form of action.
To the lay mind, it looks as though the rest of the body were
collecting as much energy as possible for the sake of the moto-
sensory system, in order that the animal might live and move
and realize its very being. The proper function of food seems
to be to provide energy for the nervous system, hence the tissues
of nerve and muscle are copiously supplied with glycogen. Ap-
parently the nervous system must be kept intact and in operation
for the sake of the rest of the organism. The effect of the food
is felt by the nerve tissue. Jonathan, while pursuing the Philis-
tines, ate of the honey that had fallen to the ground "and 'his
eyes were enlightened."
When we stress the importance of food in sustaining the nerv-
ous system, we do not mean that the organism is merely a system
of nerves, much less that the body is the brain. Food is meant
to supply the whole organism with power and repair its tissues.
But alimentation has special significance for the nervous system.
The situation is like that in a needy household wherein the head
of the family must be fed at all costs, even i£ other members of
the household have to endure privation. This is not because the
head of the family is more important in himself as a person. It is
because he, in his capacity as bread-winner, must be nourished in
order that by means of work he may supply food for the other
members of the little group. It is thus that the body is ready to
demand sacrifice of the other organs in order that the brain may
be fed.
When the organism is deprived of the food that supplies it
with energy, it is as though the nervous system, the first to be fed,
were the last to be starved. The body, like the family of depend-
ents, seems only too ready to make sacrifices for the sake of the
organ that, like the head of the house, knows how to seek food
and obtain it. "It is a remarkable fact that in animals that
THE HUMAN BRAIN I7
have died of hunger, the brain is found to be almost unimpaired,
while the other organs have lost more or less of their weight and
their cells have undergone profound changes. It seems as though
the rest of the body had sustained the nervous system to the last
extremity, treating itself simply as the means of which the nervous
system is the end." 10 It is in this sense, if in no other, that there
is truth in the materialistic motto, " Man is what he eats — der
Mensch ist was er isst" Indeed, the question of food is so im-
portant on " the planet of hunger " that men and all animals exist
only as they eat. Civilization has not been able to change this
radical condition of human life; all that civilization can do is to
afford the best means of satisfying human hunger.
THE HUMAN BRAIN
We find in the emergence of mankind something more than
the appearance of an extra species, a bipedal mammal. Man is
primarily and ultimately mind. In his brain we observe some-
thing more than an organ which, itself duly fed, enables man to
seek nourishment for his body; in or about his brain we observe
a specific form of consciousness. We have not as yet come to the
place where we can refer to the human mind as a faculty which
has developed industries and institutions to promote civilization
and culture. As far as we have advanced, man's mind means no
more than a large and superior brain. But the characteristic of
this organ is found in its function as well as in its form. It is an
organ of extreme sensitivity and spontaneity, being something su-
perior to the mere senso-motor apparatus found among animals
generally. If we compare the brain of man with that of the ape,
we observe a difference in size and degree of complexity, but
these quantitative and qualitative differences are not sufficient to
indicate the mental gap between them. Wherein does this dif-
ference consist?
The difference between the two brains consists primarily in the
way they function. We might indicate this by pointing to the
enormous distinction between the types of life that each species
leads; the life of the ape and that of civilized man. There can be
10 Bcrgson, Creative Evolution, tr. Mitchell, p. 124.
S.T.— 3
!g THE EVOLUTION OF MAN
no question about the ultimate results of these two kinds of
cerebral activity. But how does this difference appear when sub-
jected to psychological examination? Doubtless in connection
with memory. Both brains retain their previous impressions, but
in the case of man's there is the added function of recollection
whereby man is able to conjure up a past state and hold it before
his mind in the form of image. There is a marked difference
in the learning process also, since man, with his freer type of
memory, is able to invent new forms of activity such as we ob-
serve at the beginning of his career as a tool-maker. In man there
is a free process of learning that is absent from the brain of the
ape. It is true, of course, that animals may be taught both tricks
and useful forms of activity, but their teacher is a being superior
to them. In the case of the human brain it is man who is his
own teacher.
Man taught himself the art of living in order that he might per-
sist upon the planet. This meant something more than an instinc-
tive struggle for existence; it involved a certain versatility of effort
and adaptability of nature. Man was necessitated to seek food and
prepare it and, with the change of climate, to provide home
and hearth-stone. These things required ingenuity, manufacture,
and the inventiveness that this implies. In order to work, man
must plan by picturing the object he desires to create or by turning
it over in his mind. The primitive man may not have been at all
like The Thinker of Rodin's statue, but he had mastered the art
of thinking up to the point of its usefulness for him. Doubtless
this was effected largely by means of language, which is a sym-
bolic form of activity. After man's larynx and jawbone had as-
sumed something like their present form, the development of lan-
guage was much simpler than we are inclined to believe. The very
exigencies of life demanded thought, the brain was forced to re-
spond to the kind of activities adopted, and the mental process fa-
cilitated by the art of speech. The human body became a psycho-
physical organization.
BRAIN AND MIND
This biological conception of man, although suggestive of man's
unique nature, does not tell the whole story; the rest of it must
BRAIN AND MIND I9
be taken up by psychology in order that we may appreciate the
nature of the one animal species which creates its own habitat and
proceeds to live an artificial life. Unless we differentiate man
from other animals, his civilization and culture will fail to convey
the idea of anything significant. We may be able to apprehend
these as facts but cannot so easily appreciate them as values, and
we desire both the real and the ideal in one if that be at all pos-
sible. Unless we are sure of man at the outset, we may be open
to attack on the part of those who have suggested that civilization
is a disease or others who are under the impression that it is
destined for a downfall. For this reason we cannot afford to in-
dulge in a sentiment which would glorify man and take his art
and religion, his civilization and culture for granted. We believe
in man and his work, but must, if possible, give a reason for the
faith that is in us.
In placing man apart from the other animal species with which
his origin was involved, we may appeal psychologically to the
facts in the case. These involve man's habitat and his nature.
At first man took these for granted and lived pretty much as did
other animals, although with the faint presentiment that his kind
of animal life was different, Man exercised about his world a
curiosity which has culminated in the scientific conception of
nature in which we now rejoice. It may seern strange that a
product of matter should itself come to the degree of development
by which it summed up the meaning of things in the form of an
astronomic whole, but such is the case with man. He has been
able to view all nature in the character of a systematic whole
whose laws he has formulated with such perfection as to justify
Kant in saying that " the understanding is the law-giver of na-
ture." In scientific achievement, the superiority, the supremacy
of man has been vindicated.
The same contention may be brought forth biologically in re-
lation to man's origin. Himself a product of the evolutionary
process, it seems strange to think of man as raising his head above
the stream and contemplating it as a whole; but is not such actu-
ally the case, and does not the theory of evolution, which is man's
idea, justify us in exalting him? -If the principle of Natural Selec-
tion, following its own course and producing the human species
20 THE EVOLUTION OF MAN
among others, produced man, the conduct of man has reached a
point where he has taken his evolution in his own hands. For
this reason, we cannot speak of the evolution of civilization in the
way that we speak of the evolution of the human species, since
the course of civilization has been directed by man's own will.
Man has not lifted himself by his own bootstraps, but he has used
nature as a fulcrum for his lever. With this he has raised his
civilization*
MAN THE END OF CREATION
Is man to be esteemed the purpose of Creation? He acts as
though this were the case and it is only when he indulges in
naturalistic speculation that he is inclined to doubt his destiny.
But, for the purpose of placing human civilization in a clear
light, we need do no more than assume that man is an end in
Creadon. Man may or may not have been the -finis, or last-comer,
in the vertebrate series, but we may still regard him as a telos, or
end, in the life-series as a whole. Inasmuch as the process of
evolution has followed more than one line instead of proceeding
in a unilinear manner, other ends may be assumed as realized.
Evolution has had its failures and successes, but in the case of
man, whatever the purpose may have been, a definite result has
been achieved in the form of a rational creature which apparently
has made itself an end in the general scheme of things. This
we may do without indulging in unguarded dogmatism, without
assuming any philosophy of Finalism.
In the case of man, it is as though human life had been de-
cided upon as an objective long after the evolutionary process
had been under way. Now, the difference between a complete
Finalism, with its dogmatic idea of purpose, and the general con-
ception of ends in nature is the diiference between the games of
chess and checkers. In the game of chess, the one end in view,
which is that of checkmating the king, is determined at the be-
ginning. No matter what a complexity of specific moves there
may be, that one end is always kept in mind. In the game of
checkers, on the contrary, there is no purpose in sight at the
opening except the general idea of success, of winning the game.
But in the course of the game, a promising objective arises as one
THE LIBERATION OF CONSCIOUSNESS 21
out of a hundred or more possible termini. At the end of the
game, it looks as though that had been the original purpose
when, in fact, it was only an objective determined during the
play in view of the positions of the pieces,
It is thinkable that some other creature than man might have
been the lord of Creation or that the evolution of man, as we know
it now, might have taken some other course and produced a dif-
ferent type of humanity. But the fact remains that evolution
has taken the course that we now recognize as the one that has
led to man as he is, just as it is a further fact that man has made
himself an end in the evolutionary process. The development of
his nature and the organization of his civilization show that.
Hence it seems idle to speculate about what might have been if
nature had taken some other turn. Man is an end in Creation,
not because evolution took a happy turn or, as if to celebrate a
holiday, gave special privileges to one species above all the others.
Man is an end because, seeing his opportunity, he decided to
place himself in a strategic position. " It is," says Bergson, " as
if a vague and formless being, whom we may call as we will man
or superman, had sought to realize himself, and had succeeded
only by abandoning a part of himself on the way. The losses
are represented by the rest of the animal world and even by the
vegetable world, at least in what these have that is positive and
above the accidents of evolution." 11 Of course, it was necessary
for nature to grant man existence and endow him with a brain,
but the use of his brain has been his own affair. It is from the
fossil skull of the archaeological man to the living, operative
brain of the human being that we must turn if we are to under-
stand the natural evolution and humaif expression of mind.
THE LIBERATION OF CONSCIOUSNESS
The human brain has done more than guide the human species
in the necessary concerns of life, as food-getting. It has expressed
itself. When we consider the human brain, we observe that it
unfolded, so to speak, in the form o£ consciousness. The result
has been the human world-order, the practical civilization and
11 Creative Evolution, tr, Mitchell, p. 266.
22 THE EVOLUTION OF MAN
intellectual culture of the human race. Before we can present
these major products of consciousness, we must consider how the
mind delivered itself from the domination of the body. We
must note how the mind emancipated itself from immediate
necessities to the fulfillment of remote desires. In pure science
and speculative philosophy, it is not necessary to discover by
what means the mind liberated itself from the body. In those
forms of intellection, pure mentality as an ideal arrangement of
thought is the sole consideration. But when we are dealing with
the natural history of mankind and are considering how man
passed from nature to humanity, the psychophysical issue is
bound to arise. Hence we must pay tribute to nature before we
can feel exempt. After that we can proceed to the methods
whereby man as man humanized his own nature, and then ad-
vance to a study of arts and sciences, systems of thought, and
modes of civilization. Just how is the mind related to the body?
The professional view of the problem, as we may call it, is that
of psychophysical parallelism. This was Spinoza's solution of
the modern problem precipitated by Descartes. It amounts to an
equipoise of mind and body, or so much of the psychological
means just as much of the physical. It was a plausible and par-
donable conception at the beginning of modern thought, when
the physical was understood in a purely mechanical way and
the psychological was looked upon in a strictly intellectual man-
ner. Descartes and his followers viewed nature in a schematic
way; hence, their conception of mind and body was that of
thought and extension. The parallel between such a cogitatio
and an extensio appeared complete. The pattern that these early
thinkers had in mind ^as that of a framework or even of a
system of pickets running up and down between the lower and
upper rails of a fence. What the brain bound was bound in con-
sciousness and what the brain loosed was loosed in consciousness.
The stimuli projected themselves upward in the form of sensa-
tions, so that, to understand a conscious state, one needed to un-
derstand only a cerebral one. This was the practical outcome of
the theory as it was developed in the XlXth century in connec-
tion with physiological psychology. It is the general type of
psychological reasoning even today.
THE EMERGENCE OF MIND 23
We are required by the facts in the case to take a more energetic
view of both the physical and psychological Nature is not
merely a geometrical scheme which imprints itself upon the mind
as though thought were only the cogitation of extension. Both
the physical and psychological are functional and operative con-
cerns. Mind came into being to serve the movements of the ani-
mal in its quest for food, not to mirror the universe. It may be
inseparable from the body, but, as Aristotle pointed out, so is
the sharp edge of the ax from the blade. The two are inseparable,
but still different.
THE EMERGENCE OF MIND
Now, experience is constantly showing us that consciousness
does not sit idly waiting for stimuli to turn up, but recalls past
sensations, connects them with others, and works out patterns
which are not in any wise prefigured in the brain no matter how
complex its structure. Hence it seems more empirical to look
upon consciousness as a kite floating about in the free air, although
its flying depends upon its being held down to earth by a string.
There is indeed a connection between mind and body, so that
one's consciousness may be said to travel about with him approxi-
mately as his organism does. But it is not the mere possession of
a brain, still less the brain's possession of consciousness, that is
significant in the life of man, but the way man uses this organ.
He keeps it open to new impressions, urges it to put forth novel
activities, and changes its original status, such as it had in the
animal, from master to slave. It was the power of invention that,
it seems, set man as such free from a purely anthropic condition
like that which his primitive ancestors experienced; it is the in-
ventive in man that has led him into the ways of civilization and
culture.
The emergence of man has meant something more than the
appearance of a new species; it has amounted to the entrance
of consciousness. In man we find what Schopenhauer called
" knowledge of the Will-to-Live," which means something more
than the awareness of objects and the means of securing food,
It means the condition of a creature which, by its consciousness,
detaches itself from the world, measures the extent of the uni-
24 THE EVOLUTION OF MAN
verse, and analyzes the very nature of matter as well as that of its
own soul. This consciousness is the stuff out of which it makes
its own life, its civilization and culture, its very humanity.
Where do we stand now in our preliminary study of man?
We have observed how the earth was drawn off from the sun at
a time so remote that a terrestrial -calendar can hardly measure
it. We have seen how, after the planet had cooled, life began
to appear in the crevices of the rocks and how in the long course
of time animal life emerged. Man's history we have traced or
indicated in the last half million years from the Man Erect to
the Man Thinking. This brought us to the Psychozoic Era, the
period of mental dominance, the age of man. The geologic
forces that formed the earth are still at work in the form of
atmospheric influence, ocean currents, rain and snow, earth-
quake and volcano. However, nature has all but completed her
work of natural selection, leaving the fate of animal existence,
including the life of man himself, in the hands of man. " The
animal takes its stand on the plant, man bestrides animality, and
the whole of humanity, in space and in time, is one immense
army galloping beside and before and behind each of us in an
overwhelming charge able to beat down every resistance and
clear the most formidable obstacles, perhaps even death," 12
13 Bcrgson, Creative Evolution, tr. Mitchell, p. 271.
CHAPTER II
THE HUMANIZING OF MANKIND
THE DISCOVERY OF MAN
MAN HAS JUST BEEN DISCOVERED! " THIS STARTLING STATE-
ment was made by Ludwig Feuerbach less than a cen-
tury ago. Suppose we revise it in terms o£ the time-
table in the previous chapter and interpret it psychologically.
Then we shall say, man was discovered when he began to walk
erect or when he started making tools or when he began to speak.
Man has discovered himself: his powers of body by which he
moves and acts, the faculties of brain by which he speaks and
thinks. The discovery of man was made by the Aurignacian
group whom we know somewhat better in the definite form of
the Cro-Magnon man. From him were descended men as we
know them, and we begin to find them historically in Egypt and
Mesopotamia. In the men of those places we find the beginnings
of the languages we recognize in the form of the Hamitic,
Semitic, and Aryan, which must trace back to a common form
of speech. Then began also a kind of thought-existence which
showed itself in the habit of observing the seasons, reckoning
time generally, and counting by means of symbols, Man discov-
ered himself, his world, and a spiritual order beyond both of
these.
The general factors in the discovery of man may be styled
sensitivity and spontaneity, or the awakening of the senses and
the arousing of the faculties of action. These movements led to
the clarification of the intellect and the fortification of the will,
or the proper development of the senso-motor arrangement
within man. Evolution had produced man, set him on his feet,
and raised his head. It was now for man to raise himself to his
proper stature, or take his strict humanization into his own
hands. It may be that it was only some fortunate turn in the
process of evolution that produced man or that, with some other
sort of evolution, different creatures would now be in control
2g THE HUMANIZING OF MANKIND
of the planet earth; but, in effect, evolution has worked to pro-
duce such a race as we now find here. Hence, in looking back
over the history of mankind, it is as if the production of the race
was something that had been planned from the beginning.
In addition to the above conjectures which lead us nowhere,
we might inquire why it was that man has used only one tenth
of his 500 thousand years on earth to better himself to such a
degree as to have become man indeed. We know only that
about 50 thousand years ago, man did set out upon a truly human
course of development which has brought him to the levels of
civilization and culture as we observe them today. Now, it will
be more effective if, instead of wondering about the general evolu-
tion of mankind, we consider the means by which man has hu-
manized his being. Then we shall discover that man became man
by means of the head that nature had given him, for in this there
was room for an adequate brain and the organs of speech. In
addition to these things that we may call gifts, man developed
the powers of industry and art, social life and religion. Two
things have been in operation in this process of humanization —
the passage of time and human effort. Of the two, it is the effort
of man that must engage our attention.
THE FREE BRAIN
The emancipation of man, which is still going on, has been
brought about by both nature and man himself. Man is indebted
to nature for his erect posture and straightforward gait, by means
of which his upper limbs were set free for work and his head was
placed in a position to direct movement and action. The most
important consideration is his brain. When man appears, his
brain is not wholly different from that of the ape-like relative in
the larger family of nature. When the brain of the Java man
is compared with that of the ape, it seems large; but when set
alongside that of the modern man, it appears correspondingly
small. But it is the use of the organ that counts, not merely the
possession of it. In the ape-mind, such consciousness as springs
from the brain is no more than a sort of phosphorescence with its
power to lend a certain glow of intelligence to the creature's
THE FREE BRAIN 2^
lifnited sphere of activity. In man, however, there is a certain
excess of consciousness, a distance and differentiation between
body and mind, whereby he is enabled to cover a broader field
of activity and initiate a work of his own. If we regard the two
brains outwardly, the difference appears to be only one of de-
gree; but if we consider them inwardly and observe their respec-
tive functions, that difference becomes one of kind.
We may assume, if we choose, that in the matter of brain-
building nature has advanced step by step, so that actually the
differences among the Primates are only so many gradations.
But it is the product rather than the process that concerns us.
The product is man's present brain, but not that alone; it is what
that brain has accomplished in the civilization and culture of the
human race. When we turn from process to product, we re-
ceive the impression that in the case of the human brain a sudden
leap occurred, for man has arrived at a position in nature which
no other animal can match. He has thrust his mind forward in
the way that he had previously set his body upward and has be-
come man mental in the way that he was originally man physi-
cal. How has this mental thrust been accomplished?
We cannot answer this question by pointing to some good
genius who instructed man in the art of thinking; still less can
we attribute his acquisition of intelligence to some extra gift
from nature. We might say metaphorically that when nature
placed man on his feet, she released his head and equipped him
with the kind of brain he needed for his work. But it would be
more in accordance with experience to suggest that the develop-
ment of the brain and, with it, the emancipation of the mind
were due to man's own effort. This effort was not put forth in
the form of mere strength, but in the form of skill. It showed
itself physically in man's original industry and art, psychologi-
cally in his language and social life. Its most consummate expres-
sion was in religion. These outward thrusts are significant of
man's unique nature and represent man as a creature which can
go beyond itself. The bird's nest, spider's web, and even the
beaver's dam are forms of ingenious activity which serve their
purpose without the extension of the creature beyond itself. In
man's case, however, there is the ability on the part of the crea-
2g THE HUMANIZING OF MANKIND
tureto teach itself new activities, form new habits, and then create
variations of these.
EMANCIPATION THROUGH INDUSTRY
The most direct way in which man emancipated himself from
nature and set his mind free from his body was that of indus-
try. The aim of the primitive man was far from that of con-
trolling nature in our modern sense of the term; the best that
primitive man could do was to adapt himself to nature, or let in-
telligence effect a conscious adaptation, as instinct had afforded
an unconscious modification. He did this by means of stone
implements, weapons, and tools. Some of these, the "dawn
stones," or eoliths, extend backward in time to an incredibly re-
mote age, causing the layman in geology to wonder whether such
crudely pointed bits of flint were formed or were merely found
by the men of that period, if men there were in existence in that
early era of the earth's history. The progress of primitive indus-
try was such as to include traps for beasts and nets for fish, tents
for dwellings and boats of some sort for transportation. We can
do no more than point at these, as though we were passing
through an anthropological museum in order to prime our minds
for the finished work of man • as revealed in a modern expo-
sition of machinery and a museum of art. If we were to indi-
cate the character and development of such pre-historic activity
on the part of our fossil ancestors, we should soon become be-
wildered by details and thrown off our historical course. We
appeal to industry as evidence of intelligence in the primitive
brain.
When we refer to industry, we are thinking more of the in-
ventive process within it than the object it created, " In the be-
ginning was the deed," as Goethe said. Man began to be him-
self by means of what he did, and although his mind was
inarticulate, his brain did not fail to express its intentions. The
value of such manufacture was more mental than material and
it was the mind rather than the body that was to experience the
ultimate advantage. If we think lightly of such human begin-
nings, we should consider how long it was after man had de-
INDUSTRY AND INTELLECT 2g
vised his alphabet that he postponed the art of printing and how
long, again, it was after the Greeks had discovered the principles
of practical mechanics, even to the steam engine, that man waited
before he started the age of machinery.
The effect of invention was to reveal man's powers to him and
show him how, in part, the problem of life was to be solved. The
nature of invention is such as to reveal the adaptation of nature
to man instead of the original adaptation of man to nature. It
was the beginning of that artificial world in which we now live
and which in its technicalism is beginning to feel annoying.
When invention is viewed, as it were, on the inner side, it shows
that man has the ability to make use of thoughts as well as
things; the ability to discover the physical qualities of things and
the psychological processes of the mind. Man created both ma-
terial and mental instruments at the same time. There was a
kind of logic in the mental operations of the primitive maker of
tools and weapons, houses and boats, but its field was that of
the concrete. It was the realistic logic of nature itself and pro-
ceeded more instinctively than consciously. But it was still a
logic, a mental process according to which man was to become
man indeed.
INDUSTRY AND INTELLECT
Man's industry, as he works with stone and metal, with clay
and wood, reacts upon his brain to render him homo sapiens. The
effect of inventive industry is both exterior "and interior; it
shows in man's mode of living and in his method of thinking.
The hearth with the fire that man built upon it, the home in
which he lives, and the instruments he uses in his hunting and
agriculture have a refining effect upon him. But it is just as
much the mental process whereby he creates his own surround-
ings and performs his work which develops the inherent human
being within him. As Bergson says, " It is this mastery that
profits humanity much more even than the material result of the
invention itself. Though we derive an immediate advantage
from the thing made ... it is a slight matter compared with
the new ideas and new feelings that the invention may give rise
to in every direction, as if the essential part of the effect were to
3o THE HUMANIZING OF MANKIND
raise us above ourselves and enlarge our horizon." * We observe
this in our day in the way that one invention not only leads to
another, but also increases desires whereby luxuries soon be-
come necessities. We observe the workings of this principle in
the primitive mind, wherein the betterment o£ the outer condition
went hand in hand with the improvement of the inner state of
mind.
What is true in the specific field of fabrication is none the less
observable in the general domain of civilization. It is as though
the will in carrying out an idea furnished by the intellect felt
called upon to repay the debt with interest. The deed reverber-
ates with ideas. Hence it was that Turgenev said, " We are in-
debted to civilization, not alone for knowledge, art, and law, but
for the fact that the very sentiment of beauty and poetry is de-
veloped and enters into force under the influence of that same
civilization." 2 Thus the two forms of human life, the active
and the intellectual, interweave and the total effect is human
life in its fullness. It is in this country that the elaborate develop-
ment of exterior life in the form of technicalized civilization has
still to develop a parallel form of existence, an interior condition
of American culture.
THE EFFECT OF ART
To the testimony of industry must be added that of art, a ma-
terial and manual manifestation of a dawning spiritual life in
man. Like the manufacture of tool or weapon, boat or basket,
a work of art is physical, yet it tends to assume a more psychologi-
cal character. It contains less and less of the material, more and
more of the mental, consisting as it does of something extra and
useless in the form of decoration, ornament, or object of art. The
manufactured article was a necessity in the actual life of man;
the work of art is more of a luxury or something added in re-
sponse to an inward demand for completeness. Art seems thus
to have grown out of industry and, since these human origins
retrace their way so far back into antiquity, we will risk the as-
1 Creative Evolution, tr. Mitchell, p. 183.
2 Smo'ke, tr, Hapgood, p. 165.
THE EFFECT OF ART 3I
sertion that art is about as old as man. We can safeguard our-
selves by the further assertion that man is not man until he is
artist, or until his aesthetic nature has developed. " Man," said
Schiller, " is not fully man until he plays " ; that is, until he ex-
presses the Sfieltrieb out of which art is engendered.
How did primitive man exhibit this aesthetic " playfulness "
out of which the fine arts were to spring? He did this by the
direct application of his free hands to detachable materials of the
earth. The moment we discover some evidence of technique in
such manual work, we discover what we must call art. This may
not be found in the eoliths referred to in connection with primi-
tive industry, not because they were made, or chosen, to serve a
practical purpose, but for the reason that they lack the artistic
touch, the human finish able to transform them from things to
instruments. But with the faleoliths this is not the case, in that
the human touch is not lacking since these flint implements may
be considered well-made implements. When objects of primi-
tive industry are well made, they are useful; when they are made
better than the need requires, they are " beautiful." " The tech-
nical skill involved becomes itself a stimulant for the develop-
ment of still higher skill, and when this is the case, the object is
not merely well made, but also artistically made, for virtuosity and
playfulness, when held within the bonds of a more or less rigid
form, are art." 3
The aesthetic spirit of man advances farther beyond the do-
main of the natural when a decorated object appears beside the
well-made one. The very nature of the material employed and
the method of manipulating seem to invite free design. What
was the character of the primitive pattern? On this point an-
thropologists differ, some of them inclining toward the idea that
the pattern was purely geometrical, others observing the pres-
ence of realistic forms. The layman, who looks upon works of
primitive art in museums and further considers the art tenden-
cies of the present time, does not find it necessary to take sides
with either party. He realizes that both the more rigid and the
free-flowing lines have their aesthetic appeals, and can see how
each can interweave with the other. A geometrical design with
8 Goldenweiser, Early Civilization, p. 165.
32 THE HUMANIZING OF MANKIND
its straight lines, curves, and angles can be used to portray a
realistic object like an animal. And just as easily can a realistic
representation of an object like an animal convey the impression
of geometrical forms, as in the case of Cubism. What the gen-
eral student of human civilization is bound to observe, over and
above these differences, is the beginning of human emancipa-
tion in the free sense of play.
ART AS PLAY
The mental activity involved in the art-work of primitive man
thus becomes more important for our purpose, which is really
psychological. We know that the mind of man has freed itself
from nature in the form of both matter and the brain. Man is
still on the earth and his mental functions operate in some rela-
tionship to his nervous system, but his intelligence has become
a free agent in the total scheme of things. It is this emancipated
intelligence that has made man's world for him. In specific rela-
tion to art, the release has come about through the functions of
play-activity, imitation, and expression; or it was by means of the
combination of play and imitation that man arrived at expression.
The works of art peculiar to primitive man can in no wise com-
pare with the perfected art of ancient Greece or of modern
Europe, but the change has been exterior, not interior. The art
of the present like that o£ the past is an aesthetic urge in which
play, imitation, and expression are the characteristic forms.
A brief analysis of the play-impulse will suffice to reveal its
simple method of emancipating man from the material world
without taking him out of it into the domain of pure intellection,
as in science and philosophy. Play arises out of a sense of super-
abundance or surplus energy; out of the strength that is left after
necessary work has been performed. It is in this sense that play
is " ideal." In a necessary industry like that of tool-making, the
factor of play exhibits itself in a simple form of playfulness or an
artistic touch added to a useful implement. In design, however,
the play-factor becomes more creative and tends all the more to
release the consciousness of the primitive artist. He, as well as
the artist of a perfected culture, passes serenely from the external
PRIMITIVE ART FROM THE CEILING OF THE ALTAMIRA CAVE IN SPAIN
EARLIEST EXTANT WHITING, FROM THE TOMB
op MENES AT ABYDOS
PREHISTORIC EUROPEAN POTTERY, POUND IN EXCAVATIONS OF
A LAKH DWHLLKUS' VILLAGE
ART AS PLAY 33
to the internal, from the necessary to the free, from immediate
interests to remote ones. Art thus assumes the form of excess,
something not actually demanded by the exigencies of life. It
springs from the brain of man which has stored up extra energies,
delivers itself from purely physical laws, and elaborates principles
of its own. It is indeed what Prosper Merimee called it — " exag-
geration a propos!'
The aesthetic " exaggerations " of art, past and present, are not
wholly motor; they assume the parallel form of the intellectual.
This they do when they satisfy the desire for ideal stimulation, as
though the everyday sensation were insufficient. We might im-
agine that primitive man would be so taken up with the struggle
for existence that he would have no time for play and no desire
for artistic entertainment. Just as fully might we suppose that,
in an industrial age like our own, the desire for gain would be so
intense that there would be no room for ideal interests. But such
is not the case. With both primitive man and man in an indus-
trial civilization we find a play-activity worthy of the Greeks.
With the savage, it was the war dance with pantomime and
mimetic gesture; with civilized man, it is theatrical entertain-
ment of various sorts. With both sorts of men, savage and civi-
lized, these entertainments are not necessarily intellectual, but
they are operative in the field of intellect. That is, they involve
the free play of mind and have no other source than the desire
for " ideal " excitement.
But the natural function of play is not sufficient to account for
the elaborate institution of art as we know it today or even for
the results of primitive art. Play ends where it begins — in move-
ment, while art is a definite result, a thing created. In animal
play, the games of children, and the sports of adults we observe
the functioning of the faculty; but we are in search of a product,
not a process only. Hence, to attach play-activity to things and
have them change to works of art, we must have recourse to
something at once more substantial and more definite whereby
play may take on form. This we find in imitation, which en-
ables play to pass significantly from an impression in the mind
to its expression in an object. Play may supply the motive for art,
but imitation involves the motif.
THE HUMANIZING OF MANKIND
ART AS EXPRESSION
This does not mean that we accept and perpetuate the tradi-
tional idea that art is the imitation of nature, for, while there is
some resemblance between an object in nature and the repre-
sentation of it, art does not copy nature. To imitate the appear-
ance of an object would be merely to make a record of it, as in
drawing a map; not to develop the beauty of it, as in painting a
landscape. But when the aesthetic impulse is aroused and the
art-play has begun, it stands in need of guidance, which is af-
forded it by the mimetic faculty in the form of perception. Art
may go to the extreme of pure play, as it has done of late in
accordance with the maxim "no representation of the recog-
nizable," but when an art is undeveloped it cannot rejoice in
such freedom. It must follow the general plan of nature and
use imitation as its modus vivendi. Such imitation is really
expression.
The term " expression " is so comprehensive that we do not
hesitate to use it in connection with primitive art. But even
when expression is taken specifically and its psychological nature
duly stipulated, it is genuinely applicable to the aesthetic efforts
of the primitive mind and hand. We approach the idea of art-
expression as though it were the resultant of inner and outer
forces, of play and imitation. We regard it as an effort on the
part of the mind to render a subjective impression or feeling ob-
jective. The merit of an art depends upon the character of the
inner state of mind and the adequacy of its objectification. Did
the artist see clearly and feel deeply? Does his art reveal these
things ? By raising such questions we try to feel our way back
into the minds of the early artists.
When we speak of art as expression, we realize that, even in
its most gigantic form, a work of art can convey fine feeling.
This we realize in looking upon such a massive structure as
Stonehenge on Salisbury Plain must have been when, in the
late Neolithic period, it was erected as, perhaps, a temple of the
sun. More adequately do we realize the expressive character o£
architecture in such a monument as the Great Pyramid or in the
Parthenon. Expression of a more distinct type appears in the
THE DEVELOPMENT OF LANGUAGE 35
Cathedral at Rheims, St. Peter's at Rome, or a set-back sky-
scraper in New York. The principle of expression is such in
its integrity that it may be applied to such different types of build-
ing as we have mentioned. It is a stream with works o£ art jut-
ting out into it like capes and peninsulas.
The same continuity of aesthetic activity appears in folk lore
and the fully organized poem of the Iliad; in early modern tales
and their dramatic form on the Shakespearean stage; in the crude
drawings on the walls of caves, the frescoes of Giotto, and the can-
vases of Raphael. If we choose to clarify art as it has appeared in
history, we may make artificial cuts up and down, thus dividing
art into periods; but if we wish to feel its vitality, we must look
upon it longitudinally, or stream-wise, as continuous expression.
We, for all our sophistication, are bound to share the sentiments
of primitive man and participate in the same feeling of expres-
sion that animated him. He groped after the beauty that we
more fully grasp and sought to discern the aesthetic forms that
are so much clearer to our eyes; and yet he expressed himself as
we express ourselves.
We might find it difficult to consider primitive art as expres-
sion were it not for the fact that our generation seems to be in-
dulging in it in somewhat the same way. In our despair over
formalism, which reached its climax in the Victorian period, we
are inclined to revert to the primitive. In architecture, we ob-
serve this in the massive type of building, such as the American
Telegraph and Telephone Building in New York. In sculpture
we observe the crude in Rodin's The Thinker. Gauguin's paint-
ings, so distinctly atavistic, portray primitive life as the artist ob-
served it in Tahiti. Eugene O'Neill, with such a play as Em-
peror Jones, reveals the modern desire to return to a primitive
ideal of drama. Such works of art look natural, "strangely
natural" as we say. Their "Futurism" is really a kind of
"Pastism."
THE DEVELOPMENT OF LANGUAGE
The humanizing of man, while still more or less of a natural
process, was intensified by the development of language. As
we saw in Chapter I, the work that man was forced to perform
36 THE HUMANIZING OF MANKIND
called for the development of abridged or symbolized activity
in a linguistic form. Man spoke, we might say, in order to exist.
His word had meaning for him and significance for his fellow
man also. In what degree was primitive man adapted to verbal
expression? We have long been accustomed to believe that
primitive tongues contained a limited vocabulary and no gram-
matical structure. But the studies of anthropologists in the
present century are calculated to disabuse our minds of such a
prejudice. " It is now known," says Goldenweiser, " that the
vocabularies of more than one Indian tongue comprise several
thousands of words and possess phonetic characteristics compara-
ble in fixity and complexity to those of ancient and modern lan-
guages." 4 If we observe the ease with which a child absorbs a
language, our own English or a difficult tongue like the Chinese,
we can well credit the primitive mind with adequate linguistic
capacity, which is a purely human possession.
It is not necessary for us to go into the philosophy of language
to appreciate its influence in the humanizing of a creature that,
having learned to walk erect, use his hands and elaborate his
primitive industries, came at last to apply names to things, feel-
ings, operations in nature, and social relations. On the subjec-
tive side of language there was doubtless the desire to express
emotion, whereby language would amount to something akin to
the cry of the animal. On the social side, language gratified the
primitive individual's desire for communication with his fellow.
From the standpoint of nature, there was the need to recognize
the differences between now and then, here and there, or the
natural categories of time and space. Just as fully did the primi-
tive mind appreciate the qualities of things and the forces opera-
tive within them, leading it to the ideas of substance and causal-
ity. The effect of language has been to detach man from the
natural order and attach him to the human one. Instead of deal-
ing with things only, man began to operate with symbols o£
them. If language had not arisen when work began and the
intellectual had not accompanied the industrial, human beings
would have amounted to no more than automata. But when
language did come into being, it gave man a world of his own,
4 Early Civilization, p. II.
SOCIAL LIFE AND HUMANITY 37
akin to the world about him, but more a world of ideas than a
world of things.
A glance at the parts of speech will serve to express this more
clearly, just as it will enhance the importance of language. The
multitudinous words in a developed language fall into definite
compartments. Not only do they reduce themselves to alphabeti-
cal form, but they become what we call " parts of speech." Of
these the noun with its adjective and the verb with its adverb are
the most significant. Indeed it was by means of these four parts
of speech that Aristotle developed his categories, or fundamental
forms of thought. In a way which is by no means a manner of
speaking, one uses the noun to indicate things as far as these be-
come the objects of his consciousness. Since these things or ob-
jects are recognizable and often are known only through their
qualities, the mind turns to adjectives to indicate states of exist-
ence or characteristics of things. As a sort of balance for the
noun, language makes use of the verb to indicate relations of one
sort or another, the relation of a thing to its qualities as also the
relation of one thing to another. Then, just as the adjective
adapts itself to the noun, so does the adverb locate action in space
and time and indicate the way in which it is carried on. In gen-
eral, it was when man desired to extend and intensify the field of
action that he resorted to language.
SOCIAL LIFE AND HUMANITY
The social life of man was another factor in effecting the hu-
manizing of the species. As in the case of industry and speech,
we are accustomed to take social life for granted, little realizing
by what effort mankind came to avail itself of these humanizing
forces. Even today, after civilization has a long history behind
it, we find it difficult to assume the social standpoint except in
limited ways. Social life itself, entering human life in connec-
tion with man's works and words, must be taken to mean more
than the quantity of human life as this may be summed. up in
the form of population. For there is an inward quality of social
existence whereby the Greek became Grecian and the citizen of
Rome a Roman indeed, and it is this inward quality that civiliza-
3g THE HUMANIZING OF MANKIND
tion and culture arc supposed to enhance and purify. It is not
sufficient to attain an outer unity of mankind, as we endeavor
to do politically by means of international relations; there is a
demand for an inner unity which can beget a common conscious-
ness. Society means division of labor and the cooperation that
results from it, but it is calculated to mean a kind of mental col-
laboration involving an exchange of the goods of the mind.
The psychological aspect of social life tends to take the place
of the biological analogies employed in the XlXth century, when
society was looked upon as an " organism " made up of " social
tissue" with its individual "cells." We are recognizing the
fact that society is a great deal more than the gregarious instinct
which is so apparent in the animal order. Society is an organiza-
tion of minds which avail themselves of such human institutions as
religion, art, and science to bring them together and promote
mutual understanding. It is a mistake to follow the psychologi-
cal analogy too far and thus speak of a " social mind " in the
way that society was once regarded as an organism. A mind is
an individuated thing definitely related to an individual brain.
However, we have a right to refer to a " social consciousness " in
its various forms, since there is social as well as individual psy-
chology. Now it was by means of such a social feeling that
primitive mankind began to promote the humanization that
makes man a man to himself and mankind to the human species.
The social organization of man, whereby he began to approxi-
mate to his humanity, was brought about by the institution of mar-
riage; out of it came blood-relationship, and the family in its
widest sense of kinship became the State in miniature. It is not
the only social factor, but it is the most original one. It may not
have assumed the regular form of husband, wife, and children,
since polygamy and polyandry entered in. But it was there at
the beginning as it is now — the basis of social organization,
The " mother " is used in primitive societies to designate both the
mother and the maternal relatives, as the corresponding term
" father " may denote things paternal, but the fundamental idea
of kinship predominates. The clan arises when the children are
thought of as belonging to the mother, the gens when they belong
to the father.
TOTEMISM 39
FAMILY, VILLAGE, CITY
The family as a social factor appears in history in connection
with the patriarchal family of the ancient Hebrews, where the
names Abraham, Isaac, and Jacob are most thoroughly under-
stood as groups of individuals or chains of generations rather than
as particular individuals bearing those names. The social and
religious function of the family appears in a sanctified form in
China with its ancestor worship. Even in our own age, when
society might seem able to run of its own force and carry its own
weight, it is necessary to have the simple, original family in a
highly organized State. A theoretical conception of evolution
seems to urge us to think of the family as itself having evolved
out of an original condition of promiscuity through group mar-
riage to individual marriage, but the facts in the case are against
such a conception. As Aristotle pointed out long ago, it is the
household, oi\ps, which lies at the foundation of the State, polis.
The family relationship at the basis of social organization was
extended and enhanced by totemism. In its simplest form, totem-
ism is a belief that a tribe or totemic group may trace their de-
scent from some plant, bird, animal, or other natural object.
Just as the human group relates itself to these objects, the latter
are thought of as groups or species of things rather than as in-
dividuals. Totemism is more social than religious, since the
totem is not an object of direct worship so much as one of awe.
In speaking of the organization of the totemic system, Golden-
weiser says, " The skeleton is always a social system. It may be
a tribal set of families or of local groups, but in a surprisingly
large majority of cases it is either a clan or a gentile system. The
totemic complex may constitute the very flesh and spirit of that
system, but if the totemic complex were conceivably removed,
the skeleton would remain; there would still be a social system." 5
TOTEMISM
How can we make a place in our own minds for totemism?
We can do this when we observe our peculiar attachment for pet
5 Early Civilization, pp. 288-289.
40 THE HUMANIZING OF MANKIND
animals, as for example dogs, which at the present time seem to
live and multiply under a special human providence. We can
sympathize with the original totemist, again, if we observe how
penetrating minds are accustomed to see animal features in hu-
man faces. The physiognomist does this, but so does the ob-
servant mind generally. This we observe in one of Ibsen's cyni-
cal comments on human nature; it is where the sculptor, Rubek,
speaks in When We Dead Awaken.
" There is something equivocal, something cryptic, lurking in
and behind these busts — a secret something that the people
themselves cannot see. I alone can see it and it amuses me un-
speakably. On the surface, I give them the ' striking likeness,'
as they call it, that they all stand and gape at in astonishment.
But at bottom they are all respectable, pompous horse-faces, and
self-opinionated donkey-muzzles, and lop-eared, low-browed dog-
skulls, and fatted swine-snouts and sometimes dull, brutal bull-
fronts as well." 6
We are not pleased with such comments, yet all of us are in-
clined to observe quasi-animal features, and often attractive ones,
in the people whom we see pass by. How much simpler must it
have been for primitive men with poorly developed features to
have noted these animal resemblances. But it was the working
of the totem that had to do with the process of human socializa-
tion. This was in connection with marriage. Exogamy was the
most universal and significant feature of the custom. It gov-
erned marriage in that it forbade a man to touch a woman of the
same totem as his own, or even the female members of a whole
group of totemic clans. Even today there is a tendency on the
part of a young man to seek his mate outside his familiar circle
o£ acquaintances, although there is nothing obligatory about this.
All in all, the tendency of totemism was to extend the social
circle and, likewise, render the individual more conscious of his
social nature.
The various processes by which man became a human being
thus seem to be concentrated in his social nature. Without a so-
ciety about him, man could not have developed language, and
however individualized his art and industry may have been they
6 Op. dt., Act I.
THE NATURAL AND THE SUPERNATURAL 4I
required a social setting and played a social part. Hence we as-
sume the social character of mankind and then cast about for
plausible ways of explaining its origin. In so doing, we proceed
as social science is in the habit of doing; we assume what we de-
sire to prove and then show that our idea, industrial, aesthetical,
linguistic, or social, fits into the general plan of human life as
we know it. We do not attempt to deduce industry or art, speech
or social life from anything not already contained in them. In
so doing, however imperfect our logic may be, we avoid the error
of the XVIIIth century, which regarded such natural effects as
social life and language, political and religious institutions as
things deliberately invented by the conscious intellect. We define
man as an artistic, linguistic, social, and religious creature; then
we have little trouble in showing how society with its various
forms arose.
THE NATURAL AND THE SUPERNATURAL
The process by which the human species became human beings
was bound to include religion. The function of religion at the
present time is not wholly clear; it appears to be a means of so-
cializing human existence and promoting human welfare, but
it is more inclined to speak of peace on earth among men than
glory to God in the heavens. With the primitive mind, religion
was a means of gaining insight into and power over nature. By
means of common perception, man came to an immediate under-
standing with the objects of his experience. Through his indus-
try he gained partial power over them in particular. But to
comprehend and command the world as a whole, as the primi-
tive mind so understood that world, was another matter. Hence
the primitive mind confronted nature with supernaturalism. This
assumed two leading forms: a speculative animism and practical
magic. These forms of primitive psychology received classic
treatment at the hands o£ Tylor in his Primitive Culture (1871)
and Frazer in The Golden Bough (1890).
The religious life of mankind seems to have begun in a psy-
chological manner in special connection with animism. Accord-
ing to Tylor, religion is a belief in spiritual beings,7 a belief uni-
7 Primitive Culture, Vol. I, Ch, 11.
„-, THE HUMANIZING OF MANKIND
4Z
versal among primitive peoples. In his naturalistic psychology
the primitive man had to distinguish between life and death
waking hours and those of sleep; hence he resorted to an animis-
tic interpretation. The life of man was attributed to the spirit
in the form of breath, for when a man died he stopped breathing
The spirit, however, survived and it was this disembodied ghost-
soul, a kind of filmy or vaporous substance that visited man, ap-
pearing in the form of dreams and visions.
ANIMISM
But this animism was more than a psychology; it was a form of
worship or cult of the dead; out of it grew various religious prac-
tices. Among these were funeral rites which involved human
sacrifices, based on the idea that the dead man would need the
services of his wives and his servants. These victims of their
own faith, or that of the community, were buried alive or stran-
gled to death or burned on the funeral pyre. When not put to
death by force, they were made to sacrifice themselves by force
of public opinion, which would make intolerable the life of the
survivor, chiefly the widow. The Japanese improved upon the
principle of the living sacrifice of the deceased's attendants by
substituting images of stone, clay, or wood which, since the dead
could have no physical needs, would serve his purposes about as
well. Then there were feasts of the dead celebrated near the
tomb of the dead man, who consumed only the steam and odor
of the food which was eaten by the mourners. Certain modern
survivals of animistic practice are to be found in the custom of
placing flowers on a grave, originally with the idea that the spirit
might enjoy their odor. The military custom of having the horse
of a deceased general march riderless in the funeral procession
may be accepted as another survival of animistic procedure. The
significance of such practices has been forgotten, but the symbol
remains.
The philosophy or science inherent in animistic belief and
practice involves a kind of primitive idealism. Animism thus
takes on a cosmic form when it attributes spirits to objects gener-
ally, the animate and the inanimate, The power by which things
MAGIC 43
live and move is accounted for on animistic grounds, the assump-
tion being that spirits can enter into things as well as persons.
This lends sanctity to things, which become objects o£ worship.
Such an object then becomes a fetish. Animistic philosophy
takes on a social form also, since the souls of the dead came to
be thought of as constituting a class of spiritual beings. " The
souls of dead men," says Tylor, " are in fact considered as actually
forming one of the most important classes of demons and
deities." s Out of such animism sprang ancestor worship, also;
the deified ancestors tended to become patron saints. Indeed, an-
cestor worship, which is of no little domestic and social value, is
so widespread in India and Siam, China and Japan, and so vener-
able in form, that it tends to mask its origin in the crude psy-
chology of the primitive mind. Naturally such a reverence for
the dead tends to promote conservatism, which retards civiliza-
tion and culture.
MAGIC
In distinction from animism, magic is the practical applica-
tion of belief in supernatural powers; these the primitive mind
desires to control or, at any rate, conciliate. In magic, religion
is put to work and used. According to Frazer, magic is older
than religion, can exist in independence of it, but shows a tend-
ency to fuse with it. It arose in connection with the simplest of
mental processes — the association of ideas; it follows the prin-
ciples of association that Hume made a part of modern psycho-
logical science — resemblance and contiguity. " The very beasts,"
says Frazer, " associate the ideas of things that are like each other
or that have been found together in their experience, and they
could hardly survive for a day if they ceased to do so." 9 The be-
liever in magic, however, proceeds to produce the association that
usually is merely given in experience, where it affords a kind of
guide for reason. The believer in magic thus fashions a crude
doll to represent his enemy, so that what injury he inflicts upon
this representative object will through association by similarity
be inflicted upon his enemy. By this simulation of the real act,
8 Primitive Culture, Vol. II, Ch. 14.
9 The Golden Bough, Vol. I, p. 233.
44 THE HUMANIZING OF MANKIND
he brings about, to his mind, the actual fulfillment of his desire.
On the other hand, one may himself suffer injury at the hands
of the enemy who has in his possession any of one's personal
effects, as hair, nail-parings, or clothing. This is the complemen-
tary form of the magical situation; it involves association t>y con-
tiguity in space and time.
It comes about in this way that magical belief is related to the
idea of causality. We have referred to Hume and his doctrine
of association; dare we make similar reference to Kant and his
doctrine of causality? In both the primitive mind and that of
the profound philosopher, there is the notion that causal rela-
tion in thought is equivalent to causal connection in fact. " Thus
the analogy between the magical and the scientific conception
of the world is close. In both of them the succession of events is
perfectly regular and certain, being determined by immutable
laws the operation of which can be foreseen and calculated pre-
cisely." 10 There is something magical about science in its dis-
coveries and inventions, but it is a question whether there is any-
thing really scientific about magic.
The differences between the magical and scientific states of
mind, between the mind of primitive man and the philosopher,
are obvious. There is a vast difference in the degree of general
intelligence and intelligent experience. The magical mind pro-
ceeds at once from a connection which has established itself in.
consciousness to a parallel connection in the world of things.
The metaphysical mind does not attempt such a memo-material
relationship until, in the case of the philosopher, he has made a
critical analysis of mind; until, in the instance of the physicist,
he has made an equally careful analysis of the kind of matter
with which he is to deal. The magical mind may intuit a prin-
ciple of fate governing the world; the scientific mind prefers to
look upon this in the form of Natural Law, or a system of laws
which the mind has discovered. The one is intensely emotional;
the other, rational. The differences in the results are that the
primitive type of mind attempts to control nature by means of
the wish, while the philosophical seeks the control by obedience
to the laws of nature.
*<> The Golden Bough, Vol. I, p. 221.
SURVIVALS OF PRIMITIVE BELIEF 45
SURVIVALS OF PRIMITIVE BELIEF
Although naturally we are bound to deal critically with the
savage mind and repudiate its animism and magic, we are not
entitlecTto regard animistic beliefs and magical practices as " su-
perstition." Primitive men were not superstitious but religious,
since superstition arises when the mind departs from principles
established by experience and reason. In default of a higher
standard of belief, the primitive mind made use of such mental
processes as were available, as the association of ideas. The de-
velopment of religion with its function of sacrifice, prayer, and
righteousness aroused opposition to magical practices. These
were condemned by the Levitical Law and early Christianity,
but persisted in mediaeval astrology and alchemy. It has some
place on the periphery of modern thought in the form of lucky
objects and lucky days, signs and omens, if not in hero worship
and the " magic of a name." It has its place on the realistic stage
of Ibsen, as one observes in Master Builder, whose hero, Solness,
was able to achieve his aims by merely wishing and willing,
"Don't you agree with me, Hilda, that there exist special,
chosen people who have been endowed with the power and
faculty of desiring a thing, craving for a thing, willing a thing so
persistently and so inexorably that at last it has to happen? Don't
you believe that? " X1 Apparently the special, chosen people are
those who have been unable to disabuse their minds of primitive
notions or who resort to them by way of fantasy. The same
might be said of the host of astrologists and numerologists who
at the present time are resorting to certain forms of magical prac-
tice. In all such magical reasoning, if reasoning it can be called,
there is a decided touch of egoism. The individual desires that
his will prevail; it is always his welfare or his good luck that is
paramount.
In the case of the primitive mind, this egoistic tone assumes a
less objectionable character, since the savage is not in a position
to distinguish between the stream of his ideas and the course of
the world, or between his private welfare and that of the tribe.
His is really the voice of the tribe, the crying out of the humanity
11 Op. cit., Act II.
46 THE HUMANIZING OF MANKIND
within him. In this sense, then, the root o£ religion may be
found in something humanistic; in the attempt on the part of the
Man within the savage to assert himself as a human being. It is
a spiritual form of self-assertion, or the affirmation of spiritual
life within the heart of the natural man. It is for this reason that
we come to regard religion as the most penetrating way of hu-
manizing mankind. It works crudely enough at the beginning
or even now, but it does not fail to assert a spiritual principle
within man. This may be in the form of another self revealed in
dreams just as it may assume the deeper conception of a life after
death. The effect of ,such primitive religion is what concerns
us. This was the humanization of the human species. Our an-
cestors sought gods and found men.
THE NATURE OF HUMANITY
But the general humanization of mankind means more than
the invention of tools and the development of language, the in-
stitutions of society and religion. It means civilization and cul-
ture. What do we mean when we refer to humanity? It must
be more than a superior form of animality. As we pursue the
course of man's deeds and thoughts, we shall be led to the belief
that in man we find a unique creature whose connection with
the animal order and place in the evolutionary scheme can be all
but ignored. We shall cease speaking of industry and begin dis-
cussing the effects of this industry upon nature and man. We
shall make no further reference to language as such, but shall
consider what various human languages have expressed in litera-
ture. We shall turn away from the general principle of sociality
and consider how this has elaborated significant civilizations and
shall abandon the primitive conception of religion for the sake
of observing the trend of religion in modern life.
We must not fail to observe how man has detached his being
from the order of nature whence he sprang and made himself
lord of the whole earth, where he dictates which animals shall
or shall not survive. It is man himself who has elaborated the
evolutionary theory of his own origin whereby he has come to
think of himself in ways that would have dismayed philosophers
THE EMANCIPATION OF MAN ^
in the days of Plato and even amazed scientists in the more re-
cent age of Newton. There is no denying the evidence of evolu-
tion, but there is good reason for resisting the implication that
therefore man is only one animal among others, albeit a primus
inter pares. From what man has thought and said and done we
have the right to believe that he is qualitatively different from
the animal order to which he is related only incidentally. We
are to regard man as though he were free.
THE EMANCIPATION OF MAN
The moment we speak of human freedom, we encounter an-
other human theory that man elaborated for the purpose of com-
prehending the natural order and then applied to himself. This
is the principle of causality. Now, it would require an inde-
pendent treatise to do justice to the question of free will and
causal determinism; even then the argument might result in a
stalemate. Hence, instead of engaging in a dialectical dispute,
we will merely refer to the works of man we are about to ex-
amine and make the assumption that the effects of civilization
and culture are to be ascribed to man's own will. Arts and sci-
ences are not among the usual works of nature, and their exist-
ence is argument de facto in favor of the free activity of man,
who builds the cities and writes the poems, who installs a system
of mechanism in nature even at the risk of including himself in
it. If at the moment man is performing an act, he is not con-
scious of his freedom; when he reflects upon the work of his
hands he has the right to refer to it as the great Babylon he has
builded. This leads us to a third aspect of humanism — the con-
sciousness of mankind.
Here, again, just as in the case of man's humanity and free-
dom, we are called upon to observe how man tends to include
himself in his own work, as though one were to build a boat in-
side a shop with a small door and then find himself unable to
launch his craft. As long as we dwell upon the idea of common
consciousness, as we may call our combination of sensations, just
so long will it be possible for us to relegate this to the brain. But
when we advance from a given to an acquired consciousness,
4g THE HUMANIZING OF MANKIND
such as expresses itself in culture and exercises itself in civiliza-
tion, we find the cerebral theory of consciousness so out of place
as to be almost meaningless. Our culture-consciousness, so to call
it, is a massive product, out of which we build humanistic things
such as are found in the arts and sciences. We might call it
" mind," but that would involve us in metaphysics. If we referred
to it as " spirit " or the " life of the spirit," the suggestion would
be religious. Let us continue to call it " consciousness," but think
of it in that special way we recognize in the history of humanity
with its accumulation of wisdom and work. It is what we think
of and refer to as " human life " when we are not terrorized by
some scientific theory of our own making. It is really the
memory of the human race. It is in this human memory that man
discovered himself.
The discovery of man as homo sapiens and the invention of
man as homo civilis would have amounted to little but for the
direct development of mankind in civilization and culture. If
we ignore these, we shall not be able to advance beyond an-
thropology and shall continue to speak of man as of some animal
species only. But our concern is with men like ourselves and the
human order of which we are a part, hence we must ourselves
assume responsibility for what man does and thinks. This we
do when we consider the great schemes already mentioned —
civilization and culture. What do these terms signify and how
much weight of meaning can they carry? In answering these
impromptu questions, we make little headway by considering the
original connotation of the words, for civilization seems to sug-
gest city life while culture conveys the idea of a garden. We use
these terms because they are conventional, but we must apply
them in a philosophical or universal manner.
The point of departure in the conception of these terms or ideas
is that of human life, for they are views of mankind and human
history at large. Both civilization and culture imply the per-
fectibility of man, or an outer and inner form of development.
Accordingly we say that civilization, which we recognize in em-
pires and social systems, is an attempt to perfect man's life out-
wardly. Culture, discernible in Greek life, Scholasticism, the
Renaissance, and the like, are parallel attempts to perfect man's
THE EMANCIPATION OF MAN 49
life inwardly. We can identify civilization in the multifarious
works of man in State-making, government, commerce, and law.
Culture we can observe in the manifold development of the arts
and sciences. The idea of civilization is likely to assume a politi-
cal; culture, an aesthetical form. Both attempt to perfect man,
to humanize him.
CHAPTER III
THE FACTORS IN CIVILIZATION
THE MEANING OF CIVILIZATION
WE ARE NOT AT ALL ENLIGHTENED WHEN WE READ IN DIC-
tionaries or encyclopedias that " civilization " means
a condition in which man is " civilized." We are
scarcely better off when a writer on the subject of civilization
proceeds to etymology and identifies a complex subject with a
simple term — civilization with civis, meaning a citizen. This
would lead us to believe that to be civilized means to live in a
city and rejoice in the customs and manners of urban existence.
To be civilized would amount to no more than having the
sophistication that is associated with a city and the fine manners
supposed to accompany city life. This is of course a shallow way
of approaching a serious subject; it involves no more than the
popular contrast between " citified " people and the inhabitants
of rural regions. But it may be pointed out that the " civilized "
people of England live in the country and go up to London for
the season, while the " civilized " people of France dwell in
Paris and make excursions into the country. Hence we accom-
plish nothing by playing upon the word civis and had better
settle down to a substantial conception of our subject matter. By
civilization we mean the improvement or perfection of man's
outer condition; it concerns man's relation to nature and his fel-
ipw man. . It is a state of affairs, and is both physical and social.
Mankind lives in nature, but men are not civilized until they
are adjusted intelligently to their natural environment. All men
are gregarious, but they do not enjoy civilization until they be-
come social, until their relationships are rational. Man entered
the world on the same level with other animals. He was with-
out clothing or shelter and devoid of tools and weapons. For
food he was directly dependent upon what nature had to offer
him. His relations to those about him were purely instinctive in
the form of family life and clan existence. He was a long dis-
5°
THE POINT OF DEPARTURE 5I
tance from such civilization as we have today in the form of ma-
chines and institutions. But man was equipped with a superior
brain and a skillful hand, the gift of language and the possibilities
of reason. By such means was he to solve the problem of life, a
problem still awaiting solution. His senses were receptive and
his brain inventive; by means of observation and invention he
was able to detach himself from nature and live a truly human
life. His civilization began when he reacted to nature and re-
sponded to his fellow man. Such civilization was instinctive —
something that man found in himself. It was not formed con-
sciously by means of a social contract, as Hobbes, Locke, and
Rousseau thought, but was implicit in the life of man as man.
Man is naturally social and is thus apt for civilization. Aristotle
made this idea the basis of political theory; Grotius laid it down
as a fundamental principle of law. This is likewise the testi-
mony of history and anthropology. Retrace the history of man
as far back as we may, we find a social creature. How is human
civilization to be understood and evaluated?
THE POINT OF DEPARTURE
It is natural to seek definitions which will give us some sub-
ject matter in so many words. But what are we profited when
.we have a set of terms supposed to indicate the meaning of
" nature " or " humanity," " culture " or " civilization " ? Such
fundamental notions are as difficult to define in language as they
are correspondingly simple to realize in life. In the instance of
•civilization, we are in a position to appreciate the significance of
the thing itself, but are not so well situated when it comes to ren-
dering the meaning of this in words. The translation from fact
to idea, from human deeds to human words can never be literal;
at best it is only a paraphrase of things. However, it is not im-
possible for us to identify the meaning of the idea in question.
In the case of both culture and civilization, we find the point of
departure, if not the norm, in the contrasted idea of nature.
When we refer to nature as the contrary of civilization, we do
not have in mind the exterior order of things which surrounds
man. Man at once humanizes the world by perceiving it; he
52 THE FACTORS IN CIVILIZATION
makes it something like himself by means of his human arts and
sciences. But this philosophical and scientific conception of the
world, which yields a kind of intellectual cosmos, is not the natu-
ral order which concerns civilization. Here the situation is
dynamic, not intellectual. It is a living state of affairs in which
nature acts upon man and man reacts upon nature. Hence it
is not the forms of the world — space and time — which appeal
to man and engage his attention, but the forces of the world —
matter and motion — which challenge his will and are involved
in the problem of human civilization. What nature has done for
man has been observed already in the evolution of the human
species from the Peking man to the man of the present. But
this has nothing to do with civilization. Civilization is man's
own work.
In its simplest form, civilization consists of exchange. Man
puts off something natural and puts on something artificial; or
he puts off the *' old man " and puts on the " new man." It is
natural for mankind to wander, not only in search of food but
also to satisfy the desire for novelty. It is ** civil " or civilized for
mankind to abide in a fixed habitation, produce a large popula-
tion, and carry on some sort of socialized work by means of co-
operation. It was natural for human beings, if we may call them
such, to live as they did from the age of the Peking man to that
of the Cro-Magnon type. The differences among types of men
— Pithecanthropus, Heidelberger, Neanderthal — were wrought
by nature itself. But when instead of mere differences, which
still obtain in racial forms, improvements appear, these improve-
ments are to be attributed to men themselves and are to be duly
credited to civilization. Hence, as far as we have advanced in
framing a concept of civilization, we see that distance from nature
and difference from nature are the most significant ideas. Civi-
lization at large consists in putting off the " natural man."
This human civilization may have been in vain, but that
pathetic idea need not stand in the way of finding out what It is
that has failed to better man's condition and character. The arts
and sciences, governments and industries, ideals and institutions
that man has elaborated may not have elevated him above sav-
agery, such savagery as was witnessed in the World War, but it*
NATURE AND HUMANITY 53
is the tendency to elaborate just such things that constitutes civi-
lization. Hence the value of the product, which can easily be
questioned, cannot negate the fact of the process, for civilization
as a fact cannot be denied. Furthermore, when we are inclined
to doubt that the result of civilization has meant human better-
men^ we cannot overlook the fact that such betterment has been
the purpose of civilization.
NATURE AND HUMANITY
The self -emancipation of man from nature, or civilization, has
been carried on by thought as much as by action. Indeed, the
intellectual character of civilization is such as often to render it
indistinguishable, as it is ever inseparable, from culture. Both
alike sunder man from the natural order. Man verily knows that
a minimum of insight and activity suffices to satisfy his immedi-
ate wants in the form of food and clothing and shelter. Man
realizes at heart that, after all, the processes of human satisfac-
tion are simple and may be said to be bound up in the common
experience of pleasure-pain. Yet, in spite of the benefit near at
hand and the satisfaction near at heart, man has persuaded him-
self that his " needs " include what are really luxuries. He needs
shelter, but desires to dwell in a palace. He must have food, but
has expended great effort to secure tea and coffee and exotic con-
diments generally. Clothing he requires, but he sets an unusual
value upon such forms of dress as furs and silks, brought from
a distance. In our age, a certain amount of machinery has be-
come necessary, but we have extended the list of life's essentials
until it includes an automobile and a radio for almost every
family. And yet, with all these increasing luxuries ever settling
down into necessities, it is only so much instinct, so much emo-
tion that is to be, or can be, satisfied.
But this fact of luxury in civilization should be accepted as
evidence of man's desire to be "unnatural," rather than as a
criticism of his effort toward self-emancipation. The luxuries of
the civilized man may be regarded in the form of a will-o'-the-
wisp or even bait to lead man into human enterprise wherein the
effort itself rather than its effects becomes the factor in civiliza-
54 THE FACTORS IN CIVILIZATION
tion. It man had continued to exert himself merely as a crea-
ture seeking food and similar natural boons, he would not have
had the civilizations that history records. The effort, the enter-
prise, the clan, the flair is the leading consideration. " Progres-
sive culture," says Lotze, "is not unlike a majestic waterfall
which, seen from a great distance, seems to promise great things,
and yet which when we look nearer does not appear to shower
upon the soil of life a greater amount of refreshing spray than
was afforded in the quieter life of antiquity by the more modest
stream of a less splendid civilization." * Nevertheless it is the
mighty effort, man's constant striving toward civilization rather
than the fruitful results of it that has urged man forward and
upward.
Instead of rounding out a definition that might have no more
than verbal value, we had better indicate some of the leading
features of civilization. They will be found to involve the idea
of less and less nature, more and more humanity. They include
such obvious operations as securing food, making clothing, and
providing shelter, and might appear to be only the extension of
natural forces working through man according to the general
struggle for existence. But these necessities of life are not merely
things that man finds; he prepares and manufactures them.
Further removed from man's natural activities is the manufac-
ture of implements, of tools and weapons. The development of
such industrial civilization has been from stone to steel, from the
rude implements of primitive man to the elaborate machinery of
civilization today. These elements of material civilization have
an importance of their own inasmuch as by means of them man
was able to live and improve the conditions of his existence. But
they are of psychological significance also; they indicate human
inventiveness. Invention means a combination of mind and
matter, the production of something novel, and the ideal of im-
provement. By means of instruments man invented an object
and discovered himself as the maker of it. Each invention which
could be applied to his own advantage or enjoyment led man
to devise other contrivances. Moreover he established practical
habits of mind.
1 Uicrocosmus, tr. Hamilton and Jones, Bk. VI, Ch. I, § i.
INSTRUMENTS AND INSTITUTIONS 55
INSTRUMENTS AND INSTITUTIONS
But civilization is institutional as well as instrumental, for man
operates with both the tangible and the intangible. Alongside
mechanisms, he builds institutions — the family and property,
worship and political organization, law and education. All of
these institutional inventions, so to style them, may have their
physical characteristics, as the living beings that constitute a
family and the real objects that go to make up property; but
these institutions exist in another than the physical order. They
enjoy an existence in a realm that is social, mental, spiritual. If
we attempt to analyze them, we discover a texture of ideas, inten-
tions, feelings, habits, customs, and the like. We may not be able
to identify them with any specific domain of existence, but we
know that they are not in any of the realms of nature. Civiliza-
tion means distance from nature and a corresponding approach
to a human order of existence; hence the tendency to civilize
may be praised or blamed accordingly as one's philosophy of life
may dictate. But the fact of separation from the natural order
and the elaboration of a spiritual one is ever apparent.
The separation of man from the earth and the distinction be-
tween nature and humanity result in a double task for the civi-
lized man. He must subdue both nature and himself, must per-
fect his condition and his character. His progress along the
physical line of instruments has been physical, while his eleva-
tion by means of institutions has been moral. Before we come
to the question of civilization as progress, we must observe that
advancement apparently inherent in the very nature of mankind
has been more marked on the physical than on the moral side
of his civilization. It might be thought that nature would re-
sist and that he would obey his own nature, but something like
the reverse seems to be the situation. This may be due to the fact
that the human mind has a better comprehension of nature than
of man himself; physics is more perfect than psychology and the
science of astronomy far superior to that of sociology. Nature
proceeds according to laws which man can discover and apply.
Human nature for all its religious beliefs, ethical ideals, and
aesthetical standards does not present such a system of laws. It
5g THE FACTORS IN CIVILIZATION
cannot be said strictly that "nature obeys man"; nature obeys
her own laws, and it is by discovering these that man is able to
exercise some practical control over physical forces.
CAUSE AND PURPOSE
The distinction between the physical and moral in civilization,
or the perfection of natural forces in machines and the attempted
perfection of human forces in institutions, is a distinction be-
tween cause and purpose. We can discern a certain degree of
purpose in natural operations and as much causation in human
actions, but it is best to relegate causality to nature and purpose
to humanity. In the case of nature, we are bound to be satisfied
with what is given in experience, but in the instance of man we
are just as much bound to take into consideration both that which
has been in the past and that which we believe should be in the
future. This does not mean that civilization must aim at Utopia
or that a given system of government, such as that of the United
States, should be modeled upon the ideal republic of Plato. All
that it means is that human institutions are a combination of the
actual and the ideal, of the historical and the Utopian. The reason
why there are no laws of civilization comparable to the laws
of nature is that civilization, while suggesting laws, is deter-
mined by ideals; it involves more of the future than of the
present or the past; it is an aspiration more than a phenomenon.
Social science is " inferior " to physical science in that it lacks ac-
curacy and predictability; it is " superior " to it because it in-
cludes the ethical ideal of what ought to be.
The arts and sciences of culture, the tools and weapons of
civilization are instruments. Man creates them, uses them, and
drops them for other similar things for the sake of getting value
out of life. Does not this instrumentalism, as we may call it,
yield us a good working definition of our subject, of civiliza-
tion—getting values out of life and putting values into life?
Value may stand as the constant with all sorts of variables about
it. The Jews valued a temple, the Greeks an academy, the Ro-
mans a forum, mediaeval Christianity a church, modern life a
machine. Eastern civilization will be one thing, western aa~
PROGRESSIVE STAGES
IN WRITING AND
PRINTING
EGYPTIAN
HIEROGLYPHICS
AND CARVING
FRAGMENT OF THE
Prisse Papyrus,
IN HIERATIC WRITING,
FOUND IN UPPER EGYPT
EARLY PRESS
(facing page 56)
Publishers' Photo Service, N. Y.
MODERN ROTARY PRESS
THE DOUBLE TASK OF CIVILIZATION 57
other, for the East desires an autocratic, the West a democratic
way of living. An ancient felt that he was civilized when his
State produced an artist, a philosopher, a legislator; a modern
feels civilized because he has a scientist, a business man, a
plumber. These differences in civilization, all other things be-
ing equal, are due to differences in valuation, due likewise to
what man expects from nature and the way in which he goes
about to realize that expectation. The history of civilization, pre-
served in museums in the form of relics, is largely a history of
these instruments of value. They are the mute books of the past
or a picture-language of those civilizations, differing in dates and
localities, which bear testimony to man's effort to perfect his outer
existence. They are direct evidences of civilization.
THE DOUBLE TASK OF CIVILIZATION
The fact of civilization in the changed appearance of the globe
invites explanation. The earth is not what it was when man
appeared, still less is it like the original earth that emerged from
the sun and then became the scene of storms from above and vol-
canoes below. It is now a humanized planet thoroughly marked
by the hand of man, the scene of his various civilizations. These
may be regarded as relationships — the adaptation of man to earth,
the adjustment of man to man. We may accept these civilizations
as facts or, at least, as trends, and then cast about for explanations
of them. In so doing, we are confronted by the question whether
civilization is the work of nature or of man; whether it is the
extension of natural causation or the introduction of a new force
in the form of the human will, the environmental or volitional.
The very fact that human beings in groups appear in time and
are located in space encourages the view that the time-space order
produces a civilization just as it brings forth a family of plants or
species of animals. We must consider to what extent civilization
is physical and in what ways differences in civilizations are
geographical.
In perfected civilizations, such as we find in modern Europe, it
is obvious that mind predominates over matter, hence it would
be absurd to assert that England and France, Germany and Italy
58 THE FACTORS IN CIVILIZATION
rejoiced in forms of politics, economics, and social life peculiar to
the conditions of sky and soil and dependent upon climate and
geographical location. The environment in Europe is pretty much
the same; the types of civilization are various. The geographical
contrast between England and the United States has not been
able to prevent the development of similar civilizations. Civiliza-
tion in general is dependent upon environment only in the way
that life is dependent upon nature. The forms that civilization
takes must be sought in human nature itself. " Do not talk to
me about environmental determinants/' said Hegel in an oft-
quoted comment; " where once lived the Greeks now live the
Turks." Now, how is human civilization to be explained?
DETERMINISM
The theory of civilization, as indeed of the whole course of
things natural and human, was elaborated originally by the
Greeks. Their first conception was that of Fate or a scheme of
absolute decrees which fulfill themselves in independence of both
natural forces and human wills. We sense this in Greek religion
and see it exemplified in Greek tragedy. This idea of divine
determinism reappeared in the theology of St. Augustine, who
substituted the will of God for the caprices of pagan deities. In
modern times, it was exemplified by Bossuet and Vico. A more
intelligible conception of the course of things appeared in Plato
and Aristotle, who viewed things in terms of ends or purposes and
organized the world according to the idea of the Good. This
view that we may style teleological determinism appeared in
modern times in the philosophies of history represented by
Herder, Hegel, and Ranke. In addition to such religious and
ethical determinism, we have the doctrine of Physical Necessity
as this culminated in Democritus. It was in a sense a return to
the original idea of fate, but was even more drastic in that it exer-
cised sway over both earth and heaven, dominating both men and
gods. Modern thought exalts and uses this method as Scientific
Determinism growing out of the mechanistic views of nature
which have prevailed since the days of Newton. We observe such
determinism in Comte, Spencer, and St Simon. It is the third
PHYSICAL CAUSATION 59
type of social causation that prevails today; we must see to what
extent civilization is a matter of determinism.
Those who believe that there is such a thing as social science
comparable to natural science are bound to premise some sort of
causation. These fall into two main groups, which we may call
the physical determinists and the social determinists. They agree
upon the general principle of environment as the cause of social
phenomena, but disagree on the point of whether this is natural
or social. The physical determinist attempts to explain the facts
of civilization upon the basis of natural forces as the mere move-
ment of particles in space. This is the view taken by A. P. Weiss.
Or the physical cause of social phenomena may be attributed to
the dissipation of energy, as do Ostwald, Brooks, and Henry
Adams. Sometimes the processes of bio-chemistry are assumed
as causes. We have then what amounts to an unusual branch of
" social physics," " social thermodynamics," or " social chemistry."
Since these theories deal with the lives and activities of human
beings, they may be criticized on the ground that they have to
leave out the psychological phenomena of sensation and feeling,
will and purpose. More generally, such physical theories ignore
the qualities of the data with which they are dealing and make
the cardinal mistake of trying to explain different sets of phe-
nomena, the physical and social, upon the basis of the physical
alone.
PHYSICAL CAUSATION
The physical theory of civilization assumes a more definite
and plausible form in the character of geographic determinism,
which includes the influence of location and climate, soil and
food. This physical theory of civilization was developed by
Montesquieu (1689-1755), made classic by Buckle (1821-1862),
developed scientifically by Ratzel (1844-1904), and brought down
to date by Huntington (1876- ). The physiographic view of
causation is plausible. Most of us are inclined to believe that there
are better civilizations in the northern than in the southern hemi-
sphere, even when there is the marvelous civilization of ancient
Egypt. In like manner, we are in the habit of looking to the
West rather than to the East for outer perfection of human life,
60 THE FACTORS IN CIVILIZATION
even if there are good examples of oriental civilization in India
and China. In a word, we are accustomed to believe that civiliza-
tion is Europeanization. But we are not so sure that nature itself
is responsible for what has taken place in such a restricted portion
of the globe. Peoples in different zones will dress differently,
dwell in abodes of different sorts, and have different diets; and
with primitive tribes these natural causes springing up from the
various environments may have produced social effects. The
matter is not so easily shown after civilization has reached a defi-
nite stage of development.
Even with primitive peoples, it is not the presence of the en-
vironment but the use of what it contains that affects the mode of
human life. The Americans who were native to this continent
did not respond to earth the way the Americans of the last four
hundred years have been doing. When the comparison is not
that between the native and the late settler, but has to do with
different tribes, the same environment will bring forth different
reactions. We observe this in the arctic regions, where the natives
might seem to be under the complete domination of nature.
However, in the matter of housing, we might assume that those
who live in similar latitudes would dwell in similar abodes deter-
mined by the climate. But, as Goldenweiser points out,2 the
Eskimos of arctic America build snow houses, as one would ex-
pect; but just across the Behring Strait, in northeastern Siberia,
the arctic Chukchi build and live in tents made of hides.
In the domain of primitive industry the same indifference to
natural conditions shows itself. The distribution of clay in North
America is one thing, the development of pottery another. The
material is found practically everywhere, but the use of it is con-
fined to definite districts. " Roughly speaking," says Golden-
weiser, " a line drawn from the northeastern corner of the conti-
nent to the southwestern one would divide North America into
a pot-making district south and east of the line and one in which
no pottery is made north and west of it." 8 In the case of those
who accept the suggestion of nature and make pottery out o£ the
material offered, the environmental force appears to be at work.
2 Early Civilization, pp. 294-295.
3 Ib., p. 294.
SOCIAL DETERMINISM fa
But with other tribes in a similar situation, tribes using but not
manufacturing pots, another factor enters in — that o£ barter.
They buy or obtain their pottery by exchange; in which case it is
the relation of man to man, not the adaptation of man to nature,
that becomes an effective force in civilization. All tribes of primi-
tive men, as indeed all groups of civilized ones, depend upon na-
ture at large for their existence, but this is far from saying that
their particular forms of civilization are dependent upon geo-
graphical factors. These forms of social life are more dependent
upon the creative character of the human mind itself.
SOCIAL DETERMINISM
But even when we advance from nature to society and seek
the cause of civilization in men rather than in things, we do not
escape from deterministic theories. Both the theories of physical
and social causation have one thing in common — the idea of en-
vironment. But the social conception of environmental influence
is to the effect that it is not something given in nature, as soil, or
something found in man, as instinct, but social organization as a
whole that acts causally. Typical theories of social causation in-
volve the economic and the religious. According to Karl Marx
the course of civilization as well as the creation and modification
of institutions is determined by the economic factor, the way in
which wealth is produced. Accordingly a feudal system of civi-
lization will have one set of institutions, capitalism another. Max
Weber finds a religious root to modern economics. Originally
modern capitalism was confronted by naive piety and the desire
for gain. Religion called upon man to serve God by labor and
deny himself worldly indulgence. The result was the accumula-
tion of wealth. In this predicament, the Calvinist regarded man
as only an " administrator " of his God-given wealth and looked
upon his business as his " calling." The inference that we draw
from Weber's religious sociology is that our present form of civi-
lization has a religious background and that, indeed, all economic
relations are based upon religion in the form of sanctified
tradition.4
4 General Economic History, tr. Knight, Ch. XXX.
62 THE FACTORS IN CIVILIZATION
In addition to the purely social attempt to account for civiliza-
tion, there is the popular conception of civilization as the work of
the " great man." " Every institution/' said Emerson, " is the
lengthened shadow of some man." This is the reason why we
attribute the institution of law to Moses, empire to Alexander and
Caesar and Charlemagne, military ability to Napoleon, philosophy
to Plato. But imagine any one of these supermen reappearing
upon earth and trying to live up to his reputation! It would be
impossible for him to fill the place we have made for him in our
civilization and culture. This does not mean that we should " de-
bunk " the biographies of these heroes, a process which often con-
sists in no more than relating real or imaginary scandals in their
lives. It means that we should realize how such greatness comes
about and what purpose it serves. If we are willing to admit that
such men were not supermen but were only quantitatively differ-
ent from the rank and file of men, we can account for them psy-
chologically and evaluate them sociologically.
The psychology of the man who is great in the minds of people
generally involves what is called empathy, or in-feeling; it means
the self-identification of another and many others with the ex-
cellences and exploits of the great man. It is as though we our-
selves had said and done the great word or deed with which his
name is associated* When this is done on a large scale with a liv-
ing person, it produces what we call the " host of admirers " and
makes the man's name, even if it be " Smith," a " name to con-
jure with." Let any one examine the nature of his admiration
for a great man in athletics, aviation, finance, or politics and he
will find that in admiring his hero's exploits he is so identifying
himself with the hero that it is as though he himself had per-
formed the deed. In the case of historical characters, in addi-
tion to the convenience which the personification of an institu-
tion with a person affords, there is the feeling that such a person's
excellence takes effect generally. Plato's thought is the .wisdom
of mankind, and Napoleon's ambition its inherent will ... '
Emerson expressed this when he said, • •
" I am owner of the sphere,
Of the seven stars and solar year;
DETERMINISM INADEQUATE 63
Of Caesar's hand and Plato's brain,
Of Lord Christ's heart and Shakespeare's strain."
The social value of such empathy is considerable. Religion ad-
vances and keeps its hold upon faith by constant appeal to the
prophet. Virtue is enhanced, as it was with Cynic and Stoic, by
a constant reference to the name of Socrates. Patriotism is nour-
ished by incessant reference to the national hero and the annual
celebration of his birthday. Such empathy is of vast value in civi-
lization, even if it does consist of naive egoism on the part of the
host of admirers. The " great man " is allowed the inherent
greatness of each member of the social order.
DETERMINISM INADEQUATE
These theories of civilization concern our modes of existence,
the institutions in which we believe, and our very existence as
human beings. By means of them we theorize about ourselves,
so that they are not to be dismissed lighdy or accepted carelessly.
There must be certain factors that control civilization, although
we cannot hope to reduce them to a general principle like that
of gravity, since the subject of society is too complex, human
beings too thoroughly individuated, and the will too volatile to
admit of a fixed law. If we do lay down any law, it may be ex-
pected to operate statistically, as in the case of the death-rate and
life-expectation tables employed by insurance companies. The
principle may be found true of the group as a whole but not
necessarily for any individual in the group. If there is to be de-
terminism, it must be in harmony with the subject matter over
which it is supposed to preside, for human beings in their struggle
for social existence cannot be expected to behave like particles of
matter in motion. What shall we say, then, of such social causes
as soil and climate, industry and religion?
If we could explain civilization by such means, we cannot thus
explain it away, for the fact of civilization remains and at the
same time exhibits its unique value. We experience and appreci-
ate the kind of life we are living no matter how it was brought
into existence. The meaning of a thing is not nullified, or its
64 THE FACTORS IN CIVILIZATION
value destroyed, merely because it is the effect of something else.
As far as causation itself is concerned, we deny that social science
has the right to select something salient in our natural or social
environment and isolate it as the cause of our civilization. A
civilization which is effected by the soil does not fail to reveal
the effect of religious belief also; both earth and heaven operate
upon it at the same time. If a social group is influenced by the
climate, it influences itself by the type of economic environment
it has itself created. Both nature and man, the visible and the
invisible are among the complex causes of any civilization.
The principle of causality, which is so important, so imperative
in the field of natural science, is by no means as dominant in the
social order. Modern science has used the principle of causality
as a kind of model according to which all physical changes were
supposed to take place. But the physics of the XXth century is
not so thoroughly pledged to determinism. " Those who main-
tain a deterministic theory of mental activity," says Eddington,
" must do so as the outcome of their study of the mind itself and
not with the idea that they are thereby making it more conform-
able with our experimental knowledge of the laws of inorganic
nature." 5 Hence it would seem that, in place of a fixed system of
cause and effect, it would be wiser to apply to the phenomena of
civilization the idea of causality as an influence or a force which
tends to release something psychological and social already in the
human mind. The idea of a compelling cause so efficacious in
simple action of a mechanical sort should give way before the
notion of a releasing cause as that which brings about change and
development in the social order. Hence we cannot say that soil
or climate, industry or religion is the cause of a civilization in its
origin or in the changes that take place within it. The best we
can do is to suggest that these factors, among others,, have been
influential in shaping that form of civilization.
CIVILIZATION AND PROGRESS
The meaning, or connotation, of civilizatioa appears again in
the concept of progress or, at least, change. Movement is essen-
5 The Nature of the Physical World, p. 295,
CIVILIZATION AND PROGRESS 65
tial to all nature, as we observe from the rotation of stars, the
generation of new orbs, and the formation of a planetary system.
On the planet earth, the spirit of movement shows itself in the
form of geological and geographical changes and the evolution of
plants and animals. With man, there is this general sense of
natural change plus the restless, creative activity of his will.
When, therefore, man conceives of the idea that his outer situa-
tion can be made different, he avails himself of the spirit of change
in nature, as a sailor makes use of the wind, and adds to the spirit
of motion in general certain activities of his own, as manufacture
and building. The result of this general consideration is the idea
of progress, whence it comes about that civilization is practically
the history of civilization; history in the sense of a force rather
than a record of the effects which that force produces. How has
that historical force been operating?
Before we can attempt to cope with the particular forces that
work in history we must try to determine their general direction.
This involves the simple notion of "up" or "down"; simple
when stated in such a geometrical way, but extremely compli-
cated when we attempt to make historical events conform to it.
When we recall that mankind, in its self-humanization, has
passed through the stages of religion, philosophy, and science,
we are inclined to tolerate the idealistic notion that civilization
had a heavenly origin. Long ago mankind began to entertain that
beautiful but pathetic picture of itself in the form of a myth con-
cerning the Golden Age. But when we recall, again, that the hu-
manizing of the race was effected by such simple factors as tool-
making, crude attempts at language, and primitive society, we
are driven to the other extreme — that of an earthly origin and a
painfully slow development of civilized existence. How are we
to decide between the natural and the supernatural theories as to
the origin of civilization and culture?
Before we abandon the supernaturalistic conception of an origi-
nal condition of primitive perfection, we can afford to ask our-
selves to what extent and in what way this ideal can be of service
to us. The notion involved in it is that of an inverted view of
history, figured as a cone balanced upon its apex and representing
a descent from the greater to the less, from perfection to decay.
66 THE FACTORS IN CIVILIZATION
It is made more plausible than preposterous by the historical fact
that the broad and intuitive ideals of religion preceded the tighter
reasonings of philosophy as these were far in advance of the
closer calculations of science. This first or celestial age was char-
acterized by a psychology wherein revelations, myths, and epic
poems were the serene product of the human mind; it is only by
forgetting our science and philosophy that we can exercise any-
thing like such powers of imagination. We cannot credit the idea
that mankind has fallen from the superior, if not perfect, state of
existence; just as little can we discredit the idea that the mind of
man has " fallen " from the original state of religious insight,
artistic intuition, and the worldly wisdom expressed of old in
fables.
On the other hand, when we assume the naturalistic point of
view and postulate progress along a vertical line, we discover to
our disappointment that the facts of history do not lend them-
selves to our abstract plan, which, in itself, is almost as naive as
the idea it would combat. The supernaturalistic view involved
perfection at the beginning; the naturalistic idea is that of a con-
stant improvement with perfection in the method of progress.
The same contrast, the same difficulty in making a choice between
views, appears again in the matter of education concerning what
man should think, how he should speak, and what he should do.
The older view attributed this insight to the instruction man
received from divine beings, while the modern idea is to the effect
that man has instructed himself. Man made society by entering
into a social compact with his fellows; he fashioned his morality
by observing the useful consequences of virtue, and discovered
his religion by means of reason. We feel that neither gods nor
men were directly responsible for civilization and culture.
WHAT PROGRESS MEANS
The principle of progress appeals to us as something obvious,
We live in the intellectual atmosphere of evolution, which im-
presses us with the reality and ever-forward thrust of time. We
observe scientific discoveries every day with the result that the
finding of a new planet, a new chemical element, or a new form
WHAT PROGRESS MEANS 67
of matter, such as the neutron, is reported in the news as a matter
of general interest. Just as fully do we observe new inventions
which are calculated to save labor, increase entertainment, and
add to the interest of life. There are new departures in art, new
movements in religion, and new schemes for social existence.
We behold the spirit that maketh all things new. For this reason
we find it difficult to sympathize with those who speak despair-
ingly of progress. Our problem is that of resting in the present
and conserving the past in the face of the energetic futurism that
keeps thrusting itself upon us. However, the idea of progress is
a comparatively new one and we are hardly able to handle it.
The idea of human progress, which had been in the French
mind for a century, culminated in Condorcet (1743-1794) and his
famous Essay on the progress of the human spirit. Among the
French the idea of progress arose in connection with the " quar-
rel between the ancients and moderns " as to the superiority of
classic and modern culture. The " moderns " asserted that the
present, inheriting all of the past and adding its own knowledge,
was superior to the past not only because it came later, but also
because it was able to improve upon what had gone before. We
ourselves can afford to pass over the aesthetical arguments used to
establish this particular thesis and can confine our attention to the
main idea — that the nature of progress is such as to include the
culture of the past and to add to it the values of succeeding ages.
Fontenelle (1657-1757) especially was enthusiastic over the new
idea and did all in his power to inspire his generation with faith
in progress.
But, in spite of enthusiasm for progress manifest in the XVIIIth
century and the belief in evolution engendered by the XlXth
century, we are inclined to assume a critical attitude toward such
a forward philosophy. Duration may be a real process which
carries mankind along with it, but it seems as though the gains
'of "the future might have to be balanced by losses of the past.
Growth may mean outgrowth. When one, like the Aposde Paul,
becomes a man, he puts away childish things. If we have ad-
vanced beyond the Greeks in our science, we have fallen behind
their standards of art; and if we Have excelled the mediaevals in
the breadth of our modern vision, we may have done so at the
68 THE FACTORS IN CIVILIZATION
sacrifice of spiritual depth. The idea of absolute progress, whereby
the spirit of mankind moves through history increasing its ac-
celeration like a falling body or accumulating its experience like
a rolling snowball, seems inconsistent with experience. In addi-
tion to this physical impossibility of human progress, there is the
moral issue of justice.
If progress is absolute in its character, the benefits of human
history would be experienced only by those who came at the end
of the historical series. Their ancestors would be but their fore-
runners and servants. Then, although the idea in itself seems
ridiculous, we might ask when and where would these fortunate
last people come into final possession of life's total benefit? It
is more reasonable and more ethical to assume that, in a way,
each age enjoys all that there is in life whether this be in the form
of art or religion or science, just as all peoples on earth enjoy the
light and warmth of the sun at different times and in diff erent
ways. If an age lacks insight into the mysteries of nature, it may
enjoy the ability to perceive nature aesthetically; if it is without
rational insight, it may find compensation for this in the naivete
of its faith.
PAST AND PRESENT
It is a significant fact that we are more inclined to envy the
men of the past than the supermen of the future. No matter how
much we pride ourselves on our sophistication, we cannot help
wishing we might have been in the position of Shakespeare and
Copernicus, of Homer and Archimedes. For the most part, the
culture and civilization that we now enjoy so fills us that we are
not inclined to envy those who, coming later, will live in a better
world and enjoy brighter views of nature. The future will in-
herit our wealth, but it will have to pay our bills. If we bequeath
it more knowledge, it will be required to synthesize it; and if
we convey to it our secret of producing wealth, it will have to
find the proper means of distributing it. The course of civiliza-
tion is such that it keeps balancing its accounts as it goes along.
The principle of evolution represents the development of civili-
zation in the most attractive if not the most seductive form. The
general idea of transformation from age to age is by no means
STAGES OF PROGRESS 69
new in the study of mankind. The Hebrews used the idea in the
form of a spiritual heritage passed from generation to generation,
while St. Paul considered the course of the old order as a prepara-
tion for the new. " The law," said he, " was a schoolmaster to
bring us to Christ."6 The Greeks and Romans presented the
idea in the form of a descent from the gods to the heroes and
men. In the Middle Ages, the notion of development was such
as to involve the development of doctrine from the Aposdes to
the Fathers and thence to the Schoolmen. The general renascence
which followed the close of the mediaeval period broke up this
continuity by introducing the idea of something catastrophic.
The idea of continuous development was far from being fur-
thered by the mechanistic ideas of the XVIIth and the rational-
istic notions of the XVIIIth centuries.
It was in the XlXth century that the evolutionary conception of
history took hold of the modern mind and brought it to a per-
fection which is easier to attack than to rival In a general way,
we may associate this developmental idea with the nebular theory
of the solar system propounded by Laplace, the evolutionary
geology of Lyell, and the system of organic evolution developed
by Darwin. With such splendid theories behind us, we find it
difficult to avoid the implications of evolution. They impress us
with the feeling that all nature advances and that its line of prog-
ress is uniform, gradual, and progressive. They suggest to our
minds that the physical idea of accretion and the organic principle
of growth persist beyond the domain of the natural order and
become the patterns of human history.
STAGES OF PROGRESS
The principle of progress is not confined to the ethical ideal of
slow but sure ascent to a Utopian condition; it is a working rule
of social science in its attempt to account for the passage of the
race from nature to some form of civilization. It is based upon
the idea of definite stages in the development of the race with
the presumption that these stages are steps upward. It is assumed
that society passed through just such states of civilized existence
6 Gal. Ill, 24.
70 THE FACTORS IN CIVILIZATION
in order to arrive at stable conditions wholly distinct from any
ideal conception of its general striving after perfection. Now in
both instances, of definite development by stages and of the gen-
eral approximation to perfection, the principle of progress is not
easily maintained.
In connection with the family or household group, the theoreti-
cal program of classic evolution demands a 'certain form of matri-
monial development. The first stage of this is sex promiscuity
marked by uncontrolled and unorganized sex relationships. The
second stage in the evolutionary process was that of group mar-
riage. Here the clan forms a matrimonial unit; a group of
women become the wives of a group of men. The children be-
long to the maternal clan. From this second stage, the develop-
ment was to the gens, or clanlike organization, with the children
belonging to the father. B Out of this has come the family in the
modem sense of the term. But, apart from theory, it is doubtful
whether any such fourfold development took place; it is more
reasonable to suppose that a family relationship of some sort
rather than promiscuity was the origin of the social order. " Con-
trary to a widespread notion for which anthropologists are in
part responsible, the family consisting of husband, wife, and chil-
dren is found everywhere," says Goldenweiser, who sums up the
whole situation as follows:
" There seems to be no evidence that a state of promiscuity ever
existed; again, the condition of group marriage, far from being a
universal antecedent of individual marriage, seems to constitute,
in the rare instances where it occurs, an outgrowth of a pre-
existing state of individual marriage. The family and local
group are universal forms of social organization, extending to the
very beginning. In some tribes the clan organization never de-
velops. In others the clan follows the family-village organization.
In still others, the gens follows directly upon this early organiza-
tion. The development of the gens out of the clan has appar-
ently occurred only in a few instances. It must, moreover, be
remembered that the family-village grouping persists through all
the other forms of organization." 7
The same discrepancy between observed fact and proposed
7 Early Civilization, pp. 24-25.
STANDARDS OF PROGRESS 7I
theory appears in the well-known triad of hunting, nomadic life,
and agriculture. It is assumed that primitive civilizations every-
where must pass through these three stages. As for the first
level of human industry, it may be said that it traces back to the
beginning of man's life but does not cease after his civilization has
reached a higher level. It may be added, also, that tribes have
practiced agriculture without having passed through the nomadic
stage of development. In like manner, we may express doubt
concerning the fixity of the rule that requires a tribe to pass in
regular order through the three industrial stages of stone, bronze,
and iron. These divisions of industry are of value as norms for
modern theory, but cannot serve as rules of primitive civilization.
Even if social science could lay down laws of development in
connection with social life, we should still be unable to determine
whether general progress was the rule of the race.
STANDARDS OF PROGRESS
Civilization is in itself a progressive concern in the sense that
it is not stable, but ever changing. Whether we can evince the
perfecting progress of civilization from its mobility is another
matter, but one that cannot be avoided. As we realize from the
foregoing, it is difficult to measure the progress of the race since
we have no standards outside the life of the race itself. But this
is no less true in the case of physical motion and organic evolu-
tion; yet we do not hesitate to speak of motion and development.
Man's progress has been on the human level; he has not remained
in the animal order or approached the realm of angelic existence.
Yet if we do not think of him as progressing in his humanity,
it is difficult to understand how he survives. The fact that man
has not become extinct and shows no tendency to become so, may
be understood as a form of progress, the progress of persistence.
More human beings live and live longer than ever before; the
population increases and the average life lengthens. But we
prefer to think of progress in some other than a purely physical
manner.
It is unnecessary to defend the idea that there has been intel-
lectual progress since the dawn of civilization. The copious li-
72 THE FACTORS IN CIVILIZATION
braries of the world are substantial records to that effect. But the
intellectual development of mankind expresses itself in more sig-
nificant ways than the chronicles of science might indicate. Scien-
tific progress shows itself today in the development of mathemati-
cal methods and physical instruments of measurement. Man
has measured the world in both its macroscopic and microscopic
forms and is in a position to make his knowledge of nature ever
more detailed, ever more accurate. He has discovered the truth
of things and the uses to which they may be put. We can express
doubt about intellectual progress only as we observe that the
knowledge of the world is confined to a minority of the race, the
intelligentsia. The mass of mankind is still ignorant of the sim-
plest truths of physical science.
However, the scientific progress of the race is appreciated by
practically all the members of a civilized community who share
in the benefits of applied science. Not one in a thousand who
daily use such a thing as the telephone is able to explain the sci-
entific principles upon which this useful device works. How
many who talk freely about their car or radio are aware of the
physical principles which these omnipresent devices involve?
And yet the scientific progress of the world has been such as to in-
clude these lay members of the intellectual community. Hence, if
the question of progress is to be based upon advancement along
scientific and physical lines, there can be no doubt about its au-
thenticity. The application of science and to some extent the
popularization of its more spectacular truths have been such as to
include the whole population in the intellectual progress of mod-
ern times. The result is that we generally live in an enlightened
age even when few members of the population are cognizant of
the conditions of their enlightenment.
PHYSICAL AND MORAL PROGRESS
The application of intellect to nature has brought about genu-
ine physical progress; can the same be said about the application
of the mind to man himself? This raises the question of moral
progress. It is easy to deny that man's effort to attain to the Good
has been as successful as his attempt to arrive at the True.
PHYSICAL AND MORAL PROGRESS 73
He has found nature obedient, himself disobedient. After the
idea of progress had been established, its critics began to appear.
Goethe denied that men had become more moral in the sense of
being happier and better; Schopenhauer's conception of life made
the idea of betterment impossible. In our day the repudiation of
progress has been put forth in most spectacular manner by Nietz-
sche and Bernard Shaw, both of whom await the birth of the
superman. But the difficulty with those who deny the reality of
progress is that they, while asserting that there has been no
progress up to the present time, expect that there can be progress
from the present onward. If, however, mankind had not made
moral progress since the days of the Hittites, it is a question
whether he can initiate a forward movement now. If there has
been no moral advance, there never will be.
Among those who are pessimistic about the past and as optimis-
tic over the future are the socialists and eugenists. One party
seeks a better state, the other a better citizen. But if the present
order is as imperfect as the socialist claims, it should be good
enough for the average person or even for one who is inferior.
Hence the eugenist movement is not so convincing as it might
be. Inadvertently, both socialist and eugenist — the one thinking
of a better state, the other of a better citizen — tend to lend their
approval to the established order. The socialist favors industrial
civilization, but would have its benefits more equally distributed.
The eugenist, who is likely to be contemptuous of the proletariat,
implies that society is superior to the individual, hence that we
should have fewer and better specimens of the human race.
These are examples of the present distaste for the present and a
corresponding enthusiasm for the future. There can be no doubt
that man has progressed; in the present age he seems to have
progressed too far from his older way of living with its standards
of life.
Civilization eyes the future, but is bound to be more deeply
interested in the past, although not the past that has simply
moved along in time. It is the office of history to pick up the
past and carry it along with the present, if not to prepare it for
the future. Hence, history advises us to study the roots of civi-
lization and not seek merely to gather its fruits. " Deep minds,"
74 THE FACTORS IN CIVILIZATION
said Goethe, " need to be nourished by the past as well as the fu-
ture " — a significant remark made by this great seer in connec-
tion with his youthful study of the Old Testament.8 We shall
recall this, as, having analyzed the idea of culture, we approach the
study of Hebrew history.
8 Truth and Fiction from my Life, Bk, VII.
CHAPTER IV
FORMS OF CULTURE
THE MEANING OF CULTURE
By THIS TIME WE HAVE ARRIVED AT THE REALIZATION THAT MAN*S
attempt to humanize himself means more than an extra
urge in nature or an unusual effort on the part of man's
will. Indeed the term " effort," so suggestive of physical energy,
is one we must use with care. It may perhaps express the mode
of behavior in man's body as it exercises the will-to-live or elan
vital; it is not so expressive of man's mental behavior. There, in
the mind, the situation is different; it is characterized by ideas and
feelings and motivated by attention and expression. That which
is operative in the human mind, even when it is the will, is some-
thing fine rather than something strong. It is by the force of
fineness, then, that man avails himself of culture in order to build
up an inner life and thus become a human being far excellence.
If we are to appreciate the influence of culture in human history,
we must analyze the idea into its proper forms and then observe
how the history of the western world has used culture to elabo-
rate various types of national existence from the ancient Athenian
to the modern American. But what do we mean by the term
"culture?"
The term culture is often used to cover the whole range of
man's activities when these are viewed psychologically. The
anthropologist applies the term to the work of primitive man in
making tools, baskets, boats, and the like; these are referred to
as forms of material culture. The popular mind thinks of cul-
ture in terms of polite society, where it connotes good manners
and grammatical speech. The crude person who lacks these,
even though he be far superior to the savage with his " culture,"
is referred to as " uncultured," meaning unrefined. Just as the
term animal is used to cover various fauna from a tiny insect to
a large mammal, so the term culture is often extended to the
glimmerings of intelligence in primitive men and the graces of
75
7g FORMS OF CULTURE
those who move in the best circles of urban society. It will be
seen at once that we cannot make headway in the analysis of cul-
tural types among modern nations if we apply the term so indis-
criminately.
CULTURE AND CIVILIZATION
The confusion in the use of the term culture is that which
arises when it is closely associated with civilization, so closely
associated as to be identified with it. The term when it is used
in its most general sense is often made to include both culture
and civilization. When, at the beginning of the World War, the
Germans used the term Kultur, they meant the whole socio-
politico-scientific activity that had grown up among them since
the Franco-German War. If they had been thinking of the Ger-
many of Goethe and Schiller, they would have used the word
Eildung. Culture is associated with civilization, but is not identi-
fiable with it. The Germans were cultured a century before the
World War, but did not have their XXth-century civilization.
We have civilization in America, but have we culture also?
Certainly not to the same degree. Suppose, then, we cut the
Gordian knot that entangles this pair of human enterprises and
set the two in twain. Civilization is the outer perfection, culture
the inner perfection of human life. They accompany each other,
but do not always keep abreast.
The outer perfection of life is something we recognize definitely
although not completely in urban existence. The idea of civiliza-
tion, as we have seen, suggests a city and this in turn conveys the
idea of living according to a definite pattern. In a city, the streets
are arranged geometrically, the houses built in regular rows,
transportation is by means of electricity, and the forms of life
generally are regulated. It is still possible for some naturalistic
philosopher to argue that the perfection of life is just as well if
not better attained in connection with rural existence, but from
time immemorial it has been a tendency among men to express
their desire for perfection by the building of cities and the de-
velopment of regular institutions. The obvious difference be-
tween savagery and civilization is found in just this — the differ-
ence between the planned and artificial life of a city and the more
CULTURE AND HUMANITY 77
instinctive form of existence experienced in an undeveloped
community. But it is the inward perfection of life that concerns
us at this point.
The inward development and perfection of human life is the
aim of culture. It is not that culture is the only or the best means
of enhancing the inner life; this is attempted and accomplished by
religion and morals. But the method employed in connection
with culture is by no means the same; it is less rigorous and per-
haps less meritorious. It is the means commonly observed in the
arts and sciences. In a word, then, culture is the attempt to
perfect life intellectually and aesthetically. When these tendencies
are turned inward, they express themselves psychologically as cul-
tured desires — the desire to acquire knowledge for its own sake
and cultivate taste because of its intrinsic value. This does not
mean learning, for one may be familiar with the principle of
science and the forms of art without being cultured. It means
appreciation more than knowledge, an emotional rather than
an intellectual condition, and a personal rather than a general
attitude toward the True and Beautiful. Though one have all
knowledge and understand all mysteries and have not culture,
it profiteth him nothing; that is, as far as one's culture is con-
cerned.
CULTURE AND HUMANITY
In its broader or more public character, culture connotes " Hu-
manity." But here, as before, confusion may arise. Humanity
may be taken scientifically as a class-term meant to include all
examples of mankind, just as anirnality may be used to signify
all forms of life marked by locomotion. Yet such an error is not
likely to arise; more likely is it that the term humanity may be
taken in an ethical sense to signify a kindly disposition or tend-
ency toward benevolence. But, of course, we realize that this
means the quality of being humane. When the term humanity
is used to indicate the presence of culture, the term is to be taken
in ah intellectual and aesthetical sense. Usually we find it in the
plural and refer to the " humanities " as* forms of study peculiar
to a classic system of education and not altogether conspicuous in
the modern college curriculum, where the more obvious impres-
7g FORMS OF CULTURE
sion is that of the vocational. In academic circles, we strive to
maintain a distinction between " liberal arts " and " pure sciences "
on the one hand and studies which have a direct bearing upon a
profession or the science of engineering. These pure and liberal
studies are still spoken of as the " humanities," sometimes they
are referred to adjectivally as " cultural " pursuits, but they help us
here in forming a conception of humanistic culture.
The term culture, however, is not deep enough to express the
idea it is intended to convey; yet it is about the only term we can
use. The idea we wish to convey involves two elements, an ac-
tive and a passive one. We may indicate these directly by calling
one form of culture " genius "; the other, " knowledge." One is
culture rampant, the other culture couchant; one shines by lumen
illuminans, the other by lumen illuminatum. The distinction is
one that we can feel when we appreciate the difference between
the creative and the receptive; one that we can apply when we
distinguish between the mood of the artist and the mind of the
critic. It is thus that we have ventured to introduce the term
" genius " to express the idea that the primary form of culture
is something spontaneous and creative in contrast to the culture
that consists iri knowledge and appreciation. The idea of genius
is applied usually to the individual, but may have some applica-
tion by accommodation to a nation. The distinction demands
illustration.
By way of illustration, we may suggest that the Greek mind was
creative when it was under the domination of the god Dionysus,
the deity of passion and creative force; it proceeded under the
auspices of Apollo when it became exact and reflective. Or, to
take the Greek mind in its totality, we may say that it was the
direct expression of genius-culture in contrast with the Roman,
which was more studious, critical. To cite another example and
install another contrast, we might suggest that the Italian culture
of the Renaissance was that of creative genius while the German
culture, which, apart from its Renaissance artists, came much
later, was critical and philosophical. When we consider Greek
sculpture and Italian painting, we realize that the robust tone of
culture is not to be mistaken for an echo of this in either exact
imitation or careful criticism*
CULTURE CONTRASTS 79
When we seek this distinction between primary and secondary
culture, we observe it among individuals as well as nations. Was
Shakespeare a cultured man? There can be no question about
his genius, but in comparison with Bacon one would hardly refer
to the culture of Shakespeare, who chose " the better part." In
Shakespeare we find a minimum of learning when this is com-
pared with the maximum of creative power the poet exhibited
with such apparent ease. If we take personal examples generally,
we may venture to affirm that the poet and the novelist, the
painter and the composer whose arts reveal creative ability may
easily have less culture than the erudite critics who pass judgment
upon their works. It is for this reason that we are compelled to
extend the term culture to include the constructive and uncon-
scious work performed by those whose culture is of the primary
sort,
CULTURE CONTRASTS
If this is the general conception of culture, how can the idea
be determined more definitely? The determination of culture
cannot be made by investigating nature with the hope of discover-
ing any sort of culture-instinct. Culture is not an immediate
feeling like the sense of beauty or the religious feeling of awe.
It is something that man builds up by means of ideas within
him and objects outside his consciousness, as we observe in the
development of the fine arts. Or can culture be identified with
something within man himself as though it were a gift like me-
chanical skill or language? Culture is something that man de-
velops within himself as the expression of superabundance. We
observe this with even primitive man, who used his hand for
decorative as well as skillful work, for song as well as speech.
Culture comes about not by nature alone or man alone, but by a
contrast between the two. It is not a continuous but a discon-
tinuous idea; it means the opposition of man to nature and the
assertion of an independent existence on man's part. Our age is
not conspicuous for its culture-consciousness. We have a desire
for information, a lust for sophistication, and a zeal for the tech-
nical, but we lack aesthetic appetite. It is in an era o£ noble
artificiality that we find the culture<onsciousness — the age of.
gc FORMS OF CULTURE
Pericles, of Augustus, the Gothic era, the Renaissance, France in
the XVIIth century, England in the days of its famous queens,
Elizabeth and Victoria, and America before the Civil War.
When a generation thinks according to science and acts according
to industry, it performs great exploits, but it is in no mood to
create and admire the beautiful. For culture demands that man
shall react upon his environment and transcend his immediate
activities. This reaction, this elevation produces contrasts and
engenders problems.
The contrasted ideas peculiar to culture are really more than
ideas; they are competitive interests. They may be stated in the
form of certain junctures which have confronted the human race
and which man will continue to meet in the progress of his hu-
man life. First, there is the general contrast between Animality
and Humanity t between man finding himself as a creature and
man forming himself as a character. Secondly, this general con-
trast of situations repeats itself in the form of competitive inter-
ests or those of the Immediate and the Remote, illustrated in the
contrast between industry and art, or in the difference between a
technical school and a college of liberal arts. Thirdly, the mo-
tivation that follows from this disjunction appears in the opposed
forces of Conquest and Contemplation, both of which are rather
extravagant terms used to indicate the difference between the
work of the will and the procedure of the intellect. Finally, in
the fourth place, the psychological state of affairs is such as to
produce a contrast between Outer Existence and Inner Life,
which expressions bear their own weight fairly well.
ANIMALITY ANI> HUMANITY
The contrast between Animality and Humanity is too broad to
signify the special nature of the culture-problem, but must be laid
down as basic. It is a contrast which is felt in both culture and
civilization, in art and science, in philosophy and religion, all of
which human enterprises place the human mind in juxtaposition
to the world. Art attempts to perfect certain forms of nature.
Science seeks to reduce things and events to natural laws with
measurable forms. Philosophy desires to substitute ideas or cate-
ANIMALITY AND HUMANITY 8l
gories or relations for the things o£ this world, while religion
tends to seek another world altogether. Man endeavors to move
forward into the world of enlightenment, but his steps are dogged
by the interests of animality. He would seek the True, the Good,
and the Beautiful, but he cannot keep his mind of? food, clothing,
and shelter. Animal interests like the poor are ever with us.
The inherent animality of man, over which culture seeks to
triumph, shows itself unmistakably in the incessant tendency to
seek food. It may be true that " where there is no vision the
people perish," but it is just as obvious that bread is the staff of
life. It may be noble to declare that " philosophy cannot bake
bread, but it can give us God, freedom, and immortality," but
while we are pursuing these ideals we must be fed. There is at
least an apparent conflict between the animality and the humanity
of man, so that it is difficult to see how the inner man can be
renewed day by day when the outer man perishes. Shall we de-
cide in favor of man as the animal that seeks food or man as the
spirit that seeks culture? Of course, we must vote for both these
candidates and escape from the paradox as best we can. The
conflict has arisen again and again in the life of civilized man; it
comes up today in the competition between the interests of com-
merce and culture. How can we adjust their respective claims?
We can come to some sort of tentative conclusion by observing,
as we did at the outset when we considered The Evolution of
Man, that the ultimate purpose of food is to nourish the brain
and nervous system. It is as though nature, realizing that the
animal's quest of food depended upon the ability of its sensa-
tions to direct its movements, had resolved to feed that nervous
system at all costs. Hence, in the attempt to supply the animal
with a senso-motor organ necessary in seeking sustenance, nature
has overdone the matter, as seems to be the case with the human
species. For nature has given man a brain that he can use in
still other ways than those of food-getting. He can use the brain
as brain, as an organ of cognition generally.
Man does this in connection with the operations of his hands
in manufacture of various sorts, from stone implements to gi-
gantic machines. But in so doing he keeps releasing his brain,
which builds better than it knows. The act begets the idea, then
g2 FORMS OF CULTURE
the idea outgrows the act; the result is free intellection or culture.
When mankind is placed in the tropical regions where the quest
for food is no real problem or when it is located in Arctic areas
where it is the main question, there is no need, there is no oppor-
tunity for any independent thought process. It is when mankind
finds itself in a temperate zone, where food-getting by agriculture
and hunting is neither too easy nor too difficult, that its mental
powers are called forth to the proper degree, for it is in the tem-
perate areas that we find the highest types of both civilization
and culture. Animality comes to an understanding with hu-
manity and the creature of nature realizes itself as a spiritual
being.
At the present time, when the needs of life are supplied by
industry and distributed commercially, the same problem of hu-
manity and animality comes up in the form of an antinomy
between culture and commerce. Our age is a commercial not a
cultural one, and it is in this country that excess of the practical
over the intellectual is most flagrant. But at last, after such tre-
mendous success in the mechanical production of commodities,
it is coming to light that the modern man has not been so success-
ful in the distribution of these benefits. He has developed mass-
production with class- but not mass-distribution in the economic
form of buying power. He is now trying to distribute buying
power, or wealth, in order that the population generally may
share in the inherent prosperity of the industrial age. Just where
is the need of proper distribution felt?
Not altogether in the direction of things that money will buy,
but along the line of the advantages that wealth is Calculated to
afford. That is, freedom from anxiety about food, a due amount
of leisure, and the spiritual advantages which this liberty and
leisure involve. This means culture. It means the opportunity
of the human brain to attend to what interests it rather than to
feel itself riveted to work. It means the active attention of the
mind in place of the kind of attention that is arrested by the
incessant needs of life. By means of machinery, man has de-
livered himself from that animalistic condition according to
which he must use his brain in the pursuit of nothing but food
and the essentials of life generally. For man has manufactured
THE IMMEDIATE AND THE REMOTE 83
a mannikin capable of acting, as it were, in a senso-motor ca-
pacity to do his work for him. It is thus that in meeting the
demands of animality, as these appear in a civilized community,
man made it possible for his brain to detach itself from its work
and serve the needs of the spirit. But it will require a proper
ethical and educational system if this advantage is to be realized
in a practical way and on a large scale.
THE IMMEDIATE AND THE REMOTE
The disjunction between the Immediate and the Remote does
not show itself in any physical way, but in a psychological form;
it is a matter of interest or what appeals to man as worth culti-
vating. Wealth and the business which is supposed to produce
it have immediate interest for mankind today. Wisdom and the
study that engenders it is a matter of interest or that which is
worth striving after, but the interest involved is remote from the
concerns and activities of everyday life. This was not always the
case. The Greeks were not money-mad, but had a kind of mania
for knowledge, which showed itself in the age of the Sophists
and assumed a more worthy form after Socrates appeared. The
Elizabethan period does not stand out in history as a time when
men were given up to gain; they were more bent upon entertain*
ment, so that the era may be symbolized by a stage rather than
a store. In our own country, the period before the Civil War and
even the one after it revealed the American as a person who
sought comfort, some luxury, and a graceful way of living. The
remote interests of knowledge and good taste have made appeal
pathetically comparable to the present demand for an immediate
value like money and what money can buy.
Our intellectual progress during the last hundred years has
been guided by science, which itself has proceeded along the
lines of fhysicd energy and organic evolution. The effect of
the evolutionary theory has. been to re-relate us to the earth and
thus emphasize immediacy of interest, although in a general way
only. The principle of energy in the form of applied science has
stressed the immediate interests in the definite forms of labor-
saving machines, time-saving devices, and creature-comforts gear
84 FORMS OF CULTURE
erally. Science has not enhanced virtue, improved taste, or deep-
ened faith, so that, as generally received, it has not contributed to
man's remote interests. Science as ordinarily understood means
average cognition adaptable to education and applicable to every-
day life.
However, the range of science is so vast and its points of pene-
tration so many that the remote interests of mankind have not
been altogether neglected. The interests of the remote appear
in the extremes of the macroscopic and microscopic, whereby the
science of the present century has all but calculated the size of
space and the electronic nature of the atom. In addition to these
remote considerations, which redeem science from the charge of
utilitarianism, the contemporary study of the world is revealing
the essential nature of space and time as well as the intimate re-
lationship between them. The result has been to engender a new
idea of the universe. This is something that cannot be claimed
by the forces of immediacy, by practical men, but is that which
belongs by right on the side of the remote, where it is appreciated
by idealists.
Apart from its definite connection with science, our modern
life reveals the strident conflict of minor and major interests, or
concern for the immediate and the remote. We feel the differ-
ence between commerce and culture, life's needs and life's ideals,
efficiency and enlightenment. The student is made to feel it
when he is forced to choose between an ancient language and a
modern tongue, business English and romantic poetry, accounting
and higher mathematics. The general reader appreciates it, how-
ever vaguely, when he inclines toward a book or set of books that
are supposed to equip him for his work and increase his income
and turns away from general literature. The claims of the re-
mote are weak in comparison with the demands of the immedi-
ate, as these are put forth by technicalism and everyday life.
CONQUEST AND CONTEMPLATION
The same bifurcation of man's very being appears again in the
contrast between Conquest and Contemplation, or the claims as-
serted by will and intellect, not merely a tendency to fight or to
CONQUEST AND CONTEMPLATION 85
dream. It is of course impossible to consider man as merely a
creature of action on the one hand or a being who thinks on the
other; as kgrn&jaber or homa-softens. The human brain could
tolerate no such exclusive distinction. But it is possible to adjust
the will of conquest to the intellect of contemplation in such a
way as to place one or the other in a superior position. This is
precisely what man has done in his philosophy of life. When
the principle of culture was paramount, man subordinated the
will to the intellect; when culture and intellectual procedure
generally seemed unsatisfactory, man sought to reverse the mental
order and make the will superior. This was expressed by Duns
Scotus at the close of the Scholastic period when that early mod-
ern created the maxim, voluntas superior est intellectu. Now
this reference to Scholasticism is made chiefly for the sake of the
phrase just cited. The culture-issue, as far as this involves the
active will or the contemplative intellect, is found elsewhere; it
appears massively and vividly in the contrast between the ancient
and the modern mind or, say, the Athenian and the American.
The spokesman for ancient order was Aristotle. He appeared
well toward the close of ancient philosophy, whose meaning he
summed up and systematized. His thought in its range and
variety was such that it appealed to periods wholly different from
the one in which he' lived, and just as different from each other
as Scholasticism and contemporary thought. Aristotle did not
discuss the question of culture as such, but the essence of the idea
was not wanting in his Poetics and Ethics, wherein he makes
significant reference to the function of art and the nature of
happiness.
In his discussion of eudaemonism, Aristotle, who proceeded
along the general line of " energy," concludes that it is jJ^ypo$ses-
sion of the. di^sicgji object rather than the pursuit of it that yields
hagpiaess. This leads him to stress the importance of the pos-
sessing intellect rather than the pursuing will in the realization
of life's aim. This is done by following the idea of " energy " to
its ultimate conclusion. Assuming that happiness is a form of
energy, Aristotle modifies it by adding the idea that such energy
must be in moderation, and then concludes that the highest energy
is that of intellect. Energy remains, but it is so moderated and
3(5 FORMS OF CULTURE
purified as to " lose the name of action." " Now i£ from a living
being," says he, " you take away action, what remains but con-
templation? So then the energy of the gods, eminent in blessed-
ness, will be one apt for contemplative speculation; and of all
human energies that will have the greatest capacity for happiness
which is nearest akin to this," *
.The same philosophical preference for intellect over will was
expressed by Bacon. Theoretically this modern propagandist of
science was opposed to Aristotle, whom in all probability he did
not appreciate or even understand, but practically he was in
agreement with him, and exalts his intellectualism above the
militarism of Alexander the Great. Like Aristotle, Bacon con-
tends in favor of the contemplative life on the ground that it is
more satisfactory; the intellect ministers unto suavisstma vita.
Toward the close of his career, BacQn changed from the idea that
" knowledge is pleasure " to " knowledge is power," but his
earlier work, The Advancement of Learning (1605), advances
the cause of gultur^by the way it combines learning withjiap-
piness.
In presenting the claims of knowledge, Bacon contends for the
superiority of what he calls " the work of contemplation." His
preference for this that really is culture is based upon historical
evidence rather than psychological analysis' or logical reasoning.
The testimony is first sacred, then secular. As Aristotle had re-
ferred so naively to the happiness of the contemplative gods of
the Greeks, so Bacon appeals to the Jehovah of the Hebrews and
his divine attitude toward the Sabbath. " The seventh day in
which God rested and contemplated his own works was blessed
above all the days wherein he did effect and accomplish them."
The similarity between pagan and Christian theologies is sugges-
tive, but far more striking is the psychological parallel between
two modes of reasoning in which the life of contemplation, or
culture, is deemed more satisfactory than the life of conquest to
even divine beings.
Bacon proceeds from the contemplative attitude of the Deity
toward Creation to the life-ideal implanted in God's creatures.
The vocation of Adam consisted in giving names to the beasts
1 Ethics Bk. X, Ch. VI.
OUTER EXISTENCE AND INNER LIFE 87
of the field and birds of the air as God brought them unto man.
The hard labor of life, which contrasts painfully with this work
of contemplation, came only after man's expulsion from Eden.
Bacon then asserts that the offering of Abel was more acceptable
than that of Cain since the life of a shepherd was naturally more
contemplative than that of a husbandman. In like manner,
Moses, a man of action, was famous for Egyptian learning; Job,
for natural philosophy; and Solomon, for wisdom. On the secu-
lar side of history, continues Bacon, mythology shows how su-
perior were the inventors of new arts and sciences over mere
rulers and lawgivers; the former were deemed gods, the latter
only demi-gods. In human history, men of thought are placed
higher than men of action; Socrates above Xenophon, Aristotle
over Alexander, and Cicero before Caesar.
It is needless to point out that the development of modern
thought after the death of Bacon was such as to forget the naive
idealism expressed in The Advancement of Learning and
incline toward the more practical, more potent ideas of the
Novum Organum (1620). The development of physical science
as this culminated in Newtonian mechanics was so impressive
that the modern mind could hardly think of nature as something
to be contemplated for the sake of enjoyment. No, nature
seemed the form of a vast machine that was to be analyzed and
then set to work in behalf of the beholder. It is no wonder that
the idea of culture came up for criticism.
OUTER EXISTENCE AND INNER LIFE
The fourth and final contrast peculiar to the culture-problem
follows from the other three. When the man of culture sets his
humanity in opposition to nature, pursues remote rather than
immediate interests, and insists on the superiority of contempla-
tion over all forms of conquest, he is only emphasizing the im-
portance of his Inner Life in contrast with his Outer Existence.
Man's inner life is made up of sensations, feelings, ideas, and that
general mass of consciousness that each one comes to recognize
as himself. His outer existence consists of the objects that engage
his attention and the activities that go forth toward them. Both
gg FORMS OF CULTURE
these objects and the activities they enlist may be called the
" things to be done." What chance has the inner life of feelings
with the outer existence of facts?
The exponent of culture in his defense of the inner life has
not been tempted to resort to the extremes of subjective idealism
according to which all outer existence is just so much inner life
in the sense that reality is mental, things ideas, and objects only
percepts. In the case of German Romanticism, as also with
French Symbolism, something like this was done, and that quite
largely upon the basis of Kant's Transcendental Idealism which
made the human understanding " the lawgiver of all nature."
But Kant was not working in behalf of aesthetic culture, nor was
the aestheticism of these hectic movements at all well grounded in
transcendental logic. Hence it may be concluded that the cul-
tural contention in favor of the inner life is not to be made upon
the basis of speculative idealism. What the proponent of culture
does is what Aristode and Bacon did before him; he resorts to
the principle of value and insists that the worth of life consists in
an inward satisfaction rather than any outward acquisition. With
Aristotle and Bacon, this inward satisfaction, this human value
was expressed simply and sincerely in the form of happiness.
There is an inner life for man just as there is an outer exist-
ence. There can be no question about the facts in these contrasted
cases, no possibility of having psychology absorb physics or phys-
ics engulf psychology. The only question, where human culture
is concerned, is that of values; which sort of existence, inner or
outer, is calculated to yield true and lasting satisfaction to an
individual or a nation? How can this question be answered?
Certainly not by experimenting upon so many individuals as-
sembled in a psychological laboratory or by an extensive question-
naire. For it is not what this or that individual thinks of his life
or what a majority of such individuals decide by vote as to the
true issue of life, but what the nature of life itself reveals. Science,
in dealing with the conditions of life as a biological function, does
not ask various individuals whether they think that their adapta-
tion to their environment is an important factor in their individ-
ual existence as organisms. Science asserts that such adaptation
is important.
OPPONENTS OF CULTURE g9
That parallel need not be pressed to any great extent before it
reveals the fact that human happiness, like human existence, in-
volves a form of adaptation — the adaptation of inner life to
outer existence. The nature of such adaptation is culture; the
result is happiness; the method of reasoning is eudaemonistic,
just as it was with Aristotle and Bacon. The whole situation,
which may have become complicated in all that has gone before,
resolves itself into the simple question, What is happiness?
When are individuals and nations happy? This question is not
to be answered in a miscellaneous manner as though happiness
consisted in some one of a large variety of things — wealth, social
position, success in business, travel, political office, ancestry, race,
and the like. The question of happiness, which involves that of
culture, is to be solved by an appeal to the major functions of the
human mind, intellect and will. Is man happy in his thoughts
or his actions, in the sensory or motor portion of his brain, if one
cares to reduce such an august question to the common denomi-
nator of naturalism? The exponents of culture, convinced that
happiness is the criterion of culture, have had no doubts about its
ability to produce that happiness; their case is therefore closed.
In a certain sense, this sort of argument might be likened to the
Method of Agreement in inductive logic even when there has
been no genuine induction. This, of course, suggests the Method
of Difference, or the negative side of the argument. This, how-
ever, introduces an independent line of thought, although one
that corroborates the foregoing theory of culture.
OPPONENTS OF CULTURE
The opponents of culture are in agreement with its exponents
as far as the criterion is concerned. Both place their merits upon
human happiness. The difference between them lies solely in
this — that the proponent of culture says "culture makes men
happy," while his opponent denies this by saying " culture does
not make men happy." It was Rousseau who inaugurated the
attack upon culture, although it was not he who set up activity as
the rival of thought in the heart of man. The pursuit of culture
had been carried on aristocratically by the ancients, in which
m FORMS OF CULTURE
yu
spirit it was resumed during the Renaissance. By the time Rous-
seau appeared (1712-1778), this aristocracy had taken on a form
both artificial and tyrannical. Furthermore, Europe, especially
England and France, had been saturated with rationalism, so
that an emotional and revolutionary thinker like Rousseau was
bound to oppose the intellectualism that seemed to have engen-
dered these ills.
Rousseau's quarrel with culture, expressed originally in the
Dijon prize essay on The Influence of the Sciences and Arts
(1750), had to do with the baneful influence of culture upon the
nature of man. According to Rousseau, man came from the
hands of nature perfect and happy and it was only because he
had been led to indulge in thought that he had degenerated.
This degeneration reveals itself in the misery which man now
experiences and indicates that the separation of animality and hu-
manity, the first step in culture, was a mistake. Hence the fa-
mous maxim, "Let us return to nature!" This anti-cultural
point of view was resumed by Rousseau in 1753, when he wrote
a discourse The Source and Ground of Inequality among Men,
claiming that the advance beyond nature had been by unequal
steps because some men were more cultured than others. With
democratic enthusiasm does he argue against the aristocratic
tendency of culture only to conclude that no culture at all is
better than that which renders men unequal, an argument which
he applies to civilization also.
There is more semblance of argument in the ideals of Voltaire
and Goethe, who like Rousseau were themselves both men of the
very highest culture. What one finds in their anti-culture is the
sharp disjunction between the ideals of remote contemplation
and immediate conquest. Voltaire expresses his disdain for the
intellect and corresponding enthusiasm for the will in the well-
known story of Candide. The tone of the story is a melancholy
one, produced by the Lisbon earthquake of 1755; the idea is to
discover whether Leibnitz was correct in assuming that this is
the best world possible; and the conclusion is that we must solve
the riddle of the universe by action rather than thought. Long
before Voltaire, Montaigne had taken a similar point of view,
basing his practical ideal, that the highest moment in man's life
OPPONENTS OF CULTURE gi
is when he is found in his garden planting cabbages, upon the
theoretical assumption that man was born in order that he might
act. Voltaire expresses this by asserting that man was placed in
the Garden of Eden that he might work, which is not in accord-
ance with the actual story, and that, since thought can only make
us miserable, we should " cultivate our garden " in order to be
happy.
Goethe's contribution to this anti-cultural chapter in human
history is expressed in the inclusive and extensive story of Faust.
Previous to the completion of this life-long poem, Goethe had
set intellect and will in painful juxtaposition in the drama of
Torquato Tasso (1789). In this drama of genius, Tasso with the
manuscript of Jerusalem Delivered in his hands is placed in con-
trast with Antonio, who carries a portfolio significant of the ac-
tive life. The contrast between the two characters is broadened
and deepened in such a way as to develop the difference be-
tween the man of thought and the man of action expressed in the
memorable lines, " Talent is formed in solitude, character in the
stream of the world." But it is indicated that practical character
is more significant and satisfactory than private talent. At the
conclusion of Faust the everlastingly happy moment comes when
the intellectual hero enjoys the satisfaction of draining a swamp
in order to make a near-by town sanitary. It is then that Faust
finds the moment he would perpetuate and thus exclaims, " O,
Augenblic\! verweile dock, du bist so scfidn" Now, it can hardly
be concealed that these arguments against the contemplative life
of culture might have been more impressive if they had devised
for the misguided homo sapiens some more worthy vocation than
that of planting cabbages, cultivating a garden, and draining a
swamp. There are serious arguments against culture and con-
tentions in favor of the active life, but these are barely implied by
Rousseau, Voltaire, and Goethe.
The idea of happiness is so bound up in the question of culture
that it would be unwise to detach it and give it independent dis-
cussion. But there are two other ideas that stand in less intimate
relation to culture—- work, which is the contrary of culture, and
democracy as this challenges culture in its original form of aris-
tocracy. We live in an industrial democracy, are acquainted with
g2 FORMS OF CULTURE
its principles, and are inclined to accept its values. How can we
sympathize with any land or people or age which exalted cul-
tural aristocracy? If we are to continue our human culture, we
must adjust it to the problem of work and the populace.
CULTURE AND WORK
First, as to the problem of life as work and life as thought, the
original contrast between conquest and contemplation; how can
there be culture in an age of industry? Aristotle and Bacon saw
in what we call " work " the energy or work of contemplation.
Voltaire and Goethe came to feel, if we may believe their jaunty
words, that the procedure of the intellect is nothing in compari-
son with the performance of the will. Hence they spoke figura-
tively of cultivating the garden and draining the swamp as forms
of activity most worthy of man and just as satisfactory to him.
Now, the idea of work must be analyzed in order to determine
whether it is able to oust culture from its time-honored place. If
men of culture see value in the idea of work, it may turn out that
work and culture are not contradictory, but complementary.
A beginning or perhaps the beginning of man's life as such was
made by means of work in the form of tool-making. According
to Bergson, mechanical invention has ever been the essential fea-
ture of human intelligence; mechanisms of some sort mark the
course of history, while at the present time our social life revolves
about the manufacture and use of artificial instruments. "In-
telligence," says Bergson, "considered in what seems to be its
original feature, is the faculty of manufacturing artificial objects,
especially tools to make tools, and of indefinitely varying the
manufacture." 2 Now, inasmuch as culture, in distinction from
the pure cognition as such peculiar to speculative metaphysics and
mathematics, is a more or less concrete and active form of intel-
lectual procedure, this practical conception of intelligence can
prove only acceptable.
By adopting, if in only a provisional way, the idea that human
intelligence is akin to human activity, the exponent of culture has
made overtures to those who insist that life means work. On the
2 Creative Evohttion, tr. Mitchell, p. 139.
CULTURE AND WORK ^
other hand, if such work involves intelligence, it is bound to con-
tain the essence of culture. Culture itself, being no theoretical
thing, involves a certain praxis as this appears in the fine arts,
especially those of architecture, sculpture, and painting. If one
is inclined to stress the force of etymology, one can find a certain
kind of " making " with words in the energy of the poet, who,
according to the Greek word poiein, is a maker, while his poem,
or poiema, is a kind of thing made. But this twist of language
can amount to only a suggestion of the actual work accomplished
in the spatial arts. If, then, we may assume that there is more
likeness than difference between culture and work, we may pro-
ceed to the case of the individual worker. In an ideal order, the
individual gets culture out of life in the same proportion that he
puts work into the world. When he acts upon the external world
by means of work, what he does reacts upon him, so that as he
changes the face of nature he changes the form of his own mind.
The work involves both an object and a subject; the results are
both economic and educational. The process by means of which
this double result is produced can be expressed in a traditional
form by saying that one learns to know by doing. But doubtless
this process has more to do with education than with culture,
which requires leisure, or time which can be devoted to private
pursuits.
At the present time, the attempts to provide cultural oppor-
tunities for the laboring man or woman show themselves ten-
tatively in the form of the " culture wage," a shorter labor-day
with leisure at the far end of it, the five-day week, and other de-
vices for liberating the worker from the bondage of his task.
These are on the subjective side of the question concerning man
and his work. (On the objective side, the social order is providing
the means of culture, if we may call it such, in the form of the
free library, cheap books, inexpensive reprints of classic works of
art, extension courses, home study, municipal concerts, radio,
moving pictures, and the like. These are at least gestures in the
direction of culture or a recognition that the people in an indus-
trial democracy deserve and demand more than work and wage.
Whether or not these means of culture are used in the new lei-
sure is a question for the laboring man and woman.
94 FORMS OF CULTURE
CULTURE AND DEMOCRACY
The problem of culture and democracy runs parallel to that of
culture and work. The conflict between culture and democracy
is based on the traditional notion that what is called culture means
refinement if not social prestige, a certain degree of wealth, and
a tone of aristocracy. However, there is practically nothing in
genuine culture, which is the pursuit of art and science, philoso-
phy and literature, that justifies this unhappy conception. An
aristocratic order like that of the Greeks with their \aloi kagathoi,
or superior men, enjoyed culture because it had opportunity for
it in connection with the master-slave organization of the State.
When the men of a democracy are afforded a similar opportunity,
there can be culture for those who desire it just as there can be
wealth or political office. All are within the range of physical
possibility and political opportunity.
Certainly nothing is to be gained by pitting the intellectual life
of man against man's present form of political organization.
Democracy has other and better things to think about than the
prohibition of intellectual and aesthetic experience. Those who
oppose culture in a democracy do so on the grounds of formal
reasoning that has little to do with facts and tendencies. Their
implicit argument can be expressed in syllogistic form as follows:
Everything that is opposed to democracy is bad
Culture is opposed to democracy
Culture is bad
There is no doubt about the validity of this argument once the
major premise is assumed, but suppose we prefer to change the
terms in such a way as to prove the contrary. Then we shall have
this syllogism, which is equally cogent:
Everything that is opposed to culture is bad
Democracy is opposed to culture
Democracy is bad
All depends upon the point of view as this reveals itself in the
major premise, but these rival premises, the first democratic, the
second aristocratic, lead us nowhere in connection with our liv-
DECADENCE AND DILETTANTISM 95
ing problem, which is that of relating culture to our social and
political life rather than of divorcing it from our vital existence.
If we cannot harmonize our philosophy of culture with our po-
litical democracy, we can worry along with contrary ideals just
as we do with free will and determinism, belief and doubt, capi-
talism and communism.
If we assume, as we have a right to do by virtue of the integrity
of the spirit that is within us, that both culture and democracy
are among our modern values, we may be able to realize that the
fusion of these values can be of mutual advantage. There can be
no doubt that democracy with its mass and mob tendency stands
in special need of all the intelligence and refinement that can
come from the pursuit of science and art. Democracy with its
leveling tendency ever stands in need of the elevation that comes
from enlightenment. The present plight of democracy with its
tendency to gravitate toward communism is pathetic, the condi-
tion of sheep without either shepherd or sheepfold. Democracy
may need a more equable distribution of this world's goods, more
faith, and better physical health, but it stands in need of culture
also.
DECADENCE AND DILETTANTISM
On the other hand, the old culture that became too effete and
impotent in the old aristocratic regime, and deserved the hectic
criticism of Rousseau and the more healthy criticism of Voltaire
and Goethe, stands in need of democratic rejuvenation, otherwise
it will continue to be decadent. " Decadence " has its own mean-
ing and place in XlXth-century literature, where it involves the
work of Edgar Allan Poe, who anticipated it. But the thing it-
self is capable of an interpretation and application broader than
the purely literary; it means something cultural and social. " By
the word Decadence," says Paul Bourget, " one denotes that state
of society which produces too large a number of individuals who
are unfitted for the work of common life." 3 From this definition
and what follows from it, we are in a position to see and to state
that democracy in culture is the thing needed to check or even
prevent decadence in art and life.
3 Essais de psychologic contemporainc (1883), p. 24,
^ FORMS OF CULTURE
Bourget follows the principles of social biology and social evolu-
tion pretty much after the manner of XlXth-century sociology, so
that some of his methods of expressing his ideas may be some-
what outmoded although their inherent truth may remain. The
individual is to Bourget a social cell whose particular functioning
makes possible the functioning of the social organism generally.
Usually the individual cell expresses its energy in subordination
to the energy of the social organism. When, however, individual,
cellular energy becomes independent, the tendency engendered is
that of anarchy. Now it is the social organism itself rather than
the mere individual that produces such anarchy, for development
and decadence follow one and the same law. That is to say,
while society is perfecting itself through civilization and culture,
it so overdoes its own work that the civilized, cultured individual
makes his escape from the social organism which produced and
perfected him. Such was the situation that obtained throughout
the rise and fall of the Roman Empire.
There can be little doubt that this philosophy of development
and decadence is far too sweeping. It appears to be more a per-
sonal opinion than a general view and indicates a certain amount
of enthusiasm for the decadent movement. Thus it is wiser to as-
sume that decadence is confined to a certain class of artists and
aesthetes within the broad circle of those who create and appre-
ciate sound art. At the present time, culture as expressed by the
fine arts betrays a decadent tendency in such things as a futuristic
building, an impressionistic work of sculpture, the pursuit of un-
recognizability in painting, unintelligibility in poetry, and various
cacophonic effects in music. If culture can be made democratic,
so that people generally shall set the standard of taste now being
left to a restricted and irresponsible group, these decadent distor-
tions may give place to genuine developments.
The modern experiment of democratic culture is hampered by
dilettantism as much as it is hindered by decadence. The de-
cadent withdraws from the social order and seeks refuge in a
quasi-intellectual region as the Latin Quarter in Paris or Green-
wich Village in New York. These sections afford a home, for
genuine artists and critics, but we are bound to associate them
with harbors of refuge for those who are unfit for both art and
DECADENCE AND DILETTANTISiM 97
work. The dilettant resembles the decadent and may be just as
little a social asset, but his attitude is different. The dilettant re-
mains within the social circle, performs his tasks there, and has
both a place and work in the world. Our criticism of him, there-
fore, must be cultural rather than social. The dilettant inclines
to affect culture instead of assuming it as an intellectual burden,
just as he regards art as something more emotional than mental.
He takes delight, or diletto, in beautiful objects of all sorts, but
does not realize their meaning as forms of expression put forth
by the artist to be energized by the beholder.
When dilettantism assumes an intellectual form, it is usually
in connection with up-to-date ideas and impressions. The classic
conception of things in both art and science is set aside with the
feeling that the world of culture was created about the year 1900.
There is, perhaps, such a thing as genuine dilettantism, if we may
so speak, and we shall see presently how the French have made a
type of national culture out of emotional mentality. There is a
lightness of touch and an ease of apprehension that is peculiar to
all culture, which makes it different from science. But the pres-
ent age is not sounding the depths of dilettantism, if we may use
another doubtful form of expression. It is not indulging the mas-
sive emotions that aesthetic expression is calculated to produce.
The result is sophistication. The sophisticated person is awake to
the latest fad or fashion in art or science, le dernier cri* He knows
his Freud or Einstein, he is quite familiar with Futurism, Cubism,
or Dadaism. But the kind of culture that withdraws mankind
from nature, arouses remote interests, and for the sake of human-
ity creates an inner life is a more serious matter. This will ap-
pear when various types of national culture are examined.
Long before this can be done, however, we must take special
and somewhat detailed cognizance of the historical cultures that
have made their impression upon the western world and given
form to our own minds. We might traverse the whole field of
culture and glance at the various types, including the Africo-
Egyptian, Mongolian, Hindu, Persian, Aztec, and the like. Then,
however, we should be like travelers who go round the world to
see what in general it is like. But we shall confine our views to
those cultures that have influenced our life and thought, the Medi-
S.T. — 8
98 FORMS OF CULTURE
terranean cultures of Hebrew, Greek, and Roman. Thus we
shall be like student-travelers who visit the lands whose history
has bearing upon their study. The bearing that Africa and Asia
have had upon Europe will be found included in the three forms
we shall examine. At the present time, the Far East is beginning
to affect us and hence we shall have to inquire into the nature and
extent of oriental influence. But the East is affecting the West
only after the form and character of western culture has been de-
termined, hence this slanting influence need not be noted until
the direct forms of occidental culture have been determined. We
begin with the religious influence of the Hebrews.
CHAPTER V
HEBREW RELIGION
JUDAISM AND CHRISTIANITY
THE READER OF KIPLING*S Recessional IS BOUND TO BE IMPRESSED
by the poetic beauty and reverential spirit laid upon every
line of the English psalm. He is not so likely to observe
the Jewish tone of such a modern poem. It is addressed to the
" God of our fathers, known of old/1 calls upon the Lord God of
Hosts to keep England in mind of Nineveh and Tyre, refers with
contempt to the " lesser breeds without the law," and would have
the late Victorians abhor " such boasting as the Gentiles use."
The reception of this poem in both school and church is one
among a multitude of indications of the way in which the
" lesser breeds " in the Europe of the last nineteen centuries
adopted and absorbed a religious belief not intended for and per-
haps not adapted to them; for, in accepting Christianity, Europe
did not stop until it had borrowed also the Judaism from which
that Christianity had emerged. However, to be an orthodox
Christian has often amounted to being something more than a
half-orthodox Hebrew. To accept the teaching of the Old Testa-
ment, likewise, used to mean that the believer should accept old
Hebrew tradition as to the Mosaic authorship of the Pentateuch.
Now, if the factors of race and language had been operative in
European history, we should be worshiping Brahma, reciting
the hymns of the Ei\ Veda, and writing theology upon the basis
of the Ufanishads. But, as it has turned out historically, we have
taken our religion from one of the Semitic peoples.
What was there about the Hebrews in distinction from other
Semites, such as the Babylonians and Assyrians, Arabs and Phoe-
nicians, that made them feel themselves to be the Chosen People
and later made them the religious educators of the western
world? "Among the theocratically governed nations of the
East," said Lotze, " the Hebrews seem to us as sober men among
drunkards, but to antiquity they seemed like dreamers among
I00 HEBREW RELIGION
waking folk" * The Hebrews were distinguished from other na-
tions o£ the ancient world chiefly by the fact that they took a
historical rather than a naturalistic point of view, whereby they
were able to ignore the symbolism suggested by the objects of
nature and proceed toward the future of their race if not of all
mankind. To compare the Psalms with the hymns of the Veda
is to see this at once. To consider the Hebrew idea of God is to
realize how all the objects of nature, the heavenly bodies and
the forms of life on earth, are nothing in themselves, but are de-
pendent upon the Divine Will. Now, such conceptions as these
came to appeal to the European mind as sensible considerations;
they make their appeal even at this late date in the history of the
West. For we believe that all nature is subject to an intelligible
principle of some sort; we think of mankind as the subject of his-
torical progress. Hence, in spite of certain outer peculiarities in
Hebrew religion, as its racial character and persistent ceremonial-
ism, we are inclined to feel that Hebraism is acceptable to our
western ideals and intentions.
THE ORIGIN OF 'THE HEBREWS
We refer to the Hebrews as an oriental people, and doubtless
they were eminently so at the beginning of their existence in their,
original home. This was somewhere east of the Euphrates River,
in the land -of Chaldea or Babylonia-. • But when the Hebrews.
migrated thence, about the year 2000 B.C., and sought- a place -of'
a purer worship than they had previously known, it was as though,
they detached themselves from the Orient, forsook its sensualistic
spirit to elaborate an unusual form of religious belief and practice.
The accounts in Genesis make mention of the fact that Abraham's
father left Ur of the Chaldees with all his household, household
goods, his flocks and herds, and settled temporarily around
Haran. A beginning having been, made, Abraham himself left
Haran and proceeded westward to the land of Canaan at the very
edge of the eastern world. The- land was strategically and con-
veniently located for the development and dispensation of a great
sentiment. It was in touch with the African culture of Egypt,
* Microcostmts^tf. Ha#iilton and Jones, Bk. VII, Ch, V, § 5; ;
THE CALL OF ABRAHAM IOI
and was quite accessible by caravan routes to Babylonia and
Assyria. None the less was it in geographical touch by land and
sea with Europe, so that it was a simple matter when, later, the
Apostle Paul decided to pass over from Asia Minor to Macedonia,
The isolation which the primitive Hebrews desired was thus
more psychological than physical; the geographical position be-
tween Egypt and Assyria was both advantageous and perilous.
There the Hebrews elaborated their unique worship; thence they
went into Egyptian bondage and Babylonian captivity.
The history of the Hebrews dates from Abraham's departure
from Mesopotamia. Already his father, Terah, had planned to
enter the land of Canaan, but in breaking away from the Chal-
dean city of Ur and making his journey round the northern end
of the desert he had gone no farther than the city of Haran.
When, therefore, Abraham completed the pilgrimage and reached
the land of Canaan, he was but carrying out the paternal plan.
The movements and activities of this little band, including Abra-
ham's household and that of his nephew Lot, may be stated
briefly, and their significance may with equal directness be indi-
cated. Yet we may pause a moment to suggest that Abraham's
significant journey was quite in keeping with his nomadic type
of life, while his journey to and beyond Canaan was in harmony
with his adventurous spirit. Moreover, there was in his heart, as
there had been in the heart of his father before him, a desire to
sever social and spiritual relationships in Chaldea, a land no
longer productive of religious promise.
THE CALL OF ABRAHAM
The famous " call " of Abraham was such as to get him out of
his home country, his kindred, and his father's house, and to set
his face toward the land of a new habitation. How terse the his-
torical account! " And they went forth to go into the land of
Canaan, and into the land of Canaan they came." 2 The coun-
try seemed promising although, as the record states, "the Ca-
naanite was then in the land," the Hamitic Canaanite who, later,
was to be the deadly foe of the Israelite. The pious nomad
2 Gen. XII, 5.
I02 HEBREW RELIGION
pitched his tent and built an altar between Bethel and Hai, but
his stay was brief. A famine occurs and the lure of Egyptian
grain draws him farther south. Upon entering the land of the
Pharaohs, Abraham fears that the fairness of his wife, Sarai, will
tempt the Egyptian to kill him and take her; whereupon he
persuades this comely Oriental, whom apparently " age cannot
wither," to pass herself off as his sister. The story is told with
the usual brevity of patriarchal history.
" And it came to pass that, when Abram was come into Egypt,
the Egyptians beheld the woman that she was very fair. The
princes also of Pharaoh saw her and commended her before
Pharaoh; and the woman was taken into Pharaoh's house. And
he entreated Abram well for her sake; and he had sheep and
oxen, and he-asses and menservants, and maidservants, and she-
asses and camels." 3 But a plague, the first that Israel was to
bring upon Egypt, fell upon the house of Pharaoh. The vulgar
trick is exposed, and the superstitious Egyptian commands the
patriarch to take his wife and all his company away. It was not
long before Abraham and his band are back at the site of the
tent and altar between Bethel and Hai, only this time the ad-
venturous nomad is rich in cattle, in silver, and in gold. Indeed,
the herds were so large that there was not room enough for them;
hence the historic separation of Abraham and Lot. It was in
connection with the unfortunate Lot, who was taken prisoner in
the mysterious warfare of the four and five kings, that the same
Abraham showed a certain amount of military strategy. This he
did by engaging Chedorlaomer in front while the other half of
his improvised army attacked him in the rear.
The nai've tales of the Hebrew patriarchs convey a significance
which cannot be discovered by any analytical process, for there
was no patriarchal theology. The psychology of such early re-
ligion seems to reveal these early believers as strong and active
men who were convinced of a national destiny and a Divine
Providence guiding them toward a far-off future of their race.
"Beautiful is it, therefore," said Goethe, "that the Israelitish
tradition represents the very first men who confide in this par-
ticular Providence as heroes of faith, following all the commands
3 Gen. XII, 14-16.
THE HEBREWS IN EGYPT IO3
of that High Being on whom they acknowledge themselves de-
pendent, just as blindly as, undisturbed by doubts, they are un-
wearied in awaiting the later fulfillment of his promises." 4 In
the minds of later Biblical characters, primarily St. Paul, the
sweet strength of the patriarch's faith is practically identified with
the kind of belief demanded by a universal and spiritual religion.
For Abraham believed and it was counted unto him for right-
eousness.6
In the same manner, we observe, as though we were trying to
trace the outlines of a faded picture, the strange encounter of
Abraham and Melchizedec, king of Salem and priest of the Most
High God, who met the military patriarch after his slaughter of
the kings and gave him his blessing. The original account of this
strange meeting between two shadowy figures in history contains
some three score words, yet out of it was destined to emerge
the ideal of a pure and spiritual priesthood free from legalism
and full of power, " the power of an endless life." 6 Indeed, the
writers of the New Testament, while appreciative of the merits
findable in the Law and the Prophets, seem inclined to revert to
the patriarchs for the patterns of the believing mind.
THE HEBREWS IN EGYPT
From the life of Isaac, the man of laughter, we glean no spir-
itual insight. We associate him with the story that tells how his
aged father, following an ancient custom, attempted to sacrifice
him, the first-born, on the fiery altar. We read with truly human
interest the long chapter 7 in which his courtship of Rebecca is
recounted. Jacob appeals to us less pleasantly but with some-
what more significance, yet his religious intuitions exemplified
in his vision of the heavenly ladder seem to lack the sincerity and
simplicity -of the spiritual insight of his ancestor Abraham.
Jacob, however, is important in Hebrew history in that he be-
came the father of the children of Israel, founders of the twelve
tribes. Although Jacob's favorite son, Joseph, failed to fall heir
to any tribal headship, he became the most significant figure in
4 Truth and Fiction from my Life, Bk. 4. 6 Heb. VII.
5 Gen. XV, 6; Rom. IV, 3. 7 Gen. XXIV.
I04 HEBREW RELIGION
the family. This appears in Israel's relation to Egypt; it involves
the everlasting question of food. The fertile plain of Mesopo-
tamia, whence the Hebrews came, and the rich valley of the Nile,
to which they repaired, bloomed in contrast to the less fertile land
of Canaan.
In the time of Joseph, there was a famine in the land of Canaan
and its inhabitants were forced down into Egypt for their food,
as had been the case in the days of Abraham. Joseph was al-
ready there, having been sold to Pharaoh by the brothers, who
were jealous of him and envious of his famous coat of many
colors. By the time the hungry brothers arrived, Joseph was
already in high favor with the king, for it was due to the fore-
sight, if not the shrewdness, of the Hebrew steward that the
Egyptian granaries were full of corn. Joseph is famous in Bib-
lical history for his display of chastity in the matter of Potiphar's
wife; his private life was beyond reproach. Not so his public
conduct, for in the period of the great famine he was guilty of
both extortion and a kind of secret rebate. Taking advantage
of the situation, he made the improvident Egyptians sacrifice
their money, their cattle, and their lands for corn. At the same
time, when his brethren came to buy the corn, he restored their
money secretly, by putting the money paid back into the sacks of
grain.
The result of the famine was the settlement of the Hebrews
in Egypt? for Pharaoh set aside for their habitation the land of
Goshen. The length of this excursion or " exile " in Egypt is
not easy to determine; one Biblical record makes it four genera-
tions,8 another four centuries.9 Egyptian records themselves, as
found in the Tel-el-Amarna tablets, reveal the relationship be-
tween Egypt and Palestine and make the story of Joseph's stew-
ardship and Pharaoh's kindness appear plausible. The change o£
Pharaohs brought about the accession of the king that " knew
not Joseph," so that what had been a sojourn to secure food be-
came a real exile of captivity. The Hebrews became slaves, with
taskmasters over them, and were forced to build for the new
Pharaoh the treasure cities of Pithom and Raamses.10 This oc-
8 Gen. XV, 16; Ex. VI, 16-20, 10 Ex. I, n.
9 Gen. XV, 13; Ex. XII, 40.
CARAVAN OF CANAANITES. ABOUT 1900 B.C.
Painting on an Egyptian tomb.
ANCIENT EGYPTIAN PAINTING OF CAPTIVES WORKING IN A BRICK-
YARD, ABOUT 1600 B.C.
CARVING ON THE TEMPLE AT ABYDOS, SHOWING AMORITE
ACTUARIES OF A HlTTITE ARMY
(facing page W4"}
THE CAREER OF MOSES IO5
casioned the famous incident of " bricks without straw." It was
not that the enslaved brick-layers were expected to build in such
an impossible way; it was that they were both to make the bricks
and scour the whole land in search of straw or stubble for the
clay. The obvious purpose of this was to keep the Hebrews
from congregating and carrying on the worship of their national
deity.11 It was this oppression that made Israel ripe for the na-
tional deliverer that was to appear in the heroic form of Moses.
THE CAREER OF MOSES
The early life of Moses from his birth to the birth of his son is
recounted in some twenty verses of the 2d chapter of Exodus.
It is well known how, at the age of three months, he was taken
by his mother and hidden in the flags by the river's brink there
to be found by none other than Pharaoh's daughter, who adopted
him and called him " Moses," the one drawn out. In the court
of Pharaoh, Moses must have acquired Egyptian ideas, since he
was referred to later as a man " learned in all the wisdom of the
Egyptians." 12 But, while his mind may have been molded in
this way, his heart was with the people from whom, for the time,
he had been separated. For when he sallied forth^from the court
to visit his Hebrew brethren he observed one suffering at the
hands of an Egyptian taskmaster, whom he promptly slew. It
was the fear of being charged with this act of manslaughter that
drove Moses out of Goshen into Midian, on the peninsula be-
tween the arms of the Red Sea. It was here that he met and mar-
ried the daughter of Jethro, priest of Midian, But this amounted
to more than primitive romance and domesticity, for it was -
Moses' father-in-law who, some time after the historic exodus,
visited Moses and advised him to give the people laws and ap-
point judges over them.13
The Midian retirement of Moses and his temporary detach-
ment from his own people and their oppressors were fruitful of
both a political plan and a theological principle. The political
plan was the well-known one — to deliver Israel out of the hand
of the Egyptians and establish a theocratic nation in the land of
11 Ex. V, 7-17. 12 Acts VII, 22. 13 Ex. XVIII.
I0g HEBREW RELIGION
promise to which Abraham had taken title. The theological
principle is not so familiar to us. It begins to unfold itself when
Moses has his mystic conversation with the Deity. " When I
come unto the children of Israel and shall say unto them, The
God of your fathers hath sent me unto you; and they shall say
to me, What is his name? what shall I say unto them ? And God
said unto Moses, I AM THAT I AM ... and say unto the
children of Israel, I AM hath sent me unto you." 14 This strange
incident clears up somewhat when the Deity is represented as
speaking in the following manner: " And spake Elohim to Moses
and said to him, I am Jahweh. And I appeared to Abraham and
to Isaac and to Jacob and El Shaddai but by my name Jahweh I
was not known to them." 15 It was this new God, if we may thus
express it, who was to be the national Deity of the Hebrew peo-
ple; no longer the benign Providence of a wandering tribe of
mystics, but the stern ruler of a race which was destined to in-
dulge political ambitions and be a nation along with the other
nations of the East.
THE EXODUS
The sojourn of the Hebrews in Egypt, where they were re-
puted to have spent over four hundred years, was brought to a
spectacular close. The vigorous exodus was achieved under the
guidance of the national hero who as an infant had been drawn
from his hiding place on the reedy river bank and installed in
the court of Pharaoh. Moses, back from brooding in the land of
Midian, accomplished the deliverance by magic and miracle, by
the rod he had handed to his brother Aaron and by his own
hand. The one was to break down the hardness of Pharaoh's
heart, the other to part the waters of the Red Sea. In breaking
down Pharaoh's resistance, it was necessary for Moses, or Aaron
through Moses, to perform feats of magic which the magicians
of old Egypt could not match. Aaron throws down the rod and
it becomes a serpent. " Now the magicians of Egypt, they also
did in like manner with their enchantments." 16 Aaron's rod
works greater magic when it turns the river into blood, but the
™ Ex. Ill, 13-14. ie Ex. VII, ir.
15 Ex. VI, 2-3, from the original Hebrew.
THE EXODUS I0y
enchantments of the native sorcerers were equally effective.
Likewise with the magical multiplication of frogs which plagued
the whole land. Not so, however, with the plague of lice which
the rod of Aaron conjured up to disconcert the older magicians
and make them confess, " This is the finger of God." From then
on, the two Hebrew brothers, working in concert, devise and ac-
complish some seven other plagues — plague of flies, murrain of
beasts, epidemic of boils, fiery hail stones, locusts, a darkness that
could be fairly felt, and death of the first-born beginning with the
first-born of Pharaoh and descending even unto the dungeon and
the cattle-barn.17
The positive part of the Hebrew exodus involved the famous
crossing of the Red Sea. The narrative advances from the magic
worked by Aaron's rod to the miracle worked by Moses' hand,
which he stretched out over the waters. It happened that a
strong east wind had been blowing all night rendering the sea,
presumably at low tide, unusually shallow and making passage
through it a physical possibility. The narrative does not fail to
add that, even so, the waters were as a wall to right and left of
the flying multitude, while it goes on to state that, in obedience
to another sublime gesture on the part of Moses, " the sea returned
to his strength" and overwhelmed the pursuing Egyptians,
chariots and horsemen and all the host of Pharaoh. The tri-
umphant poem of Moses, to which his sister Miriam and all the
women, timbrel in hand, sang and danced, seemed to indicate
that this hurriedly organized host would proceed at once into
the promised land and spread sorrow among the inhabitants of
Palestina, or Philistia; but the poet was also a man of affairs,
hence the entrance into the land was delayed for a generation.
What Moses did with his unorganized, undisciplined people
was to lead them down into the little Sinai peninsula east of
Egypt, where the runaways could be drilled and a new genera-
tion brought into existence and transformed into a body of war-
riors. Doubtless these Hebrews were something like an Arab
tribe today, apt for discipline and willing to meet the exigencies
of rigorous religious belief. Furthermore, this sequestered life
on the peninsula begot a sense of mutual dependence and a still
™ Ex. VII-X.
I0g HEBREW RELIGION
greater dependence upon the new Deity. At Sinai, or Horeb,
the new religiosocial policy was slowly installed. Much o£ this
work we must surmise, since the actual account of what took
place in the wilderness of the wandering is confined to a record
of but two of the forty years passed there. We have, however, a
description of the giving of the law and must determine as best
we can how much meaning is attributable to the well-known
saying, " The law was given by Moses." The time will come in
this chapter when we shall have to consider what literary con-
nection Moses had with the five books that bear his name; but
now it is a question of Moses and that indefinite thing known
as " the law."
MOSES AS LEGISLATOR
We have pictured Moses as a kind of Xenophon leading a tri-
umphant retreat. Can we think of him after the pattern of a
Lycurgus? Jewish jurisprudence is found in parts of Exodus
and Numbers, in most of Deuteronomy and all of Leviticus,
books which contain the law in its finished form. When we
examine such a work on canon law as Leviticus, we find a de-
tailed system of priestly and ceremonial legislation centered in a
temple, concerned with sacrifices, ceremonial cleanness, the prohi-
bition of idolatry, and the like. This we cannot fit into the picture
of Moses and his tribe, who worshiped in a tent at an earthen
altar. In like manner, we find it difficult to think of this tribal
leader as the giver of the Decalogue, as found in Exodus XX
and Deuteronomy V, since its ethical and individual standards of
righteousness seem too ideal for a folk placed in a very realistic
situation — journeying in a wilderness.
What we do find, however, is a kind of impromptu Decalogue
in Exodus XXXIV. This consists of what are called the " ten
words " of a practical and religious character calculated to regu-
late the simple worship and wholesome conduct of a rude peo-
ple. These little laws forbade idolatry, commanded the observ-
ance of certain sacred times, and required gifts and services. It
was when the practical lawgiver came down from Sinai with
these two tables of testimony in his hands that his face shone
with such brightness that the people, were afraid to come near
HEBREWS AND HITTITES IO9
him.18 To Moses we may attribute also the " Book of the Cove-
nant" as given in Exodus XX, following almost immediately
upon the Decalogue and continuing through Chapter XXIIL
The rest of the jurisprudence in Exodus and Leviticus, Numbers
and Deuteronomy seem to the reader to be a ceremonial form
to the "words" with which Moses communicated the will of
Jahweh to his people, hence the oft-recurring expression, " And
the Lord spake unto Moses."
The death of Moses occurred in Moab, atop ML Nebo and
within sight of the land whither he led his people, but which he
himself was not to enter. He was essentially a man of isolated
life although a leader of men, and it was thus that Alfred de
Vigny in his poem spoke of him as saying, " O Lord, thou hast
made me powerful but solitary — puissant et solitaire!' With
the grave of Moses behind them in a valley of Moab, Israel en-
tered the land of Canaan that had been promised them. Their
real history as a nation was about to begin and their national
character undergo development. To this historical process we
may allot two centuries, one for the mastery of the land, the other
for the development of their little kingdom; a period of judges
and an era of kings. The connection between the Mosaic regime
and- the inception of the judges is made by the .personality of
Joshua, a man, something after the manner of Moses and or-
dained to. succeed him in the capacity of personal leader,19 •
HEBREWS AND HITTITES '
The land that the Israelites entered was in possession of groups
of Canaanitish peoples to whom we may refer generally as Hit-
tites. These had been quite a formidable nation able to carry
on some sort of warfare with the Egyptians to the south and the
Assyrians in the north, but unsuccessful combat with these
mightier forces had reduced their military power to a minimum,
hence they were fairly -easy foes for- their new enemy.20 As "for
the Israelites, the occupation of Canaan meant the exchange of
nomadic existence for agricultural life, resulting in the develop-
18 Ex. XXXIV, 29-30. 20 Sanders, History of the Hebrews, p. 77.
19 Num. XXVII, 18; Dettt. I, 38, etc.
IIO HEBREW RELIGION
ment of domestic, social, and religious forms. After the passing
of the personal, Moses-like leadership of Joshua, they settled
down to some sort of political regime under what they called
" Judges." These impromptu officials were far from being what
their title would imply except as we regard them after the man-
ner of rural justices of the peace or police magistrates in a large
city. They seem to have been men of natural ability to whom
the people turned for aid and advice, and in their robust capacity
of judges may be likened to some of our pioneer leaders, such as
Daniel Boone, Davy Crockett, or Andrew Jackson.
The career of Israel during the century of judges yields inter-
esting materials for history, but does not constitute a brilliant
record of a nation. The spirit of the period is summed up in the
last verse of Judges: " In those days, there was no king in Israel;
every man did that which was right in his own eyes." The story
of this naive anarchy includes the crafty murder of Sisera at the
hands of Jael, wife of Heber the Kenite, as also the robust song
of Deborah and Barak, which celebrated the bloody act.21 Here,
in this crude but interesting book, we read of Judge Jephtha, his
famous victory over the Ammonites, and the rash vow that cost
his beautiful daughter her life,22 Among others who did what
was right in his own eyes was Samson, the giant and humorist
of the age. He seems to have specialized in riddles and feats of
strength. Thus we read with more interest than credulity of his
ability to strangle a lion, catch foxes by the hundred, and slay a
thousand men with the jawbone of an ass; read also of his blind
revenge upon the Philistines who, aided by the wily Delilah, had
made him captive. From a political point of view, we are more
interested in Samuel, practically the last of the judges, but, above
all, the original king-maker of Israel.
THE HISTORY OF THE KINGS
The history of Israel's throne is recorded in the four Boofys of
the Kings, better known as 7 and // Samuel, I and // Kings. A
subsequent account of the kingdom with both its unified and
divided throne is found in the two Booths of the Chronicles. The
21 Judges IV-V.
THE HISTORY OF THE KINGS m
reader of the books of Samuel, written about but not by the man
whose name they bear, may wonder what was their historical
source. He observes that, in the second book, the Biblical writer
refers to a certain "remembrancer" or recorder, as also to a
scribe or " secretary,5' 23 and in another place he seems to be quot-
ing from The Boo^ of Jasher?* This selection is David's fa-
mous lament over the death of Saul and Jonathan, " lovely and
pleasant in their lives and in their death not divided." Certain
sources of the Boo^s of the Kings are mentioned in that work:
The Boo^ of the Acts of Solomon; 25 The Chronicles of the Kings
of Judah; 2Q and The Chronicles of the Kings of Israel27 We
mention these literary matters in order to enhance the realism of
the Bible, a sacred work so detached from the afiairs of earth that
few there are who make a study of its sources and general char-
acteristics.
The establishment of the Kingdom of Israel, which in the days
of Abraham and Moses had been a " kingdom not of this world,"
may have been a false step for the Hebrews. In its unity, it
lasted but a century; its disruption was violent, and the two petty
principalities that resulted ended in captivity. However, there
was a popular demand for such political organization; its first
king, Saul, seemed available; and there was the need of defense
against the rival government of Philistia in the south. These
Philistines in the book of Genesis are identified as the natives of
Caphtor, which may be the island of Crete, spoken of as " the
isle." They remained in Palestine until the sixth century B.C. It
was the task of Saul to relieve Israel of their oppression. He
seems to have been chosen on a physical basis, for "from his
shoulders and upward he was higher than any of the people." 28
He was selected by Samuel while he was seeking the asses that
had strayed from the fold, a historical item which prompted
Goethe to say, " Go forth searching for the meanest of thy fa-
ther's goods and a kingdom shall be brought thee."
The monarchical and military career of this easy-going leader
of Israel is summed up in a single verse of the record: " So Saul
took the kingdom over Israel and fought against all his enemies
23 II Sam. VIII, 16-17. 2B J K**g* %*> 4*. 27 7 &*& XV* 3*-
24 II Sam. I, 17-27. 26 / Kingt XV, 23. 28 / Sam. IX, X
112
HEBREW RELIGION
on every side; against Moab, and against the children of Ammon,
and against Edom and against the kings of Zobah, and against
the Philistines; and whithersoever he turned himself he vexed
them." 29 But an act of disobedience to the command of God as
given by the seer Samuel, who acted as a sort of Secretary of State
in the kingdom, caused Saul to be practically deposed and
brought about the anointing of David in his stead. Apparently
Saul did not have a sound mind in a sound body. He was subject
to fits of madness and somewhat given to sorcery; he finally com-
mitted suicide. He is pictured as chieftain in his camp rather
than king upon a throne. " Now Saul abode in Gibeah under a
tree in Ramah, having his spear in his hand, and all his servants
were standing about him." so
THE KINGDOM OF DAVID
The history of King David is comparatively voluminous. The
writer of I Samuel weaves it into the life of Saul and devotes
all of // Samuel to it. The reign of this dashing monarch con-
stituted the great glory of Israel He had all the military ability
of Saul, something like Moses' capacity for political leadership,
and to some degree the religious fervor of Samuel. His weak-
ness lay in his emotionalism. A spirit of romance accompanied
his entire career, so that, as we cannot think of Solomon as ever
having been young, we cannot think of David as ever growing
old. The biography of David is well known and need not be
dwelt upon, although we cannot, like H. G. Wells, dismiss it
with considerably less than a hundred words and say simply,
" His story, with its constant assignations and executions, reads
rather like the history of some savage chief than of a civilized
monarch." 31
What King David did for the history of Hebrew civilization
consisted chiefly in taking Jerusalem and making it ct the city of
the Great King," or Jahweh. This new Hebrew capital had ever
been a Canaanitish fortress; David was to give it a fame equal al-
most to that of Israel, although it was severely criticized by the
prophet Ezekiel, who attributed its abominations to its Canaanit-
2fl / Sam. XIV* 47. so / Sam^ XXII, 6. 31 Outline of History, Ch. XIX, I X
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DAVIDIC LITERATURE II3
ish origin. " Thus saith the Lord God unto Jerusalem: Thy birth
and thy nativity is of the land of Canaan; thy father was an
Amorite and thy mother an Hittite." S2 It is a matter o£ surprise
that the taking of Jerusalem is not reported in any spectacular
manner but is noted with the terseness of a military report.
David seems to have overawed the Jebusites who dwelt there and,
as it were, walked into the city. " The inhabitants of Jebus (Jeru-
salem) said to David, Thou shalt not come hither. Nevertheless
David took the castle of Zion, which is the city of David." 33 Jeru-
salem was strategically situated, was the property of no one tribe,
and as easy to defend as it was difficult to attack.
David's work was that of Hebrew nationalization and to the
inner unity of religion he added an outer unity of politics. To
Jerusalem he brought the Mosaic ark of the covenant that the su-
perstitious Philistians, having taken from the Israelites, sent back
to them. He had Hiram, king of Tyre, build him a royal palace
of cedar wood and stone. After this exhibition of his political
spirit, he desired to express his religious faith by building a tem-
ple that the ark of the Lord might be housed in some better place
than a tent, but his prophet Nathan commands him to leave that
work to his successor.34 A natural leader of men, David organ-
ized his companions and captains into a corps of lieutenants called
the " mighty men,'* among them those who had been wont to
gather with him in his famous Cave of Adullam* The organiza-
tion of the capital city resulted in the unification of the whole
nation.
DAVIDIC LITERATURE
There was a development of culture as well as civilization. Up
to the days of David, Israel had practically no literature. To the
Davidic period may be attributed The Blessings of Jacob,35 The
Oracles of Balaam™ The BooJ^ of the Wars of the Lord?7 and
The BooJ^ of Jasher?* Then there is The Boo% of Psalms, com-
monly attributed to David, but his authorship of them as a whole
is a literary impossibility. David was a sweet singer and devout
worshiper but we know nothing of his poetic ability; thus we are
32 Ese\. XVI, 3. 34 77 Sam. VII. 3(5 Num. XII-XIV. 3S 77 Sam. I, 18.
33 77 Sam. V, 6-7. 35 Gen. XL. 37 Num. XXI, 14.
S.T.— - Q
II4 HEBREW RELIGION
inclined to think of the Psalms as Davidic in the way that we
consider the plays of Shakespeare Elizabethan. The conduct of
David, when he was at his worst, is condemned by us, but so was
it condemned by his people. The acts of this man seem to have
received special literary treatment in The Boo{ of Samuel the
Seer, The Boo{ of Nathan the Prophet, and The Boo{ of Gad
the Seer.39 From all the records of his reign, we gather that
David extended the Hebrew realm, built a national capitol, or-
ganized his people, and gave them both a national consciousness
and a presentiment of their future. David's origin was humble
and of him it was said, " Thee took I from the sheep cote and
following the flock; " none the less was the Kingdom of Israel the
kingdom of David, a throne established forever.
The history of King Solomon does not occupy half so much
space as that of his father David in the Boo\s of the Kings, but
the biography is colorful, the events recorded magnificent, and
the tone eulogistic. Solomon was the child of Bathsheba, widow
of Uriah the Hittite, whose first child had died so pathetically.40
It was this tragic woman who placed Solomon upon the throne
of David. Solomon reveals the glory of Israel and the decline of
Egypt by marrying Pharaoh's daughter, and it was his many
marriages with foreign women who brought their idolatries into
his court, the worship of Astarte and Moloch, for example, that
was his ultimate undoing. It was this, in the hands of Jero-
boam, a son of one of his servants, that finally split the great-
kingdom.
The kingdom of this petty Oriental was reputed to extend from
the river Euphrates to the border of Egypt. Its subjects were many
as the sand of the sea and in their royal revelry they were found
" eating and drinking and making merry," every one dwelling
safely under his vine and his fig tree.41 The description of the
menage in the monarch's household is quite impressive. The
provisions for a single day were thirty measures of fine flour and
sixty measures of meal; ten fat oxen and twenty oxen out of the
pasture, a hundred sheep, besides harts, roebucks, fallow deer,
and fatted fowl. In his royal entourage, Solomon had forty thou-
sand stalls for the horses of his chariots and twelve thousand
*9 / Chron. XXIX, 29. 40 // Sam. XII, 15 et seq. 41 / Kings IV, 20.
SOLOMON'S TEMPLE II5
horsemen. These with their dromedaries were well supplied
with food, there being plenty of barley and straw for the beasts.
Along with this largess on the part of Solomon, there seems to
have been breadth of vision whereby Solomon's wisdom has be-
come a byword. In his own day, it was reputed to be superior to
the wisdom of all Egypt. This reputation seems to have been
based upon the story of Solomon's judgment in deciding the ma-
ternity of the child which the two harlots contended for; but it
would seem as though the instinct of the woman, the rightful
mother, who was willing to relinquish her child in order to save
its life, was more wonderful than the intelligence of the man who
settled the question of its maternity. However, to this king are
reputed some three thousand proverbs and more than a thousand
songs. Solomon enjoyed some sort of scientific reputation also,
because of his knowledge of the flora and fauna about him, the
trees and plants, the beasts and fowl, the fishes and creeping
things.42 Doubtless these descriptions are more adulatory than
authentic.
SOLOMON'S TEMPLE
It will be recalled that David, upon taking Jerusalem, desired
to build a temple but was restrained therefrom by the prophet
Nathan. Solomon's architectural enterprise was elaborate. He
built The House of the Forest of Lebanon, to which was attached
his Porch of Judgment; a house for Pharaoh's daughter, a build-
ing resplendent in costly stone and polished cedar; his own resi-
dence, which required thirteen years to build; and last, if not
really least of all, the Temple. In building the Temple, Solomon
availed himself of his father's acquaintance with King Hiram of
Tyre, who seems to have been an expert builder, or, at any rate,
" a man filled with wisdom and understanding and cunning to
work all works in brass." The Biblical description of the Temple
with its great variety of building materials of wood, stone, metal,
jewels, and the like is impressive. The building itself, a rec-
tangular walled structure 124 feet long, 55 feet wide, and 52 feet
high, was no Pyramid or Taj Mahal or Cathedral at Cologne.
Indeed it was somewhat smaller than Solomon's own house; but
42 1 Kings IV.
ZI6 HEBREW RELIGION
then, it was not supposed to be a place of public worship, but a
private dwelling place for Jahweh, or a mere symbol of his
earthly presence. The old Hebrew sense of God's sublimity was
voiced by Solomon when he said, " But will God indeed dwell
on the earth? Behold the heaven and the heaven of heavens
cannot contain Thee, how much less this house that I have
builded?"43
The secular activities of Solomon were no less spectacular.
They included the building of cities like Hazor, Megiddo, and
Gezer; the development of commerce in spices and ivory, gold
and silver, horses and mules, apes and peacocks. Solomon built
up a navy also, the famous ships of Tarshish, which were manned
by King Hiram's sailors. All of this splendor was costly and in-
volved severe taxation and enforced labor, and it was this after-
wards which was referred to as the " grievous yoke " that King
Solomon had placed upon his people. His son and successor,
Rehoboam, promised to be even more tyrannical, whereupon, in
937 B.C., the ten tribes in the northern and central portion of Pal-
estine formed a new kingdom under Jeroboam, who had been in
Egypt waiting for just this opportunity, while the southern tribes
of Judah and Simeon maintained the old order and formed the
Kingdom of Judah. The northern Kingdom of Israel lasted
until 722 B.C., when it was taken by Sargon of Assyria, after
which its ten tribes were lost to view in the history of the world.
The Kingdom of Judah lasted more than a century longer proba-
bly because it maintained an unbroken dynasty, had the inspira-
tion of the Temple and the influence of Jerusalem, was compara-
tively small, and followed a conservative policy. But Judah also
was fated for a foreign yoke; its complete captivity by Babylon
and the destruction of Jerusalem occurred in 586 B.C.
BABYLONIAN EXILE
The history of the Hebrews from that time on was marked by
subjugation to four foreign yokes, Babylonian and Persian,
Greek and Roman, two of them oriental and two occidental.
The seventy years of Babylonian Exile changed these Biblical
43 / Kings VIII, 27.
THE END OF JEWISH NATIONALISM II7
people from " Hebrews " 44 into " Jews." 45 That is, from being
provincial they became cosmopolitan, exchanged agricultural
practices for commercial pursuits in what the prophet Ezekiel
called " a land of traffic and a city o£ merchants," and developed
their patriotico-religious literature. The Jews, as they were com-
ing to be called, became a literary people, and it was during the
period of the Exile that the Deuteronomic School of writers col-
lected, edited, and extended the traditional records of their race
and formed a history of the Hebrew people.
The beginnings of Aryan domination in Syria and Palestine,
which was to continue for a thousand years between Cyrus and
Mahomet, occurred in 539 B.C. when Cyrus swept serenely into
the city of Babylon. The diplomacy of this Persian is as famous
as his military ability; it showed itself in the way he allowed the
Jews to return to Judea and the decree he made concerning the
rebuilding of the temple at Jerusalem.46 Some forty thousand
Jews, or less, responded to this royal invitation to return, but it is
obvious that in the minds of the people generally the physical
Jerusalem was little in comparison with the spiritual Zion. How-
ever, a second temple was dedicated in 516 B.C., social reforms
were carried out, and in 400 B.C. a new law promulgated by Ezra
was adopted. This stressed the letter rather than the spirit of the
law, was more ceremonial than prophetic, and made the Jewish
people a nation of the book. It is hardly too much to say that it
was under the auspices of Babylonian and Persian domination
that the Jews came into their own spiritual heritage and became
Jews indeed. When Grecian domination succeeded that of the
Persians, a new phase of Jewish culture developed.
THE END OF JEWISH NATIONALISM
The Grecian domination of the Jewish people was but a small
part of Alexander the Great's conquest of Asia and the develop-
ment of Hellenism. The military ability and political skill of
Alexander are well-known facts of general history; his relations
to the Jews are more obscure. Alexander made a tremendous im-
44 Gen. X, 21 ; XIV, 13. 46 Ezra VI, 1-5.
45 Ezra IV, 12; 11 Kings XVI, 6.
Ijg HEBREW RELIGION
pression upon the Jewish mind. The prophet Daniel likened
him to a he-goat, " a notable horn between his two eyes," bound-
ing out of the west; " and the rough goat," said he, " is the king
of Grecia and the great horn that is between his eyes is the first
king." 47 The conquests of Alexander do not specially concern
us, since we are interested in observing the culmination of the
Jewish idea as, in the following chapter, we shall note the devel-
opment of the Grecian one. What Alexander means for us here
is " Alexandria."
The actual founding of Alexandria resulted in a meeting place
and common ground for Hellenism and Hebraism; out of this
synthesis grew something that is called " Hellenistic," a Graeco-
Jewish product. Outwardly, this union was signalized by the
translation of the Old Testament into Greek, a long process which
began in the year 250 B.C. This was the version made by " The
Seventy," or The Seftuagent, often indicated as LXX. Inwardly,
the Alexandrian movement, which engendered Hellenistic cul-
ture, was brought about by contrary ideals and yet complemen-
tary aims on the part of Greek and Jew alike. The Greeks had
ever attributed the existence and behavior of things to the inher-
ent power of nature; the Jews, to the will of God. In parallel
manner, the Greek moralist had ascribed goodness to that which
is according to nature, while the Jew defined goodness in terms
of obedience to the Divine Will. This produced the peculiar
phenomena of Hebraizing Greeks and Hellenizing Jews; it
amounted to little more than a tolerant tone and a common de-
sire to discover an adequate philosophy of life. This was to ap-
pear not much later in Christianity, a Hebraic belief which as-
sumed a Hellenistic form, an eastern religion which had its
success in the western world.
HEBREW CULTURE
The inner history of the Hebrew people, their culture, is re-
flected in their literature, in the books of the Old Testament.
We are quite correct in referring to these works of history, poetry,
philosophy, and prophecy as religious literature, but they are not
47 Dan. VIII, 21.
THE PROPHETS AND THE LAW II9
that alone. In addition to fairly sedate historical narratives such
as we find in the books of the kings, / and 11 Samuel, I and //
Kings, we find myths and legends, folk lore and folk songs,
songs, riddles, fables, and even puns. In the books of Ruth and
Esther we observe something not wholly unlike the modern short
story. Job is a kind of drama somewhat akin in tone to the plays
of Aeschylus; the book of Jonah is an allegory and Isaiah's Vine-
yard Song, beginning " Now will I sing to my well-beloved a
song of my beloved touching his vineyard," is a parable sugges-
tive of the Parable of the Vineyard in the Gospels. Although the
Hebrew mind was conscious of a religious destiny, it did not feel
it necessary to express this in a purely theological manner, hence
the Hebrew writer proceeded pretty much in the style of his
contemporaries in other lands.
In the case of the books of Moses, the Pentateuch, the literary
situation was not at all unusual at such a period in history. It
is only because our way of writing is so different that the problem
of the Pentateuch arose. What we expect to find is a single nar-
rative from the pen of one man; what we do find even after only
superficial reading is a collection of documents written at differ-
ent times and places by different men. In the instance of the four
Gospels, our problem is to put the narratives together in the form
of a harmonious account of Christ's life. In the case of the first
five, or indeed, six books of the Old Testament, our problem is
to detach the documents made by four or five unknown writers
whose accounts were woven into the Pentateuch or the Hexa-
teuch. Once we have done that, the duplications and variations
which we encounter will become quite intelligible.
THE PROPHETS AND THE LAW
In order to comprehend the development of Hebrew literature,
we must all but reverse the order in which the books are now
found in the Old Testament. Then the arrangement will be: the
Prophets, the Law, the Psalms. Apart from fragments of history,
to which we have already referred, the works of the prophets
were the first to be written. We find it difficult to think of them
as growing out of the Law, as though it could have been their
I20 HEBREW RELIGION
Alma Mater, but find it comparatively easy to consider them as
giving immediate expression to the religious intuitions which
were growing up among the people. Their attitude toward the
Law was one of antipathy, as we observe in such minor prophets
as Amos and Micah, such major ones as Isaiah and Jeremiah.
The discovery of the different documents ensconced in the Hexa-
teuch was made originally, in the middle of the XVIIIth century,
upon the basis of the different names for the Divine Being, who
here is called " Elohim," there " Jahweh " But this distinction
between an Elohistic and a Jahvistic writer was observed to hold
for practically no book but that of Genesis, just as it was noted
that there are evidences of other writers; hence, in extending the
critical view beyond the 6th chapter of Exodus, it became neces-
sary to recognize the presence of other scribes. The result is that
an inner unity of spirit has taken the place of the outer and older
unity of form.
The writers of the first six books of the Old Testament, the
Hexateuch, are known as J, the Judaistic writer of the ninth cen-
tury; E, an Ephraemitic author of the eighth century; D, the sup-
posed author of the book of Deuteronomy, which was found in
Judah in the year 621 B.C.; P, the priestly writer in the period of
the Exile. A redacteur, or editor known as R, is sometimes re-
ferred to by the Biblical scholar. The documents we know as
J, E, and D were probably combined during the Exile, when the
document known as P was written and woven into the record.
Such a composite conception of the Hexateuch will serve to
account for the combination of cosmological theory, naive narra-
tive, bits of folk lore, songs, ritualistic regulations, prophetic
utterances, and chapters of religious instruction. A fuller descrip-
tion of J, E, D, and P will help to explain and enforce this theory
of Biblical criticism.
The document called J, written by a Judean prophet in the
ninth century B.C., begins with the second story of Creation given
in the 2d chapter of Genesis and continues with the history
of the Hebrew people to the accession of King Solomon. The
second document used in the compilation, E, is of northern ori-
gin. It begins with the account of Abraham and tells the story
of Israel in the form of biography, tradition, and custom. Docu-
THE PROPHETS AND THE LAW I2J
ments ] and E were probably combined in the seventh century
B.C. The D document of the book of Deuteronomy is more
didactic than historical, reflects the spirit of the prophets, and con-
tends for monotheism in opposition to the idolatry that had
grown up through contact with the Canaanitish natives. To the
priestly writer of the Exile, P, we are indebted for the original ac-
count of Creation and the ceremonial ideas found in Leviticus,
as also in Exodus and Numbers. By the year 400 B.C., the histori-
cal books up to II Kings were in their present form. The Booths
of the Chronicles^ a repetition of the four Eoo\s of the Kings,
appeared a century later. The Old Testament was in something
like its present form by the year 100 B.C., although the complete
canon including The Song of Solomon, Esther, and Ecclesiastes
was not formed until the time of the Council of Jamnia in 90 A.D.
It was the destruction of the capitol at Jerusalem and the period
of exile in Babylon that brought out the literary gifts of the He-
brew people. The Babylonians made much of the art of writing
and the development of literature, so that they afforded the
Hebrews a good example of early literary art. Moreover, the
detachment from their own land and freedom from political re-
sponsibility combined to enhance a Jewish consciousness, so that
it was natural for the Jews to write the history of their past and
further consider the possibilities of their own national culture.
Our subject is the religion of the Hebrews; we have taken it up
and shall proceed to Greek intellectualism and Roman imperial-
ism for the purpose of discovering the several strands in our own
civilization and culture. We have now to make an analysis of
the religious ideas and intentions of the ancient Hebrews as these
have been implied by their history and literature. The Hebrews
had no word for religion and it is only in their late literature that
we find the term " worship." But, better than the word, they had
the religious sentiment; this they expressed in simple form with-
out mystical complications. Their religion thus amounted to
theism and righteousness; belief in God and the moral obliga-
tions involved therein. The monotheism for which they are
famous historically was not achieved until the days of the
prophets; it did not become universal among the people of the
nation at large until they were exiles in Babylon.
I22 HEBREW RELIGION
THE HEBREW IDEA OF GOD
The God of the Hebrews was revealed to them in both outer
nature and inner consciousness. They sought him in the earth-
quake and fire but found him in the still small voice. The
Hebrews were far from avoiding anthropomorphism; they
seemed to see God in human form and spoke of him as having
human characteristics, as hands and feet, heart and eyes. God
seemed to be in sympathy with human beings and their experi-
ences; hence, when Hezekiah, king of Judah, received a threaten-
ing letter from Sennacherib, the Assyrian, he spread it before the
Lord.48 Yet even in the earlier history of this people, their Deity
was thought of in a superior manner, as when it was said in
Genesis, " My spirit shall not always strive with man." 49 For the
most part the Hebrew mind was so lacking in metaphysical ideas
and so intent upon ideals, that their anthropomorphism is not in-
clined to offend us.
Before the days of the prophets and the spiritual cleansing
which the Kingdom of Judah received in the Babylonian Cap-
tivity, Hebrew religion was inclined to be racial and local. The
idea of God was that of henotheism rather than monotheism; the
notion that there is one God for each nation, not that God is an
only God. Examples of this very restricted monotheism or heno-
theism are found among the early kings and early prophets.
When David was driven out of the kingdom by the jealous wrath
of Saul, he protested against his enemies, saying, " For they have
driven me out this day from abiding in the inheritance of the
Lord (Jahweh) saying, Go, serve other gods." 50 When Elisha
the prophet healed Naaman the Syrian of his leprosy, Naaman
requested that " two mules' burden of earth " be given to him
to take back to his own country so that he might worship the
God whose prophet had healed him.51 Even The Boo}^ of Ruth,
written after the Exile, though indeed depicting an earlier
scene, suggests that the heroine in going from Moab to Israel
must adopt a new deity, hence the words, " Thy people shall
be my people, and thy God my God." It was the prophets
48 // Kings XIX, 14. 50 / Sam. XXVI, 19.
49 Gen. VI, 3. The J document. 51 // Kings V, 17.
HEBREW CONCEPTION OF RELIGION T92
1Z5
who spoke of God as the Lord of the whole earth who had a
world-wide purpose.
HEBREW CONCEPTION OF RELIGION
In addition to this metaphysical purification of Hebrew wor-
ship, the prophets placed religion upon an ethical basis. They
did this socially when they extended the dominion of Jahweh to
other nations than Israel. In this latitudinarian spirit, Amos,
whose prophecy was the first book of the Bible to be written, tells
the people that, if Jahweh had brought them out of the land of
Egypt, he had brought the Philistines from Caphtor and the
Syrians from Kir. From this liberal point of view, the compla-
cent Israelites were no more to their God than were the children
of the Ethiopians.52 This rural prophet claimed that the sacri-
ficial system was not of primitive origin, but the artificial growth
of later times. " Have ye offered unto me sacrifices and offerings
in the wilderness forty years, O house of Israel? " 53 At a later
date, the prophet Jeremiah put this extraordinary matter even
more strongly, insisting that Jahweh was a God of righteousness
who demanded righteousness from his people.
The transmutation of religious worship from the ceremonial to
the moral was conducted primarily by Amos and Micah, Isaiah
and Jeremiah. Amos attacked the social injustice of his day
when " they sold the righteous for silver and the poor for a pair
of shoes " and represents Jahweh as saying, " I hate, I despise
your feast days . . . Though ye offer me burnt offerings and
meat offerings, I will not accept them , . . But let judgment run
down as waters and righteousness as a mighty stream." 54 In a
similar tone of ethical idealism, the prophet Micah condemned
the sacrificial system and asserted that Jahweh required the wor-
shiper only " to do justly and to love mercy and to walk hum-
bly." 55 The first Isaiah was no less emphatic in his denunciation
of ceremonialism with its celebration of new moons and sabbaths,
no less enthusiastic in the humanitarianism of relieving the op-
pressed, judging the fatherless, and pleading for the widow.58
52 Amos IX, 7. 55 Micah VI, 8.
53 Amos V, 25. C6 Is. I, 10-17.
54 Amos V, 21-24.
HEBREW RELIGION
Indeed, with the prophets generally there is the manifest desire to
translate racial custom into ethical behavior, and ceremonial
practice into moral procedure.
In brief, the religion of the Hebrews resulted in developing a
conception of God which was personal but not anthropomorphic;
of a deity whose will, while supreme, was not arbitrary but ethical
in character. The notion of goodness that followed from the He-
brew conception of life was not based upon anything like the self-
sufficient virtue of the Stoics or the autonomous sense of rectitude
peculiar to Kant. The Hebrew conception of righteousness, while
not utilitarian, did not overlook the purposive character of the
ethical or the inherent value of morality. The Hebrew faith be-
longs to the class of morality-religions rather than to that of
redemptive religions; it is much more like Confucianism than
Buddhism. Its ideal is the sanctification of life in the world
rather than the salvation of the soul from the world. It aimed at
perfection, to use an ambitious term, in the realization of life on
earth. But while this significant branch of the Semitic family
of races had been at work upon its ideal, the Aryans had not
neglected the problem of life, for they also had their civilization,
which was much more impressive than that of the Hebrews.
Suppose, then, we turn to the Hellenes.
CHAPTER VI
GREEK CULTURE
GREEK AND HEBREW
THE FUSION OF HEBRAIC AND HELLENIC CULTURES IN PRE-
Christian Alexandria was an indication that two forms
of spiritual life might be made one. But the relation of
Hebrew to Greek in the development of Christianity was far
from being such a mystical blending. It was indeed a relation
and one in which the Semitic and Aryan strands could ever be
discerned. Having observed in the history of Hebrew religion
the leading traits of that culture, we must attempt a different and
more difficult task — the analysis of the Greek mind, a descrip-
tion of its unique culture, and the manifold ramifications that
it assumed. Most of us know Greece, its language and literature,
religion and philosophy in only a desultory way, since Greek
classics are no longer pursued with the academic rigor known to
our fathers. We entertain the Hellenic ideal in about the man-
ner that we consider a Greek statue, whose cool perfection and
lack of realism make its creator seem a being apart from the
practical world in which we live. For this reason, or as a coun-
terpoise to the popularly classic conception, we must consider the
ancient Greek in a manner as naturalistic and modern as the facts
will permit and our imagination allow.
Our conception of Greek culture, apart from what we our-
selves have found in the classics, has been shaped by French
neo-Classicism, the Germanic Greekdom of Lessing and Winckel-
man, Goethe and Schiller, and the Victorian Hellenism repre-
sented by Matthew Arnold. Many of us are inclined to adopt
Arnold's clever contrast between Hebraism and Hellenism as if
indeed it had been little more than " strictness of conscience " and
" spontaneity of consciousness.5* x But these classic conceptions
of Classicism overlook the many-sidedness and modernness of
the ancient Hellene and what might be called the classic form
1 Culture and .Anarchy > Ch. IV.
I25 GREEK CULTURE
of the modern Greek mind. Thus we tend to overestimate the
merits of the ancient Greek and underestimate those of the mod-
ern one. The popular mind does not realize that modern literary
Greek more closely resembles the Periclean tongue than does our
English that of Chaucer's time. Scholars, who lay weight upon
the infusion of Albanian, Slavonic, and other bloods into the
Greek race, apply their conceptions of the modern Greeks to the
inhabitants of the islands as well as those of the Balkan peninsula.
Thus they fail to observe that in temperament the new Greek
closely resembles his courteous, curious, credulous, and hospitable
forebears whom Homer and Aristophanes described so graphi-
cally. They do not take into account the fact that the folk lore of
the modern Greek peasant preserves not only the essential struc-
ture of Greek mythology, but even the names of many ancient
deities.
THE CLASSIC CONCEPTION OF THE GREEKS
Those who are enthusiastic about Greek culture are apt to
think of the Hellenes as a special class of human beings who, clad
in white, passed their lives in calm devotion to the arts and sci-
ences, or who, in lighter moments, bounded from the heights of
Parnassus to the slopes of Parnes and back again while they kept
crying out, " Know thyself " and " Nothing in excess." These
popular classicists think of the Greeks as forever young, optimis-
tic and intellectual, and believe further that in their city-state
they achieved a harmonious existence marred by neither indul-
gence nor asceticism. Others, thinking no doubt of the later
Greeks, consider them as joyous in the days of their youth only
and as pessimistic in their mature view of life and death. In
general, the intellectualism of the Greeks has received such empha-
sis that they are looked upon as men who, in their " spontaneity
of consciousness,'* had much less regard for any "strictness
of conscience," for they were, it seems to some, as irrespon-
sible as they were intellectual. To the moralist, the Greek ap-
peared to be lacking in ethical earnestness, zeal for social reform,
and pity for the helpless. They seemed, further, to have no desire
to impart to others the way of life they had discovered, but were
VERSATILITY OF GREEK GENIUS
concerned with themselves and the enjoyment of the leisure
afforded them by the labor of their slaves.
It is true that, by a limited use of texts drawn from a certain
type of writer, even one of the golden age of Greek literature, a
fairly good case can be made out for an almost conventional view
of the ancient Hellenes. But a long and serious study of the
.Greeks throughout their entire history reveals in the Hellenic
temperament a bewildering array of contradictions. There is
ample proof of their Hellenic grace, but none the less a versa-
tility, so to call it, which Pericles extolled without hinting at the
serious defects of character to which unfortunately it led.2
VERSATILITY OF GREEK GENIUS
Among the Hellenes a natural bent for theoria, the calm, scien-
tific study of the world without and of man within, was offset
by various types of ascetic mysticism, indeed on certain levels by
the lowest forms of superstition and magic. Independent think-
ing was checked at times by the most intolerant reverence for
custom and authority. Hard-headed realism in politics was tem-
pered by the most garrulous credulity and open-mouthed suscep-
tibility to the flattery of demagogues. Greed for wealth clashed
with cultural aims and was roundly criticized by literary men.
Moderation was in general the keynote of the best Greek life.
Yet we find cultured Athenian gentlemen asked to decide at a
banquet whether they will make a night of it or engage in serious
philosophic discussion. And the philosophic discussion on which
they decide ends with at least two of the guests under the table.3
The Athenians could accept untroubled the money sweated out
by slaves in the silver mines of Laureion; they could unblush-
ingly torture servants as a prelude to getting evidence in the law-
courts. Yet in the industrial cities such as Athens, where pros-
perity stood at a high mark, the lines of caste were perfectly fluid;
so far as freedom of speech and social relations were concerned,
though not in the business of politics, there was a notable equality
between slaves, foreigners, and citizens. Only in agricultural
communities such as Thessaly and Sparta did one find an ex-
2 Thucydides II, 41. s Plato, Symposium.
I2g GREEK CULTURE
ploited serf class. Finally, there Is ample evidence in the activities
of various mystic cults, of Platonic philosophers descending once
more into the dark cave, of Stoics and Cynics with whom phi-
losophy took to the road, that the Greeks were solicitous of the
welfare of the oppressed, that they were not without a desire to
impart to others the way of life which they themselves had found
best.
It is no wonder that the Greeks have been so variously inter-
preted. They had contradictory traits; they have been studied
by different types of men. One generation has concentrated its
interest on Greek religion and metaphysics; another has gone
to Aristotle as to the father of scientific research. Through Greek
the minds of the Renaissance underwent a new birth in life and lit-
erature. French neo-Classicism drew at second hand from Greek
drama the cramping doctrine of the unities, while Schiller,
Goethe, and Shelley saw in Prometheus the prototype of radical
and reformer. In our day, Greek mythology has given inspira-
tion to psychoanalysis with its Oedipus and Electra complexes,
and a trilogy of Aeschylus has furnished the pretext for Eugene
O'Neill's study in the morbid psychology of New England. Sci-
ence has made liberal use of the Greek language to give its
phenomena and processes significant terminology, and art ever
looks to it for its model. The ancient Hellenes were first in
almost every domain of modern activity. The facts they found
and the processes they discovered, the classifications they devised
and the terminology they invented are of interest and sometimes
of scientific importance today. To them we owe literary forms,
political patterns, and theological conceptions. The Greeks are
still with us.
MYTHOLOGY AND CITY-STATE RELIGION
Ancient Greek legend like ancient Greek philosophy begins
with an attempt to explain the origin of the world. Homer
asserts that all things including the gods sprang from father
Ocean. According to Hesiod, Chaos came first. Next followed
Earth; Tartaros, like Erebos, symbolizing the gloom of the under-
world; and Love. After them were born Erebos and Night, the
MYTHOLOGY AND CITY-STATE RELIGION
129
children of Chaos; then Aether, the bright upper air, not Aer, the
murky atmosphere of earth. Aether along with Day did Night
and Erebos bring forth. Alone Night bore black Fate and Death,
Sleep, and the tribe of Dreams. Alone, for she lay with none,
murky Night brought forth Blame and painful Woe and the
Hesperides, who guard the rich, golden apples beyond Ocean.
The Fates, too, Clotho and Lachesis and Atropos, were her chil-
dren, and Nemesis", the goddess of indignation, who hates all
transgressions of the bounds of moderation and punishes the ar-
rogant among men. Broad-bosomed Earth, the sure foundation
of all, begat starry Heaven and with him produced the Titans:
Ocean and Rhea; Themis, goddess of justice and law; Mnemo-
syne, who is memory; lapetus, through his son Prometheus des-
tined to create the race of men; and wily Cronos, youngest and
most terrible of all that brood, who hated his father, Heaven, and
mutilated him with a sickle. From the blood of Heaven thus
wounded rose the Giants and the Furies and Aphrodite, goddess
of love.
With Rhea, Cronos became the parent of Hcstia, deity of the
hearth; Demeter, the earth goddess; Hades, lord of the under-
world; Poseidon, god of ocean and shaker of the earth; and
finally Zeus, the sky god, the thundcrer, and his destined wife,
Hera. Athena, the patroness of wisdom and all the arts, leapt full-
armed from the head of Zeus, which Hephaestus had cleft with
a blow of his ax. Fair-haired Leto, coming in the island of Delos
to the end of her many wanderings, bore to Zeus Apollo, lord of
the bow, god of plague and prophecy and music; and Artemis,
virgin deity of the chase, goddess of the moon, who with her
shafts brings peaceful death to the aged. Likewise Hephaestus,
ruling over fire and forge; Ares, god of war; Hermes, who bears
the messages of the gods and conducts the souls of the dead to
Hades; and joyous Dionysus, god of wine, were all children of
Zeus. Through a long period of volcanic upheaval and convul-
sion, with rocks and mountains and the blazing thunderbolt
forged by the Cyclopes, the gods contended for mastery with both
Titans and Giants. At length Zeus was firmly established as lord
of gods and men. He with his colleagues and children, Hera,
Poseidon, Demeter, Hestia, Apollo, Artemis, Hephaestus, Athena,
0 GREEK CULTURE
Hermes, Ares, and Aphrodite, made up the number of those
twelve deities who have their palaces on snow-clad Olympus.
GODS AND MEN
The origin of men is made less clear. According to one belief
the human race sprang from the earth or from rocks and trees.
Certain families claimed direct descent from gods and nymphs.
Another account relates that the gods or Prometheus, son of the
Titan lapetus, made men out of clay. Hesiod tells us that Pro-
metheus not only tricked Zeus by giving him the poorest part of
a sacrifice, but stole the fire which the all-father had hidden from
men, taking it out of heaven in a hollow fennel stalk. In revenge
the gods made an evil thing for men as the price of fire. Zeus
commanded Hephaestus to knead out of earth and water the first
woman, Pandora, so called because she possessed all gifts, a
lovely maiden like in face to the immortal goddesses. Athene
taught her needlework and weaving; Aphrodite shed grace upon
her head and cruel longing that wearies the limbs of men. When
Hermes conducted Pandora to the home of Prometheus she car-
ried with her a jar containing all manner of cares and wasting
diseases previously unknown. This she had been straitly enjoined
not to open. Epimetheus, or " after-thought," did not remember
the warnings of his brother Prometheus, " fore-thought," but re-
ceived the gift she carried. When Pandora, her curiosity over-
coming her, opened the box, all the evils of toil and sickness and
old age flew out, leaving only Hope within the jar. Thus ended
the Silver Age which had followed the golden reign of Cronos,
Prometheus himself was fastened to a lonely cliff where a vulture
preyed upon his liver.
With their champion gone, men went from bad to worse;
thence ensued the Brazen and the Iron Age, in which violence
and war overwhelmed all things. Modesty, Truth, and Honor
wrapped their white robes about them and fled from earth to
heaven. Zeus swept the race of mankind away with a mighty
flood and only Deucalion, son of Prometheus, with his wife
Pyrrha was left to tell the tale of humanity. After nine days
and nights, when a dove had given good omen, the ark in which
HIGH GODS AND LOW I3I
these two were floating came to rest on Mount Parnassus. There
Deucalion and Pyrrha, at divine direction threw rocks over their
shoulders and those that Pyrrha threw became women; those
thrown by Deucalion, men. The son of Deucalion, according to
the most common account, was Hellen, whose own sons were
Aeolus, Dorus, Achaeus, and Ion. Thus there came into being
the world, the Hellenic race, and its divisions — Aeolians, Do-
rians, Achaeans, and lonians.4 By the eighth century B.C. the
Greeks had presented in their own image gods who portrayed
the whole pageant of nature and symbolized the fundamental
passions of the race, as wine, war, and love.
HIGH GOBS AND Low
There are traces in ancient Greek communities of the worship
o£ stones and trees and animals. And there is every indication
that the Greeks had cults devoted to the worship of heroes, an-
cestors, and the dead generally. These undersurface manifesta-
tions,, however, are far less important than the worship of the
Olympian gods as a part of everyday Greek existence. No meal
was complete without an offering of food and wine to the gods.
At the end of each meal every guest took a sip of unmixed wine
in honor of the " Good Divinity." During the course of the
symposium, or drinking bout, which followed the food, three
bowls of wine and water were ordinarily consumed. Out of the
first a libation of one cup was poured to the Olympians, espe-
cially Zeus; out of the second, a libation to the Heroes; and out
of the third a libation to Zeus, the Savior; then last of all came a
paean or hymn.
On festival days special sacrifices were offered in each home to
the particular god who was being honored. Every important un-
dertaking was begun with sacrifice and prayer; birth, marriage,
and death had each a specific ceremony to the appropriate god.
In public life the meetings of assemblies, councils, and law-courts
were opened with similar ceremonies. At the beginning of as-
semblies, for example, a sacrificed suckling-pig was carried round
the meeting place to purify the assembly; a crier summoned all
* Hcsiod, Wor\s and Days, 43-201; Theogny, 115 et seq.
I32 GREEK CULTURE
the people to come within the line of purification. Prayers were
offered that no speaker might deceive the people with his ha-
rangues or his oratory.
In the ritual o£ sacrifice garlanded priests led a garlanded vic-
tim, often with gilded horns, to the altar. A struggling victim
augured ill for the sacrifice; a willing one was a good omen. All
the worshipers as well as the altar were sprinkled with water
consecrated by a torch from the altar of sacrifice. Solemn silence
was then enjoined for the prayers that followed. Subsequently
the victim was sprinkled with barley grains, hair was cut from
its head and thrown into the fire, and when the beast had been
stunned by the blow of an ax or a club, its throat was slit. If the
sacrifice was offered to the Olympians, the head of the animal
was pulled upward; if to the underworld deities, downward.
The gushing blood, caught in a bowl, was used to sprinkle altar
and congregation. After the victim had been skinned and cut
up, the liver, lobe, and internal organs were inspected for omens.
The thigh-bones, fat, parts of each joint, and the tail were burned
on the altar for the gods; the remainder was placed on spits for
cooking and was often eaten by the worshipers on the spot. The
gods, if we may believe Greek satire, sniffed the savor of the
meat as it poured through holes in the heavenly pavement.
Throughout the sacrifice a flute-player kept up a constant dron-
ing in order to drown out ill-omened noises that might drive
away the god, hovering near.
The Greek prayed standing with hands raised, palm up, unless
he was addressing the gods of the lower world, in which case it
was proper to stretch the arms downward, kneel to touch the
earth with the hand, or even stamp on the ground to get the at-
tention of underworld deities. The petitions of ordinary prayer
followed a set formula. The assumption was that if the wor-
shiper did his part and offered proper sacrifices of unblemished
animals, the gods would do their share. Curses were felt to be
very real things, existing in force until nullified by counter magic.
Generally speaking, the objects of sacrifice and prayer were to
discover the will of the gods, to find in this manner guidance for
public and private life, to keep the friendship of the kindly Olym-
pians, and placate the hostile powers of the underworld.
PRIESTHOOD AND SACRIFICE I33
PRIESTHOOD AND SACRIFICE
Greece was never priest-ridden as was the Orient. No priestly
caste with overwhelming powers dictated a uniform policy,
though the priests of Apollo at Delphi did endeavor in many
ways to shape the course of Greek government. It was their aim
in general to subordinate completely the welfare of the individual
to that of the body politic. They were successful in fact and
theory only at Sparta. Athens theoretically made the individual
less important than the State, but in practice gave the widest pos-
sible scope for the free development of personality. In a very
real sense the father of every Greek family was a priest by right
and practice. Religion, the worship of the gods, was inextricably
linked, as we have seen, with both private and public life. Sac-
rifices offered in behalf of the State on the public hearth, which
corresponded to that in each home, were conducted by a city
magistrate, known as the " King," who represented in his person
the priestly powers enjoyed by the old king of the Homeric tribe
from which the city-state organization had evolved.
There were of course hereditary priesthoods, concerned mainly
with the management of oracles and mystery cults. But these
tended to become mere political offices, filled by election or by lot,
or indeed in later times, sold to the highest bidder. The per-
quisites of a priest attached to a temple included a share of the
victims. The temple itself owned property, slaves, money, and
real estate, especially the land surrounding the building proper.
One beneficent custom observed in connection with temples de-
serves mention here, the right of refuge. In the case of the great
shrine of Artemis at Ephesus, the territory for a considerable
space round about was sacred. Within it criminals, ill-used
slaves, and others might take refuge from punishment.
It was customary for good citizens to sacrifice when the city
did, but that was a matter of loyalty and good taste. There was
no binding oath, nor was there a bible containing the whole
true and complete faith. Homer and Hesiod were in some ways
the bibles of the Greeks. Nurses told their small charges stories
from these poems, sometimes scandalous ones, a custom which
Plato condemned in The Republic, Thieves and adulterers de-
GREEK CULTURE
fended their conduct by referring to the morals of the Olympic
gods, and perhaps the very credulous took every myth as gospel
truth. Certain maxims, often attributed to the centaur Chiron,
sum up the pre-Socratic household morality — Honor the gods,
Honor your parents,- Do not illtreat strangers or foreigners. The
sayings of the Seven Sages represent the Greek ethics of common
sense and practical philosophy. The most brilliant examples of
these dicta are found in the philosophic injunctions " Know thy-
self/' attributed to Chilon of Sparta, and " Nothing in excess," a
maxim of Solon inscribed on one of the temples at Delphi. In a
way, these were autonomous ideals, yet there were various gods
who were believed to enforce the laws of piety, filial duty, the
sanctity of the household, and the treatment of guests, as also to
punish perjury.
Greek religion, however, was more than a moral way of life.
There were household and state observances of a daily nature, as
well as certain national festivals which tended to make Athens,
if not all Greece, a year-long pageant of beauty. Among these
we need mention only the Olympic Games, the Panathenaic
Festival, depicted on the frieze of the Parthenon, and the great
spring festival of Dionysus, during which twelve tragedies and
five comedies were produced annually at Athens. In attending
these religious celebrations, it was possible for a Greek to meet
old friends and make new ones, to witness contests of strength
and skill, and to attend recitals of music and poetry. Thus the
aims of everyday life and the aspirations after friendship and
beauty were fulfilled by the various rites associated with the gods
of ancient Greece.
BELIEF IN IMMORTALITY
But there was another side to the religion of Hellas — the spir-
itual. The statement is often made that the Greeks had no vital
belief in immortality, yet the Greek orator Isocrates says that
those who have been initiated into the Eleusinian Mysteries
'* have sweeter hopes regarding the end of life and all eternity." 5
[n the Eleusinian Mysteries, as with similar cults, no lines were
5 Panegyric on Athens, Sect. 28.
BELIEF IN IMMORTALITY I35
drawn between bond and free, male and female; all alike were
free to undergo the initiation provided they were persons of good
morals. The central feature of this cult seems to have been a
pageant of immortality representing the search of Demeter, the
goddess of grain and harvest, for her daughter Proserpine, who
had been carried off by the god of the underworld. The com-
parison of the human body to a grain of wheat sown in death and
raised in immortality is common to Greek as to rabbinical and
Christian thought.
The Eleusinian initiates did not constitute a separate congre-
gation with fixed places and times for meeting; their influence in
favor of the doctrine worked quietly like widely scattered social
leaven. This was not the case with the brotherhood of Pythago-
ras and the society of the Orphics, which first began to attract
notice in Greece during the sixth century B.C. Even in Homer
we hear of the ascetic Selli, priests of Zeus at Dodona in Epirus,
who went barefoot, never bathed, and slept on the ground.6 The
pre-Socratic philosopher Heraclitus retired to the mountains
where he lived on herbs and roots, while the philosopher Empedo-
cles advised his disciples to abstain from sexual relations and
lead a celibate life. But these are isolated instances of extreme
moralism.
The Orphics and Pythagoreans made up a fairly large portion
of a section of Greek society. The supreme god of the Orphics
was Bacchus, or Dionysus-Zagreus. Legend has it that this
Zagreus was slain at the command of the jealous Hera by the
Titan spirits of winter and frost but that, in the spring, the buoy-
ant son o£ Zeus rose from the dead. Man himself, so it was be-
lieved, by drinking the blood of victims or wine, which is the
god's blood, and by eating the flesh of sacrificial animals, which
is the god's body, may approach divinity and attain to immortal-
ity after death. The higher group of Orphics stressed the intoxi-
cating and orgiastic features of their religion rather than its as-
cetic side. Holiness may be attained only by rigorous living,
which purges the body of its Titanic elements and renders man
pure and Dionysiac. The more severe Orphics dressed in white,
abstained from meat and wine, and practiced frequent fasting,
« Iliad, Bk. XVI, 233.
I3g GREEK CULTURE
purification, confessions, and atonements, if not actual flagella-
tion. The soul, they held, is imprisoned in the tomb of the body
as punishment for past sins and must be purified, not only by
ascetic practices, but by a series of reincarnations also. Those
who live the good life change into higher bodies, while those who
are base are transformed into beasts. The tortures of mud and
fire and cold are reserved in Hell for the incorrigible, but the
truly pure finally escape from the wheel of generation and depart
wholly from the prison of the body.
The tenets of the Pythagoreans were much the same, although
their chief god was a person very different from Dionysus; he
was Apollo, god of arts and sciences, and, as we shall see pres-
ently, he inspired the Greek intellect. But as time went on,
Pythagoreanism came to mean daily self-examination, going bare-
foot, and abstinence from beef, wine, and beans. Indeed, this
Apollonian cult came to signify a belief in transmigration and
punishment after death rather than devotion to science.
GREEK SCIENCE AND PHILOSOPHY
Like Greek mythology, early Greek philosophy dealt with the
problem of the world; the mythology was rich and riotous, the
metaphysics crude and limited. Thales inaugurated what was to
become Greek philosophy by reducing all existence to the single
element of water. This pioneer philosopher was more adept at
science. He predicted the eclipse of 585 B.C., measured the height
of the pyramids of Egypt by the shadows they cast, foretold a
fruitful season for olives, and made a fortune by renting all the
oil-presses available. Anaximander, his contemporary, set up as
his first principle what he called unlimited material or to apriron
and suggested that- the cosmic scheme involves an indefinite
number of rotating systems. As a primitive evolutionist, Anaxi-
mander claimed that fishes developed from the earthly slime
under the warmth of the sun, and from • fishes came animals
and men.
Anaxagoras of Clazomenae in Asia Minor, who in the fifth
century taught Pericles and was the intimate of Euripides, held
that all things had existed from the beginning in the form of an
GREEK SCIENCE AND PHILOSOPHY
unlimited number of " seeds," or elements consisting of homo-
geneous substances. All was chaos until Mind came and formed
the ordered world. Shortly before the Peldponnesian War Anax-
agoras was indicted for impiety on the charge that he had called
the sun a mass of red-hot metal rather than a god. Although
Pericles defended him, Anaxagoras narrowly escaped death, and
after paying a fine of more than five thousand dollars went into
exile.7
Empedocles of Agrigentum in Sicily, who flourished during
the fifth century, recognized four elements as the basis of his
world: earth, water, air, and fire. The phenomena in this world
are accounted for by two forces: Love, which unites; and Hate,
which separates the elements. Apparently he taught that among
animals the fit survive and the unfit die out. Heraclitus of
Ephesus, the obscure, the " weeping philosopher," found in sen-
tient, self -kindled, self -extinguished fire, which he identified with
the divine spirit^ an explanation for the universe. All things flow,
said Heraclitus. Nothing remains constant. Into fire all things
change and from fire they pass to various forms, affording sport
to the creator who destroys and creates again the world innumer-
able times. Before the time of Heraclitus, Anaximenes found in
air, through the theory of condensation and rarefaction, the prime
substance of the universe and the motivating cause of its chang-
ing phenomena.
Parmenides of Elea in the early fifth century contradicted vig-
orously those who emphasized variety in their theories of the
universe. He denied the existence of space, and asserted that
true being exists as a single and eternal sphere, filling the space
of the sphere continuously. Only being exists; non-being has no
existence; the plurality of objects, of phenomena, is a mere delu-
sion. Other members of the Eleatic school sought to show that
motion is impossible. These absurdities were combated by De-
mocritus, the " laughing philosopher " of Abdera, and by Leucip-
pus, who frankly avowed the existence of space and declared that
atoms moving by necessity in the void were what brought about
our universe.
7 Plutarch, Life of Pericles, 32. Diogenes Laertius, lives of the Philosophers,
II, 12.
I3g GREEK CULTURE
GREEK MATHEMATICS
Pythagoras himself was a contemporary of Thales. But inas-
much as he left no writings, it is better to discuss him in relation
to his school. The Pythagoreans found in harmony and number
the basic elements of the world. They developed the science of
numbers, which they were the first to distinguish from practical
calculation, and wisely so, for the Greek system of numerals was
always alphabetical and so unsatisfactory that business men and
schoolboys had recourse to counting-boards or finger-symbolism.
Geometry they developed to a high point. The Pythagorean
theorem that the square on the hypotenuse of any right-angled
triangle is equal to the sum of the squares on the other two sides
enjoys such general currency that it is almost an impertinence to
mention it. Pythagoras or the Pythagoreans discovered the nu-
merical relations of tones, as determined by the length of the
vibrating strings which produce them. They were the first to
point out that the earth is spherical; they knew that the sun,
moon, and planets have movements of their own distinguished
from their daily rotations, and discovered that the earth revolves
about the sun.
The history of later Greek mathematics must be briefly
scanned. Plato shared the contemporary enthusiasm and urged
his disciples to specialize in mathematics and astronomy. Hera-
elides of Pontus announced that the earth rotates on its axis once
every twenty-four hours and that Mercury and Venus revolve
like satellites around the sun. Menaechmus, the pupil of Plato's
brilliant contemporary Eudoxus, discovered conic sections.
About 300 B.C., Euclid wrote a textbook on geometry, The Ele-
ments, which remained sovereign in the classroom until recent
years. Aristarchus of Samos, who flourished in the third cen-
tury B.C., anticipated the Copernican theory. The sun, said he, is
at rest; the earth, Mercury, Venus, and the other planets revolve
in circles about it. According to Cleanthes the Stoic, a man so
bold as to set the earth, Hearth of the Universe, in motion ought
to be tried for impiety.
Archimedes, a contemporary of Aristarchus, was the greatest
scientist of antiquity and deserves special mention. The princi-
GREEK MATHEMATICS
pie of the lever had been known from very early times. Archi-
medes, with his flair for the dramatic, said, " Give me a place on
which to stand and I'll move the earth." So great was his ab-
sorption with mathematical problems that his servants had liter-
ally to drag him away from his studies for relaxation and anoint-
ing in the bath, and even there he continued to draw diagrams
on his body with a flesh-scraper. Once, while entering his bath,
he observed that the water overflowed the tub; this action sug-
gested to him that a body immersed in a fluid loses in weight
by an amount equal to that of the fluid displaced. This sug-
gested to him the solution of a problem that had been put to him
when King Hieron wished to discover the proportion of gold in
his crown. Archimedes had discovered one of the most impor-
tant principles o£ hydrostatics. Accordingly we have the story
that he leaped from the tub and rushed forth shouting, " Eureka
— I have found it." The tubular screw he invented for draining
the fields of Egypt after a Nile flood is still in practical use. But
the great Sicilian prided himself most on his contributions to
pure mathematics. On his sand-table he worked out problems
of the most complicated nature in connection with the measure-
ment of curvilinear areas and volumes.
Eratosthenes measured the circumference of the earth. In
doing this, he observed that at Syene during the summer solstice
the sun is vertical, whereas at Alexandria, a city on about the
same meridian, the sun is below the zenith by the fifteenth part
of a great circle. Neglecting to take into account the solar
parallax, he concluded that the diameter of the earth is fifty
times the distance from Alexandria, or 7,850 miles, which is fifty
miles less than the true polar diameter. In the next century, the
astronomer Hipparchus invented plane and spherical trigonome-
try and devised a method for locating places by means of latitude
and longitude. An Egyptian engineer, Heron of Alexandria,
who wrote in Greek, described a number of mechanical inven-
tions and toys, among them a penny slot-machine. In the sec-
ond century A.D., Claudius Ptolemaeus of Upper Egypt wrote
a classic work on geography which dealt with map-making, and
furnished a table of climates as well as a catalogue of the stars.
This work, called the Almagest, reasserted the old geocentric the-
I4o GREEK CULTURE
ory and remained standard until the time of Copernicus. Re-
turning to the Greeks, we observe that the Pythagoreans had
operated to some extent with algebraic equations. But it was not
until the third century A.D. that Diophantus of Alexandria wrote
the first known textbook on algebra. He is the earliest writer
to use conventional algebraic symbols, though he was probably
not their inventor.
In summary form, then, the Greeks devised the terminology
and classifications of the higher mathematical sciences by which
they were able to invade the province even of integral calculus.
On the side of astronomy they began to name and map the stars
and, among other things, anticipated the Copernican system. In
geography they were the first to develop the science of map-
making and to study the problem of climate and racial
distribution.
MEDICAL PRACTICE
Medicine, like the earliest Greek speculations about the origin
of the world, had its roots in religion. The first physicians were
probably the priests of Asclepius, the healing god, and the tem-
ples of Asclepius at Tricca in northern Greece, Epidaurus in
southwestern Greece, and in the island of Cos were the earliest
sanitoria. The fully developed shrine of Asclepius contained
within its grounds a dormitory for patients, a running-track, and
theater. Patients were sometimes cured outright while they slept
by the god, who appeared with his sacred snakes and his daugh-
ters, Hygieia and Panacea. More often the god gave directions
for a strenuous course of diet and exercise in the open air. The
walls of the shrine were covered with replicas of parts of the body
that had been healed, offerings from rich and poor alike.
As early as the fifth century two distinct schools of medicine
had come to the fore: that of Cnidos in Asia Minor and that of
Hippocrates, the Asclepiad priest, in the island of Cos. The
former laid great weight on diagnosis; the latter, on prognosis, or
the ability on the basis of case-histories carefully recorded to pre-
dict the probable course of a disease. Dissection of animals had
been practiced as early as 500 B.C. by Alcmaeon of Croton in Italy,
who discovered the optic nerves and the eustachian tubes.
MEDICAL PRACTICE !4I
Diogenes of Apollonia in the late fifth century probably dissected
human bodies as well as animals and gave an excellent descrip-
tion of the human heart, which he compared with that of ani-
mals. But it remained for Hippocrates, who flourished about
400 B.C., to make of medicine a humanitarian art, a profession
with a definite procedure and code of ethics rather than a static
priestly trade handed down without improvement from father
to son.
The great contributions of Hippocrates and his school — it is
generally impossible to distinguish the one from the other in the
Hippocratic Corpus — were; the Hippocratic Oath, which still
continues to influence medical ethics, and the case-history method
by which they recorded the courses and origins of the various
diseases which came under their observation. The Hippocratic
Oath directs the student to support and care for his teacher and
his teacher's sons as if they were his own parent and offspring; to
teach the art of medicine without fee or price to his own sons and
those of his teacher, as well as to disciples bound by the oath of
physicians — but to no one else; to prescribe only that treatment
which is harmless and never to give a deadly drug or procure an
abortion; to keep his own life in purity and holiness, refraining
from wrong relations with patients and keeping professional se-
crets jealously.
Some of the Hippocratic findings are still valid in modern
medicine. They noted, for instance, the symptoms of approach-
ing death, particularly what is now called " Cheyne-Stokes "
respiration, the labored breathing as of one " suddenly recollect-
ing himself." They observed that convulsions or hiccups, super-
vening on profuse bleeding, and the lack of swelling following
severe wounds are dangerous; and they marked the beneficent
nature of sound sleep after fever-delirium. In dealing with chest
conditions they used the method of tapping, shaking, and listen-
ing employed now in connection with the stethoscope. They
opened the chest and drew out discharges accumulating in cases
of empyema; they dealt very skillfully with fractures and dislo-
cations, even trephining the skull for treatment of fractures there,
though of course they did not advance to major surgery. Hippo-
cratic discussions of the care of operating-rooms, and the insist-
I42 GREEK CULTURE
ence on the necessity for keeping hands and instruments spot-
lessly clean are still classic. Treatment included dieting, baths,
clysters, massage, and regulated exercise with the application or
administering of healing herbs; but most of all the Hippocratics
believed in the " healing force of nature."
The scientific viewpoint of the Hippocratics is well illustrated
by an anonymous work On the Sacred Disease, or epilepsy. The
author denies that epilepsy is caused by demonic possession and
states that, if not chronic, it may be cured. Like other diseases it
has a cause and a cure. Nature, he declares, has certain laws
which may be followed and these laws know no exceptions. An-
other treatise, belonging to the same school, On Airs, Waters,
and Places, sets forth the interesting theory that acquired physical
characteristics may be inherited, discusses the effect of soil and
climate on national temperaments, and maintains that Europeans
are superior to Asiatics because of the harsher climate of Europe.
The Hippocratics may claim also to have founded the study of
epidemiology. Their knowledge of the distribution of epidemic
diseases by seasons, years, and climates, the progress and symp-
toms of these manifestations so disturbing to public morale, is
well represented in Thucydides' description of the great plague
at Athens.8
NATURAL SCIENCE
Only four more names need detain us in our study of ancient
medicine. The Alexandrian school in the fourth century B.C.
regularly practiced dissection and autopsy, a practice which is
reflected in the greater realism characterizing sculpture of the
period. The bolder spirits opened the bodies of criminals in
order to find out, if possible, the secret springs of life. Among
this number was Herophilus, a keen student of brain structure,
who gave his name to one sinus — the winepress of Herophilus
— and designated the hollow in the fourth brain ventricle as " the
writer's pen," a term which it still bears. Our name for that part
of the intestine which follows the stomach, the duodenum, mirrors
Herophilus' description of it as a "twelve-finger extension."
Celsus, in the first century before or the first century after Christ,
8 Op. cit., II, 47-53.
NATURAL SCIENCE
wrote a vast encyclopaedia treating of philosophy, law, war,
agriculture, and medicine. The parts of it which survive cata-
logue the best medical and surgical practice of the Alexandrian
school and contain, interestingly enough, a description of methods
for extracting and wiring teeth and an account o£ what seems
to he a dental mirror.
Theophrastus, a pupil of Aristotle, in his History of Plants
framed the outlines of botany as a serious science. Dioscorides,
representing the tendency of the first century A.D. and indeed
of all later ancient science to emphasize the practical, gave to
modern botany and pharmacy almost its entire popular and
scientific nomenclature. In other words, he listed and named
plants mostly with reference to their noxious or healing powers
as drugs. The same remark applies in some degree to Galen,
who flourished during the second century A.D. Though Galen's
importance as a writer on historical medicine is considerable, his
chief influence lay in the fact that he everywhere emphasized
design in nature. Thus he appealed to scientists of a theological
turn more strongly than did the blunter writers of the older
school. In his own practice, Galen dissected dogs, calves, pigs,
bears, and Barbary apes, often drawing wrong analogies between
their structure and that of man. In conclusion it may be said
that, while Hippocrates and the Alexandrians raised medicine to
the level of a profession, the art suffered severely because there
was never in antiquity such a thing as a license to practice. One
charlatan's word was as good as that of another if it had sufficient
plausibility. Hence the classic jibe about the undertaker who
turns doctor and still pursues the same trade.
The beginnings of natural history as a science are found in
Aristotle. Specifically he occupied himself with dissecting and
classifying shellfish. His whole range of information regarding
ichthyology needs surprisingly little correction in the light of
modern science. He was the first to insist that the student of
causes who attempts to track out nature's law may find in the
study of the living creatures at our door the same pleasure which
one derives from gazing at a beautiful statue. So with Aristotle
the Greek instinct for beauty and order found the same expression
in science that it elsewhere did in literature and art.
I44 GREEK CULTURE
GREEK POLITICS AND EDUCATION
Throughout this discussion of Greek science it has been ap-
parent that the ancient world gave wide scope for the develop-
ment of the individual, at least the male individual. We can
identify comparatively few craftsmen in early Egypt, for example,
but we know the names of hundreds of Greek authors, musi-
cians, painters, and sculptors. The signature not only of the
painter but also of the maker appears on a finished Greek vase.
Herodotus and Thucydides begin their histories by proudly an-
nouncing their names and the city from which they come. The
city from which they come — the phrase is all important. As we
trace the history of Panhellenism, Athenian nationalism, Greek
monarchy, and Panhellenic culture, we become increasingly
aware of the persistence of the city-state ideal.
The city-state, an outgrowth of the walled village of Homeric
times, was the focal point of civilization in those valleys, rimmed
off securely from one another by mountains, which make up the
Balkan peninsula. The smallness and independent isolation of
these towns gave a special turn to Greek citizenship. The popula-
tion, for instance, of Attica, the territory immediately surround-
ing the city of Athens, probably consisted in 431 B.C. of some
200,000 free souls and 100,000 slaves. Theoretically at least not
one of the free group had any rights as an individual independent
of his citizenship, which came to him through blood membership
in a Greek tribe. After 451 B.C. citizenship was seldom conferred
on foreigners by vote. A citizen must be born at least of a Greek
father, preferably of a Greek mother as well. Ordinary metics,
or resident aliens, could neither vote nor own real property. For
the most part they were small shopkeepers and hucksters, or en-
gaged in transportation service.
In Homeric times, law was handed down to kings by Zeus
and his daughter Themis. During the classical period, the law
of the city-state somewhat similarly represented abstract Justice.
Under this law each citizen must live; to break it was treason
comparable to flouting one's parents. The Antigone of Sopho-
cles defies man-made law when the young woman buries her
brother Polynices, setting at naught the edict of King Creon. But
THE INDIVIDUAL AND THE CITY-STATE J45
there she is following the older, unwritten code, which is some-
times felt to clash with the edicts of a tyrannical human sovereign.
There was no such thing as international law in ancient Greece.
The codes of certain cities had a wide influence; Rhodian sea-
law governed common maritime practice; but law was always in
essence that of the individual city-state.
Hence it was that the tribally engendered city-state, with its full
assembly form of government, with its dogged insistence on au-
tonomy, shaped the whole course of Greek history. Athens made
a strong effort during and shortly following the Persian War to
establish a Panhellenic league, but it soon became apparent that
she aimed at open imperialism. Euripides and the Greek orators
praised the beauty and the unique position of Athens as a free
defender of the free, as a refuge for the distressed, but the warring
city-states took such nationalistic utterances at what seemed their
face value: a reflection of Athens' desire to tyrannize over the rest
of the world.
First one state and then another succeeded to the leadership,
though not to the unified government of the Greek world. Athens
fell a victim to Sparta, Sparta in turn to Thebes. The Chalcidic
and Boeotian Leagues worked out a fairly complete form of
representative government on the basis of population, taxation,
and military strength, but these, like later experiments in the
same direction, came too late. Isocrates in the fourth century
urged the Greeks to unite in a war against the barbarians, with
Athens as leader, and yet Isocrates had to turn eventually with
his proposal to Philip of Macedon, who conquered the assembled
Greeks at the battle of Chaeronea in 338 B.C. The stiff-necked
city-states refused apparently to unite under any other govern-
ment than monarchy. Even so, Philip made a gesture in the
direction of autonomy when he organized his League of Hellenes.
THE INDIVIDUAL AND THE CITY-STATE
Alexander met the problem by the political expedient of having
himself deified. The distinction between god and man in Greece
of this period was not held to be great. The measure enabled
Alexander to avoid the issue of local self-government and declare
GREEK CULTURE
himself above the laws. Then, too, Alexander soon swung round
from the Isocratic notion of a league of Hellenes united against
the barbarians to a kind of cosmopolitanism or internationalism,
the conception of Greeks and barbarians working together with-
out distinction for the dispersion of Hellenic culture. Isocrates
had declared 9 that the word Greek no longer designated a race,
but a culture. In the next century the scientist Eratosthenes of
Gyrene said that one no longer asked whether men were Greeks
or barbarians, but whether they were good or bad.
Many factors contributed to this breaking down of the narrow
limits of the city-state, such as the growth of devotion to a larger
ideal of Hellenic culture and with it the development of an almost
modern individualism. As causes and accompanying results we
may mention: intermarriage between Greeks and barbarians;
better roads and improved facilities of communication; the in-
creasing use of cheap papyrus writing material for the spread of
knowledge regarding Hellas and the Orient in Greek, which
had now become the universal language; the growth of the
syncretistic spirit in religion, which made it perfectly proper
and not unusual for one priest to serve half a dozen deities.
Supremely important also are the Stoic doctrine of the brother-
hood of man and the activity of the mystery cults, which tended
to wipe out the old distinctions between male and female, slave
and free, Greek and barbarian. Tradesmen, somewhat bewil-
dered by the new era in which they found themselves, took
refuge not only in the mystery cults but also in guilds or unions,
devoted, without reference to sex or creed or social position, to
the interests of a single profession and the worship of a single
deity. In fourth-century Athens, the ephebic system was designed
for giving military training to young Athenians between the ages
of 18 and 20. During the Hellenistic period, membership in the
ephebic clubs was a mark not of Greek blood, but of social dis-
tinction. Thus the word cosmopolitan, first used in the fourth
century by Diogenes, the Cynic of lantern fame,10 became a living
reality.
This new spirit manifested itself not only in the emergence
of dominating personalities, who after a meteoric career sank
9 Panegyric on Athens, 50. 10 Diogenes Laertius, VI, 63,
THE INDIVIDUAL AND THE CITY-STATE
back into obscurity leaving only popular biographies and portrait
busts as memorials, but also in the emancipation to some extent
of women and slaves. In Periclean Athens the chief virtues of
a woman were thrift, silence, and modesty. A woman's duty
was to manage her household and rear sons to carry on the family
name and worship. The use of rouge and powder was an offense
not only against modesty but against nature. In the courts of law
a woman was represented by her husband. Though a wife could
leave the home of her married partner at will, she must return
forthwith to the head of the house from which she came. No
formal provision was made, at least in fifth-century Athens, for
the education of respectable women; it must be remembered that
Aspasia, the charming and cultured friend of Pericles and Socra-
tes, was a courtesan. A prominent Greek lady who brought a
heavy dower might spank her husband with a slipper to bring
him round; the heroines of Greek tragedy are standing excep-
tions to the meek and inarticulate type; but for the most part
the virtues of the fifth-century woman are those of the harem.
In the fourth century, however, a woman was among the stu-
dents of Epicurus. During Alexander's lifetime his mother
Olympias enjoyed unusual influence and after his death exercised
unprecedented power, while Alexander's sister gave her name to
the important city of Thessalonica. This is due in some measure
to the survival in primitive Macedonia of the Homeric attitude
toward women, but we may fairly see in it signs that during the
Hellenistic period the so-called weaker sex was coming into its
own. At this time, for another example, city-states, taking over
endowments from wealthy men, appointed in the schools deans
or rather supervisors of women.
Euripides declared that nothing but the name made a vir-
tuous slave worse than a free man; xl while Philemon, who wrote
in the fourth century, asserted that no man was ever born a slave
by nature. Only Fortune, he said, has placed men in that posi-
tion. Plato in his Republic made a great many provisions for the
amelioration of the slave's lot, though Aristotle asserted that a
slave was such by nature and represented to his master a living
piece of property.12 But it was the Stoic conception of the
11 Ion, 854. 12 Politics, I, 4> 2-
I48 GREEK CULTURE
brotherhood of man which more than anything else tended to
erase the distinction between slave and free. In the true spirit
of Christian Stoicism Paul the Apostle advises Philemon to re-
ceive his runaway slave, Onesimus, as a beloved brother.13
The State, as we have seen, made strong claims on the individ-
ual; even Alexander founded his colonies on the city-state model;
and his successors who threw a mesh of bureaucratic government
over their territories organized local control on the basis of the
classical polis. In fifth-century Athens, the man who took no
part in the endless political debates so popular at the time was
held to be good for nothing.14 It might be necessary to round
up a few loafers who preferred to gossip or play at dice in the
sunny market place and herd them into the assembly with a
rope dipped in red paint,15 But the majority attended the assem-
bly faithfully to elect magistrates and vote on questions of public
policy. Even in the fourth century wealthy citizens bore will-
ingly the old burden of fitting out war-vessels, training and
equipping dramatic choruses, and supplying gymnasia with sand
and oil. Yet the state never provided by taxation for the support
even of the common schools.
GREEK EDUCATION
The common schools, in all conscience, offered nothing but
instruction in the three R's and training in singing and harp-play-
ing, accompanied by rigorous gymnastic exercise. The Sophists
appeared early in the fifth century to correct this situation. Pri-
marily they were traveling teachers of oratory in an age when
each man might expect at some time to defend himself in the
law-courts. But the Sophists were much more than teachers of
public-speaking; they conceived that the duty of teaching, founded
on the sciences of grammar and dialectics, or the ability to argue on
both sides of any proposition, and enriched with a smattering
of physical sciences, history^ and literature, was to make effective
citizens. Man, they declared, is the measure of all things; good
and evil are relative. It may be wise for the weak man to know
13 Philemon, verse 16. 15 Aristophanes, Acharnians, 22.
14 Thucydides, II, 40.
GREEK PHILOSOPHY ^
and keep his place, but the strong man is beyond the laws which,
like the State, are not divine in origin, but mere social devices,
the inventions of the weak to protect themselves against the
strong. And the superman by right o£ the Law of Nature may
rule and exploit the weak. Society may need an ethical code
based on justice and modesty to hold it together, but the strong
citizen, the man with nerve and a mastery of the art of persuasion,
is above that code.
Socrates was no Sophist, though like them he held that education
should make good citizens. In spite of the fact that he professed
himself the wisest of men only because he was conscious of know-
ing nothing — while other men had a conceit of knowledge —
he combated the doctrine of relativity and maintained that truth
is attainable. The concepts to which we win by right reasoning,
the Socratic method of question and answer based on Sophistic
dialectic, are forever valid. Knowledge can be won and imparted
by learning and teaching. The man who really knows the Good
will do it. Education does not imply irreverence for the tradi-
tional morality and the deities of the city-state. Protagoras had
asserted that he could not be sure of the existence of the gods.
The Athenians only banished him and sent round a herald to
collect private-owned copies of the book in which he made this
statement for burning in the market place.16 Socrates specifically
disclaimed all belief in such speculations as those of Anaxagoras.
Blatant agnosticism was foreign to his nature; he asserted always
that the care of the soul was his chief concern. The Athenians,
confusing him with both the Sophists and the physical scientists,
gave him the hemlock because he introduced new gods into the
city, as the prosecution asserted, and had shown himself a cor-
rupter of young men.
GREEK PHILOSOPHY
Plato, the pupil of Socrates, held that the highest good consists
not in pleasure nor in knowledge, but in the utmost possible
likeness to God, the author of no evil, Himself representing
absolute goodness. Abstract concepts such as Justice and Good-
16 Diogenes Lacrtius, IX, 51.
150 GREEK CULTURE
ness have a definite reality and exist, as it were, in the heaven
from which the soul originally came. They stand to concrete
objects in the same relation as the shadows of objects, thrown by
a blazing fire on the wall before prisoners so chained that they can-
not look round, stand to the objects themselves. Thus in his
vision of the cave 17 did Plato combat the " flowing " philosophy
of Heraclitus and the relativity of the Sophists; thus he asserted
in a way half poetic and half realistic the validity of the uni-
versal. Ideas come to the soul, he continues, only as she recol-
lects what she has known in the bright heaven above the cave
of mortality.18
Since, then, Virtue and Justice are realities attainable by knowl-
edge and since Happiness consists in the possession of the Good,
we must educate our citizens in an ideal State where society and
the curriculum are so framed as to achieve these desirable ends.
The three classes in the State, philosopher-rulers, warriors, and
producers, are to be sifted out in the process of education. The
old Greek curriculum is to be used as a basis, but with the addi-
tion of dialectics and higher mathematics, the rigorous censorship
of myths, and the exclusion of poetry in the ordinary sense of
that word. The State, in Spartan style, is to control completely
the rearing and education of citizen children. Among the phi-
losopher-guardians, who like the warrior-citizens are to be sepa-
rated completely from the producers who support them, all things,
including wives, must be held in common. Women as such are
not to be excluded from any activity, though their natural en-
dowments fit them for certain types of work more than for others.
The upper classes are not to engage in commerce or handicraft
other than agriculture. Agricultural surpluses are to be con-
trolled by the State. Neither usury nor credit business nor indeed
the possession of any money is to be allowed citizens.
Such, in the crudest outline, is the plan by which Plato hoped
to create what may fitly be called a Kingdom of God. He held
firmly to his conviction that in the cause of virtue one ought
rather to suffer than do wrong.19 And even when, somewhat
disillusioned by contact with reality in the form of a weak and
refractory pupil, Dionysius, the tyrant of Sicily, who was to help
17 Republic, Bk. VII. is pfaedrus, 250. 1& Gorgias, 469 C.
POLITICAL THEORY I5I
Plato set up a model State; even when after all this he wrote the
Laws, he was still, though he makes some compromises with
practical conditions, convinced that government will never be
tolerable until philosophers become kings or, by some happy
chance, kings become philosophers.20
Plato makes Socrates prophesy a brilliant future in philosophy
for young Isocrates,21 but the facts did not justify that prophecy.
Philosophy, in the definition of Isocrates, is little more than
rhetoric broadly conceived. Culture, he held, consists not in the
possession of any professional technique or given body of knowl-
edge, but in trained judgment. The educated and cultured man
is the temperate citizen, happy in his relations with boors and
gentlemen alike, who can deal effectively with the problems of
daily life and keep his head in both adversity and prosperity.
The curriculum of Isocrates, which consisted apparently of a
blend of history, natural science, and literature so treated as to
make them of practical value, ordinarily occupied the time of
students for three or four years. Not only the pamphlets of
Isocrates advocating a return to the older principles of Greek
government, uncontaminated by the prevailing mobocracy, not
only his educational principles, but through Cicero his elaborate
style had an immense influence on politicians, educators, and
literary men throughout antiquity.22
POLITICAL THEORY
Aristotle, the pupil of Plato, declared that the end of the State
is to promote virtue in its citizens, and that the State, whose
basis is the family, ranks before the individual as a whole, takes
precedence over the parts which make it up. Happiness, he
held, is the chief end of man and rational happiness may best
be attained by the individual pursuing the traditional Greek
policy of observing the mean between two extremes within the
framework of a modified city-state. The model State in training
citizens for virtue is to use as a basis a curriculum containing
the subjects of grammar, gymnastics, music, and drawing. But
20 Republic, 473 D. 22 Panathenaicus, 30; Antidosis, 87.
21 Phaedrus, 279.
GREEK CULTURE
Aristotle's chief importance lies in his work as a student of
political forms rather than as a reformer of Greek education.
As a prelude to his Politics he analyzed 158 state organizations.
His description of man as a naturally social animal is of course
classic. And the Aristotelian division of government into delib-
erative, executive, and judicial departments is still generally in
force.
Plato attempted to serve as adviser to Dionysius. Isocrates, as
we have already noted, in addition to criticizing some contem-
porary tendencies in government, helped to shape the policy of
King Philip. Aristotle served as tutor to Alexander the Great.
The Stoics, during the fourth century and later, emphasized the
dignity and importance of the individual. Man, according to
their teaching, may so fortify his will by the control of the emo-
tions as to rise superior to all the whims of Fate; and every man,
without regard to race or social condition, is eligible to member-
ship in this stern brotherhood of wisdom. Yet the Stoics found
it not only possible to educate monarchs, but also to serve them-
selves in that capacity, little as the monarchic form suited their
fine theories. The Epicureans stood quite outside the practical
circle. For them the highest happiness of man as individual, a
happiness most often attained by the pursuit of science, was the
goal of life. The State— in this they resembled the Sophists
— was a mere social convenience, whose ties were not binding on
the wise man. With the Cynics, from the fourth century onward,
philosophy definitely took to the road. In a "whither are we
drifting " style, their voices raised to the sharp, shrill bark which
gave them the name of Cynic (dog) philosophers, these militant
missionaries pointed out abusively the follies of contemporary
rulers. Unkempt, unwashed, insolent, aggressive, flouting all
governmental and social conventions, they invited men to lead
life according to nature, with the earth for a bed and the sky
for a covering. The Cynics perhaps most fully represented that
tendency which in the Hellenistic period made chaplains and
missionaries of almost all philosophers.
Christianity, therefore, fell into a soil well prepared. The con-
ception of the dignity and worth of the individual had been well
established. Philosophers and educators, attempting to confirm
THE FORMS OF GREEK LITERATURE I53
this doctrine, had not only criticized existing forms of govern-
ment, but had gone far beyond them, setting up ideal States,
Kingdoms of God, world-wide brotherhoods which completely
transcended the narrow limits of the city-state. To men over-
whelmed with a sense of sin, dissatisfied with or oppressed by
temporal government, the Greek and oriental mystery cults had
held out the comforting doctrine of a savior-god, a being both
human and divine, who offers humanity, if they eat his body
and drink his blood, if they emulate his sufferings in behalf of
God, a blessed immortality after death.
Jesus of Nazareth, who felt himself to be in the line of the
Hebrew prophets, preached the gospel of a reformed and quick-
ened Judaism. But Paul, the greatest Christian missionary, pre-
sented his gospel of the Christ-cult, the distillation of his own
personal experience, in language highly reminiscent of pagan cult
terminology. His use of the word " conscience," certain features
of his ethical code, notably the insistence on " self-sufficiency," and
his attitude toward slaves were colored by Stoicism. St. Am-
brose literally baptized Stoic ethics into Christianity, while St.
Augustine chiefly through neo-Platonism was profoundly in-
fluenced by Platonic teachings. Paul, in his organization and
administration of the early churches owed much to the Roman
system, which in turn was in the debt of later Hellenistic govern-
ment. And, finally, the Mediaeval Hierarchy, with its recog-
nition of the superior claims of a philosopher-priest class, carried
on further toward the modern age the structure of the Platonic
State.
THE FORMS OF GREEK LITERATURE
The siren charm of the Greek language itself is perhaps the
thing which first impresses one who turns from Greek thought
to literature as a form of art. Through its sharp, clean con-
sonants and many-voweled adjectives, through its clear, logical
structure, the Greek language at the highest attains a beauty,
a compression, a simplicity of style which often defy translation.
Cleopatra spoke the language of the Ethiopians and the Troglo-
dytes, of the Hebrews, Arabs, Syrians, Medes, and Parthians.23
23 Plutarch, Life of Antony, 27.
GREEK CULTURE
The Greeks concentrated on their own language, for ordinarily
it was the only one they knew.
Greek literature at its best has perfection of form without
rigidity, a firm yet perfectly flexible line which yields simplicity
and nobility without baldness or bombast. This becomes evident
first of all in the Iliad and the Odyssey, the earliest recorded
Greek poetry. Having to deal with the siege of Troy and the
wanderings of Odysseus in the Mediterranean, Homer does not
write a catalogue in alphabetic style. He leaps at once into the
midst of his story, which deals only with a brief part of the full
legend, and paints in his background as he goes along. The
simplicity, rapidity, and nobleness of Homer's style, his ability to
portray sentiment without lapsing into sentimentality, in short the
universal appeal of his work have made the Iliad and the Odyssey
veritable bibles of literary Europe and America to this day.
Homer has been imitated and parodied, admired and maligned.
He still remains the fountain source of all European literature.
Later Greek epic, still written in the Homeric hexameter, pro-
duced its greatest figure in Hesiod, the Boeotian farmer of the
eighth century B.C. Hesiod's farmer pessimism, his Franklinian
emphasis on the value of honesty and industry, his homely good
sense, and his hatred of worthless women inform alike the
Works and Days, a species of almanac for those who till the soil,
and the Theogony, a work on the birth of the gods.
During both the sixth and the fifth centuries B.C. the many-
stringed Greek lyre gave forth a variety of intimate and highly
personal notes. Alcaics, Sapphics, Archilochean stanzas inter-
mixed with the sharp, pungent elegiac distich served as vehicles
for patriotic exhortations, satire, epitaphs, and amorous com-
plaints. The most notable poets of this period are perhaps
Sappho, the Lady of Lesbos, whose odes summon up not a single
passion but a whole congress of the emotions, and Pindar, the
intimate of kings, who for gold wrote odes in praise of athletic
victors.
GREEK TRAGEDY
One special, type of lyric, the dithyramb, a wild and frenzied
hymn addressed to Bacchus, grew into the chorus of Greek tragedy.
GREEK TRAGEDY I55
By steps which we have not space to describe it came to form
the framework of Greek drama. Concerning Aeschylus, the
lofty and austere, whose monotheism approaches that of Plato;
regarding Sophocles, who most closely approached the classic
Greek ideal of seeing life steadily and seeing it whole; or Eu-
ripides, the critic of traditional Greek religion, the champion of
women and slaves, we have not here space to speak in detail
Greek tragedy, perhaps more than any other form of literary
art, succeeded in uniting local interest and comment with time-
less appeal. Political satire reached its height with Aristophanes.
Never had the stupid general and the militaristic politician been
so caustically held up to ridicule. The Agamemnon of Aeschylus,
the Oedipus Tyrannus and Electra of Sophocles, and various
dramas of Euripides are still occasionally produced with moderate
success. But Aristophanes' riotous and ribald comedy, the Lysis-
trata, in which women, disgusted with the stupidity and pugna-
ciousness of male politicians, take the government into their own
hands and forswear relations with their husbands until war is
renounced and peace declared — this comedy, now more than
two thousand years old, enjoyed recendy an unprecedented run
during a crowded Broadway season.
After Aristophanes, thanks to political intervention, comedy
criticizing characters in high circles came to an end. One finds
instead the beginnings of polite society farce in the works of
Menander, who, with others of his contemporaries, furnished
models for skillful Roman adapters, such as Plautus and Terence.
Greek tragedy continued to be written, but its influence was
purely that of a literary form and was transmitted to the " blood
and thunder " school of Shakespearean times through the medium
of the Roman playwright Seneca.
Lyric poetry continued to be written in almost all its forms
with unabating interest. The so-called Greek anthology contains
specimens which range in time from the fifth century B.C. to the
close of the tenth century A.D. Theocritus, who flourished during
the third century B.C., is usually classified as a pastoral poet. But
no man can be more lyric than he in describing the passion of
romantic love; no one describes with more lyric freshness the
town and the country life of his day. And when his manuscripts
I56 GREEK CULTURE
come back, rejected by a wealthy man who might have been a
patron, not even a Nobel prize-winner could assail more vigor-
ously the money-loving spirit of the age.24
In oratory, the Greeks developed not only court-room pleas,
but also speech-writing of a broader national scope. For the
first type, Lysias' initial oration, in which a man defends himself
against the charge of slaying his wife's lover, may stand as an
example. Of the second, Demosthenes' speech On the Crown,
in which he reviews his entire political career and justifies his
war on Philip of Macedon, may be taken as the finest example.
In history, Herodotus, although given to exaggeration, endeav-
ored to tell the truth as he heard and saw it. But with Thucydides
we come to a scientific historian in the modern sense of the term.
Critical examination of sources, searching study of motives, and
sober impartiality are found welded in a style which may justify
Thucydides' claim that his composition was destined to be a
possession for all ages.
GREEK AESTHETICS
In literary criticism, the Greeks produced two classic works
— the Poetics of Aristotle and the treatise On the Sublime, com-
monly but falsely supposed to have been written in the third
century AJ>. by the rhetorician Longinus. The Poetics affords not
only a penetrating study of Greek drama but Aristotle's famous
definition of tragedy, the Catharsis, a form calculated to purge the
spectator of pity and terror by arousing these emotions within
him. Longinus' adventures as he ranges through the Greek and
Hebrew classics in quest of the sublime furnish the nearest ap-
proach to impressionistic criticism that the Greeks ever made,
although the author declares in typically Periclean manner that
literary judgment is the result of long toil.
The dialogue, which Plato brought to inimitable perfection, was
wedded to satire in the second century A.D. by Lucian, the critic
of gods and human charlatans of all breeds, the father of the
modern sketch and short story. The Greek novel offers the
charming pastoral romance of Daphnis and Chloe and more
24 Idylls, 1 6.
SECTION OF THE " PANATHENAIC PROCESSION/* FROM A FRIEZE IN
THE PARTHENON
THE "FATES/* FROM THE EASTERN PEDIMENT OF THE PARTHENON
(facing page 157)
GREEK AESTHETICS
prosaic stories of adventure in which sentimental heroines swoon
their way through unspeakable temptations on land and sea into
the arms of impossibly perfect heroes.
The Greek sense of beauty expressed itself not only in poetry
and painting, sculpture and architecture, but also in a wealth of
smaller forms such as coins fine as rare etchings, charming terra-
cottas such as the Tanagra figurines, jewels, engraved gems, and
even the common utensils of everyday life. The history of Greek
sculpture from the athletic grace of Myron's Discus Thrower to
the sensuous charm of the Praxitelean Hermes, from the magnifi-
cence of Pheidias' Olympian Zeus to the painfully human agonies
of the Laocoon group reveals alike the versatility and vitality of
the Greek genius. One who stands today on the Acropolis under
the Parthenon's sober Doric form and glances across the way
to the more effeminate Ionic of the Erechtheum or looks up at the
light Corinthian charm of the Lysicrates Monument in the city
below will gather living proofs of the Greek genius in all its
power and variety.
CHAPTER VII
ROMAN CIVILIZATION
GREECE AND ROME
IT WAS THE DESTINY OF ROME TO DEVELOP IN HISTORICAL PARAL-
lel to Greece and to counterbalance culture with civilization.
Speaking in a broad, psychological manner, we may refer to
Greece as having developed the intellect; Rome, the will; just
as the former nation has given us our theory, the latter our practi-
cal principles o£ life. Greek democracy has survived the on-
slaughts of Roman and Hun, Turk and Italian, and is still a
living thing. Greek continued to be the international language
' of the Roman world perhaps as late as the third century A.D.,
but with the emergence of Christianity as the official religion of
the Roman Empire, Latin tended more and more to become the
dialect of government and theology in the western world, the
lingua franca of administrators and of scholars, if not of the mass
of common people. Greek went into retirement at Constan-
tinople and did not come out of hiding, as far as cultured Europe
was concerned, until the Turks captured that city in 1453, al-
though isolated scholars had known and had taught Greek before
that time.
When, in the Vth century, Rome " fell," as we are in the habit
of saying, the torch of culture was caught up by the Latin-
speaking and Latin-writing peoples in Africa, handed over to
Spain, carried even before that time with Christianity to Ireland,
thence to Britain, France, Germany, and, at length, once more
to Italy. Then, nourished by the Catholic Church, pagan culture
became enmeshed in Christian tradition, preparing the way for
the culture of Scholasticism.
The process of transmission went on during the period
between 500 and 1200 A.D., when modern nations were being
molded, not only by direct survival, but also by learned and
conscious revival. The nations which were to be French, Spanish,
and Italian adopted and adapted in pronunciation and syntactical
158
ROMAN RELIGION
structure the Latin language of those who had conquered them
and whom they in turn conquered. While popular authors were
writing literature of many forms in vulgar Latin or later in that
type of modified popular Latin which was the vernacular, learned
men were striving to perpetuate the ancient tongue in Ciceronian
purity.
Greek culture would not, perhaps, have been handed down in
this manner had it not been for what we may justly call the
Roman superiority-inferiority complex. Others, says Virgil,1
may prove better artists and orators than the Romans. Others
may excel them in science. But the real task of Rome is to rule
the nations of the world. Her arts are to crown peace with law,
to spare the conquered and subdue in war the proud. There,
quite moderately stated, one has the Roman attitude. Culture
is essentially Greek; so too is pure science. Rome admits the
mastery of the " Greeklings " in these fields, is even willing to
imitate and adapt their original creations.
But after all, culture of this sort is for leisure moments; pre-
occupation with it is below the dignity of a busy, governing race.
Rome's main concern is with government, and there she knows
no master. Cicero in his fifth Verrine oration affects to despise
or even to be ignorant of Greek art; elsewhere 2 he asserts that
Greek laws are absurd compared to the Roman. We shall find
in the course of this chapter that, while Rome adapted and made
her own the Greek contributions in religion, philosophy, and
science, in literature and art, she gave most to the world in the
spheres of law and government. From. Rome came that strong
central organization which preserved the world from chaos even
when bearded barbarians in the skins of wild animals ran riot
over the Empire, and which helped to mold the national systems
under which Graeco-Roman culture was transmitted to the
modern age.
ROMAN RELIGION
Primitive Roman religion, the cult of home and farm which
afterwards crystallized into the cult of the State, was almost
wholly mundane in its point of view. Supernatural beings,
1 Aeneid, VI, 847-853. 2 De Oratore, I, 44 <* &%•
j5o ROMAX CIVILIZATION
" wills " or " powers " (numina), were held to exist in trees and
rocks and springs and animals. Special spots, places struck
by lightning, the tombs of the dead, were held in religious awe
and veneration, though actual ghost-worship cannot perhaps be
certainly proved for the Romans. Spirits haunted farm and
woodland, invested with their own peculiar character the hearth
and cupboard and doorway of the Roman house. The business
of religion was, by the preservation of certain taboos, by the per-
formance of sacrifice and a ritual meticulously observed, to
placate and please or drive away these mysterious beings, not to
embody them after the Greek manner in the gorgeous vestments
of poetry and myth.
The father of the Roman family, who is the priest, enters, so
to speak, into a contract with the gods. He gives to them that
he may receive in turn. If he offers unsuitable victims, trips or
stumbles in uttering the formular prayers, the gods need not keep
their part of the bargain. This business-like spirit, this tendency
to observe and regard the letter of a compact, entered. naturally
into Roman Law, for the priests of Rome were also its earliest
lawyers. Even after the primitive agricultural community had
come to center round the city of Rome, the old festivals were
retained. The boundaries of the land were still sprinkled and
sacrifice made about them at the end of May in a spot a few miles
outside the metropolis.
The father of the family became in Roman state religion the
king, or later the high priest, a position held during the Empire
by the emperor alone. The Pontifex Maximus was assisted by
various priests and diviners. Vestal Virgins kept the fire of Rome
alight on the city hearth. Each important deity had flamens
charged with perpetuating the ancient rites. The precise form
of these ceremonies was intrusted to the " priestly books " and
kept a profound secret. Prayers to be said in time of birth or
marriage, formulas for the beginning of all sorts of work, par-
ticularly agricultural, were also contained in these volumes.
There one might find the names of those abstract deities, those
little gods and goddesses who watched over the sleeping child,
taught it to eat and drink, strengthened it to stand, walk and
talk, and in general accompanied it from birth to the grave.
ROMAN DEITIES l^I
Briefly speaking, the Roman found in the state religion the com-
plete exemplification of that "divine law" by which he might
live at peace with the gods.
The old religion offered, it is true, some colorful spectacles.
During February the flamen of Jupiter sacrificed in turn he-goats
and a dog. Two youths, who had been smeared with goat's
blood on the blade of a knife, cleansed themselves with milk-
soaked sponges of wool and went dancing round the city clad
only in a goat-skin apron. The women they met they struck
with thongs of the skin to ward off barrenness and insure fertility.
During another festival, the Saturnalia, all Rome held holiday.
Slaves enjoyed for once complete license of speech. Candles were
lighted and presents exchanged by men and women of all classes.
Thus in the December carnival of eating and drinking was the
role of good old King Saturn brought back.
ROMAN DEITIES
But the good old days of Saturn came back only in mimicry.
Actually metropolitan Rome, in touch during the Punic Wars
for the first time with foreign vice and luxury, needed gods more
personal and strong to save them than the powers of the primitive
religion. As early as the fifth century B.C. Greek and Etruscan
influences began to enter the stream of Roman religious practice.
The Greek pantheon was gradually adapted to Roman needs.
Roman gods were identified with, or at least took on names and
epithets which tended to identify them with their Greek counter-
parts. Jupiter stood for ancient Zeus, Juno for Hera, Neptune
for Poseidon, Mercury for Hermes, and Venus for Aphrodite.
With Greek gods entered the Greek ritual, always carefully
distinguished from the Roman, and the Hellenic custom of pray-
ing with head uncovered, so strange at first to the men of Rome.
By the year 399 B.C. the statues of the gods, after the Hellenistic
mode, were placed at banquet on couches in a public place so
that the whole populace, keeping festival, might dine with them.
Along with the other new deities whom merchants and crafts-
men, artists and slaves brought in, came Diana of Aricia, that
Diana whose priest, the King of the Wood, was a runaway slave.
ROMAN CIVILIZATION
a slave who held rule only until a stronger man slew him and
took his place. Etruscan diviners instructed the Romans in
temple practice and the art o£ interpreting omens drawn from
the flash of lightning, the vitals of victims, the flight of birds.
But more than anything else the influx of partly Hellenized
oriental deities filled the needs of a war-torn, almost hysterical
populace and contributed to the breakdown of the old Roman
religion. At the command of a Sibylline Oracle, when nothing
else could drive off the menacing Hannibal, the fetish-stone of
the Great Mother Cybele was brought from Galatia in 204 B.C.
A Greek priest carried to Etruria the rites of the baser Bacchus.
The orgies which ensued throughout Italy, among even the high-
est classes, led the Senate in 186 B.C. to pass a decree stamping
out the vinous heresy.3 At almost the same time that Cybele
brought to Rome her ceremony of blood, her mourning for the
death and rejoicing for the resurrection of the mutilated Attis so
curiously akin to our own Easter festival, Egyptian Isis invaded
Roman territory, and there remained, though her temples were
often destroyed and her priests slandered and persecuted. Pom-
pey the Great scoured the hills of Cilicia for pirates and cap-
tured them, but the prisoners whom he carried to Rome in 67 B.C.
brought along the worship of Persian Mithra, which well-nigh
captured the Empire. Thus, through one channel or another,
the various immortality cults which centered round a god-man,
had solidly established themselves on Roman soil by the middle
of the first century B.C.
The emperor Augustus, thrusting his hand into the dike, at-
tempted to check this oriental river and revive the old Roman
religion, through edict and organized literary propaganda and
personal effort. He restored eighty-two temples in or near Rome
and infused life into the old priesthoods. On the Palatine he
built a resplendent new temple of his family god, Apollo, as
well as a costly shrine to Vesta, and in his forum he erected a
fane to Mars, the avenger of the death of Julius Caesar. Though
he never allowed himself formally to be worshiped as a god in
Italy during his lifetime, he was hailed by the East as a deity
before his death, and following it the cult of Augustus as a man-
3 Livy, Ab Urbe Condita Libri, XXIX, 8-19.
ROMAN PHILOSOPHY
god was put in charge of a special group of priests. Augustus
could hardly have rested easy in heaven had he known that a few
centuries later another cult, whose King partook of the nature
of Hebrew prophet, man-god, and god-man, would use the im-
perial organization which the first emperor built up to spread its
influence throughout the western world.
ROMAN PHILOSOPHY
Rome's first formal contact with Greek philosophy dates from
the year 155 B.C. when there came from Athens an embassy in-
cluding Diogenes the Stoic, Critolaus the Peripatetic, and Car-
neades the Academic, The Roman Senate, particularly in the
person of old-fashioned Cato, objected to Greek teachings, and
a few years after the embassy foreign philosophers and rhetori-
cians were by decree expelled from Rome. But their influence
remained. The literary circle surrounding the younger Scipio,
which numbered among others Terence, the writer of comedy,
undertook about this time the regular study of philosophy.
Their special mentor was Panaetius the Stoic, whose common-
sense teaching with regard to virtue anticipates the popularizing
of Seneca. After Panaetius came Posidonius, who was the teacher
of Cicero.
By direct tradition, then, as well as by reason of its suitability
to the gravity and piety of the Roman temperament, Stoicism be-
came the unofficial philosophy of Rome. Enough has been said
in the preceding chapter about the Epicureans to show that their
quest, untroubled by the claims of public life, for purely personal
pleasure was thoroughly uncongenial to the Roman temperament.
Those persons who, misled by too attentive a reading of Petronius,
Juvenal, and Suetonius, imagine that every Roman spent his time
careering from tavern to tavern, with a trull under one arm and
a wine bottle under the other, forget that Rome had an empire
to govern. They forget that Petronius depicts the luxury and
vice of the new age in the person of a wealthy freedman; they
do not remember that all Roman noblemen were not so degen-
erate as those whom Juvenal portrays; they forget that the Stoic
virtues of dignity, gravity, and piety, the love of country and
jg4 ROMAN CIVILIZATION
family had always been and continued in some degree to remain
thoroughly Roman.
Cicero, who was the chief Latin transmitter of Greek philoso-
phy to the modern world, professes himself, indeed, to be an
eclectic. For that matter, he declares 4 that his works are only
copies of Greek originals; all he adds is words, in which, to use
his own phrase, " I abound." In reality Cicero was a Stoic on the
side of morals and an Academic on the side of the intellect. Lu-
cian 5 hits off in a happy sentence the popular opinion of both
Academics and Stoics. When he and his companions in the
course of their famous nightmare journey arrive at the Island of
the Blest and inquire for the philosophers, they find neither the
Academics nor the Stoics. The Academics, suspending judgment
and debating endlessly, are stalled on the road — they cannot
make up their minds whether there is such a place as the Island
of the Blest. The Stoics are still climbing the steep hill of virtue
and have not arrived yet.
Now the Stoicism which Cicero and other Romans embraced
was not the almost ludicrous pedantry of the earlier school. The
typical sage of that breed, the man who had attained wisdom by
suppressing his emotions and living according to nature's law,
was a creature as impossible as the " sanctified " Christian who
cannot fall from grace. The Stoicism popular in Rome was the
type described so fully by Seneca, the tutor of Nero in the first
century A.D. The human soul, said the Stoics, is a part of or an
emenation from deity. And deity, whether one identifies him
with Zeus who thunders on high or with the all-pervading
breath of creative fire, contains the soul and reason of all things;
he contains within himself the rational germs of the whole uni-
verse. Now since every man contains a part of the divine fire,
and since all men are brothers and sons of the same God, it
follows that man exists for and must take part in society, though
that involves a certain amount of compromise with the prevailing
form of government.
Life itself is an inn where we tarry overnight. Life is a battle-
field on which the forces of good and evil clash continually. The
wise campaigner will not only dress in coarse raiment and eat
4 Letters to Atticus, XII, 52. 5 True History, II, 18,
LATIN SCIENCE ^
scant food, but also keep himself in mental trim by guarding
against random thoughts and emotions. Especially will he come
to Philosophy, the physician of the soul, the great healer whose
ministrations are open to all men willing to practice meditation
and self-discipline. But above all else the wise man, or the man
striving for wisdom, will lean on the Divine Providence which
is seen everywhere in the world, which is mirrored faintly even in
the conventional mythology. Where the Divine Will leads, the
wise man, making progress in virtue, must follow obediently, even
though the road conducts him to death. And if a man feels that
he has lost control of the threads of his life, if he is mocked by
Fate, he may assume control again for one last time and commit
suicide, assured that, while the soul may not be immortal, it will
at least endure until the present world-cycle is ended in fire and
makes way for the next.
Roman religion gave to Christianity the very word " religion "
and its consecrated terms, " piety " and " saint " and " sacrament,"
became a part of the Church's heritage. The contributions of
Stoicism have already been pointed out in the preceding chap-
ter. But by and large Roman religion in itself had no universal
appeal. Stoicism called mostly to the upper classes. Both owe
any broad influence they may have exercised to their blending in
the curious tapestry which we call Christianity.
LATIN SCIENCE
Rome produced neither a great philosopher nor an original
scientist. Her writers in the latter field tend either to copy Greek
works directly, to reject Hellenic science entirely and rely on the
lowest kind of magical practice, or finally to vitiate scientific study
by a tendency to see design everywhere in nature and to bear
down too heavily on the ethical pedal. To the first class belong
Lucretius, the poet, and Celsus, the Roman patrician, whom we
have mentioned in the foregoing chapter.
One thinks of Lucretius primarily as a literary artist of the first
rank. But in reality his poem On the Nature of Things is a setting
forth in Latin hexameters of the Epicurean world-system. The
Epicurean assumption that the world was formed by a fortuitous
ROMAN CIVILIZATION
concourse of swerving and clashing atoms, borrowed in part from
Democritus and Leucippus, is a fascinating anticipation of mod-
ern atomic theories, though Dalton in the XlXth century
seems to have worked independently. Intriguing also is Lucretius'
statement, when describing the great plague at Athens toward the
close of his poem, that there are seeds which bring good and seeds
which bring evil and disease to men. Here, as in a mirror darkly,
one sees modern bacteriology. From his Greek original likewise
Lucretius takes the notions of the survival of the fittest and the
growth of higher human from lower animal forms. Extant re-
mains of the Epicurean writings show how faithfully Lucretius
translated and adapted his master. Lucretius' missionary zeal, his
burning desire to free men from the burden of superstition and
set them to investigating the causes of things, coupled with his
mastery of Latin verse, gives him high position as a poet, but he
cannot claim to be an original thinker any more than, on a lower
scale, Celsus, the compiler and adapter of Greek medical works.
To the second group belongs the reactionary Marcus Porcius
Cato, who died in 149 B.C., fifty years before the birth of Lucretius.
His work on agriculture, which is marked throughout by an un-
compromisingly old-fashioned Roman attitude toward experi-
mental science, preserves not only a recipe for making cheese-cake,
but also one of the most curious and tantalizing of spells for
curing dislocation. One can almost see the sufferer hopping about
and hear him cursing as his voice rises to a shriek in the magic
words: " Huat hanat huat ista pista sista domiabo damnaustra"
In the last group fall Pliny the Elder, who perished while in-
vestigating an eruption of Vesuvius in 79 A.D., and Seneca, the
tutor of Nero. The thirty-seven books of Pliny's so-called Natural
History are encyclopedic in their scope, embracing the subjects
of cosmology, geography, anthropology, zoology, botany, medi-
cine, mineralogy, and art. But the modern reader will be more
interested in the grotesque and utterly delightful superstitions
which Pliny catalogues than in what passes with him for science
or his monotonous insistence on the fact that nature serves man.
Seneca's Naturales Quaestiones, investigations into various prob-
lems connected with natural science, represents a distinct advance
on Pliny in the matter of accuracy. Seneca is less gullible than
ROMAN MEDICINE ^
Pliny, but he insists always on the ethical implications of scientific
study, an attitude fatal to real progress. Marcus Terentius Varro,
who -helped Julius Caesar catalogue the vast collection of books
in Rome, was a philologian and antiquary rather than a scientist.
Among other things he marked out more clearly than had been
done before the subjects of the curriculum. These he designated
as : grammar, dialectic, rhetoric, geometry, arithmetic, astronomy,
music, medicine, and architecture. All save the last two, we may
add, became part of the consecrated mediaeval course of study.
ROMAN MEDICINE
Greece had employed state physicians in the early fifth century
B.C. The Romans extended and perfected the system. Not only
were state physicians recognized during the late Empire as a tax-
exempt group whose duties consisted chiefly in ministering to the
poor, but medical men were organized into schools and coUeges in
various parts of the Empire and halls were provided for teaching
purposes. Each Roman legion, each group of policemen, firemen,
and city-guards in Rome had an attending physician, who held
the rank of non-commissioned officer.
In Greece surgeries were privately owned, though the temples
of Asclepius were open to rich and poor alike and were of a more
public character. During the early part of the first century AJ>.
the temple of Asclepius on a ship-shaped island in the Tiber be-
came the refuge for sick and broken-down slaves. This curious
island, on which was carved the poop of a ship, bearing the staff
and serpent and a likeness of the head of Asclepius, was offi-
cially recognized as a slave-asylum when the emperor Claudius
freed those who had taken shelter there. Infirmaries of other
kinds for the use of free and slave alike existed during the first
century A j>. By the end of the first or the beginning of the second
century, fully equipped free hospitals were known. These owed
much in organization and arrangement to the military dressing-
stations. At first it was customary to ship wounded soldiers to
Rome for treatment; later, military hospitals were founded at
various convenient points. To the period of the late first or early
second century A J>. belongs the building which has been excavated
ROMAN CIVILIZATION
at Dusseldorf on the Rhine. This is constructed in the modern
manner, with offices and a vestibule in front, wards and corridors
on the sides, and a dining room in the middle.
During the earlier days of Rome, physicians were either slaves
or freemen relegated to an extremely insignificant position. Julius
Caesar bestowed citizenship on all who practiced medicine in
Rome. Yet, in spite of all that, physicians were not highly re-
garded on the whole during the course of Roman history. High-
born Romans left such practice to the starving Greeks, as they
contemptuously called them. A very early decree, sometimes
attributed to the almost mythical Roman king Numa, recom-
mends Caesarean operation. But the Alexandrian practice of dis-
secting human bodies was abandoned some time after the close of
the first century. Summarily speaking, medical theory in the
Roman Empire lagged far behind medical organization and prac-
tical measures for hospitalization and sanitation.
In the last field the Romans were supreme. The daily bath had
been an institution in Athens. And the older Romans, who ac-
cording to Seneca bathed once a week whether they needed it or
not, soon learned to take up Greek fashions. About the baths we
shall speak in a later section of this chapter. Suffice it now to say
that fourteen aqueducts brought three hundred million gallons of
drinkable water into the city every day. Both public buildings
and private houses were adequately equipped with latrines and
plumbing facilities.
APPLIED SCIENCE
The Romans made no contributions worth mentioning to the
science of pure mathematics, but they were active in surveying.
They used, whether they invented it or not, a crude surveyor's
instrument for sighting and laying out farms and towns in rectan-
gular lines. They employed an instrument singularly like the
taximeter for measuring distances. A wheel of known circumfer-
ence carried the machine. This wheel was hitched up by reducing
cogs to a bar at the top of which was a slotted disk containing a
number of pebbles. When the wheel which ran on the ground
had covered the space of a mile, one pebble dropped through an
aperture in the disk to a receptacle below. Distance was meas-
APPLIED SCIENCE ^
ured by counting the pebbles or by reference to a dial on the face
of the meter. The principle of the pulley the Romans adapted
to cranes used for raising blocks of stone and worked by a
treadmill.
Astronomy was almost entirely neglected by the Romans, but
they did give to the months names which we still use and the
Julian calendar paved the way for the Gregorian system. January
is of course the month of Janus, god of the doorway; February is
the season of purification; March is the month of Mars; April
" opens " the spring; May is the " older " and June the " younger "
month. July is named for Julius Caesar and August for the em-
peror Augustus. September, October, November, and December
are in Latin, respectively, the seventh, eighth, ninth, and tenth
months. In the earliest times the days of the month and year
were calculated by the lunar system. But in the fourth century
B.C. the Greek astronomer Eudoxus devised a solar system adopted
in the third century by the Egyptians and adapted in the first
century B.C. by Julius Caesar. According to this method the days
of the year were reckoned at 365. Every fourth year a day was
thrown in before the 24th of February. This system remained in
vogue until 1582, when Pope Gregory XIII excised the superfluous
days which had accumulated, and is still employed by the Greek
Orthodox Church. Parenthetically we may remark that lucky
and unlucky, designated in popular use by white' and black stone,
secular and religious days were marked off on the calendar by
letters, and that the number of days devoted to games and festivals,
comprising only 76 in the late Republic, rose in the fourth century
A.D. to 175 — a priceless boon to lazy schoolboys and a populace
clamoring for games as well as bread.
The first sundial was apparently introduced into Rome in
263 B.C. Sundials, both stationary and portable for the use of
travelers, were commonly employed during the Empire. Supple-
menting the sundial we find the common water-glass ordinarily
employed in Greek law-courts to mark the length of time an ora-
tor could speak. But other and more elaborate arrangements
existed, though apparently they too were of Greek origin. Vitru-
vius, a writer on architecture in the time of Julius Caesar, men-
tions a most ingenious contrivance described by Ctesibius, a clever
ROMAN CIVILIZATION
Alexandrian barber of the late second century. In this, water
dripped at a fixed rate from a tank into a reservoir containing a
float attached to a shaft, geared in turn to a cogwheel. The cog-
wheel worked a pointer which marked out the hours on a dial
above the reservoir.
The most notable, if not the most up-to-date clock in antiquity
was that erected by the Greek astronomer Andronicus Cyrrhestes,
in 159 B.C. Its remains are still a striking tourist attraction in
Athens. This structure, commonly called The Tower of the
Winds, is an octagonal affair exhibiting on its outer surface eight
figures which represent the various winds. Lines engraved below
the figures served to section off the shadows thrown on or near
them by styles fixed above. Originally a triton surmounted the
whole. The pointer which he held indicated the figure of the
wind then blowing. Inside was an elaborate water-clock for use
on cloudy days. Similar structures were no doubt to be found in
many Roman towns, but it should be noted that here as elsewhere
the Romans were dependent on the Greeks.
Augustus directed his chief engineer, Marcus Vipsanius
Agrippa, to make a complete survey of the Empire. The resulting
map, which was completed toward the close of the first century
B.C., was displayed in Rome in a building specially made for the
purpose. Other maps or road-directions were engraved on mile-
stones and bowls, and route-books with names of towns and the
distances between them were devised for the convenience of tour-
ists, especially in the Christian era for those making pilgrimages
to Jerusalem. But it remained for the Greek writer Ptolemy, who
worked in the employ of Roman officials, to present the world
with the first really scientific geography.
LAW AND GOVERNMENT
Before the primitive Italian community could become the em-
pire universal, the local law of Rome had to grow, with many
changes, into a group of statutes having validity everywhere; the
early democracy had to develop into a universal monarchy. Ro-
man Law was finally codified in the years 527-565 A.D. during the
reign of the Eastern emperor Justinian, and at his direction. This
LAW AND GOVERNMENT ^
code it was which, elaborately annotated and often somewhat
freely adapted by learned lawyers, continued throughout the
Middle Ages to be reverenced as nothing less than Natural Law;
it was this code which won adoption in Italy and Scotland and
Germany, where Roman Law remained in force until displaced
in the XlXth century by a more truly national jurisprudence.
We may pause now briefly to inquire how the early Roman civil
code became the code universal.
In Roman practice every lawsuit consisted of two parts:
the first in which a superior judge defined the point at issue; the
second in which a lower judge or judges rendered decision on the
issue already defined. Two conflicting tendencies were early ob-
servable in the interpretation of points at issue. The older priestly
group stood fast on a dry and legalistic adherence to the letter of
rulings precisely defined. The second group, exemplified by the
praetor's courts, allowed for slips and stumbles in the definition
and trial of a case and stood by the spirit of the law rather than
its ritualistic letter. Out of these two rival tendencies grew " civil
law " in the older and narrower sense of a rigid code applicable
only to Roman citizens and " civil law " in the larger sense, which,
colored by " natural law," the decisions of the praetors, and the
writings and responses of the great jurists became " universal
law."
From the year 242 B.C. there had existed at Rome two types of
praetors, or trial magistrates; the one concerned himself with
cases involving citizens, the other busied himself with suits
involving foreigners. Each praetor was entitled at the beginning
of his year of office to lay down by means of an edict the policy
which generally speaking he meant to pursue. Out of the prae-
tor's edicts, and the formulae which he evolved in rendering deci-
sion on various points at issue came a rather elastic code suitable not
only for citizens, but for foreigners as well Two other forces, one
of which we have mentioned already, contributed to the growth
of universal or international law. The prudentes, who correspond
fairly closely to a group of lawyers if not to a formally recognized
legal profession, were often called upon by judges of all sorts to
give advice in the definition of disputed points. The " responses "
of the frudentes had well-nigh the validity of our own Supreme
ROMAN CIVILIZATION
Court decisions. Under the Empire the ruler, at least in the later
period, himself appointed pmdentes who helped him in drafting
his " rescripts," or answers to legal questions which as supreme
praetor, judge, and lawyer he had a right to make. Finally,
Roman Law may fairly be said to have become universal when in
212 A.D. the emperor Caracalla by his Constitutio Antonina be-
stowed Roman citizenship on all free-born members of communi-
ties throughout the Empire and thus extended the code to almost
every inhabitant of the ancient world.
ROMAN BUREAUCRACY
If we look at the purely political side of Roman history from
Augustus to the abdication of Diocletian, from 31 B.C. to 305 A.D.,
we shall observe a general tendency to abrogate the ancient law-
making power of the Roman people as vested in their magistrates;
we shall note a gradual wiping out of the old distinctions between
senators and knights, citizens and freedmen; and, finally, we
shall mark a tendency to substitute for the early republican form
of government, where the people themselves gave power of ad-
ministration to their own magistrates, a gigantic system of bureau-
cracy in which the emperor's own financial agents and secretaries
largely take over the work formerly assigned to the Senate and
the citizen populace.
Augustus, to be sure, was most politic in his treatment of the
Senate; he hemmed in and hedged and covered his royal trail with
a smoke-screen of republican titles. But he was, nevertheless,
an absolute ruler. Later emperors handled the Senate with less
tact. What the high-born senators said when they were forced
during the morning call to kiss the toes of an upstart emperor,
during the day to run for miles alongside his chariot, or during the
dinner-hour to serve him as waiters may better be imagined than
described within the limitations of decent print. Even during the
first century, foreigners and freedrnen were creeping into the
Senate. Under Diocletian the old order completely lost caste; it
was degraded to the position of a municipal council and its mem-
bers were liable to torture in trials for treason. Secretaries of
Finance and Petitions and Correspondence, earning salaries of
DEIFICATION OF THE EMPERORS
ten and fifteen thousand dollars a year and assisted by a vast corps
of slaves and freedmen, now assumed under direction of the
emperor complete control of provincial administration which
Augustus had shared with the Senate.
Theoretically the small towns which made up the urban popu-
lation of the Empire remained self-governing., some of them under
treaty, some of them as free communities, for it had never been the
policy of Rome to interfere too much with local customs or local
affairs. But the burden of the taxes required to maintain so colos-
sal a bureaucracy, the expenses involved in sustaining local offices
were so great that natives frequently rebelled, and prominent
townsmen had to be forced to hold the position of magistrate.
Concomitantly the system of absentee landlordship worked an
ever greater hardship on the agricultural populace and the old
free farmer, who enjoyed certain special privileges under the
earlier regime, sank to a state little better than that of a serf. Inci-
dentally, the upsurgence of an oppressed rural population seems
to have been one of the causes contributing to the gradual decline
of the Western Empire.
DEIFICATION OF THE EMPERORS
But there is another side to the history of the later Empire than
the purely political one: the emergence of the religious element in
government and concurrently the growth in power of the Catholic
Church, which had such far-reaching results in the Middle Ages.
Universal monarchy, even the earliest growth of the Roman Em-
pire, was in large measure made possible by the concomitant de-
velopment of monotheism. In the person of Augustus, though he
discreetly claimed to be only the first citizen of the State, mon-
archy was realized and the Church became one with the State.
As we have already said, Augustus was worshiped as a god in
various localities during his lifetime. He was hailed as "the
savior of the 'world," the deity whose accession brought " good
news " to the whole universe. And the Greek word translated
" good news," we may add, is the same which in the King James
version of the New Testament is rendered " gospel."
Succeeding emperors were frankly deified at Rome during their
ROMAN CIVILIZATION
lifetime, though they were thought of rather as men who became
gods than gods who took the form of men on earth. So marked
is this tendency in the later period that even the chickens of the
imperial court are called " sacred." About the middle of the third
century, the emperor Aurelian proclaimed himself the earthly
representation and actual emanation of the oriental " sun god "
whose worship, closely allied to that of Mithra, he made the offi-
cial cult of the Empire.
The growing tendency to make religion the chief element in
the Church-State combination was helped along when Constan-
tine adopted Christianity as the State cult (313 A.D.). The power
of the Church now became stronger and stronger. In 390 the em-
peror Theodosius I sent a barbarian army to Thessalonica to pun-
ish the inhabitants for a riot during which an officer and some sol-
diers had been killed. Summoning the populace into the circus,
the barbarians quickly put more than seven thousand souls to the
sword. Shortly afterwards Theodosius attempted to enter the
cathedral at Milan, but Ambrose, the militant bishop, barred his
way. Not until Theodosius had stripped himself of his imperial
insignia and bowed himself to the dust, uttering at the same time
a verse of the Psalms properly addressed to God himself (Psalms
cxix, 25), not until then did Ambrose allow the prostrate emperor
to rise and enter the cathedral. Largely at the instigation of
Ambrose, paganism was forbidden in 391 A.D. and the splendid
Temple of Serapis at Alexandria was destroyed. Ten years be-
fore that time Theodosius called a synod together at Constanti-
nople which ended the Arian heresy and strengthened the power
of the militant and now unified Church.
AJiter the death of Theodosius, Goths and Huns ravaged East
and West. The Vandals invaded Spain and in 455 sacked Rome.
Finally, in 476, the last Western Emperor appeared on the scene
in the person of Augustulus. The earthly empire of old Rome
perhaps fell, but the Church did not. For many years the two
powers recognized in the ancient world were the pope in the West
and the emperor in the East, where the political sovereign was still
head of the Church. Not content with religious power, the
Church invaded politics. Carrying on in almost perfect detail
the bureaucratic organization borrowed in part by Augustus
ROMANS AS ARTISTS AND BUILDERS
from the Hellenistic world and perfected at long length by
Diocletian, the Church felt competent to dominate both spheres.
And so, for many years, she did. Pope Gregory VII brought
Henry IV in penitent's garb to his knees in the snow-covered
castle of Canossa more than a thousand years after Paul the
Apostle had begun the planting of a church unified without
reference to position or caste, a church whose " polity was from
heaven." And not until Philip IV of France defied the bull of
Boniface VIII which in 1296 forbade the clergy to pay secular
taxes without his consent, was the authority of the pope seriously
challenged.
THE ROMANS AS ARTISTS AND BUILDERS
For the average Roman, statues and paintings were mostly
things one bought rather than created. Efforts to show that the
Romans had a definite art of their own have on the whole
proved unsuccessful. Romans like Verres, the governor of
Sicily, stole or bought at a ridiculous price the objects of art
which they fancied; and some Roman emperors as well were not
exempt from this charge. Art one must have for the decoration
of home and palace and public building, for the glorification of
personal pride and the perpetuation of one's name. Where it
came from mattered little.
Wealthy Romans might be able to afford the originals of
Greek statues and paintings, but the majority had to be contented
with copies. Wretched little Cupids and Venuses and Mercurys
squinted down at the visitor from every conceivable niche and
cranny. The making of these statues and statuettes became a
very lucrative and specialized business. Some workmen con-
centrated on making heads, others did nothing but put in eyes,
still others riveted their attention on torsos. About as much art
went into the making of the average commercial copy as goes
into our window-dummies or the trumpery Beethovens and
Napoleons which used to glare with beetling brows from every
library shelf. A good deal of the painting which survives in
houses excavated at Pompeii falls into the dining-room picture
class. We learn from it a good deal about ancient mythology
ROMAN CIVILIZATION
and no little about ancient private life, but most of it is late
Hellenistic and rather contemptible.
Petty vanity had an abnormal growth during the Empire.
Small towns were choked with equestrian statues and portrait
busts of little seekers after immortality. In some cases the statues
of the emperors were so bad that nothing had to be changed save
the inscription when a new ruler came to the throne. This does
not of course apply to the major portrait busts, which in some
cases are very fine. Cicero and Caesar, for instance, are known
to us in very life. To this realism the Roman habit of mak-
ing wax death-masks of their ancestors must have contributed
a great deal. The custom, finally, of making a formal statue
of a dead man in various postures had much to do with a
similar custom in mediaeval times, and tomb or sarcophagus
sculpture carries on, sometimes, the finest traditions of ancient
art.
The Roman triumphal arch, of which the best example is that
of Titus, showing the spoils from Jerusalem carried in procession,
and the triumphal column, notably that of Trajan, have been
more ambitiously than successfully imitated in modern times,
and have, alas, contributed much to our " public fountain " school
of sculpture, as well as to the mediaeval and modern habit of
loading church doors with historical carvings.
ARCHITECTURE
The art of building was an entirely different matter. Elaborate
political organizations demand elaborate public buildings; the
effective use of land demands drainage and a large city popula-
tion, to be kept in health and comfort, needs water mains and
baths; rapid transportation and communication call for bridges
and roads. In these fields the shrewd, materialistic, planning
Romans were unexcelled. The columnar Greek temple, which
represents Hellenic architecture at its highest, was not a unit
suited to indefinite elaboration and expansion. The Romans de-
vised the type of highly complex public building still in use.
This may best be seen in the great public baths or in the imperial
residences on the Palatine Hill, which were a perfect labyrinth
THE ARCH OF TRAJAN
ROMAN FORUM AND SURROUNDING BUILDINGS
Modern painting showing the scene in Augustus' time.
(facing page 17S)
ARCHITECTURE
of offices and living- and dining-quarters, reached by a maze of
corridors.
One might lie at ease in the huge vaulted halls of the baths of
Caracalla or Diocletian and read a book from the adjoining
libraries, stroll into the auditorium and hear a lecture on philoso-
phy, and perhaps see a play or endure a poetry-reading, or check
one's clothes with a final flourish at the door and spend the day
in a round of hot and cold, vapor and plunge baths, at intervals
buying food of the hawkers who passed from room to room.
All the pleasure, in fact, of library, theater, art gallery, bath, and
tavern could be enjoyed under one roof, so various were the
resources of these complicated structures.
The arch, Rome's great contribution to the art of building,
has already been mentioned. Haltingly employed by Egyptians
and Assyrians and Lydians, this form came to the Romans per-
haps through the Etruscans, and was by the Romans called into
universal use. By it they threw bridges across rivers or carried
water-mains over valleys. Through an elaboration of the arch
they reached the architectural triumph of vaulting and groined
vaulting, a style of construction in which two barrel vaults inter-
sect at right angles, and not least, the dome, a magnificent ex-
ample of which still stands in the Pantheon. The Romans were
also familiar with the principle of the interior and exterior
buttress, later more fully developed by Gothic architecture, as a
means of relieving wall-strain.
The origin of the Romanesque cathedral, with its many bays
and choirs and vaults, has been a question hotly disputed. Some
discerned its genesis in the Roman bath or in the Roman basilica,
which affords the features of central and side aisles, of apse
and clerestory lighting common to the later Christian churches.
Others have pointed out that the subterranean basilicas used by
the mystery cults, such as the one near the Porta Maggiore in
Rome which was apparently as early as 50 A.D. the meeting place
of a neo-Pythagorean group with Orphic tendencies, present the
characteristic elements of narthex, nave, aisles, terminal apse,
central seat for the officiating priest, and perhaps a font for holy
water.
However this may be, the similarity between the rows of
S.T. — 13
I7g ROMAN CIVILIZATION
many-storied houses with shops on the ground floor and apart-
ments above as seen in Pompeii and elsewhere, the similarity
between these and our own street-fronts is evident, not to men-
tion as well the swaying wooden tenement buildings in Rome
where the rent became lower, not higher, as one ascended toward
the tiles and the insects. The atrium or hall with a water tank,
which constituted the central feature of the Roman private house,
had a most interesting development in mediaeval Europe. In
such buildings as the convent of the Vestal Virgins below the
Palatine and permanent headquarters of soldiers everywhere it
was customary to throw a group of rooms about a central
quadrangle or court. This fashion lead by natural stages to the
cloister style of architecture, so commonly and often so badly
imitated on our own college campuses. Two further modern
features were found in the Roman house: glass windows and
hot-air furnaces.
CONSTRUCTION AND DECORATION
As can be seen from the foregoing account the Romans paid
more attention to construction than to decoration. Construction
was in the hands of trade-unions or guilds, constituting a closed
corporation enjoying subsidy from the State and united in the
worship of a single deity. Trade secrets were jealously guarded
in the form of symbols unintelligible to outsiders and handed
down thus from generation to generation. Custom compelled
these guilds to donate labor for State projects, but private citizens
were obliged to pay through the nose for organized construction
work on a large scale, since the guilds practically controlled
unskilled as well as skilled labor.
Basic work was done in concrete or brick or squared stone,
over which oftentimes a marble surface was placed. The term
concrete is somewhat misleading. The Romans did not use
actual concrete, mixed outside the mold, except for lining aque-
ducts and reservoirs and constructing terraces. For domes and
vaults and wall-work they used layers of crushed stone and mortar
tamped firmly into the mold, which was composed usually of
timber, though sometimes of a preliminary brick support tied
AQUEDUCTS
together with quick-setting cement. Outside decoration con-
sisted largely of the ornamental facade with its long lines of
columns and pilasters and arches. For columnar work the
Romans used, and sometimes with hideous lack of taste, the three
Greek orders, Doric, Ionian, and principally Corinthian.
AQUEDUCTS
The drainage systems by which the Romans reclaimed marshy
ground and lakes seem to have been borrowed from the Etrus-
cans. But the Romans carried them to a perfection not previ-
ously known. The emperor Claudius used thirty thousand men
and eleven years to drain the Fucine Lake by a conduit three
miles long, which had to be constructed by leveling and tunnel-
ing a mountain.6 In Augustus' time there was a navigable canal
draining the Pomptine Marshes south of Rome, but gnats still
abounded there, if we may trust Horace.7 Indeed, with all their
attention to drainage and sanitation, the Romans seem never to
have realized the danger lurking in mosquitoes. Horace thinks
the use of a mosquito-net is worthy only of an effeminate Mark
Antony, not of a real Roman.8 While we are on the subject of
canals, it may be worth while to remark that Nero planned to
cut through the Corinthian Isthmus, a project finally carried
through by the French in the XlXth century. At the signal
of a trumpet the great artist and melodramatist broke first ground
with a mattock and hauled off a basketful of dirt on his own
imperial shoulders.9
The carrying of water by the fourteen aqueducts which poured
their millions of gallons daily into Rome was effected sometimes
by tunneling through mountains, sometimes by throwing arched
supports with many intermediate piers — the Romans avoided
the wide-flung arch — over a valley. Sharp angles were fre-
quently resorted to in order to check the flow of the water. The
pressure system was used in the city, where concrete-lined reser-
voirs through lead and terra-cotta and wood pipes fed the faucets
of public buildings and private houses. During Nero's day a
* Suetonius, Life of the Deified Claudius, XX. 8 Epodes, IX, 16.
7 Satires, I, 5, 14. 9 Suetonius, Uje of Nero, XIX,
ROMAN CIVILIZATION
huge dam was built for retaining water at Sublaqueum (modern
Subiaco). The wall, which was about fifty-two feet thick, lasted
nearly thirteen hundred years.
In laying foundations under water, the Romans definitely an-
ticipated the modern methods of coffer-dam partitions, draining
by dredges, and lining the bottom of a drained area with lime.
Roman highways are still a standing shame to modern sand and
concrete racketeers. Nearly three thousand miles of good roads
radiated through the Empire in Augustus' time from the Golden
Milestone in the Forum. Though usually not more than ten
feet wide, these roads were built to last. Layers of small stones
and concrete with octagonal basalt paving blocks on top made
up a roadbed three feet or more deep. The Appian Way,
begun in the fourth century B.C., is still in use. Over these
highways galloped the imperial couriers, making on an average
fifty miles a day by dint of changing horses at regular post-
stations maintained at government expense. Thus the long arm
of Rome could speedily reach robbers who lurked in wood and
cave to kidnap or murder travelers, could wipe out rebellion
among the provinces, and support in its steady routine the in-
creasingly bureaucratic administration.
LATIN LANGUAGE AND LITERATURE
The genius of the Latin tongue may best be described in con-
nection with the literature written in it. What concerns the
modem student more closely is the survival and revival of Latin
as a living mode of speech. When the pope delivers in clerical
Latin a speech heard over the radio by the whole world, we listen
to an unmistakable proof that the tongue of Cicero is still uni-
versal in scope, and that so long as the Catholic Church survives
it will doubtless remain so. So much is obvious to any one. The
relation, however, between late or popular Latin and the Romance
languages, which in their present form are essentially Latin
rather than pure native dialects, needs a little explanation.
While the Western Empire was still a vital force, the provincials
more and more spoke Latin. When the Western Empire fell and
Teutons or Tatars overran Roman soil, the inhabitants of Italy,
ROMAN AQUEDUCT NEAR NIMES (ANCIENT NEMAUSUS),
SOUTHERN FRANCE
RUINS OF THE COLOSSEUM, THE ARCH OF TITUS IN THE FOREGROUND
(facing page 18d)
LATIN LANGUAGE AND LITERATURE &
Spain, and France retained not their own native dialects, not
the dialects of their most recent conquerors, but the language of
old Rome which in its modified form Roman traders and soldiers,
Intermarrying with native women, had already diffused. This,
one must hasten to add, was a good deal different from the
formal language of Cicero. Even in the comedies of Plautus,
two hundred years before Christ, we observe that the tongue
spoken by the man in the street differed widely in structure, even
in pronunciation from the meticulous language of the orator's
platform. These colloquial tendencies, visible thus far back, be-
came intensified as Latin blended with and triumphed over the
native dialects.
Summarily speaking, we may say the classical vocabulary was
changed in many vital respects, that certain consonants were dif-
ferently pronounced, while the old distinctions in vowel quanti-
ties gradually disappeared, and finally that verb structure became
analytic rather than synthetic. Regarding changes in vocabulary,
the late Latin for horse was caballus, not equus, whence we get
the French cheval. Vulgar Latin used testa (pot) rather than
caput to signify head; from this comes the French word tete.
Changes in pronunciation, also illustrated by the above examples,
may be definitely shown by the following: The Latin word
flamma (flame) becomes llama in Spanish; in Italian ftos
(flower) becomes fior. The Latin word sic (thus or yes) yields
Italian and Spanish si; while hoc (this) plus ille (that) curiously
enough gives Old French oil and current French out. Latin
(ad) hanc horam — up to this hour — becomes Italian ancora
and French encore. Hodie (today) added to late Latin diurnum
(French journee) makes up part of aujowd'hui (on the day of
today) . As for the analytic tendency in verbs one example will
suffice. The late Latin verb form scribere habeo (I have to
write) gives by contraction the Romance future, for example,
Italian scrivero (I shall write). The process might be indefinitely
illustrated by examples from the French, Spanish, and Italian
tongues in a variety of forms. The fact is plain: The Romance
languages are essentially late Latin, with some infusion from
learned Latin, colored by native characteristics.
ROMAN CIVILIZATION
THE PERSISTENCE OF LATIN
When literary men outside England began to write in the
vernacular, that is to say modified vulgar Latin, they addressed
not the uneducated, but men who might reasonably be expected
to know some literary Latin as well; hence they frequently im-
ported into their pages a number of learned Latin words. In
England until the Norman Conquest Anglo-Saxon, almost un-
touched by Latin — though King Alfred translated Bede's
Ecclesiastical History out of the Roman tongue into the ver-
nacular—was the common vehicle of speech and literature. But
after the conquest French and Latin words poured into the
national treasury.
All this is quite aside from the survival and revival of classical
Latin as a written, and to a less extent, as a spoken tongue. A
long line of churchmen, Tertullian, Augustine, Bede, Abelard,
Erasmus produced fairly correct and even immaculately Cicero-
nian Latin. As late as the end of the XVIIth century it was
felt that no scientific work had a chance of survival unless it was
couched in the Roman tongue. Bacon, Harvey, Newton — all
published their epoch-making speculations in Latin and the
language of scholars is still, in many countries, the dialect of
Caesar and Augustus and Cicero. Churchmen, scholars, men of
letters, scientists in every land have all contributed to carry on
the classical tradition. It is no matter for wonder, then, that
more than half the common words in everyday use in English
speech are of Latin origin, and that in learned English the per-
centage is far higher, the terminology of the sciences being almost
wholly Greek and Latin.
"There are tears," said Virgil,10 "for human suffering, and
mortal sorrows touch the heart." His epic phrase may fitly be
applied not only to the Aeneid, but also to some of the best of
other Latin poetry and prose. For one finds there, perhaps, a
homelier thrill, a more genuine sense of standing on native
human soil than one gleans in the elfin fields of Greek literature.
Humanity is there, humanity joyous, sorrowful, not untouched,
sometimes, alas, spoiled by rhetorical spots — humanity accom-
10 Aeneid, I, 462.
POPULAR LITERATURE
panied by consummate urbanity and an abiding sense of the
majesty and dignity of mortal effort at its highest.
In prose Cicero not only formed the literary style of Europe,
but transmitted almost the whole cultural coinage of Greece to
the modern world. It is a liberal education to read his orations
— those eloquent and abusive documents which throw such bril-
liant light into the dark corners of the ancient living room and
court of law; to read his letters where the actor and literary man
who plays sometimes not very successfully at politics throws off
the black robe and indulges in slang, to follow the course of
Greek philosophy in his Offices and Tusculan Disputations and
to witness in formation there the philosophical vocabulary of the
modern world, to read all these and close then with his essays On
Friendship and On Old Age where, with pathetic conviction en-
gendered by his political career, Cicero maintains that virtue is
the only true foundation of friendship and resigns himself to the
thought that life like all other things must have a limit.
POPULAR LITERATURE
The history of Rome before and after Cicero was written by
Livy, Tacitus, and Suetonius, whose Lives of the Caesars de-
lighted Mark Twain with its malicious gossip. Not one of these
men is a Thucydides, yet Livy, if occasionally over-eloquent and
patriotic, may stand at times a comparison with the great Greek.
We should be sorry if Tacitus, who professed to write without
partisan zeal, had lived up to his claim in his grim denunciation
of contemporary vices, just as the modern world would be poorer
off by many pretty legends had not Suetonius peeped through
imperial keyholes. Through the pages of Petronius' Satyricon a
beginning was made with the picaresque novel, the story of the
typical vagabond, and no one who has followed this author
through the lowest inns and taverns can ever forget his ex-
perience. In Petronius' Trimalchio, we observe the newly rich
who makes his millions on a limited educational outlay. From
Petronius one may turn to another and later novelist, the African
Apuleius, magician and rhetorician, charlatan and yet sincere
Platonist. In his story The Golden Ass one encounters an odd
lg4 ROMAN CIVILIZATION
assortment of hostlers, witches who cut men's throats, mill-slaves
blinded by the fumes of the flour, begging priests, robbers hiding
in caves, and, most fantastic of all, a hero who, all for love, turns
into a donkey and after countless sufferings is restored to human
form. Yet turn but a few pages of Apuleius and you pass from
this earthly rogue's gallery to the celestial portraits of Cupid and
Psyche.
This is not the place to praise in detail the multiform art of
Virgil, whether exhibited in his Aeneid or in that exquisitely
beautiful pastoral, that passionate plea for a return to the soil,
the Georgics. We may only stop further in passing to single out
the names of Catullus, Horace, Ovid, and Juvenal. Catullus
brought into European literature for the first time, perhaps, the
utter despair of a man sincerely in love with a worthless woman.
The experience broke his heart and doubtless hastened his death,
but, having before us the lines which his suffering for Lesbia
produced, we can almost say we are glad he suffered. Horace's
Odes have been throughout the history of education the urbane
gentleman's guide to the pleasant, if not the high life. His epistle
On the Art of Poetry gave to literary criticism a wealth of familiar
terminology and provided a major impetus for French neo-
Classicism. Ovid's charm as a story-teller captivated the Middle
Ages and has largely shaped the modern conception of classical
mythology. In a pleasant, sometimes almost a flip and popular
manner, he discourses in the Art of Love, enlarges on his own
amorous affairs, expatiates on early Roman religion, and retells
the stories of the Greek gods. Though his position as unofficial
poetic chaplain to the faster set in Rome cost him ten years of
exile in the barbarous Black Sea country, Ovid has not for that
reason been ostracized from polite literary society.
SATIRE
In oratory, history, and philosophy, in the epic and lyric the
Romans acknowledged the Greeks as their masters, but satire
they claimed as a form all their own. And Juvenal in the
second century A.I>., whether the Romans earlier invented the
prose-verse type of satire or not, certainly made of satiric preach-
SATIRE !g5
ing in hexameter verse a fine and caustic art. With an indigna-
tion which sometimes serves as a pretext for dragging in details
unsavory to moral nostrils, Juvenal describes and excoriates the
vices of contemporary Rome. The times, if one listens to Juvenal,
are completely put of joint. Rome is so noisy and dangerous that
it is no longer fit to live in. Rumbling carts, cattle bawling and
drovers cursing outside the window, the constant threat of fire
make night hideous for the poor man, tossing on his ragged
couch in a vermin-infested tenement house. If you can get
through the traffic alive during the daytime you are likely to
have your teeth knocked out by some gangster at night. The
only safety lies in an unscrupulous conscience and a full purse.
For Rome now worships the unofficial deities Wealth and
Vice. Men no longer ask what you are, but how much you have.
Poor poets and scholars are glad to get the sportula, or " morning
hand-out," from a newly rich freedrnan who gambles and gorges
all night and sleeps all day. There are few virtuous philosophers
and almost no decent women in Rome. Riches, drunkenness,
foreign ways, and foreign vices have ruined the morals of the
Roman people. All things now are a vanity and a vexation of
spirit.
The morals of the upper classes may, as Juvenal says, have
decayed. Certainly the Western Empire crumbled and made way
for the Church. Physical Rome was sacked by barbarians, but
the literature of Latin poetry came again and again to fresh
bloom, in Ausonius and Claudian, in the sensuous mysticism of
Bernard of Clairvaux and the rollicking student songs of the
Middle Ages. Juvenal was, in fact, hardly dead and burned to
ashes when Florus, the historian and poet of Hadrian's reign,
enshrined the court of Venus in the Pervigiliurn Veneris, St.
Venus' Eve, the most delicate expression of gracious melancholy
in the whole imperious language of Rome.
This symphony in miniature opens with the festal line, " To-
morrow let him love who never has loved before, and he who
has loved let him love tomorrow " —
Cras amet qui numquam amavit, quique amavit eras amet.
To this insistent refrain the court of Venus is marshaled in
that trochaic meter which Tennyson was to use in his ail-too-
l86 ROMAN CIVILIZATION
well-known verse "In the spring a young man's fancy/' etc.
" Tomorrow is Venus' festival. Tomorrow the goddess herself
holds court with the Nymphs and golden Cupid. Tomorrow the
roses born of Love's blood and the kiss of Venus will be joined
in marriage. For this bridal, Heaven and Earth and the flocks
upon it, for this bridal Heaven and Earth and Sea prepare. The
nightingale sings of love. . . . She sings, but I, the poet, am mute.
When shall I my long silence break? "
Hearing this brief break in fancy's silence, looking back over
the road of classic culture we have traveled far too swiftly, bear-
ing in mind the achievements of these men of elder days and the
languages in which they embodied them, one may reassure the
poet whose muse drooped wearily after so short a poem that his
past is not dead. Those who through long study or sudden dis-
covery have come to admire the men of classical antiquity for
their greatness and for their weakness may with real conviction
repeat St. Venus' festal line —
Cms amet qul numquam amavit, quique amavit eras amet.
CHAPTER VIII
CHRISTIANITY
" THE SECOND EMPIRE "
CHRISTIANITY IS THE SECOND, OR OTHER, OF THE TWO CULTURE-
civilizations of the western world. In contrasting the
Occident with the Orient, it appears that the World Spirit
or Reason, God or man, has made two distinct attempts to
civilize the man of the West, the European. In the eastern world
there is no parallel to this, for in Asia we find no one social order
undergoing first one, then another form of civilization, but a
number of independent cultures, Hindu and Persian, Chinese
and Japanese, proceeding immemorially along organic lines of
development. Hence we must expect to find a radical contrast
between the histories of Europe and Asia. The peculiarity of
the situation in the West, where civilization has been twofold,
appears in various forms and provokes as many contrasts.
Viewed broadly, the dualism of European civilization is that of
ancient and modern. Considered from the standpoint of religion,
it suggests the difference between paganism and Christianity.
From the cultural point of view, it is the difference between
Classicism and Romanticism. Now the peculiarity of Christi-
anity is discovered in the way it fused its Hebrew content of
religion with Greek philosophy and Roman politics. Often it
seems strange to us that St. Augustine should refer to Plato and
Thomas Aquinas to Aristotle, but it is just as strange that they
should refer to Moses.
There have been two empires, as Ibsen expressed it in Emperor
and Galilean (1873) : the empire of the flesh and the empire of
the spirit. Now, as it seemed to Ibsen, " The old (classic) beauty
is no longer beautiful and the new (Christian) truth no longer
true." And as the empire of the flesh was swallowed up in the
empire of the spirit, so the second shall succumb to the " Third
Empire." x Ibsen does not tell us definitely what the Third (or
1 Emperor and Galilean, Act III.
z87
Z88 CHRISTIANITY
post-Christian) Empire is to be or when it will be founded. He
refers to it generally as a new religious order which will come
into being when " the right man," or superman, appears. The
hero of the world-drama seems to conclude that the Third Em-
pire is impossible and thus falls back upon Christianity. The
Third Empire may be thought to be appearing in Socialism, but
the prospect is neither inviting nor plausible. Hence, it is suf-
ficient for us in referring to Ibsen to make use of no more than
the historical distinction between the First and Second Empires
which he makes so dramatically. Then we can realize in a new
way that we have before us a thousand years of paganism and
nearly twice as long a period of Christianity.
The " Second Empire," as we may call it here, was not ushered
in as a great religious movement comparable to that inaugurated
by Moses or that even of Mahomet. " The Kingdom of God
came," as it was said, " not with observation." Still less was
Christianity the establishment of a formal philosophical school
like the Academy of Plato and least of all was it an organization
in any wise resembling the Caesarean Empire. Christianity was
largely a new spirit accompanied by a novel point of view, in
which sense it is best compared, if comparisons be demanded,
with Buddhism. Christianity, however, showed more enterprise
and less of the purely contemplative; in time, when the Apostle
Paul set forth into Europe, it became propaganda and then crys-
tallized into an ecclesiastical organization. Now, because of its
original serenity and mystical character, it is difficult to identify
the Christian religion with any special form of western civiliza-
tion and culture. Of the two, strange as it may seem, " Christian
Culture " seems a more likely idea than " Christian Civilization."
We can think of Christian ideals more easily than we can dis-
course upon Christian institutions. Suppose we consider Chris-
tianity first as a form of culture.
CHRISTIAN CULTURE
In the case of Christianity, both civilization and culture are
masked by religion, a religion which did not assume the usual
form of a national faith, but, like Buddhism, aspired to become
CHRISTIAN CULTURE ^9
a world-religion. But, since Christianity has been reduced to
theological and ecclesiastical forms, it is difficult for us to identify
its essence and appreciate its value. Its exponents are so profes-
sional and have treated the Good News in such a professional
way that we cannot easily tell what Christianity really is. It has
the appearance of a small park in a large city; a bit of nature
encompassed by artificial civilization. However, we do find
certain nai've interpreters of Christianity in both the mediaeval
and the modern period. We have St. Francis d'Assisi and to some
extent Dante. Among modern philosophers, we find " apostles "
of Christianity in Kant and Hegel, as also in Pascal and Chateau-
briand. In our age, poetic minds have adopted widely divergent
views of Christianity's value, hence we find the pathetic affirma-
tions of Tennyson and the crude denials of Thomas Hardy, the
hectic approval of Tolstoi and the equally maniacal disapproval
of Nietzsche. The men of genius who have treated the subject
of Christianity simply and sincerely are few in number, and who
indeed are they?
When, as is here the case, we strive to consider Christianity as
a form of culture, we encounter more than one difficulty. First,
Christianity has not assumed the intellectual and aesthetical to
be expected in a culture, although it has suggested philosophical
ideas and artistic motives. Then, the course of Christianity
through history has not resulted in the identification of it with
any specific period of culture; certainly not with Scholasticism,
and still less with the Renaissance. The Rationalism of early
modern thought was in definite opposition to traditional Chris-
tianity, so that there is practically nothing left by way of a par-
allel except Romanticism. But here, again, one hesitates to attrib-
ute any real affinity 'between ancient Galilean mysticism and
early XlXth-century emotionalism. There is a possible affiliation
in the case of Chateaubriand and a more theoretical relationship
with Schleiermacher, yet neither of these romantic minds was in
a mood to express the inward meaning of the Christian religion.
What is distinctive of the Christian spirit of culture, and how
does it differ from that of Classicism? We recognize at once the
difference of motif when we contrast Doric architecture with the
Gothic, the low and mundane with the lofty and well-balanced;
I90 CHRISTIANITY
not so easily do we distinguish between the inward spirit of the
" First Empire " and the " Second Empire." In like manner, art
reveals the contrast between the graceful form of Apollo and the
pathetic figure of Christ; the beauty of art cannot obscure the
difference between the mobile, tranquil forms that Pheidias
placed upon the frieze of the Parthenon and the straining, striv-
ing shapes that Michelangelo fixed in fresco upon the ceiling of
the Sistine Chapel in the Vatican. But these objective and artis-
tic differences are more inspiring than illuminating; they give
us contrasted feelings but do not accompany them with compara-
tive ideas. What, then, is the difference between Classicism and
Christianity, between the ancient and the modern?
CHRISTIANITY AND CLASSICISM
At the outset, when we consider the distinction between the
Gospels of Christ and the Dialogues of Plato, we feel that there
is all the difference in the world. In Greek thought we come
upon something formal, static, and without due presentiment of
an enormous future. Classicism was a closed system, Christi-
anity an open one. In Christianity, we find what is dynamic,
vital, and progressive in the form of a coming Kingdom. Remote
in its origin, Christianity is just as far-flung in its future. Thus
it is both aboriginal and apocalyptical and its Founder is the
Alpha and Omega of all things. Aristotle seems to have been
under the impression that classic culture, if not all culture, was
complete and needed only to be analyzed and summed up, while
Christ was apparently dominated by the idea that culture in the
form of the growing soul had just begun. Perhaps we may be
allowed to state this in the form of an analogy according to
which Classicism was like a large but closed circle, while Chris-
tianity resembled a narrow tube open at both ends.
When we reduce this difference in historical conception to
psychological terms we find that Classicism consisted in the pos-
session, Christianity in the pursuit of the desired object — hap-
piness, goodness, beauty, truth. The Greek ideal was that of
permanent possession — \tema es aei; the Galilean aspiration that
of the perpetual quest of the Kingdom of God. Yet the pagan
CHRISTIANITY A "CULTURE CONQUEST" I9I
possession of the desired object did not mean a mere resting in
this, except perhaps in the case of the Garden of Epicurus; it
meant the ceaseless but tranquil view and review of this in ac-
cordance with what Aristotle called " the energy of contempla-
tion." In like manner, the Christian conception of ceaseless quest
was not meant to be taken romantically as so much restless, re-
suldess pursuit. The search was something to be rewarded;
hence, the saying, " Seek and ye shall find." This motif gave
Christianity its futuristic turn, colored as this was by the fondly
tormenting idea of the second coming of the Lord. These con-
trasted moods of paganism and Christianity were reflected in
their respective systems of morals.
The moral ideal of life according to the Greeks was based
upon the general conception o£ the Good and expanded into
the forms of the cardinal virtues — temperance and courage,
wisdom and justice. In a general but none too vigorous manner,
a Greek like Plato tended to identify the Good with God, but
there was in all this the idea that the Good is self-sufficient and
needs not the will of God to render it effective. The Christian
conception of life was quite at variance with this. There is none
good save God. How could there be a dallying virtue like tem-
perance with its moderations when one had given up completely
his life in the world ? Or what use was there for such a virtue as
courage when the believer had resolved upon a course of non-
resistance and love of enemies ? Wisdom was condemned by the
Apostle Paul on the ground that it had failed to yield knowledge
of God, while justice was something that belonged to God, not
man. The Christian could not fail to admire the virtues of the
ancients, but he thought it in vain to pursue them; or, as St.
Augustine expressed the matter, " the virtues of the ancients were
vices, but such splendid vices — virtutes veterum viticc splendida" 2
CHRISTIANITY A " CULTURE CONQUEST "
It would be without meaning to style Christianity itself a form
of culture in the strict sense of that term; it were the greater folly
to compare its cultural values with those of the Greeks. In the
2 DC Civitate Dei, XIX, 25.
I92 CHRISTIANITY
actual culture that was to follow, as in Gothic architecture, the
early Renaissance, and Victorian literature, there was something
that might possibly be placed side by side with the arts of Greece,
but for the most part Christianity was a religious movement in
which the aesthetic perfection of life was ever bound to be second-
ary. Culture, however, is more than the creation of arts and
sciences. It is, as we know, the separation of man from nature
and the distinction between the animality and the humanity of
man. Just as much is culture the pursuit of remote interests in
preference to such immediate ones as are absorbed by the ques-
tions "What shall we eat and drink; wherewithal shall we be
housed and clothed? " Likewise is it the elaboration of an inner
life instead of the mere building up of outer existence. These
tendencies peculiar to culture are more Christian than classic
and, although the name of Christ may not evoke the same aes-
thetic feelings associable with Apollo, the inward spirit of Christ,
" sweet reasonableness " as Matthew Arnold styled it, is the
animating source of culture in the western world.
Christ did not dwell upon the idea of Truth or Beauty; his
interest was in Faith and Love. But he placed the mind of a
man in a position where, in detachment from the things of this
world and the cares of this life, it might itself pursue the true and
beautiful. This does not mean that Christ's Hebraizing type
of mind, all wrapped up in the idea of righteousness toward God,
extended Hellenism or, still less, sought something intellectually
and artistically superior to the Greek ideal. It means only that
Christ achieved what, in another connection altogether, Goethe
called a " culture-conquest." This idea of wresting something
from nature, something that apparently Socrates and Sophocles
each in his respective field sought to achieve, Christ expressed
broadly and solemnly in his great text: " What shall it profit a
man if he gain the whole world and lose his own soul? " It is
undeniable that this tremendous text descends upon the soul with
appalling weight and impresses and oppresses it with an aw-
ful sense of its divine vocation. But it is also true that the utter-
ance in essence has its lighter vein, wherein the mind is shown
that it possesses an inner life capable of more than one form of
cultivation.
CHRISTIANITY A 'k CULTURE CONQUEST" IO,3
The attempt to elaborate the idea of Christian culture is ever
made difficult for us by our inability to detach the Christian
religion from the categorical considerations of morality and the
ecclesiastical organizations that have taken charge of these. The
ideals of righteousness and Church are inimical to the ideals of
beauty and art. We do tolerate the idea of Christian civilization,
the fruits by which the tree is known; not as readily do we give
acceptance to the idea of Christian culture, the leaves on the fruit-
ful tree, if one may express it that way. The immediate well-
being of mankind in law, practical progress, charity, and the
like — these we accept as the results of religion. Christianity is
supposed to better both the inner and the outer man. But the
arts and sciences, which represent the remote well-being of man
— these seem distinct from the Christian consciousness, must take
care of themselves, and should not be allowed to compete with
righteousness. Thus the whole field of righteousness is engrossed
with moral ideals; aesthetic ones are crowded out. When,
therefore, one is exhorted to seek first the Kingdom of God,
which covers a wide spiritual area, he is expected to seek it
primarily and almost exclusively in connection with its
righteousness.
There has been a multitude of scholars who have intuited
Christianity ethically; the merest few who have seen anything
aesthetical and intellectual in it. Fra Angelico, Botticelli, Peru-
gino were devout artists; Copernicus, Kepler, Newton, religious
scientists; but such men were not altogether conscious of their
Christian culture. In our day, Ibsen saw in the great text of
Christianity something suggestive of individualism, when he
made Peer Gynt say that somewhere he had heard of a text to
the effect that if you gained the whole wide world but lost your-
self, the gain was but a garland on a cloven skull. But the intro-
duction of this major maxim of Christianity was made in such
a jocular spirit that it counts for no more than a suggestion. In a
more serious mood, Wagner compared the tone world of Beet-
hoven, if not of all composers, to the realm of righteousness
disclosed by Christ, but it was chiefly with the idea of distin-
guishing his art from the others that he said, " Our kingdom is
not of this world." But it is fairly plain that both Ibsen and
S.T.— 14
I94 CHRISTIANITY
Wagner felt and appreciated the uniqueness and novelty of the
Christian culture to which they contributed.
THE ESSENCE OF CHRISTIANITY
The essence of Christianity, like the spirit of modernism, was
a late discovery. It was made by Immanuel Kant in the year
1793 in a book entitled Religion within the Limits of Mere
Reason. The tone of this work was that of the Schoolmen, the
Fathers of the Church, or even of the Apostles, but the form of it
was modern and rationalistic. Kant proceeded upon the premise
that the Christian religion is based upon moral values rather than
metaphysical ideas, and applied his principles of ethics to a
historical religion. Before taking up the problem of Christianity,
Kant had said, " I had to destroy knowledge to make room for
faith." Then he went to work. He attempted to deduce histori-
cal facts from philosophical principles, the doctrines of Christi-
anity from his Categorical Imperative. But in thus seeking
fundamentals, Kant had the good fortune to identify Christianity
with the ideals of the fatherhood of God and the Kingdom of
God. This generated a new type of theology, if theology it can
be called; it made possible the development of critical literature
devoted to the important idea — the " essence of Christianity."
The result is recognizable in the much abused expression " the
fatherhood of God and the brotherhood of man."
In grasping the essentials of Christianity, one must use both
hands, so to speak. One must lay hold of the original Galilean
program in all its rustic sweetness; he must apprehend the Gen-
tile doctrine in its civic severity. First there was the idea of the
Kingdom of God which was not of this world, but which none
the less was comparable to all manner of small and interesting
objects in the natural order and the everyday life of man: a
grain of mustard seed, a farmer sowing seed, the leaven which
a woman took and hid in three measures of meal, a treasure hid
in a field, a pearl of great price, a net let down into the sea.
Never was reference made to anything grandiose and beyond the
reach of immediate experience, as the sea or sky, the tall mountain
or long river, but always the delightfully commonplace. The
THE GOSPELS AND THE EPISTLES
hearer of the parable descriptive of the Kingdom was supposed
to intuit the doctrine by penetrating into his habitual experience,
which he was supposed to raise to the second power.
The setting of primitive Christianity, with its Gospel of the
Kingdom, was idyllic, its tone was naive, its symbol a child. The
natural mysticism of Christ made strict organization impossible.
The disciples assembled in a house or boat; the multitudes
gathered on a hillside or the lake shore. When there arose the
question of a possible hierarchy in the Kingdom, Christ set up
a child as the model ruler or prince of the new realm. Then
he went on to declare, and that with great vehemence, that any
one who sought to fetter and cripple the little ones, or baby
believers, in the Kingdom might well have a millstone hanged
about his neck and be cast into the sea. In default of a creed,
the Master expected his followers to have faith; in place of ec-
clesiastical laws, he judged the members of his Kingdom upon a
humanitarian basis — did they feed the hungry, clothe the naked,
and visit those in prison? Faith and love — nothing else was
pertinent or valuable, and as for the legalism of the Old Testa-
ment, all that the new believer had to do was to select from the
book Deuteronomy the commandment to love God, from 'Leviti-
cus the law of love for one's neighbor.
THE GOSPELS AND THE EPISTLES
But this is only one side of the story. When the disciples
went forth to spread the glad tidings, they had to use forms, as
though they were carrying in buckets the water that had bubbled
up from the fountain of spiritual life. When, later, the Gospel
was carried to Europeans, who had no sense or intuition of
Galilean mysticism, the forms became unusually severe. This
resulted in two distinct but perhaps harmonious types of Christi-
anity. On the surface of the New Testament there seems to be a
dualism of Gospels and Epistles, with The Acts of the Apostles
serving as a flimsy bridge between them. The second Christi-
anity, which contrasts so harshly with the first, is attributed to
the speculative mind and missionary zeal of St. Paul, who is
sometimes referred to as the real founder of Christianity.
19g CHRISTIANITY
The books o£ the New Testament were written, for the most
part, in reverse order-— first the Epistles of later Christianity,
then the Gospels o£ the original one. These stand for what
Lessing called " The Christian Religion " and " The Religion of
Christ/' The Gospels, especially the synoptic ones, are expres-
sive o£ Jewish belief in the Messiah and Son of Man. The
Epistles, particularly the earlier ones o£ St. Paul, contain a record
of Gentile faith in Christ, the Son of God. Jewish Christians in
Galilee had glided into the new faith as though it were only a
hyper-Hebraic doctrine promulgated by some new prophet of
the old order, another John the Baptist or a leader on whom the
mantle of Elijah had fallen a second time. Gentile Christians
were offered a different kind of Christ and that by means of
arguments adapted to their own type of mind. The Gospels
relate the things said and done by the Prophet of Nazareth in
Galilee and Judea, The Epistles assert what may be said of him
and what should be done in his name. Jesus fulfills prophecy
and goes about doing good. Christ is the one by whom the
world of things was made and through whom the world of men
is to be saved. It was the second or Gentile view that prevailed;
the Jewish one passed away as a form of faith and was well-nigh
extinct at the time The Epistle to* the Hebrews was written.
Now, it is the original, Galilean view that men of letters and
advanced theologians wish to revive. They take this to be true
Christianity and recommend some sort of return to the original
Jewish Christianity.
THE RELIGION OF CHRIST
A great deal of the enthusiasm for what Lessing called " The
Religion ,o£ Christ " is due to the historical spirit of the present
age, which often prefers the root of an idea or institution to the
fruit that has grown from it. Likewise is it attributable to our
impressionism; we like to visualize a situation or have it made
graphic much more than we care to think about it and get
concepts out of it. Then, the world has been so fully supplied
with theological Christianity that its appetite is nearly surfeited.
Hence the suggestion of a free and formless Christianity is bound
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THE ALTAR IN THE BASILICA OF ST. PAUL
Many of the early Christian churches were adaptations of the
Roman basilicas.
(facing pay? 196)
PAULIN1SM
to make appeal. These are some of the reasons why intellectuals
are opposed to St. Paul, even when they themselves are among his
converts. They overlook the fact that the Apostle to the Gentiles
was a diplomat and, as an " ambassador of Christ/' had to adapt
himself to the foreign courts of faith. Indeed, one might say, in
the jargon of the day, that St. Paul was a salesman who knew the
real needs of those to whom he would " sell " his Gospel. He
knew that there would be no spiritual market for Jewish Chris-
tianity even if it were put in an attractive form. Of all the Apos-
tles, he was the one who understood what Christ meant when
he spoke o£ new bottles for new wine.
In defense of the Apostle Paul, if defense be needed, it may
be said that he adapted his message to his hearer and to the Greek
became as a Greek. When, therefore, on his second missionary
journey, he passed over into Europe by way of Macedonia, he
felt that he had to prepare a message agreeable and suitable to
the spiritual needs of the converts to be. Accordingly he closed
his eyes to Jewish Christianity, even though he was, as he said,
" a Hebrew of the Hebrews," and began to adjust his vision to the
western world. The conversion of the Gentiles to a semi- Jewish
faith was his supreme vocation and, as he said in his spirit of
predestination, it was for this cause that God had separated him
from his mother's womb. Now, to realize such an extraordinary
mission and make the Gentiles real converts to Christianity and
not proselytes to a kind of Jewish faith, he had to present suitable
objects of belief. These were, in the main, the God in whom we
live and move and have our being, not the Jewish Jehovah; the
Christ of God, not the Messiah of Israel; the salvation of the
world, not the restoration of the kingdom.
PAULINISM
When St. Paul presented this larger Gospel of spiritual Chris-
tianity, he found it expedient to minimize and even ignore the
historical facts of Christ's earthly career and place dogmas in their
stead. 'He had been criticized by the Twelve Apostles, or those
who presumed to speak for them, because he had not seen the
Lord with eyes of flesh in the days of his Galilean ministry. This
Ig8 CHRISTIANITY
question of fact he meets with the sentiment of mysticism; he had
seen the Lord with eyes of faith on the road to Damascus. This
may not have satisfied the Hebraizing Christians in their realism,
but it sounded well to the Hellenizing Christians in their ideal-
ism. St. Paul was evidently emboldened by his unhistorical but
spiritual conception of Christianity, for in the same First Epistle
to the Corinthians he goes so far as to assert, when he is giving
directions for the proper administration of the Lord's Supper,
that the actual participants in the matter had not communicated
the facts to him, but, as he asserted, " I have received from the
Lord that which also I delivered unto you." 3 This single state-
ment, in itself of relative importance only, may be taken and
considered as the high-water mark in the anti-historical concep-
tion of Christianity as entertained by the great Apostle to the
Gentiles. Grievous to the Judaizing Christians, it was doubtless
welcome to the Gentile converts who, like their fond Apostle,
accepted their Christ as a person wholly detached from time and
place, tradition and circumstance.
So zealous was St. Paul for his own ^European evangel that
he repudiated both the Jew and the Jewish Jesus. He initiated
his literary work, in the First Epistle to the Thessalonians, by
referring to his Macedonian message as the " Gospel of God."
He blames the Jews for the crucifixion of Christ, for killing their
own prophets, and persecuting him and his brethren.4 In the
Epistle to the Gdatians, he likens the Jew to the child of the
bondwoman who was cast out; the Gentile, to the son of the free
woman, and rightful heir to the promise of God. In the Epistle
to the Romans, the Israelites are compared to the branches that
were broken off the olive in order that Gentile branches might
be grafted in to partake of the fatness of the tree. As for the
" King of the Jews," the historical Jesus, St. Paul comes to the
place in his idealism where, in speaking of the faith enjoyed by
the Corinthians, he says, " henceforth know we no man after the
flesh " and " though we have known Christ after the flesh, yet now
henceforth know we him no more,"5 These must have been
severe sentences for the Jewish Christians to read and strident
also in the minds of those who today strive to preserve the
s I Cor. XI, 23. 4 1 Thcss. II, 15. 5 # Cor. V, 16.
TWO TENDENCIES IN THE GOSPELS IQ9
connection between faith in Christ and the facts of actual life.
But doubtless it was necessary for the Apostle to the Gentiles to
take this trenchant point of view in order to establish the inde-
pendence of the new faith.
Two TENDENCIES IN THE GOSPELS
Did this duality of the Christian religion exist in the days of
its Founder or was it a diremption created by the cosmopolitan
Paul in his conflict with the provincial Peter? Apparently the
Author of the Christian idea had two interpretations in mind
— Jewish and Gentile. He sought to initiate a world movement,
"beginning at Jerusalem/' and yet showed no disposition to
Judaize the world. The testimony on this important point must
be taken from the Gospels, which were written after both types of
Christianity had expressed themselves. Now, the Gospels are
not histories; they lack the spirit of objectivity; the Jewish tone
of St. Matthew seems to reveal a Petrine spirit, just as the Gentile
note of St. Luke, the only Gentile author in the Bible, is
thoroughly Pauline. A striking instance of this difference is
found in the fact that the Gospel of Matthew, in recording the
sending forth of the Twelve Disciples, quotes the order given by
their Master, who said, " Go not into the way of the Gentiles,
but go ye rather to the lost sheep of the house of Israel." 6 To
match this procedure, the Gospel of Luke records the fact that
the Seventy, a number equal to the traditional number of the
Gentile nations, having been sent forth, returned with great
enthusiasm over their strange mission and evoked still further
feeling from their Master, who said, " I beheld Satan as lightning
fall from heaven."7 It seemed to him as though at last the
" prince of this world," the old ruler of the Gentiles, had been
cast out in his name. Christ was enthusiastic about the Gentiles
although he himself touched but the borders of their land.
However, in justice to the Gospel of Matthew, which seems to
be so Jewish in tone, it should be noted that this conservative
document does not fail to mention something recognizable as
that major, cosmopolitan Christianity which St. Paul shaped
• Matthew X, 5. 7 Lu& X, 18.
2oo • CHRISTIANITY
and carried out o£ Palestine. This is recorded in connection with
the episode at Caesarea Philippi, a week before the Transfigura-
tion. There, up in the north country, the Founder of a new
religion questions his disciples as to the impression he has been
making, only to learn that his mission to the Jews gave the im-
pression that he was a John the Baptist, an Elijah, a Jeremiah, or
some nondescript prophet. Thereupon Christ abandoned his
Messianic role as well as his socializing activity and began to
adapt himself to the character which St. Paul exalted and by
which he is known within the Church. From being Reformer,
he became Redeemer; his Kingdom became less and less social,
more and more spiritual.
Not only Matthew, but also the other two synoptic evangelists
make mention of the episode at Caesarea Philippi; but they
observe nothing extraordinary about it. But when the essence o£
Christianity and the life of Christ became independent topics of
analytical study, the two phases of Christ's work were set into
juxtaposition. The German Deist Reimarus (1694-1765) as-
serted that the aim of Jesus was purely political and that religion
was used as a means to the end of setting up a theocratic king-
dom. This flagrant view overlooked the fact that Christ refused
to act as even a judge, escaped the multitude that tried to make
him king, and declared that his Kingdom was not of this world.
A much more temperate conception of the change from the
political to the theological was taken by the German theologian
Carl Hase, who, in the first scientific life of Christ ever written
(1829), concluded that the Messianic role that Christ assumed
and the reform he wished to inaugurate were only a "tragic
error " and that the redemptive mission he adopted later was his
true calling from the beginning.
THE POLITICAL INTERPRETATION OF CHRISTIANITY
At the present time, after so much professional matter has
been written about the essence of Christianity and the life of
Christ, we find that the more advanced minds, as we may call
them, are inclined toward the political rather than the theological
view of Christ and Christianity, According to Tolstoi's views,
POLITICAL INTERPRETATION 2OI
set forth in his work My Religion, the obvious aim of the Gospel
was a communistic Utopia of which the constitution will be the
Sermon on the Mount. In the mind of Bernard Shaw, who ex-
pressed himself somewhat volubly and jauntily in the preface to
Androdes and the Lion, the change from " communism " to
" salvationism " was what Hase had previously called the tragic
error in the career of the Nazarene. H. G. Wells has expressed
himself in a more appropriate tone than that of his co-patriot and
with just as much more wisdom, yet he does not fail to identify the
Gospel with some sort of political propaganda:
" It was not merely a moral and social revolution that Jesus
proclaimed; it is clear from a score of indications that his teach-
ing had a political bent of the plainest sort. It is true that he
said his kingdom was not of this world, that it was in the hearts
of men and not upon a throne; but it is equally clear wherever
and in what measure his kingdom was set up in the hearts of
men, the outer world would be in that measure revolutionized
and made new. . . . The whole tenor of the opposition to him
and the circumstances of his trial and execution show clearly
that to his contemporaries he seemed to propose plainly and did
propose plainly to change and fuse and enlarge all human life." 8
Such political and social conceptions of Christianity are quite
interesting; amiable in tone and sincere in presentation, they
reveal admirable traits in the minds of those who maintain and
publish them. But do they rejoice in that objectivity which the
true study of history requires? Outwardly are they anything
more than examples of literary style, inwardly more than personal
opinions expressed in behalf of political beliefs? Tolstoi seems
to twist the Gospel to make it fit into his social scheme. Bernard
Shaw would interpret Christ as a Fabian Socialist, while H. G.
Wells appears to use the history of primitive Christianity to
decorate what, while called an Outline of History, is just as much
a monumental essay on the social situation in the XXth century.
Doubtless we should have a more devout Church and a more
decent State, since the present forms of ecclesiastical and political
organization are far from ideal, but in our desire to create truer
believers and better citizens we are not justified in turning the
s Outline of History, Ch. XXIX, § 2.
202 CHRISTIANITY
four Gospels into so many pamphlets supposed to serve our
political purposes. We must first be sure that we recognize the
personality of Christ and realize the plan he proposed for the
general betterment of mankind.
In order to identify the political plan or social pattern that
Christ had in mind, we had better determine as best we can
what manner of man he was. It is natural to style Christ a
prophet and thus throw his personality back upon a Hebrew
prototype. But the moment we do this we begin to realize that
it was only in a general way that his mind was of the prophetic
order. This it was doubtless in its ethical earnestness, but not at
all in its psychological form. The mind of Christ was singularly
wanting in visions as he in his prevailing mood was just as lack-
ing in ecstasy. He had none of the " special, sudden moments "
that Dostoievsky refers to in the instance of one of his religious
heroes. Unlike Isaiah, Christ saw not the Lord upon a throne
crowned with seraphim, and unlike Ezekiel he had no vision of
the glory of God in the form of four cherubim and four wheels.
Likewise, his conception of all men assembled in the Kingdom
of God was in no sense comparable to Peter's vision of a vast
sheet let down from heaven to earth and containing all manner
of strange creatures. It was rather the homely simile of a net
drawn up from the sea and containing a variety of well-known
fish. He spoke with familiarity of the things above, but never
for a moment did he talk like St. Paul, who claimed that once
he was caught up into the third heaven, where he heard things
unspeakable and impossible to repeat. Those who were as-
sociated with Christ had their visions, at his Baptism, Transfigura-
tion, and Crucifixion^ but these were absent from his mind. At
the time of his triumphant entry into Jerusalem, he prayed say-
ing, "Father, glorify thy son"; but when there came a voice
from heaven saying, " I have both glorified it and will glorify
it again," he said, " This voice came not because of me, but for
your sakes." The voices that he heard and the visions he beheld
were of an interior source and were marked by a moral rather
than a mystical form. His consciousness of God was such as to
render special revelations unnecessary.
THE PSYCHOLOGY OF CHRIST'S MIND 203
THE PSYCHOLOGY OF CHRIST'S MIND
The naturalism of Christ's mind, which Kenan's Life of
Jesus (1863) did not fail to observe, must not be allowed to es-
cape us. We have observed already that the perceptions of
Christ were directed toward the minor objects of nature. His
art was akin to that of a Dutch painter, his appreciation of simple
humanity quite in the genre style. Just as naive was he with
persons and cities. The cities that exalted themselves would be
laid low; in the Day of Judgment, it would be more tolerable
for Sodom and Gomorrah than for Bethsaida and Chorazin.
Exalted personalities did not impress him; Pilate and Herod,
Annas and Caiaphas were but as shadows, for it was the fisher-
man, the ploughman, the child who had meaning for him.
Such persons he treated with high regard and promised them
the Kingdom, but his attitude toward men of high degree was
that of irony, the irony of Socrates, of Moliere, of Ibsen. Hence
the true portrait of Christ was painted by Rembrandt rather than
Raphael.
In noble default of emotional enlightenment peculiar to the
prophetic mind, Christ employed ethical intuition and sym-
pathetic insight. He made intellect and will, not emotion, the
modus vivendi of his view and asserted no claim to any excep-
tional revelation from on high. In his mind, the natural and
supernatural were both alike. But he did lay claim to direct
knowledge of God and thus in the exaltation of prayer said, " O
righteous father, the world hath not known thee, but I have
known thee."9 In addition to this, he kept asserting that he
spoke as his Father taught him and that he had been given a com-
mandment as to what he should speak and that he spoke not of
himself. This, he said, was the case with his works also. As
the words that he uttered, so the works that he performed; the
Father that dwelt within him by love showed him all the works
of God, which Christ himself was expected to do and finish.
To Christ's hearers these claims seemed extraordinary to the
point o£ being blasphemous, but in the mind of him who made
them they were perfectly natural experiences and reactions. The
9 John XVII, 25.
204 CHRISTIANITY
Psalmist had an inkling of this spiritual secret when he declared
that wisdom and strength were to be found in the mouths of
babes and sucklings. St. Paul had a glimpse of it when he said
that what was hidden from the wisdom of men might be found
by the "foolishness of God." But Christ had the power and the
will to gather these slanting rays of insight into a steady light
of intuition. In order to gain sympathetic understanding of his
psychological method, we do well to turn aside from the prophet
and mystic and turn to the poet and moralist, since inspiration
that enables one to " see life steadily and see it whole " and
conscience which tends to make one aware of life's values are
better guides than vision and ecstasy. From the point of view of
a clear mind and strong will, the method of Christ, while never
rationalistic, may be compared with the Socratic ideal of wisdom
through self-knowledge and Kant's conception of moral insight
by means of the Categorical Imperative. Christ's intuition was
much warmer and more intimate; more fully was it surcharged
with humanistic and practical motives, as though he would
gladly have all men take his point of view and apply his methods;
likewise, since he was not an abstract philosopher but a social
teacher, his ideas were anthropomorphic. But the pure tone of
the philosopher was ever that of his message.
CHRIST No REFORMER
Christ was no more a hectic reformer than he was an emo-
tional mystic. His main idea was that of the Kingdom of God.
It was the only conception of nature that interested him and the
natural order afforded him his best analogies to the forms and
functions of the divine order — a grain of mustard seed, a grain
field, a vineyard, things capable of growth. Plato preferred a
world of ideas or intellectual patterns, Kant a table of categories
as a guide for the human understanding. Modern science pro-
ceeds according to natural laws and statistical schemes. Shake-
speare's drama rejoiced in the insight that came from poetical
imagery; Ibsen's plays seek to penetrate life through symbols*
Since man is pathetically finite, it is necessary for him to avail
himself of ideas, formulas, images, analogies, and the like for
CHRIST NO REFORMER 205
the sake of gaining insight into what exists and takes place in
the world of forms and values. Hence the parables of Christ are
not to be left out of account when one is making up his intellec-
tual inventory of truth. Now it was in the world of human
values rather than in the order of physical truths that Christ pro-
ceeded when he decided to use the idea of a divine realm as his
guide. This was his Ideal Republic, his City of God, his Moral
World Order. When we consider that the universe, where it is
not empty space, is only clusters of gases or a series of waves,
the idea of it as a kind of divine realm does not seem altogether
out of the way.
But the practical application of Nazarene idealism to the de-
veloped state of affairs in actual civilization is another matter
and a more serious question. If the second Adam had been in
the place of the first one and the world had started along an
idealistic line, the problem of the application of Christianity to
civilization would not be confronting us. But when today we
begin to talk about "applied Christianity," we have before us
the traditions of Greek culture and Roman civilization, the sub-
sequent history of Europe and the present condition of the whole
western world, to say nothing of the Orient. How, then, can
we consider the suggestions of literary men, such as Tolstoi,
Bernard Shaw, H. G. Wells, and others, and assume the pos-
sibility of recasting the world in a Christian mold? Those who
are attempting such recasting, as the Bolsheviki, are not using any
religious pattern at all.
We are not certain just how Christ wished his words to be
taken, even if he did conclude his Sermon on the Mount with a
dire prediction concerning those who were only hearers and not
doers of his word. How simple to repeat that epigram, but how
difficult to heed it in any real way! Christ himself provided no
program, gave no charter, wrote no constitution, nor laid down
any really new law. He spoke loyally of the Mosaic law, declared
that it must be fulfilled in every jot and tittle, and assured men
that his aim was not to destroy but to fulfill. His idea seems
to have been to excel and exceed the law. This spiritual excess
he indicated in five particulars, which was the nearest he ever
came to any sort of legislation, Thou shalt not kill — be not
206 CHRISTIANITY
angry! Thou shalt not commit adultery — lust not! Thou
shalt perform unto the Lord thine oaths — swear not at all! An
eye for an eye and a tooth for a tooth — resist not evil! Love
thy neighbor and hate thine enemy — love your enemies! Now,
these can hardly be understood as commandments, for they are
more like a set of virtues than a code of laws. They are indeed
the characteristics of those who are in the Kingdom of God; the
inventor of them laid them down as the logical conditions of
entrance into that realm. Hence they are not to be taken in the
spirit of Moses or any other law-giver, but more after the manner
of Socrates and Kant.
There are places in the Gospels, evangelical episodes we might
call them, where Christ seemed on the point of making a specific
application of his spiritual principles. But does any one of
these afford a case in point? The rich young man, who had
always kept the commandments but was still seeking eternal
life, was advised to get rid of his riches by giving them to the
poor and follow the master. A master poet or painter might
have given similar advice to a young man with artistic ambitions.
The disciples themselves had left all, their boats and nets and
offices, to follow him, but was that anything more than a practi-
cal adjustment peculiar to their new vocation? When it came
to the question of open rebellion against the Roman government
in Galilee, to take a different example, Christ took cognizance
of the revolts staged by Theudas and Judas of Galilee, who re-
sisted taxation,10 but showed more compassion for their souls
than sympathy for their political acts.
CHRIST ANI> MONEY POWER
Christ was so constituted that he could have no feeling for
money or respect for money power; he took no pains to conceal
his contempt for the rich. How could one serve both God and
Mammon? The famous story of Lazarus and the rich man was
told apparently to show that Dives was condemned to torment
chiefly because of his wealth. Like every idealist — philosopher,
artist, scientist, and the like— -Christ saw no value in wealth,
10 Acts V, 36-37.
GOD AND CAESAR 207
since his vision was fixed on something remote and intangible.
On the subject of public financing by means of taxation, he re-
fused to be serious. When, for example, the question of personal
taxation came up, he dismissed it with irony.
" What thinkest thou, Simon, of whom do the kings of the
earth take custom or tribute; or of their own children or of
strangers ? Peter saith unto him, of strangers. Jesus saith unto
him, then are the children free. Notwithstanding, lest we should
offend them, go thou to the sea and cast a hook and take up the
fish that first cometh up. And when thou hast opened his mouth
thou shalt find a piece of money [sic]. That take and give it
unto them for thee and me! "
The question concerning Jewish tribute to Caesar was far more
important. It was brought up to trap the Nazarene idealist.
This problem he took more seriously, answered the question
more deliberately but with the same irony so reminiscent of
Socrates. " Show me the tribute money. And they brought him
a penny. And he saith unto them, whose is this image and in-
scription? They say unto him, Caesar's. Then saith he unto
them, Render therefore unto Caesar the things which are
Caesar's, and unto God the things that are God's. When they
heard these words, they marvelled and left him and went their
way." When we consider just how much in Christ's mind God
would have to share with Caesar, the irony of the episode seems
complete.
GOD AND CAESAR
How are we to draw the line between Caesar and God, political
power and spiritual influence? We cannot change from the
Constitution of the United States to the Sermon on the Mount,
because the Sermon with its nine beatitudes and five laws does
not furnish us with even the first principles of government and
business. The Caesarean scheme of social life has not been a
success, perhaps; when we see how it has led to greed and war,
by allying itself with Mammon and Mars instead of God and
Christ, we have a right to feel that it has been an eminent failure.
But this does not justify us in feeling further that we should drop
208 CHRISTIANITY
Caesar altogether and turn State into Church. If Christ had
worked out a code of laws like that attributed to Moses or drawn
up such a constitution as Lycurgus was said to have given Sparta,
the situation would be different. Then his plan could have been
applied and tried out and, if it had been after the manner of his
practical idealism, would doubtless have been a success. But the
part of dictatorial legislator was one that he shunned. Indeed,
he went so far as to refuse the function of judgeship which
Solomon before him had exercised in such a brilliant way as to
convince people of his divine wisdom. " Who made me a judge
or divider over you? " X1 was his interrogative answer to one of
his company who wished him to settle a matter of inheritance
between two brothers. How, then, can we look to Christ directly
to decide between nations, as France and Germany, China and
Japan? How expect him to settle questions of prices, rents,
wages, taxes? His office is obviously different; it is not anything
political or economic; it is everything ethical and religious.
We cannot draw a vertical line placing the things that are
God's to the right, the things that are Caesar's to the left. When
that was tried, as at the communist church at Jerusalem and the
Kingdom of God in Munster, the Caesarean things overwhelmed
and finally destroyed the things of the divine experiment. But
we can draw the line horizontally just as Christ himself did, and
then we shall have the things of this Caesarean world— govern-
ments, laws, industries, courts, armies, and the like — below;
churches, commandments, beatitudes, and other idealities above.
If we draw this line, which is really an imaginary but true one,
we shall be in a better position to understand the situation in the
theologic-political world. When we do so separate the Caesa-
rean from the Christian world, we do no more, but less, in theory
than the nations of the world have long been and still are doing
in practice.
Now, what part can Christianity play in a civilization where,
strictly speaking, there are no Christian governments as such?
Must it retreat to a cloister and let the world take care of itself?
Not at all; Christianity has a decided part to play, although it
is not a political one. The Kingdom of God proclaimed by Christ
l* Lufa XII, 14.
THE IDEAL KINGDOM 209
may be able to function like the Ideal Republic deduced by Plato.
Between the two, there are certain analogies. The idea of the
heavenly Kingdom was implicit in the Kingdom of David, that
of the Republic, in the Spartan State. Both the Kingdom and the
Republic called upon the individual to sacrifice his egoism for
the sake of the general good, and both alike aimed at likeness to
God; one through Love and the other by means of Justice. Then,
both tend to interiorize the essence of the exterior order; accord-
ing to Christ, the Kingdom is within the soul; according to
Plato, the State is an enlargement of man, who is looked upon in
a kind of anthropolitical manner.
THE IDEAL KINGDOM
The differences between the Hellenic and Hebraic ideals be-
come apparent the moment one recalls the practical postulates of
the Platonistic State — the threefold caste-system, the community
of property and households, the aristocratic form of government,
and the introduction of the ideal order by a philosophic despot
who should create a new State partly by force, applied to the
older generation, and partly by pedagogy, or the education of the
youth in the principles of the new order. The results of such
Platonistic politics in the mind of both its author and his followers
is that the Ideal Republic is something that one should ever bear
in mind but not attempt to carry out. The doctrine of the Re-
public should be normative, influential, and the basis of reform.
Just such ideals spring out of the Kingdom, which consists not
of meat and drink, proceeds not by force, and cometh without
observation. Both Republic and Kingdom operate morally, not
politically; both make for citizenship through character, not
the State through law.
Another illuminating contrast, that of Stoicism and Christi-
anity, helps to adjust the ideal of the Kingdom to the actualities
of civilization. In Zeno, the founder of the school, we have
the author of another Republic, a kind of " City of Zeus." In
certain Roman Stoics, preeminently Marcus Aurelius, we find an
ethics suggestive of Christianity. We observe also the principles
of conscience and duty, which differentiated Stoical ethics from
S.T. — 15
2IO CHRISTIANITY
the objective systems of Plato and Aristotle. Then, there is that
Stoical " Cosmopolitanism " which forbade its disciples from dis-
tinguishing Greek from barbarian and urged them to view the
whole world as their city. But the most suggestive thing in
Stoicism is its political bearing. The remote ideal of virtue, the
inward sanction of duty, and the general sense of world-citizen-
ship would tend to make the Stoic an ineffective Roman citizen.
His interests were elsewhere, almost anywhere else but in the
actual State; why concern one's Stoical self about politics when
one had his refuge in Nature, Reason, Virtue? It would be the
Epicurean, placing his affair upon happiness and immediate wel-
fare, who might be counted on to take up politics and make the
world a satisfactory place for the realization of immediate satis-
factions. But, as finely observed by Lecky in his History of
European Morals, it was habitually the worldly Epicurean who
remained aloof from public life and the unworldly Stoic who
participated in practical affairs.
It is just such an attitude that the Christian can adopt and has
ever adopted toward the State. The Platonist did not attempt
to Platonize Athens, the Stoic to Stoicize Rome; why should the
Christian feel it incumbent upon him to Christianize Europe or
America ? There were, however, Platonists in Athens and Stoics
at Rome just as there are individual Christians and vast groups of
these in the western world. But this is not to say that they should
dream of placing upon the governments of the Occident any sort
of Christian constitution that one might attempt to frame at this
late date. However much one may desire to see more of the spirit
of Christ spread abroad in society and the method of Christ in-
stilled into law, one should realize that the State is a political
organization and only indirectly can it be aesthetical or ethical
or religious. But this is a matter of personal opinion rather than
a historical view. However, we can observe that it is the present
tendency in Protestant Christianity in America to veer from the
theological to the political, from an ideal of individual salvation
to a social gospel.
In its historical development, Christianity was destined to pass
through three stages — the Galilean and Judean, the Graeco-
Roman, and the Germanico-Gallic. It was first Palestinian, then
THE IDEAL KINGDOM 2II
Mediterranean, and then European. After it had emerged from
its Roman domination, it assumed the characteristic mediaeval
forms of feudalism and Scholasticism. We must analyze these
social movements for the purpose of observing how much or what
form of Christianity was preserved and expressed by them.
CHAPTER IX
FEUDAL CIVILIZATION
THE ORIGIN OF FEUDALISM
riS BY NO MEANS SIMPLE TO IDENTIFY THE " KINGDOM NOT OF
the world " with any form of Christian civilization; unusually
difficult is this in the case of feudalism. In dealing with
what was a definite period of history, from the IXth to the XVth
century, we are in doubt about how to define it. When we refer
to feudalism in terms of " civilization/' we are aware of the fact
that the constituents of the feudal organization were not them-
selves thoroughly civilized men; they began as barbarians and
were not wholly free from their raw condition when their system
came to an end. If we speak of it as a feudal "system," we
cannot thus disguise the fact that the feudal period was one
of mild and modified anarchy. Perhaps little better could be
expected of Germanic tribes who had fallen heir to a spiritual
religion, a school of philosophy, and a system of government
that had come to them through Christianity, Greek culture, and
Roman civilization. These are scarcely discernible in feudal
civilization.
The very term " feudalism " is of obscure origin. It is often
connected with the Latin word fides, faith, but it is more likely
that it sprang from the Anglo-Saxon word vich, meaning cattle.
This derivation is rendered plausible by the fact that, among
Teutonic nations, property was reckoned in terms of cattle or
the number of head upon the land; and it was with property that
feudalism was concerned. Now, this was property in the form
of land, hence feudalism has been well described as " a complete
organization of society through the medium of land-tenure, in
which from the king down to the lowest landholder all were
bound together by obligation of service and defense; the lord to
protect his vassal, the vassal to do service to his lord; the defense
and service being based on and regulated by the nature and ex-
LAND TENURE
tent of the land held by the one or the other." x Feudalism of
the landholding sort was most fully developed In England, where
its influence is still discernible. Political feudalism was elabo-
rated most extensively in Germany, but the most complete de-
velopment of the system was in France, whence it was swept
away by the French Revolution.
LAND TENURE
In order to gain as clear an idea as possible, we may refer to
feudalism as a system of relationships; relations to things and
persons, or landholding and personal relations. Like original
civilization, feudalism was the adjustment of men to nature and
to one another. The feudal rulers, having obtained land by
confiscation or conquest or even by gift of the owners, found it
expedient to make land grants to men of lower social position.
The land thus obtained by the tenant from the lord was known
as a "fief," a "fee," or a "feud." The pay for the use of the
land was in the form of " fealty," or homage and service to be
rendered by the tenant to the landlord. This was the personal
relationship growing out of the relation to land. It was primarily
the relation of suzerain and vassal. The relationship was cele-
brated by means of " investiture," according to which the vassal-
tenant exchanged fealty for protection. These services, it might
be observed, were largely of a military character, so that there
is a close connection between land tenure and military tenure.
It is easy to be perplexed by and provoked with feudalism,
which seems to be out of keeping with the ancient civilization
that had preceded it and the modern one which was to follow.
But we can gain insight into and some sympathy for the feudal
period if we regard it as the transition from the old order to the
new, from the " First Empire " to the " Second." Although the
foundations of western civilization are to be sought in the ideas
and institutions of Christianity, Greece, and Rome, the modern
world was not built directly upon the ancient order. Those forms
of culture and civilization could not be assimilated without effort
1 Stubbs, " Constitutional History of England," Ch, IX, in Robinson, Read-
ings in European History, Vol. I, p. 187.
2I4 FEUDAL CIVILIZATION
or the passage of time. The barbarians had first to comprehend
them and then make them their own as best they could. In the
interim, these raw citizens of Europe developed a civilization of
their own, and this feudalism, as we realize now, was a means
of passing from the old civilization to the new. The complex
of ideas and institutions called feudalism made its own impression
upon the modern world and in connection with social institu-
tions has affected the type of civilization we call our own. We
are modern, but are we not still feudal ?
It is only by giving due historical weight to the feudal period
that we can appreciate the importance of the Teutonic element
in western civilization.2 This contains a Roman element as well;
indeed, it is a question, made difficult by the obscure origin of
feudalism, whether there was not a certain amount of Latin
civilization obtaining in the feudal system after the passing of
the Holy Roman Empire. It was not the case of building a
temporary culture which with the coming of the Renaissance
would introduce anew the ideals of the ancient world in a pure
form; feudalism was itself sufficiently Roman to prepare the way
for the famous revival of the ancient mode of thought and life.
However, our civilization is more Germanic than Romanic in
form. Hence, in order to understand the present, it is necessary
to consider the feudal period of transition as well as the grand
system of Roman politics behind it. We are what we are today
because the rude German invaders of Rome took what they
could not understand, conquered what they could not compre-
hend. If we are to understand the complexities of our present
existence, we must enter into the confusion of the feudal period.
How is such feudalism to be understood ? We may answer this
question by saying it was a system of relationships.
The twofold relationship of person and person, and person to
property makes it convenient to consider feudalism in a dual
form — the political and the economic. The first relation centers
in the relation of the landlords, or nobles, to one another and
ultimately to the monarch. The other concerns the relation of
the lord of the manor to the peasants who toiled on his domains,
the serfs or villeins. The latter is sometimes called the manorial
2 Adams, Civilization during the Middle Ages, rev. ccL, Chs. IV, V.
FEUDAL LAW 2I5
system. Suppose we consider the political side of feudalism in im-
mediate connection with the history of the period.
POLITICAL FEUDALISM
After the barbarian invasions of Rome, the political State de-
clined, was resuscitated by Charlemagne, and then collapsed.
Indeed, when the last of the puppet emperors of the Western
Roman Empire was deposed in 476, the State as the Romans
knew it and as we ourselves know it came to an end. To the
contemporary mind, it seemed only that the Roman Empire had
reverted to the original plan of a single emperor, with Constan-
tinople rather than Rome as the center of power. In the words
of Lord Bryce, the Western Empire was " reunited with ... the
Eastern so that from that time there was ... a single undivided
Roman Empire." 3 Then the spectacular coronation of Charle-
magne in the year 800 was similarly thought of as a restoration of
the undivided Empire with Rome as its center again. How could
it be otherwise? The collapse of the Empire was unthinkable
in spite of the evident facts in the case. The Empire may have
died, yet the Empire was immortal. So great had been the re-
pute of Roman government, that men could not place it in the
past and then consider some new polity. The attempts of Char-
lemagne were valiant, but in vain. It was impossible to reverse
the course of history; hence this emperor's endeavor to reestablish
the Empire was destined to fail. Otho the Great (912-973) made
an attempt to reestablish the realm, which did drag out a sort
of formal existence until modern times, when it was completely
closed in 1806 by Napoleon.
FEUDAL LAW
The social situation after the collapse of the Holy Roman
Empire became such as to suggest a kind of pre-social or pre-
political condition. It might perhaps be referred to as an example
of the " state of nature " which, as we shall see in Chapter XIV,
the political philosophers of the early modern period considered
8 Holy Roman Empire, pp. 59-60.
2Ig FEUDAL CIVILIZATION
the real beginning of society and State. The decline of central-
ized political authority meant as well the decline of universal law,
and with the passing of the Holy Roman Empire came the de-
parture of the Roman ideal of law. From having been a public
possession, law became a kind of personal privilege. There was
what might be called feudal law, such as the codification of
Beaumanoir in France, the Sachsenspiegcl and Schwabenspiegel
in Germany, as well as the Ubri Feudorum in Italy. But these
codifications, based on custom and expediency, afford only pathetic
comparison with such a fundamental work as the Code of Jus-
tinian. Can we not say that here in the feudal period, there
was a state of affairs not unlike that so laconically and yet so
graphically indicated by the Hebrew writer in the Boo{ of
]udges? " There was no king in Israel and every man did what
was right in his own eyes."
It was the Church which took up the task of curbing this
anarchy and the ills that it entailed. The Church was in a
position to do this, since it had modeled its own organization
upon that of the Roman Empire before its fall. Its spiritual
leaders, the bishops, had risen to positions of secular importance.
Consequently, the spiritual leader was in a better position than
the political one, like Charlemagne, had been to carry out the
august traditions of the Pax Romana. The Holy Catholic Church
was wiser than the Holy Roman Empire. What was the Church's
equipment for this enterprise? It had something like a monopoly
of intelligence and virtue, possessed unity and vitality, and was
inspired by unselfish purposes. But should the rulers of the
Kingdom of Heaven attempt to become as well leaders of a
kingdom which was decidedly earthly?
In answering this question, we must observe that it was a
question of ecclesiastical control or no control at all. True enough
is it that spiritual participation in temporal matters, and the
endeavor to render things to both God and Caesar, involved de-
fects and engendered ills. When the bishops were the only func-
tionaries who had genuine authority, they were wont to use
their office or abuse it in the capacity of making and unmaking
kings. This came to be an intolerable situation; it was bound
to produce strife with the secular powers. This it did ultimately
THE TRUCE OF GOD 217
in the famous conflict between Pope Boniface VIII and Philip the
Fair (1268-1314). Philip, who sought the suppression o£ feu-
dalism and the revival of Roman Law, attempted to levy taxes
upon the clergy, an act which Boniface by the bull Clericis Laicos
(1296) forbade, only to have Philip respond by forbidding the
export of money or valuables. After a provisional reconciliation,
the quarrel between Church and State was resumed in 1300 when
Philip imprisoned the papal legate and, finally, imprisoned the
pope himself and elevated to the papal seat Clement V, one of
his own men, as we might style him. However, it was the
Church and the Church alone that was able to preserve order
within the State.
THE TRUCE OF GOD
A special and excellent illustration of the Church's activity in
maintaining order in the disjointed Empire was the institution
of the Truce of God. This was devised to check the private war-
fare that was all too prevalent in those anarchistic days. How
did such impromptu warfare arise? We have observed that land
tenure on the part of the tenant meant military tenure on the
part of the lower class, who were supposed to be adepts with
both plow and sword, pruning hook and spear. These under-
lings were expected to work and fight for their lords. The
mediaeval army, if we may so style it, was organized and the
thing to do was to fight. Fortunately for the men of that time
the weapons were by no means deadly nor was military strategy at
all scientific; yet such private, irrational warfare was a constant
menace to peace, a barrier to progress. It had its glamour and
now affords material for a romantic conception of human life,
but the Church realized that it was little short of a pestilence.
The first steps to curb this nuisance, as we might call it, were
taken by the Church in its provincial synods. The Church with
its evangelical idea of " peace on earth among men of good will "
was unable to prevent warfare entirely, especially as its subjects
were far from being men of good will. But the Church was able
to establish extended holidays free from fighting. An example
of this heavenly truce is afforded us in the order promulgated by
2Ig FEUDAL CIVILIZATION
Reginald, Archbishop of Aries. The naivete of the document
cannot hide its noble intention. It was to the effect "that all
Christians, friends and enemies, neighbors and strangers, should
keep true and lasting peace one with another from vespers on
Wednesday to sunrise on Monday, so that during these four days
and five nights, all persons may have peace and, trusting to this
peace, may go about their business without fear of their enemies." 4
Such a document, in itself perhaps trivial, is highly illustrative
of the feudal period, if not of the whole matter of government.
People desire generally " to go about their business " and are
not interested primarily in the quarrels between monarchs or
States. In the mediaeval period when, at length, really national
kings arose and laid claim to absolute power, their peoples were
ready to acquiesce in such pretensions on the part of their sover-
eigns, since the crown gave some assurance of stable government.
Today we are confronted by the absolute State rather than the
absolute monarch and the enforcement of law by police and
court, fine and imprisonment and even execution. But this is as
we would have it, for it is as though we ourselves had learned
the bitter lesson of what can happen to society when it lacks the
political organization of a State. Some members of the social
order may desire to do what is right in their own eyes, but the
majority desire laws that will permit them to go about their own
business.
THE POWER OF THE POPE
But in the feudal period the Church did not stop with the
Truce of God. Having made a beginning in the field of
secular power, it continued to increase in sway until it reached
its culmination in the pontificate of Innocent III (1198-1216).
Now, Innocent III was a papal sovereign whose position and
power were reminiscent of a Roman emperor. In the first place,
as head of the Church, the pope was the supreme master of the
whole body of ecclesiastics of whatever rank and in whatever
land. On the other hand, this body of ecclesiastics was free
from the control of the political power, being answerable to
4 Thatcher and McNeal, Source Book for Mediaeval History, p, 414.
CHURCH AND STATE 2ig
ecclesiastical courts only and to a, special body of law, the Canon
Law. The claim was made also that the entire ecclesiastical
body was exempt from taxation, an immunity which Church
property also shared. This appears from the papal bull of Boni-
face VIII, the Clerids Laicos to which we have already referred.5
An earlier claim to exemption from taxation is to be found in a
letter from Innocent III to a bishop.6 This was a privilege in-
deed, and made the clerical profession unusually attractive and,
further, all that was needed to prove that one was a cleric was
the ability to read, to read so little as a single line.7 Thus the
clergy instead of being national in their citizenship were ec-
clesiastical; legally they were not French or English subjects duly
subject to the laws and taxes of the land, but were responsible
to a kind of spiritual " Rome." The Church was thus a State
within the State, imperium in imperio.
CHURCH AND STATE
The situation, trying enough in itself during a period famous
for political irregularities, was even a more difficult one. State
and Church were badly confused by the fact that Church officers
were likewise lay lords. They held fiefs, controlled their inhabit-
ants, and had their feudal rights. They held their ecclesiastical
positions but were none the less important members of the politi-
cal organization. Who, then, was their rightful sovereign, pope
or king? This question caused the confusion just referred to;
more than that, it became the source of a conflict between Em-
pire and Church on the subject of investiture — the right to invest
the bishop with the insignia of his office. It became " confusion
worse confounded."
The result of the conflict with the Empire was a sweeping
victory of the Church over the Emperor Frederick II. The Em-
pire, which claimed to be the successor of the Holy Roman
Empire and hence to include all Europe, then disappeared. It
was not the Church that had destroyed this feudal State; it was
5 lb., p. 311.
6 /£., p. 213.
7 Robinson, Readings in European History, Vol. I, p. 358.
220 FEUDAL CIVILIZATION
the power o£ specific nationalism, particularly that o£ France.
This new nationalism was personified in Philip the Fair, to whom
we have referred already. The Church rejoiced in an old power,
the State in a new one. Upon the basis of its authority, the
Church put forth the claim that all power belonged to the pope
and that the prince, or political ruler, derived his authority by
delegation from the pope. Moreover, it was within the power of
the pope to exercise general superintendence over a State and
both excommunicate and dethrone its ruler. The summit of the
papal claim to secular power was reached when Boniface VIII
issued the bull, Unam Sanctam (1300). It reads as follows:
" Both the spiritual and material swords, therefore, are in the
power of the Church, the latter indeed to be used for the Church,
the former by the Church, the one by the priest, the other by the
hand of kings and soldiers, and by the will and sufferance of the
priest. It is fitting, moreover, that one sword should be under
the other and the temporal authority subject to the spiritual
power. Hence, the truth bearing witness, it is for the spiritual
power to establish the earthly power and judge it if it be not
good. Therefore, if the earthly power shall err, it shall be judged
by the higher, but i£ the supreme power err, it can be judged by
God alone. We, moreover, proclaim, declare, and pronounce that
it is altogether necessary to salvation for every human being to
be subject to the Roman pontiff." 8
This was the papal theory of Boniface, but it was Innocent III
who most nearly put the theory into practice. He exercised
governmental control of the papal possessions in Italy and simi-
lar control over Sicily. Important lay lords including John of
England were his vassals. Sverre, king of Norway, became in-
volved in a conflict with the Church, whereupon his followers
were excommunicated and the king of Denmark ordered to take
up arms against him. Besides appointing and deposing kings,
we find Innocent actively supporting them. He wrote to his
"beloved sons," the magnates and barons of England, relative
to the protests that produced Magna Carta saying, " We hereby
8 Robinson, Readings in European History, Vol. I, pp. 347-348.
THE SECULAR POWER OF THE CHURCH 22I
condemn your conduct in these matters," and forbade further
quarrels with John on threat of excommunication.9 In what
today we should call the field of international relations, we find
him frequently intervening in conflicts., claiming the right to
arbitrate, seeking to promote peace and confirming agreements
between rulers, and formally registering them; a procedure some-
what akin to that of the present League of Nations. Innocent
further declared what constituted heresy, and commanded the
monarchs and lay lords to crush it out. This was done in
southern France in the case of the so-called Albigensians.10
THE SECULAR POWER OF THE CHURCH
But this secular supremacy rested on insecure foundations, as
was to be clearly demonstrated. Events proved all too plainly
that when an ecclesiastical organization "goes in for politics,"
it is itself the loser despite any initial appearance of victory.
Animosities which are fatal to church harmony are necessarily
created and in this case of Church and State it was shown that
it was difficult to keep sacred and secular interests apart. Then,
as is usually the case, political force will predominate over re-
ligious influence and tend to change the Church into a political
machine alien in its operations to the religious needs of its adher-
ents. But it is difficult for mankind to accept the results of such
experiments as were tried in the days of feudalism. It required
the faith and fortitude of Roger Williams and the statesmanship
of Thomas Jefferson to teach America the wisdom of keeping
State and Church apart, and even today there is a marked tend-
ency on the part of Protestantism to thrust itself into politics.
However, there can be no doubt that there is need of the religious
spirit in international affairs, and here it must be observed that
the western world has still to find a substitute for the principle
of papal control that Innocent sought to maintain.
Feudalism must not be understood in an ecclesiastical manner
as the secular power of the Church. This extension of the ec-
0 Thatcher and McNeal, Source Book, for Mediaeval History, pp. 217, 219.
10 R. W. and A. J. Carlylc, History of Mediaeval Political Theory in the West,
Vol. V, Part II, Ch. I,
222 FEUDAL CIVILIZATION
clesiastical function was due to the historical fact that the public
power of the State was so weak that it became necessary for a
theological force to operate in a political manner, as it did in the
days of the feudal system. The origin of feudalism is obscured
by the lack of temporary records; was it originally of a Latin or
a later German source? The use of the terms benefice and
•precarium would indicate something Romanic in what turned
out to be characteristically Germanic. But, at all events, we can
keep the feudal idea in mind by reference to the further notion
of land and land tenure. The earth was the source of income and
form of wealth in the early Middle Ages; such realty in large
quantities was the property of the kings and great lords. The
excess of such holdings was bound to produce a surplus of real
property or far more land than its owners could cultivate. What
were the royal owners to do with their vast holdings? They
could only grant it to retainers who would cultivate it for them
and further contribute military service by way of rent. The
grantor of the land retained the title, so to speak, while the
vassal-tenant had the use of it. This was the benefice; generally
it became hereditary on payment of a " fine " when the vassal
died, whereupon his eldest son entered into his father's pos-
sessions.
THE ESSENCE OF FEUDALISM
In the feudal system, the precarium was a form of the benefice.
The smaller free-holder, himself unable to Secure protection from
the political power, sought such protection elsewhere, as from
a neighboring stronger lord or perhaps from a near-by monastery.
In order to do this, the small free-holder would surrender his
holdings and become the " man " of the lord in return for the
latter's protection. Some forms of the precarium provided that
upon the death of the vassal the property would go to the superior,
but the general practice was for the holdings to be inherited after
due payment had been made by the heirs. A typical precarial
will illustrates the nature of the transaction:
"I (name) and my wife (name), in the name of the Lord,
give by this letter of gift and transfer from our ownership to
THE ESSENCE OF FEUDALISM 223
the ownership and authority of the monastery of (name) over
which the venerable abbot (name) presides . . . the following
villas (names), situate in the county of (name) with all the
lands, houses, buildings, tenants, slaves, vineyards, woods, fields,
pastures, meadows, streams, and all other belongings and de-
pendencies ... in order that under the protection of Christ they
may be used for the support and maintenance of the monks who
dwell in the aforesaid monasteries. We do this on the condition
that as long as either of us shall live we may possess the afore-
said villas, without prejudice to the ownership of the monastery
and without diminution of the value of them. . . . After the
death of both of us the aforesaid villas with any additions or
improvements which may have been made shall return im-
mediately to the possession of said monastery and the said abbot
and his successors without undertaking any judicial process or
obtaining the consent of the heir." 1X
Another element which helped to constitute the feudal system
was that of homage, a custom whereby the holder of a grant of
land was bound to the grantor by special bonds of allegiance.
The nature of the process is best indicated by a typical form of
ceremony:
" That man should put his hands together as a sign of humility,
and place them between the two hands of his lord as a token that
he vows everything to him and promises faith to him; and the
lord should receive him and promise to keep faith with him.
Then the man should say, £ Sir, I enter your homage and faith
and become your man by mouth and hands, and I swear and
promise to keep faith with you against all others and to guard
your rights with all my strength/ " 12
Evidently this was a process which in the course of time would
result only in the substitution of a special personal relation be-
tween lord and vassal for the attachment of an individual to his
country, as also the substitution of private protection which the
family should have furnished.
11 Thatcher and McNeal, Source Book, jor Mediaeval History, pp. 345-346.
12 ib.t p. 363.
224 FEUDAL CIVILIZATION
This factor of feudalism, the element of loyalty and devotion,
was one of its chief characteristics. " The feudal relation was
not one of mere dependence or of mere advantage, but one of
faith and loyal service."13 This feeling of a special bond be-
tween vassal and lord was characteristic of the feudal era, but
not to that period of history alone. In a transmuted form it
descended to modern times, and when an absolute monarch
assumed the divine right of kings, he became an object of rever-
ence and inspired an unusual sense of allegiance. So strong had
this become in the days of Charles I of England that some of
his subjects actually died of shock when that monarch was exe-
cuted. Even today the same sense of allegiance operates although
in the impersonal manner of nationalism or patriotism, devotion
to one's country and love for its
LORD AND VASSAL
In the feudal period, the relation between lord and vassal was
established ultimately on the basis of rent. The most important
feature of this rent was military service which was normally for
forty days with a fixed number of armed retainers. On certain
occasions, such as the marriage of the lord's oldest daughter, the
knighting of the lord's oldest son, and the captivity of the lord,
aids or money payments were made by the vassal. The lord had
certain rights over his vassals, such as wardship, the right o£
guardianship of minor heirs, and the management and use of
fiefs during the years of their minority. There was also the right
to choose or be consulted in the choice of a husband for the
female holders of a fief. " Relief " was the lord's right to exact
a certain payment from the heir when he succeeded to a fief;
" escheat " was the right to take back a fief into his own posses-
sion on the failure of heirs.
The essence of the feudal system was plainly that of service,
or tilling the land and fighting. Only those whose service was
of the military sort were regarded as of noble character and were
set aside sharply from the bulk of the community. The serfs
i* R. W. and A. J. Carlyle, History of Mediaeval Political Theory in the West,
Vol. Ill, p, 25, and Part I, Ch. i, passim.
FEUDAL CASTLE ON THE MOSELLE RIVER
FEUDAL WARFARE
Two portions o£ the Bayeux tapestry, showing the Battle of
Hastings.
^facing page 214}
LORD AND VASSAL 225
who were tied down to the soil they cultivated owed their servile
duties. In the case of feudal military service, there came into
being a warrior class made up of nobles whose sole excuse for
existence was that of fighting. Side by side with the ecclesiastical
"estate" they came to be recognized as a specially privileged
" order " within the State. Ultimately a third estate consisting
largely of rich merchants and master craftsmen arose in the form
of the bourgeoisie. These were literally the city-dwellers or typi-
cal men of the present day. Much of modern history has been
made by their attempts to attain political power. In the feudal
period, political power as represented by the king had practically
disappeared. The king was more than anything else a lord. The
local officers of the realm chose to regard their administrative
domains as so many fiefs and their relation to their monarch
pretty much like that of vassal to his overlord. Their service in
the king's army, their attendance on the royal court, and their
service generally were feudal, not political. The State was thus
feudalized and its political power threatened.
The institution of immunity put the finishing touch to what
centralized political power still obtained. By means of such im-
munity, the holder of a fief, abbot, or monastery was given com-
plete control over his holdings. That is to say, the royal
taxgatherers, judges, and administrators could not pass over
the boundaries of the fief and exercise governmental power. The
result of this localization of authority was that the holder of
the fief came to be practically sovereign over it and possessed, as
the phrase had it, the high justice, the middle, and the low. The
lord had his own courts, collected from his tenants all dues they
were required to pay, controlled their military service, and some-
times went so far as to coin his own money. The following ex-
ample of immunity will prove illustrative :
" In the name of our Lord and Savior Jesus Christ, Ludwig,
by divine providence emperor, Augustus. Be it known to all
our subjects, present and future, that our faithful subject, John,
has come to us and commended himself to us, and has besought
us to confirm to him the possession of lands . . . which he and
his sons and their men have shared and occupied. He has shown
S.T. — 1 6
226 FEUDAL CIVILIZATION
us the charter which he received from our father Karl the Great.
We have consented to do this and have done even more; we have
given him certain villas . . . granting that he and his sons and
posterity may hold them in peace and security. No count, vicari-
ous, or their subordinates, or any other public official shall pre-
sume to judge or constrain any persons living on these lands but
John and his sons and their posterity shall judge and constrain
them."14
FEUDAL " ANARCHY "
Liberty thus came to be thought of as freedom from all political
control, a conception further emphasized by the fact that all
ecclesiastics were likewise subject to their own law and courts
with ultimate appeal to Rome and not to the law of the land.
When cities began to grow they, too, demanded and frequently
obtained, whether by force or purchase, charters which secured
for themselves more or less exclusive control of their own affairs.
As a result of this situation, the right to rule came to be thought
of as an incident, a dependency on land tenure. The king's
power was not different from that of another lord's. He ruled in
his own domains as their landlord, but was dependent on the
feudal services of his vassals for taxes, military service, and court.
This political phase of feudalism was far from being a passing
one. Today the State is the successor to the king, just as in his
day the king was successor to the feudal lord. Hence the State
is frequently regarded as the supreme landlord with its power to
condemn and take land as need may require. This power of the
State is known as the "right of eminent domain." And the
modern State maintains further, in quite a mediaeval manner,
that it is an immunity in the sense that it denies the right of any
other power or law to exercise jurisdiction or control over its
" tenants."
The system of fiefs was unsatisfactory especially from the
standpoint of internal order. The scheme of things might present
a neat picture of vassals and lords, tenants-in-chief of the king,
and the monarch himself; but the picture did not reveal the
14 Thatcher and McNeal, Source Book for Mediaeval History, p. 353.
FEUDAL ECONOMICS 227
actual conditions of uncertainty and confusion, the lack of control
of vassals by their lords or of the tenants-in-chief by the king.
Can we call such a social situation one of anarchy? Hardly that,
although it was distinctly lacking in order. Dare we go so far
as to suggest their feudal warfare was akin to our gangster war-
fare, their feuds like ours? Both forms of violence were a hin-
drance to labor and trade, both merchant and trader were so
opposed to them as to seek peace at the price of absolute mon-
archy. In a manner somewhat analogous, we are willing to
surrender a certain amount of individual liberty to various sorts
of corporations to which we look for peace and progress. Our
modern social philosophy for all its modernness seems to have
derived some of its principles, some of its working programs from
what seems so alien to our system as the feudal one. At the
present time, we are in a condition not wholly unlike the dis-
ordered one of the Middle Ages and are casting about for a prin-
ciple on which a more secure form of economic existence and
social welfare can be based.
FEUDAL ECONOMICS
But feudalism was more than a political arrangement; order
it can hardly be called. It was more of an economic scheme based
on the manorial system. Wealth was in the form of land or
agricultural property cultivated by peasant-serfs. These were al-
most literally attached to the soil in that they passed with the
manor when it changed hands, although they could not be treated
as slaves or sold at the wish of the lord. As a result of the ma-
norial process, the territory of western Europe was parceled out
into large holdings, so large as to produce a surplus. It was this
surplus that was granted out as fiefs to other lords, the remainder
being kept as practically the sole source of income for the eco-
nomically nonproductive lord of the manor.
In general, the manor was divided into two parts: demesne
land, which was cultivated directly by the lord's serfs and the
land-services of his other tenants; and the land cultivated directly
by the serfs on burdensome terms of rent, which the serfs paid
in kind. These serf-cultivators lived in small, unprotected vil-
228 FEUDAL CIVILIZATION
lages outside the castle walls. The agricultural land was divided
into three great fields, one of which lay fallow each year, divided
into long strips allocated to individual serfs and generally in-
herited by the eldest son on the payment of the so-called " fine."
The terms on which the land was held were various, complex,
and frequently of such a nature as to engender despair in the
heart of the serf-cultivator. First of all there were payments that
must be made in kind in the form of produce. Then came serv-
ices of various sorts on the lord's part of the manor. Frequently
the lord had a mill where the serf must grind his grain, or a
wine-press where he must press his grapes. Special payments
in eggs and poultry, for example, were payable at feast times.
In general, as it happened, the serf had little left of the prod-
uce; only a bare subsistence after payments to his lord had been
made.
An illustrative description of the dues and services owed by
a man holding a house and thirty acres of land will serve to in-
dicate the nature of the system. These payments and services
may be itemized as follows: two shillings yearly, a cock and two
hens at Christmas, two days harrowing with his own horse and
one man, two days of hauling manure with his own cart and
oxen, two days of mowing the lord's meadow at the rate of one
acre a day, hauling beans or oats two days in the fall, two days
of wood hauling, two days of cutting and hauling heath, and two
trips to the neighboring town with grain. These constituted the
rent the serf was required to pay. In addition to these privileges,
his lord had certain rights over him, as in settling his disputes and
collectihg fines from him. The lord himself lived on the agricul-
tural produce of his own domain and his rents. Naturally, the
lord had to consume his produce on the spot and in case the
lord had more than one manor he would journey from
manor to manor to consume his produce and rents. As a re-
sult of this situation, no value was attached to nonconsumable
surplus coming from surplus land; hence this excess of real estate
was granted to other lords in the form of fiefs.15 What was the
effect of such a system on the life of the lord who was to the
manor born?
15 Guizot, History of Civilization, Vol. IV, Lecture VIL
FEUDAL ETHICS 229
FEUDAL ETHICS
The life of the typical lord was bound to be vacant and without
purpose. Idle, ignorant, and gross, the lord found little to ab-
sorb his time save in war and the chase; it was thus that private
warfare was a boon to a man burdened with ennui. But out of
the failure of such a life to produce a proper outlet for energy
there was evolved one of the most interesting of social develop-
ments— the system of chivalry. In certain ways, chivalry was
akin to our system of lodges and fraternities with their initiations,
regalia, oaths, and ritualistic practices. Like these modern organi-
zations, chivalry was based on a sense of social superiority and
polite prestige enjoyed by the members of the gentry who were
not knights. But above all it gave the lords of manors something
to do in an idle life, as it loaned color to what was really a drab
existence. Chivalry has left a permanent and pleasing impression
on the world in the form of the man who, no longer a knight,
has the knightly characteristic of the modern " gentleman."
The ethics, or morale, of chivalry might be summed up in the
supreme word " honor." The expression of this often assumed a
physical form involving the additional virtue of courage, as also
physical prowess. But there were more refined features of chiv-
alry in the form of truthfulness that made a man's word as good
as his bond. The chivalrous attitude produced punctilious polite-
ness peculiar to a highly developed and artificial social code,
and involved high esteem for women and a readiness to protect
the weak and defenseless. The generosity of the knight bordered
on wastefulness and was not wanting in a desire for display. It
is readily realized that such chivalry would tend to stress certain
virtues and refrain from emphasizing equally important duties,
but the civilizing force of such a spiritual system cannot be
denied, for chivalry civilized the coarse and brutal Germanic
chiefs who in their way were to be the creators of western
civilization.
The feudal system as a whole was, however, a class-system in
which the lord of the manor was supreme. The condition of the
peasant was one of undiluted and almost hopeless misery. Little
or no provision was made for the general welfare; famine and
230 FEUDAL CIVILIZATION
pestilence were all too common. During the seventy years be-
tween 970 and 1040, France had forty-eight years of famine or
epidemic. Burned huts and harvests, pillage, violence, and rapine
were of frequent occurrence, and cannibalism was sometimes
practiced. Our commercialism and industrialism may have much
to answer for in the way of oppression and misery, but these mean
more enrichment of the masses of mankind than feudalism ever
knew. An industrial civilization like ours is not without its ills,
but a purely agricultural system built upon class cleavage, privi-
lege, and force is an unthinkable alternative.
FIEF AND TOWN
Such a system as that of feudalism could not last because it was
limited by the narrow principle of immediate consumption, since
the produce of the land could be utilized in no other way. It
began to stand out in painful contrast to a civilization based on
industry and commerce, trade and profit-making. Feudalism
was based on the agricultural fief, commercialism on the indus-
trial town. As the Middle Ages progressed, the town, with its
site upon some old Roman town, around a castle or near a mon-
astery, grew in proportion to its defensibility and its opportunity
for trade. In both a militaristic and an industrial sense, the town
was in a strategic position. It built a wall and sought a charter.
By right of purchase, by negotiations, or even by force the town
secured its rights of self-government and guarded its precious
liberties. This resulted in a commune.
The essential feature whereby the town was made into a com-
mune was that of feudal immunity. The jurisdiction of all other
and alien political officers stopped at the walls of the city. This
made the communes so many local states on a small scale, enjoying
isolated existence. Ultimately, when the territorial monarch was
more and more fully established in the supremacy of his realm,
the little communes came into conflict with the superior power.
There could be but one issue to such a conflict and at length the
communes were destroyed. But the immediate effect of the town-
movement was to weaken the local nobility on whose territory
the town had grown up. Thus, when the communes were de-
AGRICULTURE AND COMMERCE 231
stroyed or abandoned, and the inhabitants had grown weary o£
the internal oligarchy that had destroyed the feudal oppressor, the
appeal was to the king. It is significant to observe at this point
that, in France, the town-movement enlisted the support of the
monarch, who wished to weaken the nobility and the feudal sys-
tem in which it had grown up. The town was of importance in
another particular — it became a haven of refuge for serfs escap-
ingWfrom the bondage of the feudal manor. A common provision
of a charter was that any serf who lived in a town for a year and
a day without demand from his lord for his surrender should
be free. Thus it is important to observe that Frederick II should
have felt constrained to promise the German princes that, as he
said, "the serfs of princes, nobles, ministerials, and churches
shall not be admitted to our cities."
AGRICULTURE AND COMMERCE
As the cities began to surround feudalism, the institution of
commerce invaded its precincts. The immediate effect of com-
merce was to increase currency and capital; the resulting money
economy was fatal to feudalism. The very root of the feudal
system, as we have seen, was payment in kind. The feudal lords
themselves saw the advantage of payments in money rather
than in produce or service, but the spread of money from the
towns among agricultural laborers was bound to produce a
more fluid labor market. In much the same manner, the de-
mand for labor in the east in our time produced a general
exodus of Negroes from the south where they had previously
lived the life of " crop-sharers " on the lands of the southern
landlords. Further, the increase of trade and the growth of
capital placed a premium on social order, or the business of
going about one's business. The robber baron on his steed
was not consistent with the honest merchant on his mule;
one lived by pillage, the other by peaceful bargaining. The
baron lived in his inaccessible castle from which he could make
sporadic forays, while the merchant required open roads, pro-
tected travel, and a peaceable fair where he could buy and
sell. In short, one type of being required social confusion, the
232 FEUDAL CIVILIZATION
other social order.16 In the end, it was the somber merchant
on his mule who won in the tilt with the gay knight on
horseback.
FEUDALISM AND THE CRUSADES
Finally, it was the most spectacular movement of the Middle
Ages that turned the tide against the most characteristic and
organized commerce. This was the crusades. With all their
worldliness, the men of the Middle Ages had not forgotten
the problem of human salvation, and the solution of this came
to mean the redemption of the Holy City from the hands of
the Turks. The same spiritual or emotional force that sent
men into monasteries and made the relics of saints matters of
unusual importance acted anew to set in motion thousands of
crusaders led on by such royal commanders as Frederick Bar-
barossa, Richard the Lion-Hearted, St. Louis, and others. The
feudal noble who knew no trade- but that of fighting found in
the crusades an opportunity to exercise his martial gifts. He
was glad to escape the narrow confines of life in the castle
for a wandering life of adventure and combat, as also with
the possibility of material gain. Then, younger sons who did
not succeed to their father's fiefs were only too eager to find a
way of elevating themselves without becoming ecclesiastics. The
crusades were most opportune.
The immediate result of the crusades — the establishment of a
short-lived feudal kingdom in the Near East — was of no perma-
nent significance. But solid results were not lacking. The nar-
row isolation of feudal life was broken down and intercommuni-
cation between the nations set up. The progress of learning was
advanced by contact with Saracen civilization, which in many
respects was superior to the Christian. There was none the less
a tremendous influence upon commerce. New wants were created
as the Europeans became acquainted with new commodities and
new forms of food. Many of the old feudal families were wiped
out by warfare, sickness, and other causes, and their lands passed
into the hands of the rich bourgeoisie. Even when this did not
16 Adajns, Mediaeval Civilization, Ch- Xlt.
FEUDALISM AND THE CRUSADES 233
happen, the lord of the manor frequently ceded to serfs or towns
the privileges they could not recover even when they did not go
so far as to pledge the fiefs themselves. In short, by participating
in the crusades, the old feudal system committed suicide. By the
time the crusades were over, the old order of things was dying
and the modern State, if not the modern world was beginning
to live.
CHAPTER X
SCHOLASTIC CULTURE
THE NATURE OF SCHOLASTICISM
THE VERY MENTION OF THE TERM " SCHOLASTICISM " IS LIKELY
to arouse repugnance in our minds; we do not care to
" look into the hole of the pit whence we were digged."
To speak of a thing as "scholastic" is to condemn it; call it
" scientific " and it is automatically proved. It was scholastic to
consider how many angels could dance on the point of a needle,
but it is scientific to compute how many germs could be placed
on the head of a pin. Scholasticism, however, is more of a mental
state than merely a historical period; it arises when the thinker
is more intent upon form than content and believes, further, that
most effective thinking can be accomplished by symbols. At the
present time, there is a species of Scholasticism in researches of
various sorts, in statistics, in the pursuit of pedagogical methods,
and in the analysis of scientific method in distinction from scien-
tific investigation. The thought of the XlXth and XXth cen-
turies is quite different from that of the Xllth and Xlllth. Facts
have taken the place of principles ; investigations have supplanted
arguments. Yet the passage of seven hundred years has not
wholly delivered us from Scholasticism. Indeed, it is to be hoped
that it has not, since Scholasticism, ideally conceived, means
thoroughness of thought and consistency of reasoning. How did
historical Scholasticism arise and how is its career to be evaluated ?
There was Scholasticism among the ancients just as there is
Scholasticism now. The term s^olastit^ps is of Greek origin
and crept into usage after Aristotle, when it was employed to
indicate the professional philosopher. Its general meaning seems
to have been that of the scholar and then, finally, the pedant. The
spirit of Scholasticism was rampant among the Greeks in the
form of sophistry, nevertheless that period, the fifth century B.C.,
and the great era of Scholasticism, the Xlllth century, were
periods of popular enlightenment. When, therefore, we enjoy
234
THE SCHOLASTIC METHOD 235
tie downright desire to get ideas out of history and take our
goods wherever we find them, we find it expedient to eliminate
as much prejudice as possible and treat mediaeval Scholasticism
in the same spirit that we treated Greek culture and Roman
civilization. Once that Scholasticism belonged to the Church,
now it is the property of the world; and once a movement within
the history of the Church, it has become a factor in the history
of mankind at large.
THE SCHOLASTIC METHOD
Since it is our aim to get values out of historical periods wher-
ever valuable periods are to be found, we must begin by praising
and appraising the very formalism of the scholastic movement.
The Schoolmen sharpened the tools of philosophy that later on
were to be used by science. Scholasticism itself was not science,
but it had the scientific spirit of reducing particular facts to gen-
eral principles. What it needed was the clearer observation of
those facts and their mathematical values as shown by experiment.
This need was on the point of being supplied by Roger Bacon, a
Franciscan monk, who desired to reform Scholasticism by the
introduction of the sciences, but whose work was hindered by
the outer power and inner influence of the Church. If, by some
miracle of time, the work of Bacon had been carried out, the
beginnings of modern science might have been anticipated by
something like three centuries. But, on the other hand, if another
temporal miracle could have been wrought so that the universities
of the XHIth century had dropped their Schoolmen, reached
forward in time, and grasped a group of Empiricists and Prag-
matists to fill their chairs, it would be difficult to see how modern
science would ever have come into its own.
This is because modern science at its inception was not based
upon "facts" and "consequences," but proceeded from some-
thing like the beliefs and dogmas of the XHIth-century mind.
Moreover, the field of this original science was not the earth,
where facts and consequences are so evident; it was the heavens,
where abstract ideas and unearthly principles are in force. The
early modern period with its astronomy was in harmony with
SCHOLASTIC CULTURE
the late mediaeval period in its theology, for the spirits of both
periods were one in viewing the heavens as the expression of the
divine intellect and will. Copernicus felt that he was honoring
God when he considered the gorgeous sun the center of the solar
system and believed it harmonious with God's nature to think
of the planets as revolving in circles around it. Kepler was even
more religious in his attitude when, with reluctance, he had
concluded that the planets move in ellipses. He regarded the sun
as God the Father; the sphere of the fixed stars as God; the sun
and the aether through which, as he thought, the planets moved
as God the Holy Ghost. The astronomy of the XVIth century did
leap out of scholastic bounds, but now it is beginning to look
as though the physics of the XXth century were on the point of
leaping out of the boundaries set by all the classic physics of the
past. But in all this, the intellectual spirit of Scholasticism must
not be overlooked nor its importance allowed to suffer from the
narrowness of its range. The spirit of Scholasticism was such as
to include the intelligibility of the universe and the ability of the
human mind to comprehend it.
It is not necessary to violate the traditional divisions of history
in order to exercise intellectual sympathy for Scholasticism. As
usual, we can date the whole period of mediaevalism from the
fall of the Roman Empire in the Vth century to the fall of the
Grecian Empire at Constantinople in the XVth. The part of
the thousand years allotted to Scholasticism may be considered
about one half. This period we may date, if we choose, from the
birth of Scotus Erigena soon after the year 800 to the death of
Duns Scotus in 1308. There were Schoolmen before Scotus
Erigena — Bede and Alcuin; and there were scholastic thinkers
after Duns Scotus — William of Occam and Nicolas Cusanus.
Scholasticism as such may be considered in two forms, one pe-
culiar to such a characteristic thinker as Abelard (1079-1142), the
other forever associable with the name of Aquinas (1227-1274).
Scholasticism began as a movement to rationalize the doctrines of
the Church; it ended in an elaborate system of civilization and
culture. A vine was planted, took deep root, and began to fill
the land; the hills wefe covered with the shadow of it and it sent
out branches unto the river and boughs unto the sea.
FA9ADE OF THE CATHEDRAL OF RHEIMS
Gothic architecture, an exemplification of Christianity seeking
definite form and highly detailed articulation, is here
seen at its best*
(facing page 237)
SCHOLASTIC CULTURE
This scholastic vine, as we are calling it, may have been more
leafy than fruitful; but it possessed life and showed itself capable
of ramifying into all the nooks and crannies of Church and
State. There was theology above and philosophy beneath it all,
but between these chill poles expanded a sphere of enterprises
and activities. Let us mention the most important ones and
reserve a few of them for subsequent discussion.
SCHOLASTIC CULTURE
Outwardly nothing is more impressive of the Xlllth century
than the cathedrals, the Gothic Cathedral, enorme et delicate.
Inwardly this era expressed its yearning spirit in the foundation
of universities. The artistic spirit spoke again in the frescoes
of such masters as Cimabue and Giotto, in the naturalism of
Giotto. Not only the brush, but the pen also was under the
inspiration of the age, as one sees from Reynard the Fox, The
Golden Legend, and The Romance of the Rose. In different
vein were The Cid, The Nibelungen Lied, and the completion of
the Arthur Legend, just as there was also Parsival by Wolfram
von Eschenbach and the little story of Aucassin and Nicolette.
Then, in lighter form, was the music of the Meistersingers and
Troubadours balanced so majestically by such hymns as Stab at
Mater and Dies Irae. There was, of course, the ponderous the-
ology of Thomas Aquinas and his Summa, but the spirit of this
was lightened and humanized by Dante in his Divina Commedia.
The tone and tendency of such aesthetic products was neither
mediaeval nor modern, but rejoiced in a delightful form of am-
biguity and feeling of wistfulness.
In more practical ways the century witnessed the creation of
the Friar Movement, that of St. Francis in Italy and St. Dpminic
in Spain. Out of the Dominicans was to come the speculative
theology of Thomas Aquinas and from the Franciscans the more
practical system of Duns Scotus and the subsequent conflict be-
tween Thomism and Scotism. In the affairs of state appeared
the Magna Carta, the establishment of England's Parliament,
and Bracton's collection of laws, which became the foundation of
modern common law. In commerce, there was the Hanseatic
SCHOLASTIC CULTURE
League of cities and the free cities with the modern ideal of self-
government. There was also a delightful secularism being en-
gendered by cathedral building in the form of an arts-and-crafts
movement or what might be called technical schools, where the
community received instruction in manipulating stone, wood,
metal, glass, and the like. The social effect of this activity was
seen in the formation of guilds which included merchants as
well as artisans. The aesthetical or ethical result was that of
self-expression through work. The plan of the cathedral was so
exact as to suggest the rigor of scholastic theology, but the exe-
cution of the details as in the ornaments and appurtenances was
such as to invite individual taste and private expression. In this
sense of a fixed plan and the free execution of it, the Gothic ar-
rived and for a while remained at the summit of ideal activity.
THE GOTHIC ERA
Before we are forced to consider the thin abstractions of scho-
lastic culture, we are privileged to observe its counterpart in more
concrete and beautiful forms. These we find in Gothic architec-
ture. Already we have referred to it as though it were an exem-
plification of the scholastic spirit, but doubtless it is wiser to
regard both the Scholastic and the Gothic as exemplifications of
a common Christianity seeking definite form and highly detailed
articulation. Both the scholastic and the Gothic tendency was
to decide upon a definite plan and then carry this out in detail.
In both alike was a certain touch of individualism — the Nomi-
nalism that released the particular person from the toils of Real-
ism, the fineness and fantasy of decoration whereby the private
workman expressed his genius in comparative independence of
the general plan of structure. In the instance of architecture, it is
difficult to conceive of a more perfect ideal of universality and
particularity.
Most of us are inclined to gaze upon a Gothic structure as
though it were only a very ecclesiastical form of architecture
signified by pointed arches, stained-glass windows, and gargoyles.
The spirit of the structure, however, is much deeper. Like all
architecture, the Gothic must adapt itself to the downward force
THE GOTHIC ERA 239
of gravity and the rigidity of the building material. Prior to the
creation of the Gothic this conflict between gravity and rigidity
had been met chiefly by means of the heavy column and the
thick wall. The effect, as in the case of a pagan temple or a
Christian church, was impressive, but the spirit of the structure
ponderous. It was the aim of the Gothic architect to solve his
structural problem in such a way that slim supports might be
able to lift the load to an unusual height and likewise provide for
breadth of design. The arch was in vogue and even the pointed
arch had been adopted, but the Gothic architect conceived of the
idea of using a pointed arch made up of two sections of circular
ones. In this chiefly lay the originality of his design. What is
the Gothic?
Probably we can most fully grasp the Gothic idea if we con-
sider the groined arch within the cathedral and the flying but-
tress on the outside. All true Gothic is the balance of the masses
and forces that these arches and buttresses suggest. The function
of the groined arch is to convey the load from the lines of
the walls to the points of the pillars. Right at these points, the
groining is executed in such a way as to carry sections of the
load to corresponding divisions of the pillars below. If it were
not a grotesque suggestion, we might imagine that the masonry
above is like a huge vat whose thick contents is drained off
downwards by means o£ pipe-like pillars. Commensurate with
the downward thrust, accounted for by the groined arches, is the
lateral thrust taken up at the same points by the flying buttresses,
which carry over to the sturdy piers flanking the building. In this
manner, the enormous structure keeps its balance. All parts of
the Gothic, even the minarets which seem to rejoice in only
decorative forms, have their part to play and play it in such a
way as to make the truly structural appear spectacular.
With this rough word-sketch before us, we are now in a po-
sition to speak of the Gothic as an architectural system of thrust
and counter-thrust in which, as it were, an active mass of material
is realizing the third law of motion, of action and reaction.
These thrusts are of three forms — downwards, sideways, and
lengthwise. The direct, downward thrust carries its portion of
the load on the great pillars resting upon the floor. The lateral
240 SCHOLASTIC CULTURE
thrust, north and south, is accounted for by the striving system
o£ flying arches and supporting buttresses. To the east, the lon-
gitudinal thrust is met by the towers with their gigantic bases,
while to the west the same line of thrust encounters the well-
buttressed apse. The whole structure when thus understood
seems to take on a dynamic character which represents the effect
of energy rather than the mere appearance of mass.
The artistic effect is, first of all, that of sincerity, in that the
spectacular character of the edifice is in harmony with the struc-
ture that expresses it. Matter and form are one, and beauty is
achieved by means of adequate expression; nothing is wanting,
and all the material involved in the building is in its appointed
place doing its appointed work. The aesthetic effect is such that
the edifice becomes a work of art akin to a statue or painting or
sonata. This effect appears outwardly in the exquisite carving,
especially on the facade, but present high up among the flying
buttresses also. Inwardly the impression of the painter's art
comes forth in the stained-glass windows which occupy most of
the wall space, giving the impression, as in the Sainte Chapelle
in Paris, that the structure rests upon or is composed of glass.
The motif of the decorations, likewise, is noteworthy for its
naturalness; it is based chiefly upon floral designs rendered with
the charm of simplicity and delightful earthliness. From the
exact standpoint of time, the Gothic must be lodged in the me-
diaeval period, but the engineering principle involved in the
structure and the sumptuousness of impression created are dis-
tinctly modern and are only two of the various indications of how
wistful of novelty was the whole XHIth century.
THE RISE OF UNIVERSITIES
Around the cathedrals there grew up schools; hence we can
pass from Gothic architecture to scholastic theology and philoso-
phy by way of the mediaeval university. In this institution we
find much that still survives in the higher education of the pres-
ent. We have still the university with its colleges and schools,
the degrees of bachelor, master, and doctor, the cap and gown and
the conflict between "town and gown." Our curriculum is
no
CANNON OF THE FIFTEENTH CENTURY
* alfo coufc
not/ ($n
FRAGMENT OF CAXTON'S PRINTING FROM HIS EDITION OF THE
Prologue to Virgil's Aendd
CATHlMbftALy PARIS
The flying buttresses, pictured here, are characteristic of
Gothic architecture.
THE RISE OF UNIVERSITIES
vastly different from that of the original university, but the form
of the institution still abides; so that we are scholastic in spite of
ourselves. The mediaeval university was a spontaneous affair and
seems to have started as a guild made up of teachers and schol-
ars. In Italy, as at Bologna, the government of the university
was in the hands of the students, while at the University of Paris
the control was exercised by the teachers. The basis of study
was logic, the method of instruction oral, and the method pursued,
was that of discussion rather than of study and research.
The original institution was known as studium generate, and
it was not until its members formed an academic corporation
that it became a university. The spontaneity of spiritual freedom
of these universities is shown by the fact that a school grew up,
was recognized publicly, and sometimes attained to great fame
before it received ecclesiastical recognition. We observe this most
strikingly in the case of the University of Paris. As far back as
the "end of the Xlth century the great William of Champeaux
gave lectures on theology in the school of Notre Dame, but it
was not until the beginning of the XHIth century that the Univer-
sity of Paris was incorporated. It was recognized as such by a
brief of Pope Innocent III in the year 1211, and then became the
great mediaeval university.
The development of the university idea follows a chronological
line from Italy to France, England, and Germany. What may
be called the first university in the world was that of Salerno,
which was a more or less famous school of medicine in the IXth
century. From medicine, the emphasis changed to law when,
about the year 1000, there was a revival of legal studies in Bologna,
where a second university was started. This one branch of study
did not make a university in the true sense of that term, but by
the year 1200 medicine and philosophy were introduced; it was
not, however, until the middle of the XlVth century that the
pope proclaimed Bologna a studium generate in theology. As
for Oxford, attempts have been made to date the founding of this
venerable institution back to the days of Alfred the Great, but
actual history yields no more than a record to the effect that in
1167 Oxford was recognized as a studium generde. Oxford seems
to have been modeled on the University of Paris, rivaled it in the
S,T, — 17
SCHOLASTIC CULTURE
study of theology, and reclaimed from it certain of its more emi-
nent English students. Oxford imitated Paris likewise in the
founding of separate colleges— University College in 1249; Bal-
liol, 1263; and Merton, 1264. We mention these since they are
still in existence; we stress the importance of Oxford since Mat-
thew Arnold suggested that it was the last stronghold of Scho-
lasticism in modern times.
THE UNIVERSITY OF PARIS
But it is still the University of Paris that must be kept before
the eye if we are to visualize the scholastic situation. This me-
diaeval institution came into prominence through the lectures of
William of Charnpeaux (died 1121), the great exponent of me-
diaeval Realism. Paris was originally the authoritative center of
scholastic theology, but afterwards developed all four of the great
departments — theology, philosophy, law, and medicine. These
have been called the four Parisian faculties. Paris developed its
system of colleges, the first of which was the Sorbonne. These
colleges suggest not only their counterparts in mediaeval Oxford,
but also our modern system of dormitories, if not the more ad-
vanced system of "houses" introduced at Harvard and Yale.
The purpose of the college was to provide board and lodging for
the student and furnish him further with the supervision of a
master. These provisions seemed as necessary then as they
do now.
The influence of the University of Paris is attested by the divi-
sion of the student body into " nations," which have been spoken
of as though they represented most of the civilized world. The
four nations at Paris were France and England, Picardy and
Normandy. " Though this division is mentioned for the first
rime in a public document in a bull of Innocent IV of 1245, it
existed, at any rate as a working arrangement, in the Xllth cen-
tury."1 There were famous students among these academic
"nations." Abelard was a pupil of William of Champeaux;
Peter Lombard, author of the dogmatic Sentences, was a pupil of
Abelard, It would be using the jargon of popular history to say
1 Tilley, The Literature of the French Renaissance, p. 81.
THE UNIVERSITY OF PARIS 243
that students " flocked " to the great Parisian university; it would
be worse than jargon to state some of the figures supposed to
indicate the size of these academic " flocks/' and, in the case of
smaller university towns, to state further that " gown" was much'
greater than " town." Apparently the boast based upon numbers
is mediaeval as well as modern, but in dealing with the enroll-
ment at the typical scholastic university it is wiser to speak in
terms of thousands than tens of thousands. In speaking of the
greatest of the universities Tilley says, " We shall thus on a most
liberal computation get 5000 for the number of persons, including
men, youths, and children, engaged in the work of education at
the University of Paris at its most flourishing epoch."2
Instead of quoting extensive and impersonal figures with the
idea of enhancing the glory of mediaeval learning, we had
better state that, in addition to the names already mentioned, the
list of students at Paris included the names of such Englishmen
as John of Salisbury, Alexander of Hales, Robert Grosseteste, and
Roger Bacon. Among the Italians who might be claimed as
alumni were Thomas Aquinas, Bonaventura, Dante, and his
teacher Brunetto Latini. Those were days when men were
greater than the things they taught and students far superior to
their studies. But with the advance of learning and the develop-
ment of science, the reverse is -true today. Our science like our
civilization towers above us and we occupy a place in a culture
and civilization which we are unable to fill.
If a university student in the year 1232 could rise from the dead
and converse with a member of the class of 1932, the two would
have mutual difficulty in making themselves understood. The
mediaeval student would know everything about his narrow cur-
riculum; the modern, who had " majored " in this, " minored "
in that, and " specialized " in the other, would disclaim all aca-
demic responsibility for anything outside his "course." The
mediaeval student inherited the old trwium — grammar, dialec-
tic, rhetoric; the quadrivium — geometry, arithmetic, music, as-
tronomy, dating as far back as Varro in the second century.
These " seven liberal arts " included a little more than these titles
indicate, but there was nothing practical or vocational about them,
2 /£., p. 192.
SCHOLASTIC CULTURE
The modern student would show himself much better informed
than his scholastic brother, but would have to confess that he had
but touched the periphery of the academic circle, whose courses
cannot be expressed fully even by using the term centrivium.
The student of the old order had the mill, but not the grain;
the modern student has inherited a rich harvest of knowledge,
but is not so well equipped with a mill to grind it fine. What
was the nature of the scholastic mill?
MEDIAEVAL REALISM
If we wish to grasp Scholasticism and appropriate its value, we
caa do no better than lay hold of its great horns —Nominalism
and Realism. The Schoolmen found this double-edged doctrine
in Boethius (470-525); Boethius found it in Porphyry (233-303),
who took it from Aristotle, who himself had found it in Plato, as
Plato learned it from Socrates. Prom Boethius the doctrine went
forward to such professionals as Roscellinus, William of Cham-
peaux, and the delicious Abelard. At a later period of Scholasti-
cism, Albertus Magnus seemed to settle the question, or draw it
out of the field of discussion, so that scholastic differences therein-
after were drawn along different lines when the Dominicans and
Franciscans came to verbal blows. When Socrates taught his
disciples to think in terms of universal ideas, little did he realize
that he would start a mediaeval controversy, and just as little do
we realize that the question concerning the nature of these
Socratic universals is still with us. Before we can appreciate our
Nominalism and our Realism, we must see how the Schoolmen
felt about the matter.
Of course, their orthodox interest would be in the universal
idea in all its solidarity. Their interest in the great issues of life
— God, Man, Church, Sin, and Salvation — and their indifference
to the minutiae of existence as we find these in rnetals, plants,
animals, and the like would make them Realists. This term, by
the way, had a meaning the very opposite of what it enjoys today
and can better be understood in the form of " Idealism," Platonistic
or objective idealism which means the reality of ideas. In the
controversy over the nature of universals, the Nominalists insisted
MEDIAEVAL REALISM 245
that these were but convenient names, abstractions, or symbols.
Apart from particular elms, pines, and palms, there would be no
Tree; if it were not for the existent Peter and Paul, there would
be no Man. The Realist, however, was of the opinion that the
individual thing is only a specimen of the species, so that Man,
Tree, and Metal mean more than just this Peter or that elm or the
other bit of gold. When the ideas in dispute were those of God
and Man, Church and Salvation, Realism became unusually im-
portant. If only the individual is real, God amounts to only
the three separate persons in the Trinity, Man was not lost in
Adam and saved through Christ, and the Church is not really
Catholic, or universal. Roscellinus (<r. 1050-^*. 1122) insisted on
Nominalism and rejected the idea that there was the same divine
essence in the three persons of the Trinity even when he was
driven to the doctrine of Tritheism. He was just as insistent in
the case of Man, whose sin, he contended, was not the original,
solidaric sin of Adam, but personal transgressions here and there.
It is not difficult to understand how the Church adopted the
Realism taught by William of Champeaux, who all but did
away with individuals and made so much of the one Uni-
versal as to approach Pantheism. Abelard helped matters
somewhat and put the difficult doctrine in a more acceptable
form. He was too much of a philosopher to agree with Roscel-
linus in saying that only particular things are real; he was too
much interested in the affairs of this life, as his love affair with
Eloise, to blot out all individuality as William of Champeaux had
done. Hence Abelard invented a kind of Conceptualism accord-
ing to which the universal is only a concept until it enters and
exists in the individual, whereupon it becomes real. Later on
Albertus Magnus pointed out that a thing has a nominalistic
form when perceived, becomes conceptualistic when thought
about, and is itself realistic in its metaphysical character.
If we wish to draw the line between mediaeval and modern,
we can do so lightly and waveringly by attributing Realism to the
Schoolmen and Nominalism to the scientists. There were Nomi-
nalists then as there are Realists now. They had their bold Ros-
cellinus at the beginning of the period and their sharp William
of Occam at the end. But the difference between the two Nomi-
246 SCHOLASTIC CULTURE
nalists was this: the Nominalism of Roscellinus was a challenge
to the scholastic spirit and ends in a triumphant Realism, while
that of Occam was an invitation to the modern spirit to cultivate
separate languages, develop special sciences, found independent
States, and break up the old Caesarean-Catholic tradition. This
new Nominalism was the spirit of the Renaissance and the Ref-
ormation, for it sought to release individual genius and private
conscience.
REALISM TODAY
How does such a scholastic distinction affect us now that we
are safely ensconced in Modernism and seven or eight centuries
removed from the original conflict? It affects us practically
whenever we are confronted by any sharp contrast between the
individual and organized society. We may live day by day from
hand to mouth after the manner of an irresponsible Nominalism
emphasizing the inviolability of the individual and the self-
determination of individual nations. But in time of war, the
State assumes the form of Realism and exercises all manner of
domination over the individual citizen, subjecting him to con-
scription, taxation, and the like. In a time of peace, such as has
followed the World War, the Nominalism of nations is ques-
tioned on the ground that justice demands a League of Nations
with authority over its nationalistic members. In special cases,
as that of the German Empire before the war and the Russian
Soviet since, the effects of Realism are observed in the way
that a supreme and impersonal organization called " Reich " or
" Soviet " assumes such an authority as to create the impression
that it is a kind of entity in itself or something distinct from the
individuals who compose it. As with mediaeval Realism, so with
modern; it is when an organization, theological or political, de-
sires to exercise supreme authority that Realism is resorted to.
The difference is that mediaeval Realism was a conscious con-
cept worked out by means of classic Conceptualism and scholastic
logic, while modern Realism is less conscious and less rational.
The popular mind, which has no conception of scholastic phi-
losophy, involves this Realism in matters that have interest for it.
MODERN NOMINALISM
In the spirit of mediaeval Realism, we refer to the Law as though
it existed in independence of particular law-makers and individual
statutes. At the present time we are complaining that there is
little respect for Law, although we do not take pains to stipulate
what law we have in mind. In like manner, we of the commer-
cial age refer to Wealth as an entity apart from commodities and
the prices we command. So fully convinced are we that Wealth
exists that we refer to the desirability, the power, the menace of
Wealth, and the like. In spite of individual liberties and states'
rights, we talk about the Government as though it were a thing
or even a person to be praised for prosperity and blamed for
depression. Even when the religious community is divided along
the heavy lines of Catholic, Protestant, and Jew, and subdivided
into a manifold of Protestant sects, we are ready to speak of the
Church and assert that it is behind the times or not doing its
duty. We are inclined to regard the stock market as a reality
and read reports to the effect that the Market was " steady " or
" nervous " or " dull." When we try to think scientifically about
society, we refer to it as a " social organism " or a " social con-
sciousness," paying very little attention to the heterogeneous col-
lection of individuals who compose it. In the same manner we
say that Science says this or that, when science itself is made up
of physics and chemistry, biology and psychology in their various
branches.
MODERN NOMINALISM
On the side of modern Nominalism, we find the bold doctrines
of individualists like Emerson, Max Stirner, Nietzsche, and Ber-
nard Shaw. Men of this type see nothing over their heads but
the blue sky — no Church or State or Society. They resist classi-
fication and refuse to be subordinated to an idea. In their minds,
these circles of classification are like iron rings; hence they are
inclined to say, " Let us burst their bands asunder and cast their
cords from us." Emerson expressed this American Nominalism
a century ago when he said, " Unhand me "; " the world is gov-
erned too much "; " good men must not obey the laws too well ";
"keep the universe open"; "embroil the confusion." Such
248 SCHOLASTIC CULTURE
Nominalists will go to extremes, as Max Stirner did when he
said, " The truth is my truth." Stirner regarded the social order
as a spook, just as Ibsen spoke of the solidaric traditions of
society as " ghosts." But are we not haunted by the " ghosts " of
Realism and Nominalism, systems that were supposed to have
expired centuries ago?
These scholastic ways of handling fundamental ideas cling to
us or we cling to them because they still represent true situations
in the mind. Most of us are inclined to side with the Nominal-
ists, who seem much more modern than the Realists; moreover,
the' Nominalists rejoiced in a spirit of independence which we
gladly share. But deeper insight into the nature of things reveals
the reappearance of Realism, although in an altered form. The
great, general example of this Realism is in the modern concep-
tion of Natural Law, which latter must be taken to mean a real
mode of behavior on the part of nature rather than a verbal state-
ment of this made by the rnind of man. A more specific example
of modern Realism appears in the principle of evolution, which
is to be understood as a force actually transforming inorganic
matter, plants, and animals, and not a scientific theory, like In-
sensible Variations or Sudden Mutations, supposed to account for
this. History also is deserving of a realistic interpretation in the
sense that history is not merely a nominal record of events, but a
realization of a force whereby these events come to pass. Our
Nominalism is a constant protest against undue authority and ex-
cessive dogmatism. Beneath it is our Realism, which may be
appreciated in the form of classic and scholastic universals in ac-
tual operation in nature and the civilization of mankind.
Our inability to entertain intelligent sympathy for mediaeval
culture is due for the most part to the scientific education of the
last four hundred years. In things pertaining to religion and
political and social life, we are not so different; hence it is more
our ideas than our values which have changed. In lesser ways,
the popular mind shares the mediaeval spirit, so that the old no-
tions of astrology, magic, and theosophy dog our steps in the
form of our astrology, our numerology, and our Christian
Science. It is chiefly in matters of faith and reason that we differ
from the Schoolmen; we have neither the faith nor the logic that
FUSION OF PAGANISM AND CHRISTIANITY 249
once was theirs. We feel that we have emancipated ourselves
from authority, and such in fact is the case, but we have fallen
under the spell of the leader, the demagogue, the expert. Hence
the advance that man has made since the end of the Xlllth cen-
tury is but a fraction of what it is commonly believed to be.
THE FUSION OF PAGANISM AND CHRISTIANITY
From a purely cultural point of view, the mediaeval mind
achieved something which has been impossible since: it brought
about a fusion of pagan and Christian thought until finally, in
the system of Thomas Aquinas, it raised the works of Aristotle
to the authoritative rank of the books of the Bible. In a purely
theoretical way it may be said that this indicates the ideal of
European culture and that we are indebted to such a Schoolman
as Aquinas for having made this fusion. The first period of
mediaeval thought, used to mysticism, united Platonism with
Christianity; this we observe in St. Augustine and Anselm. The
second period employed Scholasticism to fuse the principles of
Aristotle with the doctrines of the Church. The difficulty that
was found with this pagan-Christian fusion was that it involved
too much logic and metaphysics and too little science and art.
The Church adopted Plato and Aristotle, but ignored Pheidias
and Archimedes, with the result that, when the modern period
set in, the tendency was to drop Plato's and Aristotle's syllogisms
and lay hold of the lever of Archimedes.
We of the modern period are fond of referring to the narrow-
ness of the mediaeval mind, forgetful of the fact that the Fathers
of the Church and the Schoolmen were so intent upon truth as
they conceived it that they were all but indifferent to its sources,
whether pagan or Mohammedan. When the humanizing move-
ment within the Church was inaugurated by the Franciscan and
Dominican Friars, there was an acute demand for secular knowl-
edge which, as they imagined, had to come from Aristotle's
scientific works; but at the time these were available in only Arabic
versions. However, the hatred of Christian for Mohammedan
did not deter the scholastic Humanists from making good use
of the Arabian Aristotelianism of Avicenna and Averroes. " The
250 SCHOLASTIC CULTURE
large portion of the philosophy of Aristotle," said Roger Bacon,
"received little attention either on account of the concealment
of the copies of his works and their rarity, or on account of their
difficulty or unpopularity, or on account of the wars in the East,
till after the time of Mahomet, when Avicenna and Averroes
and others recalled to the light of full exposition the philosophy
of Aristotle." 3 Now the rediscovery of Aristotle in the Xlllth
century was akin to the rediscovery of Archimedes in the XVIth
century. It made Scholasticism a complete system of thought.
AQUINAS AND ARISTOTLE
It was the work of Thomas Aquinas to round out scholastic '
culture, as it had been the office of Aristotle to summarize the
thought of Classicism. Their positions in history are analogous
and their methods akin; both alike rationalized the knowledge
of their respective ages, and both fell short in the same particular
— in astronomy and the mechanical conception of the universe.
It is true that Aristotle accepted the idea that the earth is round,
but he still maintained that it is the center of the universe, and
his authority in this matter had much to do with checking the ad-
vance of the heliocentric theory surmised by the Greeks and later
established by Copernicus, It was obvious that Aquinas should
follow his ancient master in the more convenient doctrine of as-
tronomy. But this shortcoming in the doctrine of Aquinas should
not blind us to the merit of his intellectual achievement, which
in itself was gigantic. For this great master of scholastic culture
aspired to divide the whole universe into the realm of nature and
the realm of grace. In dealing with the natural order, he pro-
ceeded historically and united the principles of Greek philosophy
with the doctrines of Christianity. His method of theological
procedure, conducted according to the logic of sacred history, was
such as to relate the Creator to the creature and thus systematize
the spiritual order. The result is that, while we do not follow
either Aristotle or Aquinas directly, we have at oiir disposal the
classic method of the one and the scholastic method of the other.
These we may use as historical categories or forms of thought.
8 Opus Majus, tr. Burke, p. 63.
ROGER BACON 251
The Schoolmen went to Aristotle for the purpose of getting
back to nature as a systematic whole, a cosmos worthy of the
Creator. But with more patience and more scientific curiosity
they might have developed their own philosophy of nature.
Their Gothic architecture in its decorations revealed their in-
terest in foliage and plant life generally. Roger Bacon's investi-
gation of optics revealed interest in and insight into the phe-
nomena of light and color. The pious naturalism of St. Francis
is only another example of interest in the physical world. He
who felt kinship in natural phenomena and could call the sun,
the wind, and fire his brother, and the nioon, the rain, the earth
his sister could easily have been a guide in things natural as well
as things spiritual. But the Church needed as an accompaniment
for its spiritual order a well-organized mundane system, and that
it found ready-made in Aristotle. If he had conveyed to the
Church those physical conceptions — the mechanics of Archi-
medes and the atomic theory of Democritus — they might or
might not have been accepted on the authority of the ancient
master who supplied the mediaeval mind with its cosmic con-
ceptions. If Aristotle had mastered ancient mechanics and the
Schoolmen had adopted his views, modern science would have
begun at least two centuries earlier.
ROGER BACON
The science enjoyed by mediaeval culture can be summed up
in a name — Roger Bacon (V. 1214-1294). The name "Bacon"
is unfortunate for the reason that it is commonly associated with
that of Francis Bacon, who appeared three and a half centuries
later and received credit for the introduction of intellectual novel-
ties peculiar to the Bacon of the XHIth century. If Francis had
lived in the days of Roger, he would never have done any of the
latter s work except perhaps Part Three of the Of us Majus, which
has to do with " The Study of Tongues." If Roger had lived in
the age of Francis, all of the former's glances in the direction of
experimental science would have become full vision. Roger
availed himself of such opportunities as he had and initiated what
may well be called the scientific method. Francis, who affected
252 SCHOLASTIC CULTURE
interest in science and spoke enthusiastically of its powers, was
not the type of mind to appreciate actual research and mathe-
matical calculation. The two men differ on the most important
point in modern science — the application of mathematics to all
problems. Roger accepted this, Francis rejected it.4 The modern
Bacon refused to accept Copernican astronomy and, defective as
he was in modern physics generally, he failed as well to measure
up to the new ideal in politics expressed in the notion of jus
natural?, for the term jus in the sense of a rational principle of
rights distinct from any legal code does not appear in his writ-
ings.5 Hence, when comparisons are made, all the advantage is
upon the side of the Franciscan Friar of Oxford. The Bacon
whom we are to bear in mind in the history of science is thus
Roger, not Francis.
The intrinsic importance of Roger Bacon is likely to be meas-
ured on the basis of sympathy for his spirit and age. The Catho-
lic will extol his greatness and make of him a doctor mirabilis
indeed; the Protestant, already pledged to Francis, Lord Bacon,
will be inclined to regard the Franciscan Friar as little more than
a curiosity. When, however, we take a historical point of view
we find it difficult to deny genuine greatness and a distinct touch
of modernness to a man who, in the heart of the XHIth century,
was dreaming dreams that came not true until more than cen-
turies had passed. In paying tribute to Fratri Rogerio dicto
Bacon, we must admit his limitations. These were the scho-
lastic inhibitions of his own mind and the ecclesiastical prohibi-
tions of his own age. He was not allowed to investigate beyond
the shadow of the Church, but he did not care to. He accepted
the absolute authority of the Scriptures, regarded theology as the
queen of the sciences, and after having glorified, in his Of us
Majus, mathematics and experimental science, concludes with an
attempted proof of transubstantiation. However, if we are
forced to consider Bacon the child of his age, his quasi-modern
ideas are such as to evince the advanced intellectuality of his age.
What matters it then if other Oxonians of that period, Robert
Grosseteste and Adam Marsh, were equally adept in mathematics
4 Novum Organum, Lib. II, 5.
6 Lerminier, Histoirc du Droit, Int. 113.
ROGER BACON 253
and science generally? They with Bacon speak for the science
of those cloistered days.
Roger Bacon's desire to reform learning within the Church ex-
pressed itself in Part One of his Of us Majus, where the author
considers "The Causes of Error." These are four in number:
submission to faulty and unworthy authority, the influence of
custom, popular prejudice, and the personal concealment of ig-
norance. Roger Bacon cites these intellectual obstacles to truth-
finding with no such flourish of rhetoric as one finds in Francis
Bacon's discussion of the four idols, the famous Idola. Indeed the
earlier Bacon makes mention of these mental faults as things
that have long been known and finds the equivalent of them in a
number of sacred and profane writers, whom he cites. The only
possible criticism of the man whose mind was keen enough to
discern such impediments to knowledge is that his mind was
not so strong in overcoming them in the case of his own think-
ing. For he followed authority and was influenced by custom,
although he was not so susceptible to popular prejudice and
personal pride.
The chief merits of this XHIth-century thinker were intellectual
enthusiasm and scientific imagination. He set for himself as
the boundaries of his intellect the walls of the Church and the
covers of the Bible, but within those self-imposed limits his
thought intensified itself. He accuses the men of his day,
the moderni, of neglecting mathematics, which he regards as the
gateway to the sciences. "For the things of this world can-
not be made known/' said he, " without a knowledge of mathe-
matics." Bacon believed in the application of mathematics to
astronomy, or " theoretical astrology," and geography. By such
means, Bacon pointed out the error in the contemporary calendar
and calculated that it had gained one day in every one hundred
and thirty years. He calculated the size of the earth. He
accepted the Biblical idea of the rainbow as the divine prom-
ise that the earth would never again undergo a deluge, but
then proceeded to give a geometrical explanation of the
phenomenon.
For the most part, Bacon's science was of a wistful character or
that which could be if only we were in possession of the proper
SCHOLASTIC CULTURE
instruments. He made a thorough study of optics and observed
the magnifying power of lenses, but seems to have had no tele-
scope or microscope. "In this way," said he, "a child might
appear a giant, and a man a mountain. ... So also we might
cause the sun, moon, and stars in appearance to descend here
below." 6 In his Of us Tertium, Bacon refers to the possibilities
of gunpowder and seems to anticipate the invention of explosive
shells all too well known today. In like manner, he mentions the
possibility of mechanical boats which might be propelled at
tremendous speed, as also of flying machines. But these things,
as in the parallel case of Leonardo da Vinci, are spoken of on the
authority of imagination rather than upon the basis of practical
reason and inventive power. His very limitations are of interest
to us in that they testify to the state of that culture which he
shared with his most enlightened contemporaries.
DANTE
The vital conception of mediaeval culture, or Scholasticism,
was such as to provide an adequate place for the poet Dante. It
is the fashion to speak of this supreme poet as a detached figure
or a personality that merely happened to be born, but any inti-
mate acquaintance with his Dwina Commedia will suffice to show
that his verse is more in harmony with the theology than with
the poetry of his day. At the risk of being inaccurate for the sake
of being clear, let us say of Dante's poem that it was the theology
of Thomas Aquinas set to music. The Gothic architects could
make art out of Scholasticism, Dante was able to create stanzas
out of Thomism. Theology encompasses his poetry, but within
this framework, which seems never to have irritated him, there is
the pure poetry that we recognize in his earlier efforts, when as
a troubadour or first of the sonneteers he wrote more lightly of
his lady love. The worldliness of this orthodox poet appears
throughout his poem much after the manner of naturalistic deco-
ration and delicate adornment in an awful Gothic cathedral.
This appears at once in the introduction of a pagan poet rather
than the Christian Savior; it appears again, in the
6 Opus Majus, tr. Burke, p. 582.
DANTE 255
when Dante is saved by a contemporary Florentine woman in-
stead of the eternal Virgin Mary.
The realism, or naturalism, of Dante is likely to be overlooked
by those who are impressed by his awful vision of the Catholic
hereafter in an Inferno, Purgatory, and Paradise. We are wont
to believe that the poet should choose poetical, that is, beautiful
and impressive, objects to supply the figurative forms for his
verse, and this does Dante do in the guise of earth and sky, sea
and mountain, river and tree; each of the three books ends with
the word " stars." But not these alone, for his imagination leads
him into regions where even a Shakespeare would have difficulty
in poetizing the inconspicuous and repulsive things of the terres-
trial order. The genius of Dante, enamored of the splendid
things in life — angels, princes, and beautiful women — balks not
at the mention of the gross and contemptible — cats, dogs, gnats,
flies, eels, frogs, mice, lizards, crabs. Indeed, in one of the most
sublime portions of the Corn-media, where Beatrice leads the poet
into Paradise, Dante cannot avoid a rather unlikely comparison
of stars and fish.
The appearance of Beatrice herself is likened to the rising of
some new star in the firmament. When her face beams upon
the skies, the other celestial orbs, entranced by her beauty, flock
about her and in full chorus exclaim, " Behold one who will in-
crease our loves." This is delicious boldness on the part of the
bard and certainly not bad poetry. But not content with this
celestial similitude, Dante presses a very earthly analogy, for he
likens the celestial enthusiasm of the stars to the hunger of fish
which are wont to swarm to some likely spot when any one with
food appears on the shore of a lake.7 Dante's naturalism goes
even further. He beholds the redeemed souls leaving the last
circle of Purgatory and preparing to enter Paradise. They rush
together and greet one another with a holy kiss. In the poet's
fancy, this assembling and greeting seems like a group of ants
coming together and rubbing muzzle to muzzle.8 All in all,
these touches of realism in our sense of the term indicate both
the penetrating intuitions of a Xlllth-century Dante and the
century's longing for nature. However, Dante did not emanci-
7 Paradiso, V, 97-102. 8 Purgatorio, XXVI, 25-30.
256 SCHOLASTIC CULTURE
pate himself from Scholasticism nor did he for a moment wish to;
what he did was to make a pilgrimage through the mediaeval
State and Church and School. It is the account o£ this that we
have in the form of the Divine Comedy. But the sun of modern
thought was beginning to shine even then, with the result that it
is in a formal way only that we can refer to Dante as mediaeval.
He wrote in a modern language rather than in Latin, and his
six-hundred-year-old poem is readable to the modern citizen of
Florence. Dante was exceptional, different, modern; we return
to stated Scholasticism when we refer to its realism.
THE OLD SCHOLASTICISM AND THE NEW
We were not specially concerned with the scholastic quarrel
between the Realists and Nominalists until we discovered that
we, too, have our modern Realism in the social sciences, our
Nominalism in egoistic rebellions. Just as little and just as much
are we interested in the famous dispute between the Franciscans
and Dominicans on the subject, " Is the good good because God
wills it, or does God will it because it is good? " Theologically
we may be free from such a dialectical entanglement, but psy-
chologically we are highly implicated. This is because the view
taken by the Franciscans exalts the will to the extremes of volun-
tarism and irrationalism, while the more staid conception of the
Dominicans lifts the process of cognition afeove the sphere of
action. Let every one be fully persuaded in his own mind which
he prizes more highly — his analyzing, defining intellect or his
active, creative will List some of your intellectualists and you
will find Kapila of the Sankhyam school in old India, Socrates,
Plato, Spinoza, Hegel, and idealists generally. Make out a
parallel list and there appear the names of Patanjali of the
ancient Hindu Yogins, perhaps Aristotle, St. Augustine, Duns
Scotus, Kant, Schopenhauer, and the Pragmatists. It was Duns
Scotus (c. 1265-1308), the Franciscan monk arjd professor of
theology at Oxford and Paris, who precipitated this XHIth-
century problem. It seemed to him that the personality and
freedom of man were at stake.
Duns Scotus, like Kant, was intent upon saving free will in
THE OLD SCHOLASTICISM AND THE NEW
both God and man. He desired to exalt omnipotence above fate
and necessity. It would have been possible, he argued, for God
to have created a different kind of world or no world at all.
" The will is superior to the intellect — voluntas superior est in-
tdlectu." In the sublime instance of the Divine Being, it is well
known, argues this humanistic Franciscan, that God revised the
law of Moses in favor of the law of Christ; and He has as much
authority to exempt us from the moral law that now is, in favor
of some future law. Scotus saw this in the light of the Church's
indulgences, but we may choose to regard it as a futuristic way of
passing from old duties to new obligations. In a certain sense,
the futurism of Ibsen and Nietzsche is implied by the volun-
tarism of this bold Franciscan.
If we are timid, reactionary, conservative, we will cling to our
Thomism and repose in the idea that the great issues of life are
settled. If we are bold, radical, and progressive, we will rejoice
in our Scotism with its supremacy of the will. In the historic
case of Duns Scotus, while he himself escaped the charge of
heresy but was never canonized, the way for the future was cut.
The Deity was allowed to provide a new form of religious life
for mankind, while man himself received thereby the privilege
of being free to choose among both doctrines and acts. Scotus
himself did not fall back into the formalism of Realism and
Nominalism, since his thought was too energetic for such pas-
sivity. As a Schoolman he had to express himself in the termi-
nology of his time; hence he calls Realism and regular ism by the
name of quidditas, reserving the name of haecceitas for the in-
dividualist. Our Quidditati are the regulars, the stand-patters;
our Haecceitati are the individualists, the non-conformists. No
matter which party is in the right, the haecceitatism of Duns
Scotus was modernistic. It prepared the way for the vehicle of
another of those delightfully human Franciscans — William of
Occam ( ? -c. 1349). His was a living Nominalism that led
mankind into the modern world.
In leaving Scholasticism behind us, it will be well to repeat
what we said at the beginning — that Scholasticism is more of a
mental state than a historical period. Intellectual formalism,
for that is what it is essentially, has long been in the world and
S.T.— 18
258 SCHOLASTIC CULTURE
shows a tendency to continue. Is there any Scholasticism at the
present time? Certainly not in the mediaeval sense since we re-
joice in different methods, yet our Scientism is not wholly innocent
o£ scholastic tone. So pronounced is this that Bergson laments
the rise of " a certain new Scholasticism that has grown up dur-
ing the latter half of the nineteenth century around the physics
of Galileo as the old Scholasticism grew up around Aristotle." 9
9 Creative Evolution, tr. Mitchell, p. 37°-
CHAPTER XI
THE EMERGENCE OF THE
MODERN MIND
ARE WE MODERN?
A 1 WE OF THIS AGE " MODERN " ? IF SO, WHAT DO WE MEAN BY
that term? These look like simple questions and the
answers to them appear forthcoming, but such is hardly
the case. We cannot apply the term " modern," still less relish it,
until we have identified and analyzed it. The intellectual history
of Europe shows us that the term was used in the Vlth century by
Cassidorus and that it appears here and there in the writings of the
Schoolmen, as Albertus Magnus and Roger Bacon. The idea of
modernity was vivid in the period of the Renaissance and the
Reformation, although both artist and religionist revealed a tend-
ency to revert to the past — to paganism, to primitive Christianity.
The contrast between ancient and modern was brought out in
the French literature of the XVIIth century in the famous quarrel
between les anciens and les modernes, conducted upon the alleged
superiority of the modern over the ancient poet and vice versa;
a quarrel between Fontenelle and Boileau, to mention only the
outstanding figures involved therein. The distinction between
ancient and modern was made clear psychologically by Schiller
in his essay On Naive and Sentimental Poetry (1795) . In the year
1800, Friedrich Schlegel made this distinction the basis of the
difference between the ancient Classicist and the modern Ro-
manticist. Of course, the chronological interval between ancient
Greece and modern Europe had not escaped anybody's attention,
but the inward differences between the two cultures had not
been appreciated.
We are different from the Greeks and Romans, but in what
ways ? We refer to them as the " ancients," but as an accurate
statement of fact the word " moderns " seems out of place with
us. Were not the Greeks the moderns in their youthfulness, and
are not we in our maturity the true ancients? As far back as the
2<5o THE EMERGENCE OF THE MODERN MIND
days of Priscian (Vlth century), something of this sort was sug-
gested in connection with the idea that knowledge is such a steady
growth as to provide for the accumulation of wisdom. Roger
Bacon furthered the idea when he said, " Priscian says . . . that
there is no perfection in human discoveries and adds, 'the
younger the investigators the more acute,' because the younger,
that is these of a later age, in the progress of time possess the
labors of their predecessors." x But these mediaevalists only im-
plied what was stated in the early part of the modern period,
as we must call it, by Giordiano Bruno (c. 1550-1600) and
Francis Bacon (1561-1626). These moderns, as we are bound to
call them, asserted that in reality we are the ancients. All four
thinkers would convey the impression that a present age, Vlth
or XHIth, XVIth or XVIIth century, is the wisest because it
represents the sum total of knowledge up to that time. We are
not so certain of that, but we are reasonably satisfied to apply
the term modern to ourselves and our predecessors in the last
five hundred years.
This introduces a second question: when and where did
modernity begin? In attempting an answer, we must realize that
history as a force moves forward in time and is written back-
ward as a record. Time is an irreversible process, hence we can
only think back and cannot go back to an earlier period. The
historical process of thinking back may lead to an occasional
illusion. We might imagine Homer as saying, " I am an ancient
poet "; or fancy that Dante might refer to himself as a " medi-
aeval bard " in the way that Goethe would surely have referred
to himself as a " modern maker of verses." But doubtless Homer
and Dante in their respective ages thought o£ themselves as quite
up-to-date, or as moderns in their own world. Furthermore, in
ages to come, these distinctions that we make so easily, so con-
fidently, may be blotted out by the historians of the far-flung
future. But let us see if we can fixate modernity in time and
locate it in space.
The geographical location of modernity may be settled at once
by saying " Europe." Asia has had a much longer history, but
it is not broken up into a threefold division such as we see in the
1 Opus Majus, tr. Burke, p. 15,
FEATURES OF MODERN THOUGHT 26i
western world. From our point of view, all of Asia, except
where Occidentals have modernized it, belongs to the ancient
order. America, on the other side of the world, has nothing but
modern history; its mediaevalism and antiquity do not count,
If, now, we choose to be more precise, we might locate the be-
ginning of modernity at the place where antiquity left off — in
Italy. This would identify the inception of the modern period
with the Italian Renaissance and might convey the impression
that our age at its beginning was only a revived antiquity, a
rebirth of some sort, a scientific and artistic revival. This is an
impression we desire to avoid, although in doing so we would
not for a moment try to unseat the Renaissance from its lofty
position. What we desire to point out is that the mediaevals ap-
proached the Renaissance and that the true moderns left it behind,
so that this little transitional period betrays the shade of Scho-
lasticism on the one side and the light of modern science on
the other.
FEATURES OF MODERN THOUGHT
Why were not the Schoolmen the moderni, as they called them-
selves ? Why did not the Renaissance begin in the Xlllth century,
when Europe was building its Gothic cathedrals and founding
its universities? Why could not Dante have been the aesthetic
prophet and Roger Bacon the scientific guide? Doubtless there
were inherent reasons for the delay in inaugurating the modern
era, but there was also an exterior one — the XI Vth century. By
the time it had arrived, the mediaeval mind had exhausted all
its resources. The age had its Niccolo Pisano and Petrarch, its
Cimabue and Giotto. But what we like to call the stream of
history did not flow smoothly from period to period. It tarried a
century between the end of Scholasticism and the beginning
of the Renaissance and experienced both plague and battle, the
Black Death and the Hundred Years' War. But the presence of
exhaustion, disease, and conflict was no more conspicuous than
the absence of things that were to make up the Renaissance.
Something positive and new was needed.
The general features of the modern movement were the Italian
262 THE EMERGENCE OF THE MODERN MIND
Renaissance and the German Reformation. Associated with these
were the Revival of Learning and Humanism. These were ex-
pressions of the new movement and they operated in the capacity
of both cause and effect. They were conditions without which
modernity could not have come into existence. If these over-
lapping and interweaving movements confuse us, they were not
any clearer to those who lived through them. The minds of those
days were aware that something was going on about them, the
way people of today are sensible of what is happening in con-
nection with Evolution, Relativity, Radio, Aircraft, and the
League of Nations. They, like us, appreciated what they did not
understand, and probably they were inclined to say in their own
way, " We live in a great age."
The ingredients of the new movement so European in tone
had still something oriental about them. This appears in the
Chinese art of paper-making, the manufacture of gunpowder,
and the art of printing. The same oriental leaning appears in the
zeal for navigation, which led to voyages on the sea, as the
crusades had led to journeys eastward by land, and it was for
the purpose of reaching the East by a long westward passage
that Columbus set forth. The Near East influenced the new
movement without meaning to, when Constantinople fell into
the hands of the Turks, whereby the more scholarly of the one-
time Christian population rushed to Italy bearing Greek manu-
scripts, although Greek scholars had come to Florence in 1438, or
fifteen years before the fall of the Eastern Empire. The old
European world figured in the new enterprise. The physics of
Archimedes displaced the metaphysics of Aristotle and the geo-
graphical or astronomical basis upon which circumnavigating
voyages were made was the old Greek idea that the earth is round.
Copernican astronomy did not appear until the middle of the
next century, or 1543, and was not made an issue until Galileo
tried to popularize it and Kepler had reduced it to the principles
of natural law. It was in 1609 that Kepler published his Astrono-
mia Nova, a quarter of a century later that Galileo was im-
prisoned for insisting upon his vision of the new heavens.
The early modern or pre-modern mind was furnished for its
work by art and religion, the products of Italy and Germany
THE ART OF PRINTING
expressed in the systematic historical form of movements — the
Renaissance and the Reformation. Modernity as such was des-
tined to be a much sterner matter, based upon physics and politics.
But the sentiment of early modernity, the tone of the age in
which we ourselves are living came forth in a genial manner,
breathing the air of freedom due to the emancipation of the
intellect and senses. Moreover, it was necessary for the modern
age to be financed. Greek culture had been made possible by
the profits of slave labor; the enlightenment that began in the
XlXth century followed upon the wealth afforded by the Indus-
trial Revolution; the Renaissance had its purse in the wealth of
the Indies that followed upon voyages of discovery. But the new
movement itself can be identified in the simple form of books
and pictures, fruits of the new arts of printing and painting.
THE ART OF PRINTING
The modern mind, as something public and democratic as
distinguished from private and aristocratic, was manufactured
by the printing press. At 'the present time, reading is almost
coterminous with living, so that we are inclined to take from the
printed page what otherwise might be acquired by our own
powers of attention and memory. The " Press " in the form of
newspaper, magazine, and book makes our modern existence
extensive, but this often at the expense of the intensive and origi-
nal. We cannot think or live without " reading matter," as we
call it. But this was not the case five hundred years ago, when
the modern mind was beginning to emerge from Scholasticism.
The reading matter with which in some measure we could dis-
pense was the very thing needed to nourish the modern spirit;
hence the importance of the first printing press. When, there-
fore, we are calling the restricted roll of pioneer names and are
making mention of Columbus and Copernicus, Leonardo da
Vinci and Martin Luther, we should not omit the name of
Johan Gansfleisch, who is better known by his patrician name of
Gutenberg.
Gutenberg's printing press^ 'set in operation at Mainz about
1450, deserves to be compared in point of effect with Watt's
264 THE EMERGENCE OF THE MODERN MIND
steam engine of some three hundred years later. Prior to the
Gutenberg press was the xylography, or wood-printing, of Lau-
rens Janszoon Coster in Haarlem, and prior to this noted Hol-
lander the Chinese with the block-and-page printing or stamp-
ing. Like Gutenberg, who borrowed from him, Coster used
an alphabetical form of printing in the form of separate letters
made first of wood, then of metal; but the combination of
alphabetical type and a printing press was the work of the great
Gutenberg. There was nothing amateurish in the mind of this
first printer nor did he regard his new machine as a toy. As
soon as its few simple parts were assembled, he made it " strike
off" none other work than the Bible! This was the Latin ver-
sion and it made its appearance at about the time Constantinople
was falling and its Greek scholars were flying to Italy with those
Greek manuscripts about which we hear so much.
The art of printing was a Germanic affair with its centers of
activity in Mainz and Strassburg, as also Haarlem, just as the art
of painting was an Italian matter located at Florence, Venice,
and Milan. But there were printers in Italy also before the
great masters had touched their canvases. William Caxton gave
England the typographical art when, in 1477, he printed Dictes
and Notable Wise Sayings of the Philosophers. The multiplica-
tion of presses and the spread of printed works were extraordi-
nary. This we may gather from the work of modern bibliog-
raphers who have catalogued the Incunabula, or Cradle Works,
which include the books printed before the year 1500. The num-
ber of Incunabula enumerated by Hain in his Repertorium
Bibliographicum (1828-1838) was 16,299, but it is probable that
a complete list would increase this to 20,000. This typographical
activity was checked somewhat by conflicts peculiar to the
Reformation and was retarded by the Civil War in England as
well as by the Restoration, so that the press as a machine under-
went little improvement until two centuries had passed, when it
was remodeled by the Dutch mechanic Willem Jansen Blaeu.
But the original press, as comparable to a modern high-speed
rotary printing machine as a wheelbarrow to an automobile, had
done its work. It was indeed a " cradle " for infant books, and
now its children overrun the whole earth.
" MOSES." MICHELANGELO
DETAIL FROM THE " LAST SUPPER." LEONARDO DA VINCI
(facing page 265}
MODERN PAINTING
MODERN PAINTING
265
But there were pictures as well as books, and the art of paint-
ing served to free the senses in the way that the art of printing
had released the intellect. The way for the proud parade of
Italian painters had been prepared in the XHIth century by the
frescoes of Cimabue and Giotto. It was not to end until it had
seen the appearance of Leonardo da Vinci's Last Supper on the
wall of the Dominican convent of Santa Maria delle Gracie in
Milan, Michelangelo's frescoes on the ceiling of the Sistine
Chapel, and Raphael's School of Athens and other frescoes in
the Vatican. While it is here inconvenient to give an account
of Italian painting, it is refreshing to recall the names of those
who made the Italian Renaissance immortal in beauty. In
Florence we see the work of Masaccio, Filippo Lippi, Botticelli,
Verrocchio, Ghirlandajo, Lorenzo di Credi, Piero di Cosimo, and
others. In Venice and the north we have another list including
Mantegna, the Vivarini, the Bellini, Giorgione, Palma Vecchio,
Lorenzo Lotto, and Titian. To these names must be added those
of Durer and Holbein in Germany, Rembrandt and Frans Hals
in Holland, Rubens and Van Dyck in Flanders, Murillo and
Velasquez in Spain. Their works are evidence that Europe was
living in a new world, although perhaps a world it did not fully
understand.
It would be grievously misleading if we pressed the analogy
between printing and painting to the point of styling the works
of the old masters as incunabula in art, and even with the
Italian primitives any such suggestion of imperfection would be
out of place. In science it is quite natural to advance step by
step from a stage of lesser to greater enlightenment, since science
corrects its errors, overcomes its shortcomings, and advances to
the new that is believed true. But in art there is no such evolu-
tion. Each age completes its work and lets another begin de
novo, hence we cannot consider Renaissance art superior to
Gothic architecture; still less can we regard the modern painter
as more " advanced " than the old artist. Nevertheless we are
privileged to make comments upon old canvases for the pur-
pose of placing ourselves in a position properly appreciative.
266 THE EMERGENCE OF THE MODERN MIND
Something by way o£ criticism has been indicated already by our
impromptu distinction between the old " artist " and the modern
* painter."
In making this general distinction, we may observe further that
the artist of the older school seemed to be more interested in
what he painted than the way in which he executed his work,
or in subject matter rather than technical treatment. Technique
there was as one sees in Florentine drawing and Venetian color-
ing, technique of a high order in the modeling of Michelangelo,
the composition evident upon a canvas by Raphael, and both
lighting and perspective in the superb art of Leonardo. Like-
wise was there some indifference to subject matter with Rem-
brandt But for the most part the artist of the Renaissance was
not so given up to mere brushwork that he felt free to ignore
the merits of the object his brush was to place upon the canvas.
That is a tendency distinctly modern in our sense of that term
and it is impossible to think of any one of the old masters being
inspired by the aesthetical ideal of "no representation of the
recognizable." Perhaps these old masters were not " painters,"
but merely " illustrators," just as their ideal of aesthetics was not
such as to have them make painting an absolute art. But we
may be thankful that they gave full expression to their " medi-
aevalism" four hundred years before painting passed into the
hands of the Naturalists and Impressionists, the Cubists and
Futurists. Their paintings did lack life and atmosphere, but this
is atoned for by the authentic presence of grace and dignity.
THE SPIRIT OF THE RENAISSANCE
I£ we wish to feel the difference between the Renaissance and
modernity, we need only distinguish between art and science.
If we would stipulate more exactly, we can attribute the art of
painting to the one and the science of physics to the other, for
the Renaissance gave us beautiful canvases, modernity presented
us with maps, charts, and formulas. There was some science
in the earlier period and some art in the later one, but the over-
lapping of these areas cannot obscure the distinction between
them. The combination o£ the two enterprises is found best in
THE GERMAN REFORMATION 267
the brain of that great Renaissance individual — Leonardo da
Vinci (1452-1519). He produced no work comparable to New-
ton's Principia, but he wrote a notebook which in a way might
be compared with the Opus Majus o£ Roger Bacon before him.
Both thinkers, scholastic and renascent, betray a wistfulness;
neither is in a mood or a position to go to work in a distinctly
modern way.
This enthusiasm for the new age not yet defined or developed
is shown by Rabelais (1490-1553), who sensed the age and sought
to interpret its spirit. This was expressed so deftly in " Gar-
gantua's " letter to his son, " Pantagruel," that his words are
worth quoting at some length:
" The age was still dark and smacking of the unhappiness and
calamity of the Goths, who had destroyed all good literature; but
by the grace of God light and dignity has in my time been re-
stored to Letters, and now I see therein such improvement that
at present I would hardly be admitted to the first class of primary
pupils, I who in my prime was not unjustly regarded as the
wisest man of the age. . . . The whole world is full of savants,
learned teachers, ample libraries, so that it seems to me that not
even in the time of Plato, Cicero, nor Papinian was there such
facility for study as one sees now. ' Now all studies are restored,
the languages installed: Greek without which it is shameful for
a man to call himself a scholar, Hebrew, Chaldean, Latin; these
exact and elegant printed books invented in my time by divine
inspiration just as, on the other hand, artillery by diabolical
suggestion." 2
THE GERMAN REFORMATION
The German Reformation differed from the Italian Renais-
sance in the sense that the religious movement was destined to
become an integral part of modern life, while the artistic one
was to lead to something less effulgent and then itself subside.
From the Protestant point of view, the Reformation was in-
tended originally to correct abuses in the Church, primarily the
sale of indulgences. From the Catholic standpoint, such a cor-
2 Pantagruel (1532), Ch. VIII.
268 THE EMERGENCE OF THE MODERN MIND
rcction was thoroughly justified on moral grounds. The con-
sistent Catholic has no defense of the corruption that had crept
into the Church. The only question in the Catholic mind is
whether such a moral motive should have led to revolt and
schism.3 The effect seems indeed much greater than the cause.
The early Protestant seemed to seek revision of dogma as well
as reformation of morals within the Church, but it is a question
whether the Protestant was any more liberal than the conserva-
tive he was opposing. Was Calvin any more agreeable to the
modern heart than Aquinas had been to the mediaeval spirit?
The disinterested observer is likely to conclude that the change
effected by Protestantism was not the change from authority to
freedom, but the change from the authority of the Church to
that of the Bible. It is significant to observe at this point that it
was the Germans who effected this change. A German printer
inaugurated his art by printing the Bible, a German translated
the Bible for the Reformation, and it was German scholarship
that, by means of a critical study of the Scriptures, began to lead
us away from blind bibliolatry. The neutral observer is likely
to conclude, moreover, that Protestantism, as we still call it, was
not due to any isolated cause in Christendom, but was only a
phase of the whole movement toward modernity.
So much has been written about the ecclesiastical side of the
Reformation and so little about the economic aspect of the move-
ment that it may be well to consider how the reformer affected
the shop as well as the Church. The usual causes of the Refor-
mation have been ascribed to something ethical and intellectual in
connection with the conduct and thought of the XVIth century.
Thus it is assumed that the Reformation arose as a desire to cor-
rect moral abuses and provide for private judgment, both matters
of conscience. Doubtless there was need of these two improve-
ments throughout all Christendom, but the movement sprang
from something more than the desire for better living and clearer
thinking. On the ethical side of the question, the history of the
papacy suggests that the Church was most worldly two centuries
before the Reformation began. Then, the German princes were
no more moral than the Italian, while the reign of Henry VIII
8 Article " Reformation," Catholic Encyclopedia.
THE ECCLESIASTICAL AND THE ECONOMIC
showed that scandals could flourish in countries that had freed
themselves from the yoke of Rome as well as in those that were
still under the domination of the Eternal City. The ethical seems
to have been the best way of presenting the new cause, the most
feasible way of rationalizing tie new movement, since the ethical
appeal is direct and universal.
THE ECCLESIASTICAL AND THE ECONOMIC
On the intellectual side, in the matter of a free conscience and
private judgment, there is no reason to believe that the Church
stood in the individual's light, certainly not in matters of science.
Copernicus was allowed to publish his revolutionary work on
science; indeed, the Church published it for him and thus began
what some have called " Catholic astronomy," which, we might
add, was rejected by Luther and Melanchthon. The Inquisition
had not developed an index expurgatoris and before the Fifth
Lateran Council books were not subjected to censorship. More-
over, a kind of gentle skepticism with a fringe of heresy was a
mark of good breeding among even high officials in the Church,
and to Leo X is attributed the comment that Christianity was
" a highly profitable fable." We may feel assured that Rome, like
every large city, was probably more tolerant of intellectual differ-
ences than Wittenberg or Geneva. The intellectual cause of the
Reformation is even more inadequate than the ethical one.
An explanation of the Reformation has been advanced in such
a way as to make the movement a political one springing from
an economic cause. This appears in Germany's refusal to pay
tribute to a foreign power, a conscious opposition to the transfer
of wealth from Germany to Rome by the sale of benefices,
dispensations, and indulgences. Another grievance was forth-
coming in the enormous landed estate of the Church, as also its
uncontrolled and arbitrary policy of taxation. The foremost
proponent of this theory is Henry C. Lea, author of On the Eve
of the Reformation.4" In this essay, the author calls attention to
the fact that, in the indictment of the papacy drawn up by Ulrich
von Hutten and addressed to Leo X, in 1517, there is absolutely
4 Cambridge Modern History, Vol. I, Ch. XIX.
270 THE EMERGENCE OF THE MODERN MIND
no mention o£ faith or doctrine but rather the bitter accusation
that the Church was using its power to enrich itself and im-
poverish Germany. As a matter of fact Luther himself gave
clear expression to this motive.
" How is it," asked he, " that we Germans are found to suffer
such theft and exploitation by the Pope? ... I think that Ger-
many gives much more now to Rome and the Pope than it did
former days to the emperors. Yes, many of us think that every
year 300,000 gulden go forth from Germany to Rome purely in
vain, and in return we get derision and abuse. And then we
wonder that princes, nobles, cities, and monasteries laud and
people grow poor! We ought rather to wonder that we still have
something to eat. . . ." 5
This was in Germany, and it must be remembered that Church
exactions were not so great in other countries as, for example, in
France, where by the XVIth century a strong monarchical and
national power had arisen which saw to it that there was no
large transfer of monies to Rome. There are still other con-
siderations which suggest that the passionate piety of the Refor-
mation as a movement, and the Protestantism that came out of it,
had certain strong roots of a worldly sort. This appears in the
old question of usury. It is by no accident that the first sys-
tematic defense of interest was made by Calvin. Catholic ethics
and canon law forbade the charging of interest on the ground
that it was usury; but without the right to charge interest and
thus create the commercial use of money, there could have been
no commercial expansion and, therefore, no capitalistic economy.
Now, Calvin in his famous letter on interest defended the right
to charge the same on the ground that lending money was both a
form of self-denial and a risk. This was a decided change from
the Catholic point of view, from Catholic ethics; that is, as far
as the element of risk was concerned. St. Augustine, in attempt-
ing to prove " that the saints in their loss of things temporal lose
nothing at all," quoted from the Sermon on the Mount with the
well-known injunction, " Lay not up for yourselves treasures on
earth."6 But such a mystical attitude toward wealth was not
in harmony with the demands of the new commercial economy.
6 An den christlichen Add deutscher Nation. 6 City of God, Ch. IX.
PROTESTANTISM AND CAPITALISM
PROTESTANTISM AND CAPITALISM
In the development of the modern system of economics,
Protestantism played an important part in connection with the
modern idea of work as well as with that of wealth. Man was
supposed to work for the glory of God and fulfill the ideal of
a divine will by the constant exercise of the human one. But
under Catholic economy this was no simple matter, since there
were more than a hundred holidays in the course of a year and
in them man was not supposed to labor. How could industry
flourish under a regime in which a third of the time was devoted
to leisure? Here, again, the demands of an expanding economy
were bound to cry out for a reform that was as much social as
religious. " Protestantism, by changing almost all the traditional
holidays into workdays, plays an important part in the genesis of
capital." 7
Probably the most significant work on the economic aspects
of Protestantism has come from Max Weber and his Protestant
Ethics and the Spirit of Capitalism? In this exhaustive and
highly detailed work, the author traces the interrelation between
the spirit of economic enterprise and the Protestant ideal. The
thesis that he maintains is that the Protestant ethics which regards
" restless, continuous, systematic work in a worldly calling as the
highest means to asceticism " functioned in a concrete way " as
the most powerful lever conceivable for the expansion of the
spirit of capitalism." Weber tries to steal a march on the eco-
nomic interpretation of Protestantism by claiming that, since the
spirit of capitalism flourished before the existence of the capital-
istic system and since Protestantism gave rise to the spirit of
capitalism, it is therefore more accurate to say that Protestantism
was the cause of capitalism than the reverse.
There is a connection between these ecclesiastical and economic
movements in early modern times. But what suggested to Weber
the idea that Protestantism brought capitalism into being ? There
was this: the historical fact that capitalism with its rational eco-
nomic technique had developed primarily in Protestant countries.
To look at England and Ireland, Germany and France is to
7 Marx, Capita!, Volf I, jx 303. 8 Eng. trans, by Talcott (1930).
272 THE EMERGENCE OF THE MODERN MIND
realize this. But even more important for Weber's thesis is the
observation that, in general, workers brought up in an intensely
evangelical atmosphere were inclined to take their work more
seriously, labor more diligently, and live more frugally than
workers in the old, traditional environment. Weber seems to
feel that this correlation was more than accidental. We ourselves
can appreciate what will happen when a man's religious faith
makes him work more faithfully and live more frugally than
one of another faith is doing. He will naturally make more
money and spend less; the result will be accumulated wealth
for investment.
Now, by capitalism Weber does not mean the impulse to ac-
quire wealth or sharp business practice in so doing. These are
the characteristics of men generally in every economic system
and cannot be attributed to capitalism in particular. Capitalism
is the pursuit of profit in the form of " forever renewed profit
by means of a continuous rational enterprise." By the spirit of
capitalism Weber means a social ethics which permitted the rise
of rational economy and which opposed traditional restraints to
the accumulation of wealth as these were derived from feudal
Catholicism.
An illustration of the ethical side of capitalism is furnished by
the writings of Benjamin Franklin. Weber does not fail to
note that Franklin tended to inculcate a social morality based
upon the idea of getting ahead in the world. Time is money
and wasting time the " greatest prodigality." All the virtues such
as industry, frugality, and punctuality are means of saving both
time and money. When Franklin enunciates the maxim that
" honesty is the best policy," the old copy-book motto, he departs
from an ethical sanction of goodness in itself for an economic
principle of policy. In like manner, beauty is subordinated to
utility and work becomes an end in itself. From Weber's point
of view, the emergence of such an ethics was necessary as a
precedent for establishing the increase and productivity of labor
without which the accumulation of capital could not take place.
But how did such a commercialized form of ethics arise ? Weber
answers this question by attributing capitalistic ethics to the
dogmas of the Protestant sects.
CALVINISTIC AND PURITAN ECONOMICS 273
CALVINISTIC AND PURITAN ECONOMICS
The essence of Calvinism and Puritanism is found in the way it
tends to arrange life in the form of general or worldly asceticism.
The Protestant sects rejected the idea of special or monastic as-
ceticism peculiar to the Catholic faith and introduced instead
a general and evangelical form of ascetic practice. All the world
became a kind of monastery; all of life in even its secular em-
ployment a kind of divine calling. Only the pursuit of this
calling, only this narrow life could be pleasing to God. Man
could not win grace through the Church with its sacraments,
still less by leisure, enjoyment, and meditation; man could win
grace only by the labor of his hands after the manner of Him who
said, "I must work the works of him who sent me while it is
day." From this general presentation of Protestant belief, Weber
goes on to analyze the writings of Calvin, Baxter, and Wesley,
which reveal to him their faith in the concept of a divine calling
of all men on earth, as also the way in which such methodical
devotion naturally led to the accumulation of wealth. From
this line of reasoning, Weber draws the conclusion that the chief
efficient cause of capitalistic development was the new Protestant
faith.
When we consider Weber's thesis in connection with the rise
of Protestantism, we are bound to be impressed by the suggestive-
ness of his argument. We ourselves observe that large amounts
of wealth are in the hands of Protestants rather than of Catholics
and, as has been observed, that Protestant lands are usually
industrial and wealthy while Catholic countries are just as often
agrarian and poor. However, at best, Weber has done no more
than uncover a certain connection between capitalism and Prot-
estantism, but it may be questioned whether this connection is a
necessary one. Before the Reformation, the spirit of capitalism
existed in northern Italy and the Netherlands, and Europe did
not have to wait for Luther and Calvin to inaugurate the new
mode of producing wealth. It is thus more plausible to assert
that both the spirit of capitalism and the ethics of Protestantism
were the consequences of changes in the whole socio-economic
environment. These changes were bound up with the discovery
274 THE EMERGENCE OF THE MODERN MIND
of new lands, the rise of a world market, the influx of gold and
silver, and the improvements in mechanical technology. The
Reformation may have influenced the development of capitalism
without having been the cause of it, but the Reformation itself,
whether primarily ecclesiastical or economic, was a distinct sign
of modern times.
THE COPERNICAN REVOLUTION
The modern mind has been made by science, as ancient thought
was fashioned by philosophy and the soul of primitive man in-
spired by religion. As we have seen, the beginnings of mo-
dernity appeared in printing, painting, and voyaging, but it was
not the book, the picture, or the map that was to represent the
modern mind. The modern mind was to express itself by a
formula. Hence it would hardly be amiss to state that modernity,
with all the versatility of its mind and the variety of its ramifica-
tions, was made by mathematics, the application of mathematics
to nature and human existence. The observation of nature as a
whole is as old as mankind. The study of nature dates back to
Archimedes and the Greeks. The desire to examine natural
phenomena and experiment upon them was expressed in the
XHIth century by Roger Bacon and by Leonardo da Vinci in the
XVth. But neither the primitive mind nor the Greek intellect,
scholastic thought nor Renaissance curiosity effected scientific
results. For science is primarily measurement, and the act of
measuring nature did not take place until well into the XVIth
century. This was the work of Copernicus and Kepler.
The " Copernican Revolution " gave the modern man a new
heavens, as the Renaissance had given him a new earth. But the
man who effected this great change in cosmic outlook was not
fully possessed of the modern mind. Dampier-Whetham, in his
History of Science (1929), places Copernicus in the Renaissance,
and there were moods or frames of mind in this astronomer that
suggest a survival of Mediaevalism if not of Classicism. This
modern astronomy was scholastic in its tone of piety, classic in
its feeling of mathematical harmony. It seemed to work back-
ward through Scholasticism and St. Augustine to Plato and Py-
MODERN MECHANISM 275
thagoras rather than look forward toward a new order of things,
such as was indeed to follow. We style Copernican astronomy
" sun-centered " or heliocentric to distinguish it from the Ptole-
maic plan of an " earth-centered " or geocentric system. If we
are ultra-modern and accept Relativity, we can adopt either as-
tronomy provided we make the changes necessary for the frame
of reference adopted.
Copernicus (1473-1543) took the heliocentric point of view
because of its relative simplicity, just as it was because of its
" simplicity " that Claudius Ptolemy had adopted a geocentric
system.9 But not simplicity alone was the animating spirit of
this unique astronomer, for he was animated by the glory of
the heavens and the brightness of the sun. " In the middle of all,"
said he, " dwells the Sun. Who indeed in this most beautiful
temple would place the torch in any other or better place than
one whence it can illuminate the whole at the same time? Not
ineptly, some call it the lamp of the universe, others its mind,
and others again its ruler — Trismegistus, the visible God, Sopho-
cles' Electra, the contemplation of all things. And thus rightly,
inasmuch as the Sun, sitting on a royal throne, governs the cir-
cumambient family of stars. . . . We find, therefore, under this
orderly arrangement, a wonderful symmetry in the universe, and
a definite relation of harmony in the motion and magnitude of
the orbs, of a kind it is not possible to obtain in any other way." 1(>
It was no wonder that Pope Clement VII heard of Copernicus
and requested him to publish his work — De Revolutionibus Or-
bium Celestium (1543).
MODERN MECHANISM
The systematization of the new astronomy was achieved by
Kepler (1571-1630); its popularization, or the publicity given to
it, was the work of Galileo (1564-1642). In citing the four
great names connected with the new heavens, it is better to stress
the importance of Kepler and Newton, although the work of
Copernicus may appear more spectacular. We are saving Galileo,
so to speak, for a more effective work than that of putting Coper-
9 Dampier-Whetham, History oj Science, p. 53, 10 /£., p. 121.
THE EMERGENCE OF THE MODERN MIND
aicus before the Church and the world, but while his name is
before us we may make mention of what he did. Galileo popu-
larized the Copernican astronomy and made it look plausible by
means of an amateurish telescope. Through this crude instru-
ment he beheld the moons of Jupiter, which he took to be extra
planets, revolving about that orb. Why, then, could not the
planets of the solar system revolve in like manner about the sun?
That was something the human eye of mundane man could
apprehend and appreciate and that cast a new face upon the whole
system of astronomy. Apparently Galileo was lacking in tact
and diplomacy, if not in modesty, and just as apparently the
Church was lacking in enthusiasm for a scientific revolution. The
result was the " martyrdom " of a zealous, talkative scientist, who
was compelled to recant and then pass about a dozen fairly peace-
ful years in prison.
It was Kepler who made Copernican astronomy what we might
call a "going concern." Like Copernicus before him, Kepler
considered the new heavens with the eyes of both science and
religion, for it was the mathematical simplicity and divine har-
mony of the new astronomy that appealed to him. "I have
attested it as true in my deepest soul," said he, " and I contemplate
its beauty with incredible and ravishing delight." X1 But Kepler
did not exhaust with mere emotionalism his enthusiasm for the
skies. He was modern as well as mediaeval; he sought facts and
laws as well as beauty and harmony. The facts came to him from
the data gathered by Tycho Brahe (1546-1601), who had " nib-
bled " at the planetary paths. This empirical astronomer gave
Kepler one year of his life and then bequeathed to him his facts
about the planets. It was a unique heritage and we may wonder
what Kepler thought about it. For ourselves, we must look this
celestial gift horse in the mouth.
If we were to conclude that Kepler derived his laws of planetary
motion from the observed facts furnished him by another, we
might be compelled to admit that the majestic science of astron-
omy had been founded upon Empiricism, We prefer and are
more inclined to believe that the Copernican Revolution was
made by a major act of thought rather than by a minor one of
11 Dampier-Wlictham, History of Science, p. 139.
GALILEO AND MODERN SCIENCE 277
the senses. But we have the facts of the one astronomer and the
theory of the other. But, as Cohen points out, " Tycho Brahe's
astronomic tables did not in themselves show Kepler's laws; in-
deed they suggested quite different laws to Brahe himself. Kep-
ler could see these laws only after he brought to his vision cer-
tain speculative ideas of Apollonius (on conic sections) and of
Plotinus." 12 There was more of the ecstatic than the empirical in
the mood and method of his investigation. He felt that God
must have created the world in the form of perfect numbers
whose mathematical harmony produced the music of the spheres
when the morning stars sang together. He was disconcerted to
discover that the planets did not move in godlike circles, but be-
came reconciled to the idea that ellipses also might be worthy of
the divine activity.
Kepler's mystical mathematics led him back to the Pythago-
reans and Platonists, but his famous second law of planetary
motion is purely mathematical and modern. It is to the effect
that the planets revolve about the sun harmoniously but at an
ever varying rate of speed; or they traverse equal areas described
by radius vectors in equal times. It is as though, in the case of
a planet like the earth, the sun spread out fans, some long and
narrow, others short and broad, and moved these in equal
amounts of time. Since the planets were driven round their
ellipses by the will of God, they should move with uniformity,
and doubtless Kepler was not wholly pleased when he was forced
to conclude that this was determined by the area swept by the
radius vector instead of the line pursued by the planet. Mysticism
and mathematics were in conflict and the ancient ideal was in
opposition to the modern method; but modern mathematics won
the victory. But if Copernicus and Kepler had confined them-
selves to nothing but modernism, it is a question whether they
would have given us the new astronomy.
GALILEO AND MODERN SCIENCE
Modernity as such had still to appear. The minds of Coperni-
cus and Kepler, which gave us our astronomy, were motivated
12 Reason and Nature, p. 77.
THE EMERGENCE OF THE MODERN MIND
by a certain degree of mysticism and operated in the celestial
world. The descent to modernity was made by Galileo, the first
modern mind in science, for it was he who brought the principles
of astronomy to bear upon terrestrial problems and seemed " with
magical incantations to charm the new planets out of the sky" 13
Galileo showed himself to be Italian and artistic, or technical
rather than speculative. He proceeded by means of devices —
a telescope, an inclined plane, and the like. " Modern science/'
says Bergson, *' is the daughter of astronomy; it came down from
heaven to earth along the inclined plane of Galileo." 14 It is a
question whether modern science could have developed in the
reverse order and have proceeded from the terrestrial ideas of
Galileo to the celestial ones of his predecessors. Apparently Kep-
ler had to come before Galileo, for modern science was unable to
move up the inclined plane of Galileo from earth to heaven.
As the first modern scientist, Galileo makes a picturesque fig-
ure. We see him confirming the Copernican astronomy by look-
ing through a crude telescope at the moons of Jupiter. Again he
is found dropping iron balls of different weights from the top of
the Leaning Tower at Pisa. In church, he observes the swing of
a chandelier and hits upon the principle of the pendulum and, as
Bergson suggests, he gives us our modern mechanics by rolling
balk down an inclined plane. Finally we see him suffering mild
incarceration for his novel and rather magical notions. But these
playful performances of this eccentric man need not obscure the
merits of his mind nor divert us from observing his unique service
to science.
The result of Galileo's conception of nature was to establish its
utter physicality; it was a system of things independent of all
mind, divine and human. The universe seemed able to take
care of itself, so that, as in the case of the solar system, the planets
required no outside force to keep them in motion. The nature
as well as the movements of things came to be regarded as purely
physical. This idea Galileo expressed by distinguishing the pri-
mary from the secondary qualities of things. The primary quali-
ties are the inseparable, spatial, and measurable ones; the second-
13 Dampier-Whetham, History of Science, p. 142.
14 Creative Evolution, tr. Mitchell, p. 335.
CLASSIC PHYSICS
ary are tie psychological ones, such as color and tone, taste and
odor. " Hence I think," said he, " that tastes, odors, colors, etc.
on the side o£ the object in which they seem to exist, are nothing
else but mere names, but hold their residence wholly in the sensi-
tive body, so that if the animal were removed, every such quality
would be abolished and annihilated." 15 Now it was these dis-
carded qualities which were to becbme the subject matter of an-
other modern science — the science of psychology. It was the
work of Descartes to transform this practical distinction into a
theoretical dualism.
CLASSIC PHYSICS
Modernity in physical science was achieved by Galileo; he
arrived at the modern idea of mechanism and went to work upon
it directly, without elaborating a system of physics. That was
the work of Newton, who was born the year that Galileo died,
1642. The difference between this pair of modern minds and the
other one made up of Copernicus and Kepler was in their appre-
ciation of mathematics. Copernicus and Kepler looked back-
ward and in mathematics found mysticism; Galileo and Newton
glanced forward and in their mathematics found mechanism.
Their idea seems to have been that when phenomena assumed
a mathematical form in the mind, those phenomena were neces-
sarily of a mechanical nature. Their leading concepts were those
of matter and motion, their supreme idea of procedure that of
matter in motion. They came too late in the history of science
to persist with the idea that matter was vital; they came too early
to look upon it as electrical. Thus they made the modern in the
form of a machine and created what, for two centuries, was to
be " classical mechanics." We may allow this system just that
length of time, since there were almost exactly two hundred
years between the publication of Newton's Principia in 1687 and
Ernest Mach's Die MechaniJ^ in 1883.
Newton's system was successful, if we may thus speak of
scientific theory, because it rationalized the results of Kepler and
Galileo and accounted for both a revolving planet and a falling'
15 Dampier-Whetham, History of Science, p. 147,
280 THE EMERGENCE OF THE MODERN MIND
apple; successful was it likewise in the way it rationalized every-
day perception. It was both astronomical and anthropomorphic.
It realized the meaning of Kepler's Second Law and fulfilled the
expectations of the common man. This latter it did when it
made liberal use of such common concepts as space and time,
matter and force. We know or think we know space as the
medium which everywhere envelops us; its three dimensions
are determined by our position and the movements we make as
these are recorded by die semi-circular canals within the inner
ear. Time, likewise, seems familiar in the simple form of past,
present, future; as also in the perception of movement and growth,
in the personal experience of ageing. Matter is something we
believe we perceive more or less perfectly, while force is some-
thing that we ourselves exert. Newton magnified and systema-
tized these familiar concepts. His world was one in which com-
mon sense feels at home, as it does not in the world of Relativity,
in which matter and force are absent, in which space and time are
no longer absolute.
The modern mind in its scientific form was fully established
after the publication of Newton's Principle*. This was to our
period what the philosophy of Aristotle had been to the ancient
order, what the theology of Aquinas had been to the mediaeval
period. The modern mind had arrived at the idea of what we
are knowing, referring to it as " classic physics," something out
of date and largely historical We have been in a kind of post-
modern period since the beginning of the century. As for the or-
thodox system of science, it may be said that it solved the prob-
lem of nature in the form of mechanism, but none the less did
it create a number of new problems. Newton achieved a physical
synthesis of things, but had to leave man out of his calculation.
It was not long before the contrast between nature and humanity
began to appear. The *e secondary qualities " of Galileo, indeed
the " secondary " or psychological phenomena, were soon to be
heard from. At first these qualities, such as color and tone, taste
and smell, were things that physical science could not measure
and thus had to reject. But in time the secondary qualities were
adopted by the new science of psychology, which had need of
them.
MODERN DUALISM
MODERN DUALISM
It is no easy task to draw a circle around modernity, especially
as the modern era is far from being complete, but it is possible to
draw a line through it. As a matter of fact, from the beginning,
modern thought has proceeded like a plow piling up masses
to right and left. This modern movement, so different from
ancient or mediaeval procedure, has progressed by a series of
dualisms. We shall appreciate these splits if we select four from
the speculative field and as many from the practical world. On
the theoretical side, we find the field of discussion divided into the
areas of mind and body, understanding and sense, freedom and
determinism, religion and science. The practical realm is just
as completely bifurcated in the individual and society, labor and
capital, virtue and pleasure, optimism and pessimism. It is the
same mind that thinks now this way, then that; it is the same will
that is motivated from within or from without; but it is only
by constantly shifting the view or the value that the modern
mind can comprehend itself and its world. It may be the task
of the future in a post-mortem period to restore upon a higher
plane the original unity of western thought and thus reconcile
microcosm to macrocosm, but our present task is to consider how
this dualism came about.
Modern thought began with the separation of man from the
world in which he lived. Of course, this separation was not
actual, nor was man rendered homeless; he continued to eat and
drink, work and sleep on the same earth and under the same
skies. But his conception of his world and himself underwent
radical change. Before modern mechanics came into being, man
had felt a kind of kinship with the world generally, both earth
and the heavens. He had yielded the notion that the stars were
vital things more or less like human beings, but had yet to think
of their behavior as wholly different from his own. With St.
Francis of Assisi, he still thought of the sun as his brother and
the moon as his sister. At any rate, there was some sort of kin-
ship between man and nature that prevailed. Now it was the
rise of modern astronomy and the development of modern me-
chanics that dispelled that attractive myth. It was not merely
282 THE EMERGENCE OF THE MODERN MIND
that the universe was larger than man had imagined; it was seen
to be different from what he had expected. The universe had
become a machine.
The general breach between nature and man had been in the
air from the beginning. The world in which man had lived
and of which he had felt himself a part gave way to a purely
physical order made up of time and space, matter and force; a
world for scientists perhaps, but not for human beings. The old
connection between world and man was kept alive by religion and
poetry, by practical life and moral ideals. For in spite of the
overwhelming argument in favor of mechanism, man is forced to
believe in life, consciousness and freedom. The only human
aspect of the modern natural order has been that suggested by
the human understanding. Man may not be able to live in the
world as his spiritual home, but he is able to measure it and, in
some degree, to understand it. We are now coming to the place
in the XXth century where we realize that we cannot account for
nature by assuming that it consists of bodies in motion, but it
was this simple explanation of things that gave us the classic
conception of modern life*
MIND AND MATTER
We will consider this breach between man and nature in the
form of philosophical dualism and we must prepare to be an-
noyed. This dualism when stated simply concerns the way we
receive the world and the way we react upon it. According to
dualism, both the reception and reaction are impossible! How
does this double distress come about ? It comes about in connec-
tion with our sensations and motives. According to the dualism
initiated by Descartes, sensation should be produced by stimulus,
but the stimulus belongs to the physical order while the sensa-
tion is ensconced within the mind; hence, there can be no com-
merce, no exchange between things that belong to different
realms. It is just as bad in the case of our motives. They arise
within us as spiritual or, at any rate, psychological events, but
much good it does them, since they cannot break into the tight
physical order and produce motions. Between the physical and
MIND AND MATTER 283
the psychological such a great gulf is fixed that no event in
nature can produce a corresponding event in mind and vice versa.
The practical conclusion should be that man is both unconscious
and inactive.
The layman who has paid no attention to the modern prob-
lem of mind and body has a right to be surprised at such modern
reasoning. The unphilosophical person has a right to insist that
man is distinctly conscious of the world about him and enjoys
sensations that the men of the pre-modern period knew nothing
about, as the intensified sensations produced by telescope and
microscope. In like manner, the lay mind has a right to urge that
the modern man enjoys possibilities of action undreamed of be-
fore his day and that these he has realized in the machinery he
has created. No matter how " impossible " the connection be-
tween the modern mind and the modern body or the modern man
and the modern world, consciousness has increased in clearness
and the will in power. Man perceives things and performs acts
impossible under the old scientific regime. His deadly dualism
seems very much out of place; it seems indeed the very reverse
of good sense.
If the mediaeval mind had come to the conclusion that it saw
nothing and did nothing, we could understand such a philoso-
phy, but it is difficult to understand how the alert and active
modern mind should have laid down theoretical premises lead-
ing to such a lamentable conclusion. Only a few of those who
started with the theoretical premise were willing to draw the
practical conclusion. Spinoza did this when he summed up the
whole meaning of life in the form of " acquiescence." One of
Descartes' immediate followers, Arnold Geulincx, was even more
emphatic in his conclusion, which was to the effect that the
moral life consists in nothing but renunciation and the most
perfect attitude of man toward his own mind is that of self-
contempt — contemptus sui. But moderns with practically no
exception have come to the opposite conclusion and have argued
that the modern view increases the powers of perception and
activity. The original dualism, however, remains to puzzle and
perplex the speculative mind.
In the interest of our instinctive desire for unity in our thought,
284 THE EMERGENCE OF THE MODERN MIND
we desire to rid ourselves of this painful dualism. Idealism does
this nobly when it attempts to reduce all reality to the mentality
that makes man aware of it and enables him to study it. Ma-
terialism keeps reminding us that in the world things exist as so
many facto bruta wholly independent of our way of perceiving
or thinking about them. If we assume the mechanistic point of
view, we place ourselves in a paradoxical position. It is as though
we invited the human mind to elaborate a perfect system of
physical operations only to find out that it had thought its own
self out of the total scheme of things. The mind of the modern
man has worked wonders in the worlds of stars and atoms, but at
the moment when it might appear to be at its best, it seems to be at
its worst. It is as though the mind were a philanthropist who had
bestowed all his wealth upon the world only to render himself
bankrupt. The things that man has accomplished in his modern
science would give the impression that he possesses the mind of a
god, but when this physical reasoning is applied to psychology
it creates the impression that man's mind is only that of the beast.
Man has invested heavily in nature, but he has come to the place
where he realizes that his mental wealth is in the form of frozen
assets. However, it may be suggested that the physical science
of the XXth century is showing us how these vast holdings may
be liquidated,
FREEDOM AND MECHANISM
The same paradox that we have just observed in the conflict
between thought and thing appears again in the character of free-
dom and law. It is the opposition between motivation and mech-
anism. Apparently the modern man emancipated his intellect
at the expense of his will, for he elaborated a scientific mechanism
in which the will has no place. It is such a situation that
" puzzles the will " and, as far as human deeds are concerned,
makes them " lose the name of action." If the thinkers of the
ancient and mediaeval orders had argued against freedom, which
was seldom the case, we could understand their feelings, since
they were dominated by both the physical and political, the world
and nature, the Roman Empire and the Catholic Church. But in-
THE ENCYCLOPEDIC TENDENCY 285
stead of contending against their free wills, they calmly cher-
ished the liberty with which they lived. We do the same today
no matter how thoroughly we believe in a mechanistic order, but
when we try to balance our beliefs, we discover a vast sea of
Natural Law which tends to swallow up the tiny stream o£
freedom.
The present tendency of the modern mind is away from the
settled notions of mechanism. We are ceasing to dogmatize
about cause and effect and are trying to maintain the balance be-
tween them without asserting that there must be just as much of
one as o£ the other. Even the idea of Natural Law, as we shall
see, is undergoing such changes as to make the world appear
much looser than it did throughout modern science up to the
close of the XlXth century. But, since our aim is to fixate the
modern notion, we may assume that, from the days of Galileo
until a generation ago, the modern man elaborated a view of
things that we recognize as " classic physics/5 In the history of
mankind, that conception will take its place in line with the
classic philosophy of the ancients and the scholastic theology of
the mediaevals.
THE ENCYCLOPEDIC TENDENCY
A divisive as well as a dualistic spirit was destined to become
characteristic of the modern mind. This may be identified as the
encyclopedic tendency in modern thought. The idea of extending
the various fields of knowledge by making significant observa-
tions, recording facts, and making experiments occurred first in
a clear way to the mind of Francis Bacon. It was the natural
outcome of the inductive method he advocated; the idea con-
tained in it was adopted by the French Encyclopedists of the
XVIIIth century. But theirs was not the Baconian spirit. He
had advocated the encyclopedic view with the aim of getting
away from Scholasticism; they adopted his general plan, but
for the purpose of elaborating a different philosophy — that
of Mechanism. Now it is the encyclopedic in the sense of in-
clusive knowledge rather than encyclopedia in the sense of " cir-
cular instruction " that marks the modern mind. It was in the
286 THE EMERGENCE OF THE MODERN MIND
way that knowledge, proceeding inductively, began to ramify^ in
various directions that created what we are calling the divisive
-
When the course of knowledge followed the deductive method
of Classicism and Scholasticism, it used the principle of inves-
tigation with the aim of corroborating a preconceived plan of
thought. The fact was supposed to corroborate the idea. In-
ductive thinking, while it is not innocent of theoretical considera-
tions, places the emphasis upon the fact; the theory that follows
is dependent upon preliminary observation. The result of such
procedure has been to create various branches of knowledge
which are supposed to be coordinated in the most feasible man-
ner. It is easy to exaggerate the reverence for facts and devotion
to mere induction, but it is undeniable that this broad, miscel-
laneous method has prevailed in modern times. Having broken
with philosophy, it remained aloof from the metaphysical, and
it is only in the present century that the task of acquiring knowl-
edge from nature has made it expedient to develop a theory of
knowledge based upon the mind. The return of philosophy to
science has been brought about largely by the conflicts between
new and old systems of physics and psychology, between mecha-
nism and vitalism, evolution and dogmatism. Philosophy is
appealed to with the hope that it may be able to construct a
unified form of thinking, a scientific methodology.
What we have before us at a time when modern thought has
come to a climax is an intellectual Tower of Babel with its con-
fusion of tongues. When modern thought abandoned the prin-
ciple of deducing consequences from conditions and began col-
lecting the results of experience, its investigations extended in
various directions. This has brought about a ramification of the
various forms of knowledge, so that schools of science are not
unlike schools of art. The one have different methods; the
other, different kinds of technique. In science this ramification
has resulted in a number of different ideologies. This term is
used in a sense other than that of French philosophy in the
XVIIIth century. There it amounted to little more than the
sensational philosophy of Cabanis (1757-1808). Today an ideol-
ogy means a special way of reasoning in a particular field of
MODERN IDEOLOGIES
investigation, with a tendency to extend the method into other
and alien fields. These ideologies are mental patterns which are
neither true nor false in themselves and amount to no more than
useful fictions in the interpretation of the special facts in the par-
ticular case. They are the most characteristic features of modern
thought as it shapes itself today.
MODERN IDEOLOGIES
In the idea of mechanism with its pattern of a machine we find
one of the most persistent of modern ideologies. At bottom,
mechanism is a theory that everything which occurs can be ex-
plained in terms of material parts and particles in motion- The
picture of the universe as a machine facilitated observation and
experiment without itself being proved by such empirical meth-
ods. This mechanical fiction does no harm as long as it remains
within the field of physics where it is ever subject to correction,
but it has proved misleading when, by force of analogy., it has
been applied to the fields of biology, psychology, and sociology.
It is not at all plausible when we attempt to model mind on the
pattern of matter and then regard man, mind, and society as
" machines."
In the field of psychology there have been various ideologies, as
" soul," " mind stuff," " brain," and " behavior." The pattern in
vogue at present is that of behavior, according to which psy-
chology, like physiology, may study the relation of stimulus to re-
sponse without considering how, if at all, this bodily transaction
effervesces in the form of individual consciousness. There can
be no scientific objection to this ideology until behaviorism, hav-
ing itself dispensed with consciousness as a factor, proceeds to
dismiss it altogether. Another form of psychological ideology is
found in the mental mechanism of "complexes" of psycho-
analysis. These are understood as consolidations of emotions,
especially those associated with sex. Doubtless we are more
emotional than we realize, but the mind has a way of making
allowance for its feelings. It discounts them in such a way that
the course of cognition and die process of reasoning are not
seriously disturbed.
288 THE EMERGENCE OF THE MODERN MIND
In the practical world, a characteristic ideology appears in the
form of a economic determinism." If the study of matter and
mind led to their mechanistic Ideologies, there is no reason to be
surprised that the study of industry and economic value should
lead to a corresponding ideology. There can be no doubt that in
its own field the economic factor should be uppermost; the econo-
mist should consider how man makes a living, how wealth is
produced and distributed. But economic reasoning is not so
secure when it makes its private pattern the model for all his-
torical activity. Just as the actual machine in modern civilization
tempts us to believe that everything in nature and man is subject
to mechanical control, so the importance of a livelihood and
money is such as to make us feel that the economic motive in
life is supreme. But to reason in such ways would be to commit
the ideological error. Such a system of ideologies is inherent in
modern thought, with its tendency to investigate in various
directions. Indeed, the very idea of Natural Law, without which
modern procedure seems impossible, is not lacking in the ideo-
logical.
It is now our task to follow the branches of modern thought
as these appear in the various enterprises of modern civilization
as well as in the various disciplines of modern culture. We
shall observe the modern mind at work elaborately in the fields
of science and politics, in philosophy and economics, and shall
mark its achievements in developing national types of civiliza-
tion and culture. This will bring us to the present with its
startling outlook and may permit a forecast of the immediate
future or the civilization and culture o£ the XXth century.
CHAPTER XII
MODERN SCIENTIFIC METHOD
THE MAGIC OF SCIENCE
NOTHING IS MORE SIGNIFICANT OF THE MODERN MIND THAN
science, scarcely anything more characteristic of the
modern man than his belief In a form of knowledge
he does not fully understand. In the past, the popular mind
was wont to attribute to religious belief the most extraordinary
possibilities in the domain of both spirit and flesh. At the
present time, which is famous for the automobile and radio,
there is an equally devout belief in the power of science to
answer all questions, supply all wants, and even cure all ills.
This is not a question of physical science as such, but one that
concerns social psychology. Are we not in a condition of scien-
tific enthusiasm bordering on hysteria? If so, the correction of
the error and the cure for the complaint may be found generally
in history, in the development of man and man's opinions. Once
we assume the standpoint of historical perspective, we realize
that, as Talleyrand said, " everything happens," and realize also
that the shining present is only one ray of light in the sun; that
the present present, so to speak, is only fractionally different
from almost any past present. Once we assume the standpoint
of historical trends, we realize that science is not solitary in the
spiritual life of man; there, however, it occupies a unique position.
The nature of science, which is chiefly mathematical, makes us
despair of common perception. Like Faust, we are inclined to
cry out, "Where can I grasp thee, thou Infinite Nature? —
Wo fass ich Dick, unendliche Natur? " With just two eyes and
just two hands, how can we grasp, how comprehend the natural
order, whose secret seems to repose in the hands of those who are
adept in the higher mathematics? The quantitative aspect of the
universe baffles us; one moment it expands to a sphere whose di-
ameter, given in terms of light-years, yields a row of figures
for which we have no name. Then, turning on itself, as it were,
S.T.— 20 2.89
290 MODERN SCIENTIFIC METHOD
the same universe contracts to a point expressible in terms of so
many decimal places. Our minds are adapted to neither the
macroscopic nor the microscopic universe; and unfortunately for
us, science is mostly measurement. But the quantitative form
of the world is not all, for there are varieties of things which have
their unique modes of behavior. Hence, it is only the expert
working intensively who can hope to master any of the sciences,
and we have at least four of these — physics and chemistry,
biology and psychology. Over these arches the dominant science
of mathematics; in and around them is the science of sociology,
which seeks to relate them to civilization. How can we hope
to present the subject of science within the scope of a single
chapter when the range of the study might well form an
encyclopedia?
We begin where man began — with the general notion that
science is knowledge of the universe. Primitive man had
" science " in the form of general, practical observation, for he
had come to the place in his evolution where he needed it. • He
could calculate direction and distance; he realized that land was
different from sea, that some things lived and others were inert,
and that there was a difference between mere surfaces and the
three-dimensional objects he could handle. This man of some
thirty thousand years ago rejoiced in what Bergson calls " natural
geometry " and what, in addition, we may call " natural mathemat-
ics n and " natural mechanics." His work in fashioning weapons
and tools showed him some properties of matter and some powers
of the brain. Man was beginning to come to a practical under-
standing with the world in which he lived. But we can hardly
speak of such knowledge as science, since scientific knowledge to
be conceived and communicated requires symbols and these did
not appear until the Phoenicians devised the short alphabet and
the Hindus arranged what we call the Arabic numerals. But from
what the primitive man did and did not know, we can infer that
science is a kind of symbolism. " Science," says Eddington, " aims
at constructing a world which shall be symbolic of the world of
commonplace experience." 1
How shall we laymen, who know only the rudiments of a
1 The Nature of the Physical World, p. xiil.
THE VALUE OF SCIENCE 2gi
science here and there, place ourselves in the attitude of that
superman we have come to know as the scientist? Why, in just
that way; that is, by assuming the scientific attitude and by
giving things a knowing look. We can at least be curious about
them and not surrender to the utter practicality of life. There
are other attitudes we must assume in the study of human civili-
zation and culture, the point of view in history, philosophy,
politics, economics, art, and the like. We do not intend to
dabble in science or be merely dilettant, for we want no smat-
tering idea of such an important subject. Suppose we follow the
analogy of the critic who is not a painter or a poet, but who can
get at the value and meaning of pictures and poems? Or one
can be like a lawyer whose flexible mind adapts itself to all sorts
of cases and who can master enough of their content to put the
law into them. One who desires to understand and appreciate
science might even regard himself as a tourist who, guidebook in
hand, observes the points of interest in various lands without any
idea of settling down in any one of them. Without specializing,
we can still arrive at the specific point of view in science and
perhaps the sharper angle of each separate body of scientific
knowledge.
THE VALUE OF SCIENCE
Probably the best thing to do is to appreciate science, or feel its
values before we measure its truths. The critic is supposed to
do that with the book or canvas; the analysis of the artist's tech-
nique can come later on. The lawyer does that with his client
who seems to have a case; just how that is, is to be shown after
cases and courts are studied more carefully. Of course, we must
accept science since it is a definite phase of our civilization and
has given so clear a tone to our culture. Then, we are almost
required to be familiar with its leading theories, such as those
of energy, evolution, and relativity, since these are matters of
popular discussion which have come down to the newspapers.
But being impressed by science and being appreciative of its
merits are not quite the same. It is for us to find out what science
really amounts to or what value it has for mankind. We might
292 MODERN SCIENTIFIC METHOD
go so far as to consider science a kind of commodity and then
raise the question whether it satisfies a human want in our
civilization.
Our civilization is not a natural one like that o£ primitive man,
a philosophical one like that of the Greeks, nor has it the religious
character of the mediaeval State. Our civilization is a scientific
one; at any rate it is that more than anything else. When we
survey it outwardly as it appears today, the effects of science are
omnipresent. Practically all our comforts and benefits come
from scientific machinery. What these immediate values are we
will not presume to state; their name is legion and it is difficult
to think of a want which science does not satisfy, a desire it does
not grant. The difficult thing to do is to think of anything, like
spring-water or firewood, that is not a scientific product. Our
faith is based upon scientific law; our hope lies in what science
can accompEsh for us. There used to be and still is a " conflict
between science and religion," as far as views of the world are
concerned. Now there seems to be competition between the
material and spiritual on the basis of the human values they can
supply. People believe in religion for what it can do for their
souls; they are now believing in science because of what it does
for their bodies. Until there are deeper religious needs to be met,
people will feel that science satisfies. Something like this seems
to be the popular feeling.
Science has improved our earthly condition beyond any pos-
sible estimate of value, but has it improved us ? We have a better
world, but are we better men? Our society is a much smoother
affair, but has the roughness of human nature been reduced by
any known scientific process? According to Karl Pearson in
his Grammar oj Science, science justifies itself in the promotion of
sound citizenship. This claim for science is not made upon the
basis of any special discovery as though science had unearthed
the perfect State or discovered the perfect law, but to the scientific
temper. This is engendered by facts — the finding and collecting
and connecting of facts. " Modern science," says he, " as training
the mind to an exact and impartial analysis of facts, is an educa-
tion specially fitted to promote sound citizenship." 2
FRIEND OR FOE? 2g3
FRIEND OR FOE?
But does not science make scientists rather than human beings?
What science lacks is the warmth of humanity, the sense of
human values. It is much more fair to nature than to man. The
intensive cultivation of it seems to lead man out of his human
nature into a vast, impersonal field where nothing but science
is thought o£ The result is that the mind which is bright to
truths in the physical order is opaque to the things of the spirit.
We observe this when a scientist proceeds to give his views on
such humanistic topics as art and religion, ethics and politics.
Usually he carries his authoritarian spirit and proceeds to tell us
about the what-should-be in the same way that he has been
telling us about the what-is. And the difference between the
scientific field of facts and the humanistic order of values is that
one deals with what is, the other with what is to be. Hence mat-
ters of taste and belief, of ideals and laws are entirely different
from those things that are found in the realm of time and space.
If the spirit of science were allowed to work its way into man's
blood instead of going out after a nebula or an atomic order, its
practical value would be what Pearson declares it is.
At its very best, science is only neutral; its account shows
neither debit nor credit. What it has done for industry, it has
undone in warfare. Its anaesthetic gases which prevent pain are
in their effect neutralized by the poison gases which inflict pain
and cause death. On the one hand it produces the tractor for the
grain field, with the other the tank for the field of battle. Its
explosives are useful in mining, but deadly in their militaristic
connection. We are better off in times of peace and worse off in
times of war. When it comes to promoting the peace of the
future, science is noncommittal. It waits until the unscientific
mind in a State decides what the State wants to do, then science
is ready to serve as either the friend or the foe of mankind. The
intellectual neutrality of science arises from the fact that science
takes nature and man as they are and then attempts no more than
a matter-of-fact relationship between them. Nature is not looked
upon as a poor copy of a perfect universe or man regarded as an
inferior specimen of a perfect species. All ideals, all likes and
MODERN SCIENTIFIC METHOD
dislikes, all beliefs and values are set aside for the sake of a
neutral and objective point of view. We are supposed to be
satisfied with the facts in the case.
THE SOCIAL CHARACTER OF SCIENCE
Science is a natural social thing. It is like a universal language,
or music. A system of philosophy is for an individual Plato and
the Platonists; Kant and the Kantians. A system of polidcs is
broader and applies to nationalistic groups of human beings in
the form of Democracy, Fascism, or Sovietism. Science is the
Communism of the human intellect, the Ideal Republic of free
minds. Its laws appeal to all and are recognized by all who take
a rational point of view; its laws apply to all phenomena as these
are found in time and space. There is no private standpoint left
for man, no special consideration shown for nature, but all
thoughts and all things are subject to scientific law. Science is
humanistic in the way that it furthers man's intellectual ambitions
and enhances his powers. It came into being at a time, the early
modern age, when on all sides of his nature, in art, religion, and
politics, man was anxious to emancipate the spirit within him.
To extend man's view and enhance his lif e — the science of the
day is a highly speculative way of exploring time and space,
matter and mind, the whole universe and the atom; it is a
desperately practical way of inventing machines to render life on
earth more endurable. When we speak of science as embracing
all nature and all mankind as such, we begin to wonder which of
the pair should receive the emphasis, the outer world of things
or the inner life of thoughts. Where is the place of knowledge,
and where shall science be found? In "facts"! That is the
popular point of view and the practical estimate of science.
** The facts speak for themselves." In the minds of most people
the eloquence of existence is so emphatic that the mind needs
only listen. After there had been so much scholastic reasoning
and so little actual observation, it was quite natural for Bacon to
attempt scientific propaganda in the form of downright discovery,
but now that we are able to look back upon the development of
science we realize that mere fact-finding has had little to do with
IS SCIENCE SUBJECTIVE? 295
it. From time immemorial, men had observed that bodies float,
sink, or are partly submerged in water, but it was Archimedes*
thought about that fact which gave us the principle of a body's
specific gravity. And just as long had men noticed that apples
and other things tend to fall to the ground, but it was Newton's
mathematical way of regarding such a homespun fact that gave
us the principle of gravity. At the present time, the facts in the
case of the universe at large and the situation within the atom
are ascertained by such refined forms of observation that we
suspect there is more to the observer than the observed.
When science deals with facts, as it does in a most desperate
way, it is usually careful to discriminate among the multitude of
things spread out before its gaze. In addition to that, science
does not simply look, but is on the lookout for its facts; where
is the planet or chemical element or plant species we are seeking?
It is the knowing look that counts, the look that is directed by the
theoretical powers of the mind. In the last analysis, nature does
supply the facts, but she is not in the habit of thrusting them upon
us. Moreover, nature does not count or relate or reason. These
are processes that go on in the human mind, which insists on
seeing a connection between disconnected phenomena, as the
moon and tides, malaria and the mosquito. Science, then, is
man's science, the work of his reason.
Is SCIENCE SUBJECTIVE?
Is science subjective or objective? Is it concerned with the
thoughts of the mind or the things of the world? The moment
we raise that question, it seems to answer itself in terms of the
objective; natural science operates on the outside and, as it were,
in behalf of nature. When we consider the subject matter of
science, the case for objectivity, nature, and thinghood seems
complete. How is man's private interest concerned or what has
he to say about the facts in the case? Has not modern science
given up ancient idealism and mediaeval dogmatism? If we
were to heed the popular and, often, professional view of science,
we should conclude immediately that science gave everything to
nature and saved nothing for man. The laws of matter and
MODERN SCIENTIFIC METHOD
motion are naturistic, not humanistic; they concern things rather
than men. In drawing the scientific picture of the world, man
has to leave himself out. Now, there is so much about science
that is objective and so much matter-of-fact outside us, we
need say no more about this great Not-ourselves. It can take
care of itself now just as well as it did before it produced the
human brain. It is ourselves we must consider, lest we be sub-
merged in our own thought about the universe.
When we consider ourselves, we observe that we are not deal-
ing with a science that merely photographs the world generally
and takes snapshots of its movements. Our modern mental
process is more than anything else a scientific method. That
method is our own. We can hardly think of any other than the
scientific one, although now and then we find it refreshing to
assume an artistic or religious point of view. As for scientific
method — it is distinctly human. This does not mean that we
intend to relapse into anthropomorphism, although that very
human way of thinking keeps dogging our steps. What we do
under the circumstances, peculiar to the fact that we are finite
human beings, is to put on the best face in the matter and make
our anthropomorphism that of the homo sapiens. We give
nature the best man that is in us. We know that we cannot
leap out of ourselves and become pure knowers of the world,
so we keep enlarging and purifying the human understanding.
In so doing, we exercise the belief that the view of the world
entertained by a Newton, a Kant, or an Einstein will be good
enough.
In addition to this confessed anthropomorphism of the better
sort, we admit the presence of the human quality in natural
science as this obtrudes in other forms. As has been observed,
we take results of nature and employ them for human benefit
in the form of applied science which ends in industry and its
pleasant fruits. Is not that a species of humanism, of subjectiv-
ism? In addition to that human way of using nature, we often
make our feelings the models for natural occurrences. Energy is
something that we ourselves feel, and it may be that the energy
of nature is not at all akin to the work of our wills. We speak
of what seems to be going on in the natural world as though it
IS SCIENCE SUBJECTIVE?
were a struggle for existence and, again, we are using a human
analogy. In like manner, we refer to the affinity between chemi-
cal elements which unite here but not there, and look upon this
valence somewhat after the manner of our own preferences.
Even when we speak broadly of the conservation of energy, we
are using a mode of expression that suggests something in the
way of human thrift.
In larger and more abstract ways, we insinuate our human
point of view into the world of space when we indulge in more
than one kind of geometry. In the narrow realm of terrestrial
magnitudes, where human operations like surveying and building
are going on, we prefer the old Euclidean geometry with just
one line parallel to another, but when we raise our eyes from
earth and our work on it, we find it expedient to adopt a non-
Euclidean form of spatial measurement. All seems to depend
upon what we have in mind. The old, anthropic ideas of the
world still hold in their own sphere, or in what the most ad-
vanced science calls the " frame of reference." We live and act
and arrive at some measure of truth just about as men did before
modern science dawned and then blazed forth so blindingly.
" Even today," says Karl Pearson, " we all go through the greater
part of our thought and action as did the people of pre-Copernican
days. The Ptolemaic system still holds as a valid concept in a
limited range of phenomena/' *
The human point of view shifts with ease from things to the
connection between them and asserts itself in the domain of
causality. If the universe were only a system of bodies in motion,
like billiard balls on a table, we should have no trouble with
them, but things are magnetic and biologic also. Hence we
have to modify the idea of the necessary connection between
things doubted by Hume and dogmatized by Kant. No longer
can we say, " Out of this particular cause comes this particular
effect," but " From these general conditions result certain other
general consequences of an appropriate sort." We cannot " bind
the influence of the Pleiades or break the bands of Orion"; all
the binding and breaking that we do must take place within our
own minds.
s Grammar of Science, p. 385.
2Qg MODERN SCIENTIFIC METHOD
^yu
MAN THE MEASURER OF ALL THINGS
It seems, then, that even in science man cannot eliminate him-
self, but he can emancipate his mind from temperament and
prejudice. His mood can be as important as his method. The
scientific mind dares not relapse into the sophism of saying,
" Man is the measure of all things "; but it must use a sort of
scientism, according to which " man is the measurer of all things."
Science is measurement; its method par excellence is that of
mathematics, and this is man's own product. Nature does not
calculate nor weigh nor rationalize herself in any manner what-
soever. Hence, when we say certain phenomena are "given,"
we had better speak of them as "taken." In the science of
geometry, man takes space out of the whole complexity of nature
and studies it as dimensions. He pours time out of it and con-
siders it in a static form. Of course, there is no such space in
nature. The mass of a body is just as fully taken out of the
natural order; the body whose mass is being studied is under
other influences than that of gravitation, but these others are set
aside theoretically in order that mass may be known. This
knowing, as we are calling it, is measuring, human measuring,
the discovery of Arabic numerals in the things of this world.
" We have found," says Eddington, " where science has pro-
gressed the farthest, the mind has but regained from nature that
which the mind put into nature. We have found a strange foot-
print on the shores of the unknown. We have devised profound
theories, one after another, to account for its origin. At last we
have succeeded in reconstructing the creature that made the
footprint and lo! it is our own." 4
When we say measurement we are inclined to think of num-
bers, but it means more or less than that according to the way we
look at it. Measurement means the interrelation, the interlocking
of space and time; not space in the sense of the place where things
are found nor time as the course which events follow. No, sci-
ence understands space and time in the form of relations; the
relation of coexistence and that of sequence. Science in the
strictly modern sense began when Galileo interrelated space and
4 Spacej Time and Gravitation, p. 200.
OUR FOURTH DIMENSION
time in the special case of falling bodies. This means that, as
science now suggests, we must superimpose upon or fuse into our
old space-geometry a new time-geometry. Naturally we hate to
do this since our old geometry of fixed forms was so reliable
and comfortable; its forms, such as the square and circle, were
there waiting for us to draw pictures of them and prove proposi-
tions about them. But we have come to realize that these forms
have to be generated, so that the flowing point draws a line, the
line swings around into a plane, and the plane itself makes a
swing that produces the solid. At any rate, that is the way it
looks to those who stand on the outside of the mysterious world
of mathematics.
OUR FOURTH DIMENSION
Now all this brings us dangerously near the question of the
fourth dimension and we wonder what that can be. It strikes us
as being uncanny; we feel that we have no "open sesame" to
open its door. However, we are dealing with the fourth di-
mension daily, only we do not recognize it as an old friend like
the other three. We are told that the fourth dimension of space is
none other than time, which seems to mean that length, breadth,
and thickness are the other three dimensions of space. Our main
trouble is that we cannot picture a four-dimensional body the
way we picture those that have only three. We can see those
but, at best, we can only believe that time is added to them
to make the figure complete. Suppose we try to picture different
bodies with all four dimensions included. We can do this by
visualizing a star, a stone, a tree.
When we look at a star, we see only two dimensions at a time,
but we can easily add the third one by thinking of the star as
a solid. Can we not add the fourth by thinking of it still an-
other way? We can do this by realizing that the light which for
us is the star has been a certain number of years on its way to
earth, ten, a hundred, a thousand, or a million, and can realize
further that the star is we know not exactly how many millions
upon millions of years old. Are we not seeing or at least appre-
hending time in the simple act of seeing space? In the case of
300 MODERN SCIENTIFIC METHOD
the stone, what we see in the old spatial way as a solid is really
something that has existed we know not how many thousands of
years. And these years we see in a way when we look at the aged
stone. In the case of a tree that has been sawed down and now
exhibits as many rings as it has lived years, we behold, as Alex-
ander points out, both the spatial and temporal of the tree; its
three usual dimensions and the unusual one of time which, by
the way, was responsible for these. In most cases, when we are
not interested in gaining a complete view of an object, we omit
the fourth dimension, but our complete experience is bound to
include this. The table at which we sit and the man with whom
we talk seem to have only three dimensions, but a complete view
of the table and the wood of which it is made and the real nature
of the man who has grown into full stature involve the time
factor. Time made them what they now appear to be.
SCIENCE MORE THAN MEASUREMENT
Science is measurement, but not this alone. It is a way of
reasoning about things, a method of obtaining knowledge that
otherwise would remain hidden. If we think in terms of hun-
dreds, we have no need of arithmetic save as this puts our knowl-
edge in a convenient form; but if we try to deal in millions, we
find it necessary to resort to mathematics for our ideas. In like
manner, if we are considering the distance between two points
that are not so far apart, for instance, the cities of New York and
Philadelphia, we can appreciate the space between them by our
experience. We have ridden by train or motored or even walked
from one of these cities to the other, so that the idea of ninety
miles is almost superfluous; it is only a symbolic way of repre-
senting what we already know. But if our mind tries to dwell
upon the idea of the distance between the earth and Sirius, it has
to avail itself of the expression, " nine light-years." We have no
impression or experience or intuition capable of bringing the
celestial distance to the mind.
The same ultimate resort to mathematical measurement is
made in the dynamic field. One knows what is meant by twenty
pounds, since he can easily carry that much weight. ' His ex-
THE UNITY OF THINGS 301
perience he can enlarge until he knows the meaning of a hundred
pounds and can extend his sense of strain until, after a fashion,
he can estimate the weight of a ton. But when the problem is
to weigh the earth on which we live or, worse still, to arrive at
the weight of the sun or a much larger star, we must reason by
measuring and draw real conclusions from abstract ideas. This
was appreciated by science at the beginning, when Kepler ar-
rived at the laws of planetary motion by making mathematical
calculations to the effect that the radius vector of a planet sweeps
over equal areas in equal periods. But when Galileo related space
to time in the case of falling bodies, it seemed as though the
mathematical form of this perceived fact amounted to no more
than drawing out what the mind had already put in. Now, the
lay mind in mathematics is in the habit of thinking of mathe-
matics as just so much counting up of what one already has, as a
kind of numbering of things. But even the lay mind is now in a
position to realize that measuring means more than computing; it
means drawing conclusions that could be arrived at in no other
way. We are forced to this admission by what is being accom-
plished in the macroscopic and microscopic orders of existence; in
the stellar universe and in the atom. Now the grand conclusion
that may be drawn from measurement is that of the unity of
the world.
THE UNITY OF THINGS
As soon as we raise the issue of unity in nature a question is
bound to arise: where does this mysterious unity come from?
Is it a kind of center in the circle of all reality? That looks very
much like our human geometry. Is it the main office or clearing
house of energy? That seems like a human institution. Now
science, be it remembered, is more a matter of method than of
material; or as Karl Pearson says, " The unity of all science con-
sists alone in its method, not in its material." 5 This method is
our own human method; nature goes her own way and carries
out her operations to perfection. We consider these and express
the whole matter in the form of unity. This author whom we
5 Grammar of Science > p. 12..
302 MODERN SCIENTIFIC METHOD
have quoted goes on to say further that the universality and abso-
luteness of scientific law, conditioned as it is by the perceptive
and reflective faculty in normal human beings, is relative to the
human mind. We behold the unity of nature after we have ob-
served the unity of knowledge.
How is this human unification of the natural order brought
about? We do not draw a circle around the universe with earth
as the center. We do merely feel or intuit unity as a suitable
ideal for Creadon; if we ever do this, it is for the sake of the
inspiration that comes from the feeling that nature is one and we
are one with It. Our method of getting at the unity of things is
chiefly by the organization of our sciences. Of these we have
four, assignable to a double pair of twins — physics and chemistry,
biology and psychology. Above these four arches and superin-
tends our method, which is that of mathematics. Beneath that
firmament of mathematical forms are two different sorts of
sciences, and these come up for measurement. Physics yields
forms of energy; chemistry, kinds of matter; biology, organisms;
and psychology, these organisms looked at, as it were, from the
inside. How can we unify these four sciences under the form of
the mathematical abstraction we have set up as a norm; how
measure them according to some common denominator? We
cannot. That is, we have not been able to run the mathematical
line through all four of them. It starts out well enough with
physics and chemistry, but becomes a kind of dotted line indica-
tive of direction but not distance when it presses on into the bio-
logical and psychological sciences.
But let us observe clearly what the modern man is trying to ac-
complish by the unification of nature. He does not dream of
dividing the universe up into four distinct fields and placing them
side by side. He does not attempt to arrange them in the form
of a four-story edifice with physics at the bottom and psychology
at the top. Nature does her own arranging, her own building.
All that we can do is to watch nature and unify our separate
sciences as best we can. We are to proceed from the mood to the
method of unity. We do this by thinking clearly and cogently
about our subject matter as we perceive it. This gives us our
sciences, and nature knows nothing about them. The result of
THE SCIENTIFIC PARADOX
our attempts at unification is more like a republic of scientific
minds than a kingdom of science. When we realize that it is
man working with a yardstick and not nature operating with a
light-ray, we appreciate our problem more keenly, more fully.
Here we must be prepared for paradox.
THE SCIENTIFIC PARADOX
The heavens give us no trouble. The stars in their courses
may have fought against Sisera, but they carry on no warfare with
science. Our trouble is with ourselves, our bodies and minds.
They bother us both morally and mathematically, for we have
as much trouble in measuring their processes as we have in ruling
their tendencies. They are as irrational as they are immoral.
The paradox is this: the farther away things are both physically
and psychologically, the nearer they are mentally, and vice versa.
We can depend upon a star, a planet, and even a comet, but we
cannot depend upon organisms. There is no telling what organ-
isms are like or what they will do. Physics and chemistry are
foreigners, but we have made friends of them. Biology and psy-
chology are of our own kith and kind, but we cannot come to
an understanding with them. Marvelous to relate, the most
perfect science is astronomy; the least perfect is psychology. We
have no interest in stars nor they in us, but we understand them;
we rejoice in accurate observations, definite measurements, and
a high degree of predictability. We have all interest in our sen-
sations, but the best we know about them is that we feel them.
Doubtless this is the reason why astronomy was the first sci-
ence to be developed, psychology the last. When it comes to
a question of measurement, there is no comparison between
them.
Our trouble is with the earth or its leading citizens. The physi-
cal and chemical are everywhere in the universe; the biological
and psychological are here on the earth alone. It may be that
the principles of measurement that apply so grandly to the uni-
verse at large may be made applicable to the infinitesimal amount
of life in the universe, 6ut it does not seem likely that the mathe-
matics that is ready to go out to tie infinite is as willing to adapt
MODERN SCIENTIFIC METHOD
itself to such a vulgar fraction of things as life. There is, of
course, the general relation of more and less, large and small, but
this is not anything like the impressive system of mathematical
powers and decimal places that we find in the inorganic world.
And it is with the inorganic that our mathematics finds a home,
not in life, certainly not in us.
We must decide, if we can and if we dare, whether the mathe-
matical system of measurement comes right down to us in our
lives. In a way we hope it will stop before it gets to us. We
must decide whether such a federal system of scientific law is
repeated in the local ordinances of our little life-community. We
are inclined to hope that it does not, for we do not wish to bear
the weight of laws meant for galaxies. Is there one scientific law
or are there two; do we find the same law with only different
applications, or two different kinds of laws? We might escape
this predicament, as is so often done, by saying, " In a way it
does and in a way it does not." But then we might be bothered
by the question, " In what way does physical law apply, in what
way not?" Or we might say, "Authorities differ on this sub-
ject." But then we should have to meet the question, " In what
way do they differ? " We know that there is a difference be-
tween life and inorganic matter, between the quick and the dead,
but we do not know just how this difference will figure in our
sciences.
PHYSICAL AND SOCIAL SCIENCE
The attitude of those who work in the sciences seems to be
something like this: the mechanists in physics and chemistry,
being sure of themselves in their own field, are inclined to conde-
scend toward the would-be mechanists in biology and psychology.
They presume that their systems of measurement apply or may
come to apply to organic realms as they have worked so splendidly
in the inorganic field. In this spirit of toleration, J. Arthur
Thompson says, " In regard to one order of facts, the application
of scientific methods has gone far; in regard to another order of
facts, it has just begun, but the incipient science has no need to
be ashamed beside her full-grown sister. An exact science is
PHYSICAL AND SOCIAL SCIENCE 305
like a solar system; a young science is like a nebula." e But this
only postpones the settlement of the question and what we want
is a more immediate answer to the question, are organic sciences
just like inorganic ones?
The would-be mechanist in the vital field will assert that they
are. He has been impressed by the astounding achievements in
physics and chemistry, which have grasped both the macroscopic
and the microscopic world, and desires to imitate the manners of
those elder sisters. The little vitalist is like Cinderella longing to
attend the great ball. But as it is now, biology is at least one
remove from the field of exact measurement; where such measure-
ments are made, it is only by reducing biological processes to
physical and chemical ones, which is like putting one's savings
into the great stock market. Psychology, which used to rejoice
in its possession of the knowledge that comes by introspection,
follows the lead of biology and, mot aussi, wants to glean a few
straws from the rich harvest of measurement. The result in
biology is mechanism, which dismisses the vital process as such;
in psychology, it is behaviorism, which has made headway only
by throwing out consciousness.
But the difficulty with such a vigorous principle o£ unification
is just this — it calls upon us to sacrifice quality to quantity; the
quality of the organic to the quantity of the inorganic. Practi-
cally everything about the inorganic world of physics and chemis-
try can be appreciated by mere quantification. By means of the
how-much we can measure matter in gross or in fine; by such
means we can also manipulate matter in building and engineer-
ing. Matter is only interesting, useful energy and we have no
feeling for it. Not so with life, for life is in us and we in it.
Measuring and manipulating are all very well, but there is about
life something that we experience and enjoy, hence the idea of
measuring seems inadequate and disappointing. In particular,
when we try to make ourselves the measurers of all things, or-
ganic and inorganic, we find that our vital data are not so
definite; they have not the stability of atoms. They drift away
from our measuring rods, hence we can only approximate to the
quanta we are seeking. They do not arrange themselves with
6 Article " Science," Encyclopedia of Religion and Ethics.
3o6 MODERN SCIENTIFIC METHOD
the precision of earth and sun or oxygen and hydrogen; the
relations among them are loose. The inorganic world runs on
tracks; the vital order does not, and that is why we have trouble
in calculating its processes.
Now, was it not for the very purpose of measurement that
early modern science separated the secondary qualities from the
primary, spatial ones in order that these might become the subject
matter of exact science? How, then, can the organic sciences
hope to neutralize that act, how return to the state of affairs
wherein both organic and inorganic alike were treated without
sharp discrimination ? Suppose we regard an organism from the
standpoint of space; the geometrical view throws little light upon
the nature of the living body. Spatiality is the very genius of
inorganic matter, which has, we might say, an affinity for geome-
try. Into space, matter spreads out to stellar size; by space it is
pervaded down to the very atom. But spatiality has no such
significance with an organism. Or, let it be energy. Inorganic
matter proceeds by expending energy, by turning it into heat and
diffusing it. Organisms live and work by saving energy; by stor-
ing up and using the solar energy thrown off with such prodi-
gality. If it is a question of mass, so important with matter, the
organism is under such an incessant process of change that we
cannot count upon any stable mass. Both organic and inorganic
move in time, but movement in the cell is not the same as move-
ment in a molecule. Both matter and organism are capable of
work, but there is no real thermo-dynamics of the steam engine
in the living body. The temperature at which it does its work
shows that. Indeed, everything about the organism makes it
difficult to carry out the classic idea of " measure for measure."
Just as we seem to have reached the mathematical summit of
things, the old system of measurement breaks down. To appreci-
ate that, we have only to glance at the rebellious science of the
XXth century.
RELATIVITY
If we have had trouble grasping the old science, what hope have
we with the new? Or, as the prophet expressed it, " If thou hast
RELATIVITY 307
run with the footmen and they have wearied thee, then how
canst thou contend with horses? " We were just on the point of
laying hold of the universe when now it seems that there is
nothing substantial to seize. At last we had grasped the atom,
but now it has melted into the electron, and as for the old space
in which we felt so much at home — even that has failed us. We
do not occupy it as owners, but have only a long lease on it since
it took on the fourth dimension of time. What we used to call
things in space are now only " events " in space-time, and the
gravity that used to be such an omnipotent force has now become
a matter of geometrical form. The universe has left us, but still
it seems to be around. The whole affair seems to be like the
situation in Faust after the departure of Mephistopheles — "The
Evil One has departed, but Evil still remains." This state of
affairs is summed up in the word " Relativity " ! We must solve
that acrostic if we can.
Relativity of what? we ask. Not of mind or knowledge or
man or anything in particular but just this: relativity of measure-
ment. Now that is somewhat encouraging because we agreed
with ourselves when we took up the perplexing problem of
science to consider it a system of measurements. The shadow of
Mephistopheles is still with us and we will try to discover its
length. Suppose we lean on the old scientific symbol or mono-
gram of C. G. S. — the centimeter-gram-second system of meas-
urement. The centimeter means space, the gram matter, and the
second time. Then Relativity will mean a new way of measuring
space, matter, and time. After we have once adjusted ourselves
to our new world, our world of Relativity, we shall be in a mood
to consider gravity. These four things will be the north, south,
east, west of our new sphere.
From time immemorial, space had been looked upon as a box
or general container of things. Galileo made modern science
possible by changing space into a geometrical thing, or mode of
measurement. Newton regarded it as the absolute background
of movement, and after his days scientists filled it up with what
they called "ether." The peculiar thing about it was that it
could be made infinite or infinitesimal, macroscopic or micro-
scopic, large enough for any possible universe or small enough
MODERN SCIENTIFIC METHOD
for any atom. Space seemed to fit matter very loosely; indeed,
the amount of occupied space was so small as to be inconspicuous.
The universe seemed like a town all mapped out but not built
up. The older science was so interested in the process of build-
ing up that it let the rest of the universe go by with the cavalier-
like assumption that space extends in all directions to what it
called " infinity." But Relativity has changed all that.
Relativity tells us that space is not absolute or infinite in itself;
it warns us that space is not independent of time or matter.
Space is not absolute in the sense that an object is here or there;
it is neither here nor there; all we know about its location is that
it is just so far from other objects. Space has now become an
interrelated mesh of distances. Position is not everything; in fact
it is not anything, since it is distance that counts. The space that
is supposed to contain matter is not infinite. If it were, it
would exhaust and reduce to nothingness the matter that radiates
out into it. If we think of matter-energy as a fire, we realize that
it can heat a large room, but not all outdoors. Nor is space in-
dependent of time, for we cannot get the position of an object
unless we know the date when it is supposed to be there. All
that we get out of the state of affairs is an " interval," a term
applicable to space or time taken together in a unity.
THE SPACE-TIME CONTINUUM
As long as the new system of measurement is thought of in
relation to such things as galaxies and atoms, it does not bother
us, but when it lays hold of yardsticks and clocks we begin to
feel concerned. For this is what Relativity does; it disobeys the
commandment "Thou shalt not remove thy neighbor's land-
mark." It did just this with the landmarks of the old physics,
which consisted of rigid measuring rods and steady clocks.
When, under the auspices of the classic system, Michelson at-
tempted to measure the motion of the earth through the station-
ary ether, no motion was discernible. The line that represented
the direction of the motion was just as long as the one drawn at
right angles to it, when, of course, it should be shorter. But the
theory of Relativity was equal to the emergency; it took the body
MATTER AND GRAVITY
to be measured and put it into a Procrustean Bed, which it called
a " frame of reference." The body to be measured was stretched
out or shortened as the exigencies of mathematics demanded.
When, therefore, a body is moving at a high rate of velocity, the
measuring rod on it contracts in the direction of that motion, so
that it is still a yard or mile or light-year, but in a contracted
form due to the direction of its motion. This was called the
Fitzgerald Contraction, and it was remarkable that the amount
of it should have been equal to the shortening which the experi-
ment demanded. It looked as though the scientist were play-
ing a trick on the layman or, worse still, as though nature were
playing a much larger trick on the scientist. Later on, it was in-
sisted that the electronic structure of matter, which took away its
old-time rigidity, made such a foreshortening actually possible,
and the fixed yardstick was supplanted by a more flexible one.
The old-time clock was affected in the same way. It was not
that clocks vary in their way of keeping time, but that the time
they keep undergoes change. When a moving body increases
its velocity, the passage of time on that body becomes longer to
compensate for this, so that a clock on that swift-moving body
runs slower when its hours are measured from a second body
moving with less speed. All the clocks on the earth may run at
the same rate of speed, but from that chronological fact it does
not follow that they synchronize with the clocks on the planet
Mars. There is no simultaneity or absolute Now. There is no
fixed rate of duration in a system of things where various bodies
move at different velocities. There is no absolute coexistence
of events, since from the point of view of some other part of the
universe our "simultaneous" may become their "before and
after." It is only within a particular or local frame of reference,
such as the earth, that we can maintain coexistence in space and
simultaneity in time.
MATTER AND GRAVITY
Our idea of matter has had to undergo parallel changes and
these have been observed in what we have had to say about space
and time and in the new yardsticks and clocks we have used
3IO MODERN SCIENTIFIC METHOD
Matter is no longer the stuff-like, doughy thing it used to be. Its
nature is distinctly porous. We knew that when we considered
how the universe was chiefly empty space for all the stellar sys-
tems that tried to occupy it here and there. We learn that when
we are taught that an atom is a kind of solar system whose
porosity is akin to that of the universe at large. Since matter
does more than occupy space and move in space, it is, as we might
expect, something energetic, so that we are not wholly surprised
to learn that it is made up of electrical charges rather than grains
of materiality. Now all these revisions in the fields of space,
time, and matter are bound to affect our view of the most inclu-
sive law of the universe — the Law of Gravity.
After Newton had elaborated the Law of Gravity, which he did
in a surprisingly simple form, there were certain things about it
that seemed strange. If the law was supposed to control a
u force " of nature and regulate a " pull " of some sort, it was
really too good to be true. In the first place, it was omnipresent
and had none of the local and specific qualifications of natural
laws, such as those of heat, light, magnetism, and the like. Then,
it acted, as it were, instantaneously, as though it were not satisfied
with even the high velocity of light. Finally, it was a force, or
the like, that could not be interfered with. We can screen a body
from the light, shield it from heat, and insulate it from electricity,
but there is no such screening or shielding or insulating in the
case of gravity. It goes on in a manner strangely independent of
things to which it adapts itself, noblesse oblige, with perfect in-
difference as to the constitution or condition of these things.
What has Relativity done to gravity? It has taken the teeth
out of the law; that is, it has made it unnecessary, aye, impossible,
for us to regard it as a force of any kind. In general, we may
think of gravity as a phase of the space-time framework that
makes up our universe or as the status quo of things in general.
If, then, we inquire, " What has become of the fi force ' of grav-
ity? " we are told that it means increased curvature in the path
that a body follows. The old gravity, so to refer to it, was indif-
ferent to matter, but this is not the case with the new space, as we
may style it. Space and matter have gone into partnership and
have taken gravity in with them, also. If there were no matter,
THE NEW ATOM
the universe would be flat and motionless. If the universe
were all matter, it would be a tightly wound sphere in ceaseless
motion. But where, as is the case, there is some matter, we find a
kind of wrinkled space or a combination of the flat and the curved.
What were the losses and gains in passing over from the XlXth
to the XXth century? We yielded the idea that gravity was a
property or gift of matter whereby it was able to exert a strange
pull on things. We have acquired the notion that where there
is matter in the space-time framework it produces curvature in
that structure, or gives it a wrinkle. When we apply these con-
trasted views to the solar system, we find that, as Bertrand Russell
expresses it, " The sun is, so to speak, at the summit of a hill, and
the planets are on the slopes. They move as they do because of
the slope where they are, not because of some mysterious influence
emanating from the summit." T
THE NEW ATOM
Now we must not lose sight of the idea that science is primarily
a question of measurement. That golden thread we have tried
to follow throughout the history of mankind, especially in the
great scientific eras — the Newtonian and Einsteinian. When we
followed the thread into Relativity, it tangled terribly; and now
that we come to the atomic world, it threatens to snap like the
thread of the Norns in Wagner's Twilight of the Gods. Rela-
tivity in the macroscopic universe meant confusion. Quantum
Physics in the atomic world means "confusion worse con-
founded." We will approach this tantalizing subject by making
the random statement that, as atoms had always existed in dis-
crete or separatist forms, it was to be expected that the energies
radiating from them would operate in the same way. That ap-
pears to be the essence of the Quantum Theory — that atomic
energy goes by leaps and bounds, rather than in accordance with
the old rule in mundo nan datur saltus. Hence we are forced to
avail ourselves, as others have done, of the idea that atomic
energy proceeds according to a kind of staircase instead of a ramp,
and goes forth by drops instead of in a stream.
7 Article "Relativity: Philosophical Consequences," Encyclopedia Britannica*
3I2 MODERN SCIENTIFIC METHOD
The atom in its porosity has been compared to the solar system,
with the proton for the sun and the electrons for the planets.
This analogy helps us for a while, but when we dwell upon it
at any length we observe that the laws of the macroscopic order
do not descend to the microscopic one, or the little solar system is
anarchistic in its attitude toward the larger one. The electrons
are the real wanderers, or planets, in the universe of matter. They
have their orbits but do not stick to them; they seem to pass
jauntily from one orbit to another without having been any
place between orbits. These jumps seem to depend upon the
amount of energy involved. When the electron absorbs energy
it approaches the proton, but when it radiates its energy it follows
an orbit farther away.
When it comes to computing atomic energy and indicating
electronic paths, the question of measurement becomes a painful
one. The measuring rod is the light-ray. Under ordinary cir-
cumstances, or with large objects, we have no trouble with the
apparatus; but when the entity under measurement is of the same
dimension as the scale employed, the difficulty arises. When we
attempt to study the behavior of the electron, the light-ray that we
use, being of a very small, finite wave-length, disturbs the ex-
periment and makes it impossible to get definite results. This
lack of definiteness of measurement in microscopic nature leads
to indeterminism; we cannot be sure of our electrons and their
orbits. This leads to a statistical view of nature. At first the
microscopic world appears in the orthodox fashion of being with-
out form and void; a state of affairs in which the atoms or mole-
cules of a gas may have all possible velocities. But by using a
large number of these, we arrive at the appearance of Natural
Law, just as an insurance company can predict how many mem-
bers of the population will expire at the age of, say, forty-five,
but cannot tell just who they may be.
MAN REMAINS UNCHANGED
In conclusion it might be suggested that the new physics of
Relativity and the Quantum Theory, working in the macroscopic
and microscopic orders respectively, have unsettled the' universe
MAN REMAINS UNCHANGED
rather than man. Like all science, this new departure is just a
question of measurement and man is still able to maintain him-
self as the measurer of all things. All depends upon his position
in the universe. Once he has settled that, he can let the universe
pursue any velocity it chooses and suffer things to assume any
size they prefer. " Our measurements of space and time/' says
Karl Pearson, " are conditioned by our assigning to ourselves the
velocity zero, and by our basing our metrical space and time on
phenomena in bodies at rest relative to ourselves."
This makes science an extremely personal matter and seems,
also, to throw us back upon the anthropomorphism from which
science had promised to deliver us. Like Hamlet each one of us
can say, " I could be bounded in a nutshell and count myself a
king of infinite space," for that is about the way the microscopic
and macroscopic universes appeal to us. As for the anthropo-
morphism that follows us as though it were our shadow, we may
conclude as did Socrates when he was informed that "man is
the measure of all things," that under such circumstances we
should be careful what kind of man we choose for the measurer.
" And so, Theodorus, we have got rid of your friend (Protagoras)
and have not yet assented to his doctrine that every man is the
measure of all things — he must be a wise man who is the meas-
ure."8 In our case, the wise man happens to be the scientist
and we let him be the measure of all things.
Is man standing in his own light and is his anthropomorphism
defeating his rationalism? It might seem so, but that is not the
case after all. For there is a method of correlating all these an-
thropic measures so that they maintain a consistency in themselves
and point to a more fundamental Absolute. By means of this,
we can carry our calculations from one system to another just
about as we translate ideas from one language to another in
spite of verbal differences among them. The wise man is the
interpreter of these various languages. His science is the gift
of tongues. His language is scientific, but his message contains
a kind of philosophy.
8 Thcaetetus, 183.
CHAPTER XIII
THE INFLUENCE OF PHILOSOPHY
EVERYMAN'S PHILOSOPHY
PHILOSOPHY IS OF SUCH A VAGUE CHARACTER THAT IT SEEMS TO
exist In either the clouds or an abyss. Its breadth and
depth make one despair of mastering it. Yet the very ex-
tent and profundity of philosophy often invite the intellect, since
the mind at large is capable of moods that tend to range over
and fathom a sea of speculation. Man is more often philosopher
than scientist, and inclines to morals rather than aesthetics. His
reflective moods tend to make him inquire concerning the mean-
ing of things and the value of his own experiences. To have such
experiences with the things of this world and enjoy them as the
issues of life is not enough for even the average man. His
thoughts and interests come up before his mind for approval, and
so he philosophizes. This general brooding is discernible, al-
though often dimly, in the minds of major thinkers like Socrates
and Descartes, Plato and Kant. These minds availed themselves
of logical technique, but behind this as though it were casting
shadows was vision, or a certain genius for truth. Out of this
at last came the ideas of Plato, the categories of Kant.
All of us are " philosophical " and are nobly inclined at times to
take things " philosophically." We are in possession of the ad-
jective and the adverb, although not always the noun and the
verb of the subject matter. We are philosophical when we ac-
cept the world and take things as they are. Ourselves we treat
philosophically when we adapt ourselves to the vicissitudes of
individual life and the changes that take place in the exterior
order. " O well; that's the way things are." " Such things are
bound to happen." When one talks that way, he is not far from
the Kingdom of Philosophy, although the hardest part of the
journey, the technical phase of it, is now in front of him. But
when one stops saying, "As I see it," or "From my point of
view/* his philosophy is fairly well under way and is out in the
NO PHILOSOPHIC FIELD 3x5
offing. One has arrived at the fundamental principle in all phi-
losophy: Universals! Philosophy itself is just that — thinking in
terms of universals rather than particulars. The philosopher is
not content to observe the ideas that go together here and there;
he is in search of the ideas that belong together everywhere.
But it is much simpler to show that man in his private capacity
has a certain avidity for philosophical reflection than to indicate
the particular ways in which this has borne fruit in the field of
the world, in culture and civilization. Philosophy tends to lay
down the laws of logic and establish the entities of metaphysics,
but between these opposed yet similar poles extends the actual
world of human beings in which the Law of Identity and the
Being of Things are lost to view. " Everything is beautiful seen
from the point of the intellect, or as truth," said Emerson; " but
all is sour if seen from experience. In the actual world, the pain-
ful kingdom of time and place, dwell care and canker and fear."
How could man live and work simply by declaring, " Whatever
is, is," or " Whatever happens has a cause "? And yet how can
he really live unless he bears these laws in mind? Man cannot
build his cities just by repeating the axioms of geometry on which
they are based. But in the final analysis the axiomatic and self-
evident generally are victorious. They become the very bulwarks
of being and the true orbits of activity.
No PHILOSOPHIC FIELD
The peculiarity of philosophy is that it has no special field of
investigation, unless we are willing to call this " the mind." The
physicist has matter, the chemist the atom, the biologist the cell,
the psychologist consciousness or behavior. Even such elusive
things as aesthetics and religion have their palpable forms of art
and worship. The philosopher is ever trespassing on the pre-
serves of others. He attempts to theorize about the fields investi-
gated by their rightful owners. He gives us a theory of physics
in the form of metaphysics, analyzes the ideas of matter and
mind, and attempts a philosophy of religion and art. The phi-
losopher may well be compared with the lawyer. Both rejoice
in flexible minds adaptable to a variety of subjects not one of
THE INFLUENCE OF PHILOSOPHY
which Is proper to philosophy or law. The lawyer has no prop-
erty, has not been sued, and has committed no crime, but he
makes the deed, the suit, and the defense his own. He knows
the law and applies it wherever the application is needed. Like-
wise, the philosopher; he is not a physicist or chemist, a psy-
chologist or artist, but he knows logic and is in a position to
apply the laws of judgment to these fields of nature and human
life. As the lawyer can tell what is just in the eyes of the law,
so the philosopher can tell what is true according to logic. His
philosophy of Idealism and Realism, of Rationalism and Em-
piricism has its place in the civilization of mankind.
What is philosophy ? Definitions are often vacua which, like
nature, man should abhor. However, we may venture to state
that philosophy is the reasoning that seeks tie ground of the
world and the goal of life. It is both theoretical and practical;
It springs from the intellect and leaps forth from the will; it
concerns both ultimate thinking and the deepest source of
doing. The two parts of it, although not exactly in Siamese
formation, cooperate. The idea of something quivers with a
possibility of corresponding action — food, beauty, a new conti-
nent, Rome, On the other hand, an act that has gone forth spon-
taneously tends to revert to the mind and seek the motive. Why
eat or carve statues, what is the good of modern America or
ancient Rome? Now, the actual life of the individual goes on
with only flashes of ideation and touches of motivation, just as
the existence of States proceeds with only a minimum of inquiry
concerning the origin and destiny of an Athens or Rome, a Ger-
many or America. In this country especially is man most heed-
less of the foundations on which individual and national think-
ing and doing are built up. But philosophy, like wisdom, ever
puts forth her voice.
THE GROUND OF THINGS
Now, in strict philosophy, the ground of things is primarily
physical; the search for it raises the question, is the last word
matter or mind, one being or many things, a changeless sub-
stance or a deep river of reality known as Becoming? In like
THE SPIRIT OF INTELLECTUALISM
manner, the philosophy of the life-goal is ethical. Does man seek
pleasure or virtue? Should life stress the social or the individu-
alistic ? Out of this double question have come systems of meta-
physics, with theories of knowledge hovering over them, and
systems of morality often accompanied by aesthetical and reli-
gious considerations. Philosophy itself considers its field from
the double standpoint of forms and values; the forms that the
intellect lays down as ideas, the values it aligns as interests. Of
course, we cannot be philosophizing all the time. That would
be a case of " all carving and no meat." But if we neglect phi-
losophy and live our individual and national life without funda-
mental thinking, it will amount to " all meat but no carving."
For our present purpose, it will be most feasible to consider
philosophy from the standpoint of its twenty-five hundred years
of history. This should have some significant lessons for us.
But here we could not gain our desired insight by mentioning the
names of philosophers and the ideas for which they stood. We
cannot hope to succeed in the interpretation of philosophy even
if we trace the course of speculative schools, the streams in which
the major thinkers jutted out and changed the course of the
river. We must proceed broadly and identify philosophy mas-
sively. In it we must observe something gigantic in its influence
upon general thought and scientific investigation. The most
obvious thing to do is to contrast ancient and modern philosophy.
THE SPIRIT OF INTELLECTUALISM
Over the spirit of ancient and modern philosophy alike broods
the spirit of intellectualism. We feel that it could hardly be
otherwise, for what else but intellect can solve problems? How-
ever, if the course of culture had been like the course of civiliza-
tion, and the Hebrews and Romans instead of the Hindus and
Greeks had directed it, the philosophy of the western world
might have been not Rationalism, but Pragmatism. Europeans
would have built, or tried to build, their philosophies upon prac-
tical consequences instead of primary principles. Science, like-
wise, might have concerned itself with practical projects upon
earth instead of theoretical patterns in the skies or in space itself.
THE INFLUENCE OF PHILOSOPHY
Rationalism, with its belief in the supremacy of the intellect, has
given us philosophy and science as such; if we can discover no
special services that speculation has rendered, we can at least
credit it with this — with intellectualism. It is something that
has come down to us along the Indo-Graeco-Germanic line, and
the logos that we enjoy has been in word and idea, in philology
and philosophy.
Greek philosophy, wholly independent in origin and develop-
ment from such Hindu systems as the Vedanta and Sankhya,
proceeded according to forms, patterns, ideas. Even at the be-
ginning, when it was only a crude naturalism, thinkers like Thales
and Anaximenes sought form in some inclusive principle,
as water or air. Later, after philosophy had been discon-
certed by the dispute between Parmenides and Heraclitus, think-
ers like Pythagoras and Anaxagoras sought anew for the ever-
lasting form in number or nous, meaning mind. But it was
Socrates who made the question of form definite and articulate.
True thinking, taught he, is formal; it proceeds from general
principles. It does not consist in what some one here or there
may think, but in that which every one everywhere must think.
There can be no knowledge, he insisted, without universal defi-
nitions. Hence, when Socrates gathered a group of disciples
about him and explained how knowledge consists of class terms
or universals, the deed was done. The scattered details of things,
the temperament of a man, the leaf -formation of a tree, or the
characteristics of a unique city like Athens, were ignored. In
place of Alcibiades, the elm, or Athens, the Socratics were ex-
pected to think about Man, Tree, City. Now, it is only com-
mon sense and everyday experience that saved men from the
empty urtiversalism of Socrates.
Plato proceeded further and built up the city of philosophy
that Socrates had planned. " If there is to be knowledge, there
must be universals " — so spake Socrates. " If these universals
are to be true, they must be real! "—-thus spake Plato. Such
high-handed procedure does not seem at all plausible, but if we
watch our own faculty of knowledge in action we shall begin
to realize that it Platonizes. All of us tend^ to use universals
when we speak; we make mention of the forest and overlook its
PLATO AND ARISTOTLE
elms and oaks. We speak of man and pay little attention to
Peter or Paul. We prate about life heedless of its complications
and confusions, and talk of wealth in terms that are innocent of
dollars and cents. Our dictionaries are Platonistic in that they
contain words that cover innumerable instances. Our geographies
map out sea and land, river and mountain, but place the whole
globe upon the basis of the imaginary lines of latitude and longi-
tude. Science does the same Platonistic thing when it refers to
what it calls matter.
PLATO ANB ARISTOTLE
Plato himself presented the system of ideas pictorially in the
Allegory of the Cave. In a sort of underground den, its mouth
open toward the light, sit men so shackled that they cannot be-
hold the blazing light outside, but must content their vision
with the shadows of things as these are reflected upon the inner
wall. It is only when one of the prisoners, the philosopher, is
able to unchain himself and make his way out into the bright
world of realities that he and subsequently those others whom he
enlightens know things as they are. Then the mind comes into
possession of true knowledge and realizes that the things of the
sensible world are " seen but not known and the ideas are known
but not seen." One sees a just man, but knows justice; beholds
a beautiful object, but thinks beauty; draws a square or a circle,
but describes the absolute geometrical figures in a way which
the mind alone understands. Plato refers to these ideas as " exist-
ing," but in strictness of language they should be spoken of more
critically. The ideas have being, they subsist or obtain; exist-
ence is only that kind and degree of reality that thrusts its way
out into the immediate order of space and time.
The spell of Plato's system was not broken by Aristotle even
when this more realistic and practical thinker did not readily
assent to the doctrine of ideas. To Aristotle, the idealistic doc-
trine, with its conception of heavenly patterns in which earthly
things participate, seemed more metaphorical than metaphysical.
Why multiply by two the number of things that exist by adding
their ideal realities to them? And what evidence is there that
320 THE INFLUENCE OF PHILOSOPHY
such Ideas exist and, further, what possible part do they play in
the workings of the world? But Aristotle did not really reject
Plato's ideas. He connected them logically in the form of judg-
ments with ideas in the position of subject and predicate, and
further employed them scientifically to show how nature ar-
ranges things in groups, or genera, which come to be known to
us in the form of class terms, such as vegetable, animal, man.
But it is in his idea of mind active, nous porticos, that Aristotle
is most eminently Platonistic. Active mind is related to passive
mind, nous pathetifys, about the way ideas are related to things;
it is in a superior, regal position and itself is free and immortal.
Like Aristotle, the modern thinker only appears to break with
ideas of Plato, although the modern with his scientific culture
and civilization has made various changes in the doctrine. Ideas
are now regarded as Relations, which look different but have the
same features of universality and necessity. The ancient thinker
said, "Ideas are realities"; the modern reverses the order of
this statement and changes its inward character when he says,
" Things are laws." To the ancient thinker, reality was a pat-
tern such as an artist might follow; to the modern, it is a form
of procedure which a scientist observes. The spirit of the an-
cient thinker was nobly dogmatic; his belief in the existence of
ideas made him so. The spirit of the modern is just as critical;
the modern watches his mind and its object and keeps changing
his psychology and physics. Compare a modern like Kant with
an ancient like Plato and let German meet Greek. What is the
result? Plato asserts that there are eternal ideas in the world.
Kant insists that there must be necessary categories in the mind.
In one case we find forms of being, in the other modes of think-
ing. The tone of ancient thought was categorical, that of the
modern hypothetical In a certain sense, the modern idea of
philosophical category or scientific law is that of a loosened idea,
or an idea that has been unwound so that now it assumes a linear
rather than a circular form. In this we find the True. This is
not the True in the ancient sense of some one gigantic fact; the
True that we find in our knowledge is chiefly a true way of
thinking, or mental metal with a true ring to it.
THE GOAL OF LIFE 321
THE GOAL OF LIFE
In practical as well as in theoretical thinking we are able to dis-
cern the likeness in the difference between ancient and modern
thinking. In ethics, the ancients created the ideas of the Good
and Virtue; the moderns have developed the principles of Duty
and Conscience. The difference between the modes of moral
reasoning in these cases is that, where the ancient spoke of his
ethical ideals as existing things, the modern refers to them as
things that ought to be. In this modern spirit, Bishop Butler
referred to conscience saying, " If it had strength as it has right,
if it had power as it has authority, it would absolutely govern
the world." In a similar tone, Kant referred to the Good, not
as to something that enjoyed actual existence, but as to that which
tended to operate according to the law of the Categorical Im-
perative; hence the only good thing in the world is the good will.
Just as the general principle of modern thinking is that of rela-
tions between things rather than things themselves, so the mod-
ern tendency is to exalt the values of objects and institutions or
the interests we have in them. In these values we hope to find
the Good.
The practical result of such differences in ethical thinking will
appear best if they are stated in an exaggerated form. The an-
cient moralist rejoiced in the solution of problems he had never
proposed; the modern is bothered by ethical questions he cannot
answer. One found without seeking, the other seeks without
finding. When it was a question of the Good, the ancient felt
that he needed only a little intellectual exercise and the Good was
properly defined. The modern, on the contrary, has no such
clear notion of goodness but he is anxious to promote, to enforce
it. So is it with the softer ideal of happiness. The ancient be-
lieved that enjoyment was to be found in the possession of the
desired object, while the modern has to be satisfied with the
pursuit of this. The supreme commandment in the old world
was addressed to the intellect. " So think as to know tkyself ! "
Such was the Socratic spirit so eminent with all good Greeks
" So act that by thine act of williag thou canst make the maxim
of thy conduct a universal law*" Such was the Kantian spirit;
322 THE INFLUENCE OF PHILOSOPHY
it has been followed generally by modern moralists even when
they have not shared Kant's rigoristic ideal. One observes it in
hedonist, utilitarian, and social moralist. The difference thus
observable in this sketched contrast of ancient and modern ethics
is that of thinking ethically and doing morally.
ANCIENT AND MODERN ART
The same contrast between the categorical tone of the classic
thinker and the hypothetical mood of the modern one appears
in the two types of aesthetic consciousness. State it broadly and
you have this — the ancient had art, the modern has aesthetics.
The divergence is that of the creative and the critical, the ob-
jective and the subjective, beauty and taste. It could hardly
have been otherwise. Ancient art was formal and plastic; it ex-
pressed itself primarily in architecture and sculpture. Even its
poetry and drama seem to have been built or carved out, hence
the exactness of its verse and the severe unities of its drama. The
prevailing ideal was that of imitation, the copy of an object or
Platonistic imitation of the idea. The result was something
static; the object betrays scarcely any motion and the intensity
of emotion on the part of the beholder even of tragedy is sup-
posed to be at a minimum. Aristotle stated this almost authori-
tatively when he referred to the tragic effect as something cleans-
ing, fytfharsis, or soothing.
The modern artist excels in painting and music, lighter and
more lyrical types of beauty. This marks the passing or melting
of the solidity so discernible, so appreciable in Greek art, and in-
augurates aesthetic forms that are more easily absorbed by the
beholder who, as it were, can drink them in and make them a
part of himself. The ideal, no longer that of imitation, is ex-
pression or something that proceeds from within outward and
then objectifies an idea or feeling in the form of a canvas or
sonata.^ Indeed, some schools of art as expression, like that of
Croce, insist that the physical objectification of a beautiful feel-
ing is a thing apart from beauty, which itself can be expressed
in the form of intuition. A random instance of this sentiment
may be found in Keats' famous Ode on a Grecian Urn, wherein
THE PROBLEM OF THE SOUL 323
it is suggested that " heard melodies are sweet, but those unheard
are sweeter." This was hardly the Grecian spirit, which in its
noble realism would not have recommended the composition of
" ditties of no tone." It is eminently modern in that it exempli-
fies the ideal of beauty as subjective enjoyment instead of objec-
tive perfection. In all such expressionism we expect to find the
Beautiful.
Now these modern modifications of the ancient ideas, the
True, the Good, the Beautiful, are suggestive of the grand dis-
tinction between the old and the new ways of handling the com-
mon intellectualism. We can best appreciate the contrast by
plunging into the problem of the soul. How far from the naive
views of Plato and Aristotle have we been urged by modern phys-
ics and psychology! And yet, when we forget our science and
relapse into common experience, we can exercise unusual sym-
pathy for the idea that the soul is the animating spirit of the
body. Experience, especially when it is emotional, makes us feel
that the ancients then were with us as we are now. They knew
no physical laws nor were they in possession of psychological
practice; they lived and felt and thought. So do we also when
we forget our analytical sciences.
THE PROBLEM OF THE SOUL
Plato x felt that the soul was the source of life and power of
breath. He realized that it was tied or even " glued " to the
body from which philosophy was supposed to deliver it because
of its superior value. Aristotle was more technical and thus pro-
duced something that, in the case of his De Anima? might be
called a psychology. But even in such a connection, Aristode
was unable to advance from the general and figurative to the
specific and analytical. The soul itself is relatively independent
of the body in the sense that a sailor can move about in his ship.
It is itself the life of the body, a bodily entelechy, or form-giving
principle. Furthermore, the soul Is the realization of the body
or the whole man in the sense that " cutting is the realization of
the ax and vision the realization of the eye/' At this point, it is
t 83; Cratylw, 399. 2 Bk. II, Ch. I.
324 THE INFLUENCE OF PHILOSOPHY
interesting to point out that Bergson, fully aware of modern
psycho-physics and its problems, has seen fit to express his view
in a like manner. " The consciousness of a living being is in-
separable from its brain in the sense in which a sharp knife is
inseparable from its edge." 3
Ancient philosophy rejoiced in a sense of unity which it found
without any toilsome search such as we today are experiencing
in our ideals of the unity of thought and the uniformity of na-
ture. All the little streams of classic culture flowed serenely into
an inland sea. The philosophic spirit of modern times has been
that of dualism. It is not that we seek duality any more than
the ancients sought unity; we have this duality thrust upon us.
It began when physical science detached itself from knowledge
as a whole, and had its most definite origin in Galileo. This
unique mind was not that of the philosopher, still less of the
psychologist; it sought practically nothing but physical measure-
ments or the mathematical forms of natural laws. The mind of
Galileo created the modern ideal that what is knowable is meas-
urable. Now, in order to perfect the ideal of Quantity, it became
necessary for Galileo to detach the spatial and measurable from
experience as a whole. "Divide and rule — divide et im feral "
In order to rule the physical world according to law, it became
necessary for Galileo to divide experience into the quantitative
and the non-quantitative, into the physical and the psychological,
into body and mind. His conception of physics everywhere im-
plies this; what psychology he possessed stated it definitely in the
form of the primary and the secondary qualities of sensations.
What Galileo wanted was the primary, spatial qualities of things
in order to measure them. The secondary ones, like color, were
cast adrift and later became the subject matter of psychology.
THE MODERN VIEW
The essence of matter consists in extension; it is all a question
of space, of size. Such was the beginning of modern thought in
both science and philosophy. Our galactic system and the count-
less extra-galactic nebulae behind it; the stars themselves with
8 Creative Evolution, tr. Mitchell, p. 263.
THE MODERN VIEW 325
their celestial history, intense heat, colossal weight, and giant
energy; the earth, whose private system of evolution has required
millions upon millions of years; the work of mankind in arrang-
ing the surface of the earth to suit its needs and fancies — all is
just so much extension! Now, the answer that physical science
gives when challenged for its superficiality in spatializing the
universe is that under no other conditions could the matter in the
universe be measured. It was no wonder, then, that some two
hundred years later, Kant came to regard space as merely a
mode of representing the outer world whereby we may expand
space or contract it as the understanding pleases and behold a
gigantic star as a speck of light and think of an atom as a solar
system.
What was left after the universe had been spatialized to make
it scientific or measurable? After the primary qualities had been
so splendidly isolated, only the secondary, the psychological ones
remained. Out of this scientific refuse the modern was supposed
to construct his psychology. Now, if our language is to be strict,
we should speak of " primary quantities " and " secondary quali-
ties," since physics is a mathematical thing, while psychology in-
cludes the experienced and enjoyed qualities of sensations, per-
cepts, feelings, and the like. Descartes attempted to adjust the
disjuncted realms, or the two parts of the split soul, by definition.
Body he styled res extensa, mind res cogitans. We have just in-
timated that body, or matter, may well be more than mere mathe-
matical extension; we are privileged to feel that mind may
amount to more than cogitation. But Descartes was intent upon
parallel definitions just as, later, Spinoza was to become infatu-
ated with the idea of parallelistic relationship between extensio
and cogitatio. Indeed, that is just what came of this original
movement in modern thought, physics and metaphysics alike, as
initiated by Galileo. It endeavored to close the breach between
body and mind by the solidaric theory of parallelism. So much
mind, so much body; or, as Spinoza expressed it, " the order and
connection of ideas is the same as the order and connection of
things."
If we were to carry out the implications of such psycho-physical
parallelism, we should have to regard every mental state as hav-
THE INFLUENCE OF PHILOSOPHY
ing something physical about it. This would be satisfactory for
the special psychology of the sensations, but would not work so
well with the psychology of cognition about which the brain has
little or nothing to say. If, further, we were to be consistent,
we should have to attach some sort of feeling or consciousness to
every bit of matter and that would be inconvenient for physical
science. What we do when we are not thinking of any paral-
lelistic theory is to follow the lead of experience. Then we real-
ize that, with beings like ourselves, animals and not angels, there
must be some bodily basis for consciousness. Once psychology
has paid that tax, it discovers that it is by no means bankrupt; it
has any amount of mentality that it may invest in pure thought
and practical intelligence — science, philosophy, politics, econom-
ics, and the like.
The attempt of the psychological philosopher to keep up with
the mathematical physicist resulted in what Kant called a " coarse
dualism." Another and finer dualism was being engendered at
the same time — the dualism of sense and understanding and
the claims put forth in their behalf by Empiricism and Rational-
ism. We can identify these geographically by setting the British
Isles off against the continent of Europe, We can contrast them
racially by mentioning the English, Irish, and Scotch here, the
French, Dutch, and Germans there. Biographically they are
known by the names of then: leading exponents: the empirical
Locke, Berkeley, Hume; the rationalistic Descartes, Spinoza,
Leibnitz. But the differences between the two schools and their
competitive claims cannot be appreciated until their respective
principles are examined. This appreciation of particular points
comes best after we have identified their fundamental tones.
EMPIRICIST AND RATIONALIST
First of all, one might imagine that the Empiricists, with their
inclination toward matter, would have rejoiced in and made
abundant use of the results of physical science as these had been
worked out by Copernicus and Kepler, Galileo and Newton. To
be sure, these men had proceeded in a rationalistic manner by
means of deductive procedure, but the beginning and end of
EMPIRICIST AND RATIONALIST 327
their investigations had to do with the physical and perceptible;
with the experienceable. But in place of physical stuff, we find
with the Empiricists a corresponding amount of psychological
material. There is no real mention of the sun and its plan-
ets, the nature of the earth, or the general behavior of matter.
Instead of such quasi-empirical data, we find any amount
of discussion concerning sensation, impression, idea, mem-
ory, reflection, and the like. The whole school of Empiricism
reeked with psychology. It came to a climax when its most
brilliant member, David Hume, endeavored to destroy the
validity of the most important of all scientific principles —
causality!
On the other hand, one might expect the Rationalist to have
indulged most thoroughly in the psychological stuff that had been
left over after the primary, spatial qualities had been extracted
from experience. Descartes started out psychologically by sur-
rendering all to introspection, an action which made him aware
of the self, the self that says, " I think, therefore I am." But the
kind of self that Descartes discovered was not a human being at
all. It was allowed but a minimum of emotion and was sur-
charged with a maximum of reason. The Cartesian self was thus
a scientist much like Descartes personally; in a certain sense it
had no psychology at all. The spell of such scientism affected
Spinoza. Personally he seems to have been somewhat intuitive
and mystical, but his expressed system of philosophy, worked
out after the manner of geometry, was far removed from psy-
chology. So, also, Leibnitz, with whom psychological matter
was only so much " confused " reason. All in all, the Rationalists,
who might have been expected to espouse the cause of the mind,
devoted their thoughts to the body, the physical. It was the Em-
piricists, supposedly interested in the body, who developed the
mind.
Suppose we lay the Empiricist and the Rationalist down side by
side and see how these strange bedfellows differ in their philo-
sophic dreams. We have distinguished them already as the re-
spective exponents of sense and understanding. One will incline
toward the immediate and perceptible; the other will prefer cer-
tainty in thought to clearness of impression. In all likelihood,
THE INFLUENCE OF PHILOSOPHY
there is no such person as the pure Empiricist or the pure Ration-
alist. Both alike are dependent upon their senses and the various
contacts with earth that human life demands. Both are inclined
to transcend the limits of what is given in experience and elabo-
rate theories which themselves are not matters of experience.
The pure Empiricist would be a superior animal, the pure Ra-
tionalist an inferior angel
However, for academic purposes we may distinguish the two
schools by observing that Empiricism moves upward toward a
proposition by following the principles of induction, going from
the particular instance to the general principle. Rationalism
moves downward from a universal premise to the particular ap-
plication of it and thus realizes the logical possibilities of deduc-
tion. These look like very different processes; they seem to
justify much of the warfare between the inductive Empiricist and
the deductive Rationalist. But when we look coolly at the two
processes they seem to be pretty much the same at heart. One
talks about a, b, c, the other refers to the alphabet. Here it is
a question of the parts, there one of the whole. The individual
plant or rock or star amounts to nothing intellectually until it is
worked into botany or geology or astronomy. These general
sciences are nothing apart from the individual plants, rocks, and
stars that form their data.
a priori AND a posteriori
Rationalism and Empiricism agreed to disagree upon another
question — that of the a priori and the a posteriori. The distinc-
tion was made by the Schoolmen, who emphasized the temporal
idea of before and after experience. It was glorified by Kant,
who made the a priori equivalent to the universal and necessary,
as in the science of mathematics. Today, the same a priori stands
for the necessary connection of universal ideas. The a posteriori,
like the poor, is ever with us; we find it in things, facts, events,
and experiences generally. Hence, it is the a priori that seems at
once precious and problematic. We feel sure of it in mathe-
matics; how could arithmetic and geometry depend upon the
observation of special cases and particular forms? We are not
A PRIORI AND A POSTERIORI
so sure of it in physics and chemistry. Why should a body fall
just sixteen feet the first second or oxygen have the atomic weight
of sixteen? But once we have made allowance for empirical
facts and turned those sciences over to mathematics, the a priori
appears again. In ethics, we seem to have a self-evident principle
in the idea of the Good and happiness; we know without appeal
to experience that these are preferable to the Bad and misery. In
political thinking we assume that justice is right or, at any rate,
we know of no way to prove the principle of justice except by
itself. The actual life of an unjust man or an unjust State may
be more successful than that of just men and just States, and yet
we cannot yield to the idea that justice is not right. It is a priori
in its own way. Naturally we need experience to incite the idea
of universal and necessary truth. Just as naturally do we turn to
experience to exemplify the a priori, but between these empirical
termini the a priori stands by itself.
But experience does more than set up the boundaries of pure
reasoning in a finite mind. It filters through the abstract premises
and gives thought due volume. The astronomer calculates with
his mind, then observes with his eyes. He spreads out before
us both his formulae of the skies and photographs of the stars.
He moves back and forth between the a priori and the a poste-
riori. The discovery of the planet Neptune illustrates this most
clearly. When, in 1781, the elder Herschel discovered the planet
Uranus, he observed that its orbit was not such as one would
expect in the gravitational field of the sun and the other known
planets. In 1846 the orbit of Uranus was calculated more closely
by J. C. Adams, who concluded that there must be some other
planet outside the orbit of Uranus drawing it from its celestial
course. The planet Neptune was seen immediately afterwards,
but not definitely identified. In 1864, U. J. Leverrier made a
similar computation, whereupon the planet was immediately
identified. Now, the line of reasoning in this spectacular case
leads from the a posteriori in the known planets to the a priori in
the case of the one whose position in the skies is calculated, and
then back to the a posteriori when the planet is actually observed.
The same fusion has been at work recently in the discovery of the
planet Pluto — the theoretical computations of the astronomer
330 THE INFLUENCE OF PHILOSOPHY
Lowell and the actual appearance of the planet upon the tele-
photographic plate.
The combination of a priori and a posteriori appeared on a
smaller scale, but with no less eclat in connection with the dis-
covery of the Periodic Law. Mendelieff charted the then-known
chemical elements, arranged horizontally according to their
atomic weights, vertically according to their physical and chemical
properties. Each element was given an atomic number from its
place in the table, ranging from i to 92, and it was then dis-
covered that there were certain gaps in the chart. Pure theory
had places for practical things which had no existence, as far as
the knowledge of them was concerned. But from the position
of the unknown elements in the chart, their atomic weights and
properties could be determined approximately. They needed
only to be discovered to make the chart complete. The actual
discovery of the missing elements, the last of which has recently
come to light, completed the theoretical table, and a priori wis-
dom was justified of her a posteriori children. Again, it was a
course of reasoning from the empirical to the empirical, but not
in a straight line; the course of cognition looped up into the thin
air of theory.
If iBen were only as rational as atoms and States as wise as
stars, there might be some hope of applying the a priori to human
life in both individual and society. Perhaps something of the
sort can be done. We know, as has been noted, that the mind
decides without argument in favor of goodness and happiness as
against badness and misery. We approve of truth instead of
error even when we have had little experience with the former.
We decide in favor of life in contrast with death when we person-
ally have not tried death. We are pledged to the a priori and
no amount of empirical small change seems worth the smaller
weight of thought in gold. However, this small-change philoso-
phy was destined to appear in time; it was discovered in America.
PRAGMATISM
The course of modern philosophy, which had been flowing on
for nearly three centuries between the Scylla of Rationalism and
PRAGMATISM
Charybdis of Empiricism, has been disturbed by the appearance of
Pragmatism. In a certain acceptable sense, Pragmatism is an
American philosophy of the XXth century, and rejoices in a kind
of here-and-now effect. It dates back well into the XlXth cen-
tury and, in a certain loose sense, is as old as man himself; but
it is supposed to be a new theory of knowledge fit to be placed
beside Rationalism and Empiricism. In its general character,
Pragmatism pretends to be an innovation; in its more radical
form, it assumes to change the old standards of verity. The
Pragmatist is something like Moliere's Doctor in Spite of Himself.
The philosophical patient protests that he has always heard that
the heart was on the left side, the liver on the right; the pragmatic
physicican asserts with confidence, " We have changed all that
— nous avons change tout cela" Now, if we can rid our minds
of the idea that Pragmatism is a great intellectual innovation, we
shall be able to appreciate the presence of the pragmatic in the
traditional ways of thinking as well as in the general habits of
the mind. We are all Pragmatists in spite of ourselves, Pragma-
tists in both politics and philosophy. But we keep our Rational-
ism to the left, our Empiricism to the right. We have not
changed all that at all.
Pragmatism would have us extend the ideal of the True until
it embraces something of the Good; it would have us attribute
more content to the old form. Then, in place of theoretical con-
clusions we shall have practical consequences. The spirit of
Pragmatism is expressible in terms of a comment long attributed
to the emperor Vespasian: "The most monstrous hypothesis!
which produces results is better than the neatest, trimmest theory^
from which nothing follows." Copernican astronomy was origi-
nally a "monstrous hypothesis," but it produced results in the
study of the solar system. Darwinian evolution was another such
" monstrosity " of the mind, but it led to fruitful consequences
in anthropology. Kant's conception of space as a way of repre-
senting the universe rather than as a property of matter appeared
absurd to common sense, but it explained how science had been
able to reduce the universe to geometrical form. Einstein's doc-
trine of Relativity is the scientific monstrosity of the day and by
no means as " neat and trim " as Newtonian mechanics, but its
THE INFLUENCE OF PHILOSOPHY
fruitful results are constantly appearing. Planck's theory of the
radiation of energy by fits and starts, as it seems to the lay mind,
instead of in a smooth and continuous manner, still seems rather
ridiculous to those who were brought up on classic physics, but
it seems to be telling us the secret of the atom.
We welcome all such monstrous hypotheses because they tend
to explain things to us, yet we exercise the faint hope that in
time, after they have been integrated into or absorbed by our
intellects they will assume the neat and trim form of classic
theory. It is too early to judge the fruits of the tree; after they
have ripened, we can decide whether our truths are really rational
or only pragmatic. Pragmatism is a theory of knowledge which
attempts to arrive at truth or find the quality of verity in things
by the way ideas work. Does Pragmatism itself work? Can it
take its place in the world as one of the forces of civilization and
culture?
PHILOSOPHY AND POLITICS
Philosophy is a part or phase of human life but is more a
matter of private interest than public concern. If Plato had had
Hs way and the rest of Europe had imitated a Platonized Athens,
kings and emperors in the Old World and even presidents in the
New would have been philosopher-rulers. But the philosopher is
more likely to consider the State than its ruler is to consult the
philosopher. What is there in philosophic method that the
State can apply? What philosophic school — Empiricism or
Rationalism, Idealism or Realism — could be taken over and in-
stalled by any government ? Of course, such questions are absurd,
and yet did not Plato wish to base a republic upon ideas ? But the
philosopher has done other things; an Aristotle worked out a
theory of politics, a Grotius a philosophy of rights. The philo-
sophico-political value of these men consists in this — that they
combined theoretical principles with practical conditions. Aris-
totle condemned Plato's rational Republic because it failed to
reckon with such existing things as private life, private property,
and the separate household. Grotius, on the other hand, criticized
the Republique of Bodin because it did not distinguish the science
PHILOSOPHY AND POLITICS 333
of law from mere statecraft, and ignored Natural Law for the
sake of the arbitrary conventions of particular nations. Aristotle
proceeded from the premise that " man is by nature a political
animal," and then sought to determine in what form of State
man could be most fully human; that is, most virtuous and happy.
Grotius used even more definite philosophical procedure when
he attempted to prove the existence of jus naturde by both a
priori and a posteriori reasoning.
But political procedure does not always pursue the strict
methods of logic that Grotius applied to international law. For
the body politic is not supposed to follow the Law of Nature the
way particles of matter obey the laws of physics. Nature and
society are different. In time to come, men may obey the law
of justice the way material bodies obey the law of gravitation, but
that Utopia is far below our present horizon. In the State, where
men must be controlled and commodities administered, the
practical legislator cannot wait until a complete philosophy of
rights has determined the right relation of man to man, and
society to the things of this world. A radical American may have
lost his faith in the divine character of democracy, but he can pro-
ceed better by recalling that ideal than by endeavoring to recast
the State according to a theory. An enlightened Englishman may
no longer subscribe to the doctrine of the divine right of kings,
but with such a vast State as that of Great Britain the ideal of
monarchy is a sufficient guide. As we have observed in the
case of Aristotle and Grotius, the theory of the State should be
both rational and empirical; rational in its regard for the ethical
principles of politics, empirical in its concern for existing con-
stitutions and current conditions. Perhaps the present plight of
democracy is due to the failure to balance these momenta, or due
to the preponderance of the empirical factor in statecraft.
The application of the pragmatic method to the State is obvious,
but none the less obnoxious. Legislation shows this. The lay-
man is in the habit of thinking that laws are framed the way
conclusions are drawn. He assumes that a law is the conclusion
drawn from the major premise of justice. Instead of such
philosophical politics we find pragmatic statecraft, which results
in the passage of laws by the thousands until they aggregate
334 THE INFLUENCE OF PHILOSOPHY
almost unto millions. The layman would like to regard particu-
lar laws as so many parts of the State and legislation as the natural
consequences o£ justice. Unable to exercise such a vision of
State and law, he falls back upon political Pragmatism and as-
sumes that there is a difference between what is lawful and what
is expedient.
Pragmatism conducts or beguiles us from the Intellectualism of
the Athenian to the Humanism of the American, changes the
tone of philosophy from aristocracy to democracy, and tends to
substitute the needs of the heart for the ideals of the intellect.
In a certain historical sense, the Pragmatist of today is akin to the
Sophist in the days of Socrates. Or all of us incline toward the
spirit of Protagoras since we tend to make the individual " man
the measure of all things," believe in money, and are proud of
our sophistication. It is hard for us to learn the Socratic lesson
of true self-knowledge and moral restraint. The Pragmatist has
taken advantage of the present confusion in physics and politics,
morals and religion and urged his theory upon us. Or, to take
a more favorable view of his scheme, he has supplied us with a
form of thinking adapted to suit the contradictory conditions of
contemporary thought. But is Humanism sufficient; will it
stand the pragmatic test and work out fruitful consequences?
Two pairs of philosophic problems, modern and also time-
honored ones, should serve to reveal the shortcomings of the
pragmatic method.
TESTS OF PRAGMATISM
Suppose we consider modern astronomy and modern biology
and their philosophic effects upon our idea of the earth and
man. These sciences tend to degrade the earth and belittle the
importance of man. Long ago, man gave up the idea that the
earth was the static center of the universe; more recently has he
yielded the idea that the sun lies near the center of our galactic
system, our own universe. Then, likewise, our universe is only
one among others. When the controversy began three hundred
years ago, everything was on the side of Humanism, man's
interests, beliefs, and ideals; little or nothing ranged up alongside
TESTS OF PRAGMATISM 335
theoretical science. If humanistic Pragmatism had been the
ruling philosophy, as it was indeed the leading tendency, modern
science could hardly have come into being. Modern science
struck man a terrible blow, but it was aimed at his heart, not his
head. Man's recovery, which is still going on, has been due to
the fact that his leading interest is a rationalistic rather than a
humanistic one. If man had kept asking, " Does this idea make
any difference to me? " we should not have had our present
astronomy. The new astronomic idea did make a difference to
him in his anthropomorphic faith and narrow belief in himself,
but he resolved, in the case of the wiser mind, that the new idea
should not make any difference after all.
" Is not just the self-diminution of man, is not his will to self-
diminution ever since Copernicus making irresistible progress? **
said Nietzsche. " Alas, the belief in his dignity, his uniqueness,
his irreplaceability in the rank-sequence of beings is gone; he
has become an animal, an animal without likeness, allowance and
reserve — he, who in his former belief was almost a God (" Child
of God, God-man"). ... It seems as though man, since Coper-
nicus, had slid upon an inclined plane, — he ever rolls more
rapidly away from the center. Whither? "4
One may feel surprise that Nietzsche, an avowed irreligionist,
should feel such an antipathy to Copernicus, whose views were
quite commonplace in 1887, when Nietzsche wrote his Genealogy
of Morals. His hectic words are quoted simply to convey the
abiding sense of human regret that man's habitat had been
relegated to an inconspicuous position in the universe at large
and he himself made to appear contemptible. Now, it was be-
cause man followed the older methodologies of Rationalism
and Empiricism and, incidentally, fought his inherent Pragma-
tism, that astronomy adjusted the earth to something like its
proper position in the skies. Hence it seems out o£ place when
a sober scientist like Jeans, who is no mad rhetorician like
Nietzsche, speaks of January 7, 1610 as a "fateful day for the
human race," and refers to this date further as something that
" proved to be the most catastrophic in the history of the race." 5
4 Genealogy of Morals, tr. Hausemann, III, p. 216.
5 The Universe Around Us, pp. I, 6.
THE INFLUENCE OF PHILOSOPHY
Dies hoc! On that day Galileo looked at the stars through
an amateur telescope! Was this a catastrophe for the rational
mind? ce.
Nietzsche refers to the "dignity," "uniqueness," and ^ irre-
placeability " in the order of existence as though these attributes
of man had been taken from him. This bitter sentiment carries
us over into the second great scientific movement of modern times
— Darwinism. Again we must insist that, if one would main-
tain a humanistic, anthropomorphic point of view, Darwinism
will prove disastrous to his pride and pretensions. The new
astronomy changed the position of man's habitat, but did not
disturb his own nature. This was done violently by the general
Theory of Evolution, which connected the life, consciousness, and
even character of man with the existence of other species. All
that is human and temperamental within man tends to cry out
for a return to the strictly human estimate of the human race; its
godlike descent and spiritual destiny. But what is rational within
man assents to a perplexing theory as that which is most in accord
with the facts in the case and the rational interpretation of them.
When, therefore, we are called upon to choose between the desir-
able and the thinkable, the humanistic and the rationalistic, we
decide in favor of the latter.
In the case of more desirable ideas, such as God and the soul,
we have to consider that the human appeal made by these
ideas is not the ground of belief in them. Here we must observe
that certain types of mind are not so favorably impressed by these
spiritual ideals. Or under conditions of political disorder, such
as we observed in Russia, the national mind generally is not in
favor of God and the soul. Where there is a settled political
order, there is usually theological peace of mind, and vice versa.
When the order is changing, Church as well as State is affected,
so that the radical in politics becomes the radical in theology.
The result is that the radical mind, almost always that of the
doctrinaire, in setting up an anarchism thinks it necessary to set
up an atheism. The result is that the anarchist or communist
speaks of himself for short as an "atheist." The fact of the
matter is that his preoccupation with political questions has not
given him opportunity for the study of theological ones. Never-
TESTS OF PRAGMATISM 337
theless, he insists upon being an " atheist." Hence follow his
negative views of God and the soul.
Now, Intellectualism In both its rationalistic and empirical
forms is bound to insist that one's personal and political views,
religion and irreligion, have practically nothing to do with the
credibility of one's ideas. We may dislike Copernicus and Dar-
win, but our feelings have nothing to do with astronomy and
biology. The ideas of God and soul may or may not appeal to
us as worth while, but the truth or plausibility of these ideas de-
pends upon a metaphysical conception of them. When Pragma-
tism abandons its purely humanistic attitude, as it seems to be
doing now, and takes a relativistic point of view, we are more
inclined to accept it. Since the field of knowledge is so vast, we
can hardly expect to experience it; and since the conceptions of
things in that field are undergoing such changes, we can hardly
hope to rationalize our experience. We are pragmatic pro tern-
fore, but we hope to become more rationalistic as time goes on.
All philosophy springs from the human understanding. Where
this is " all-too-human," we have Pragmatism; when the under-
standing itself is emphasized, the result is Intellectualism, the
field of philosophy far excellence.
CHAPTER XIV
THE POLITICAL FACTOR IN MODERN
CIVILIZATION
THE CONSENT OF THE GOVERNED
MODERN POLITICS IN CITY AND STATE, IN NATIONAL AND INTER-
national forms is now such a complicated affair that we
tend to lose sight of its fundamental principles. The
political, like the scientific and philosophical, the industrial and
economic, is a way of living, a way of living well. The political
principle is the same now as it was at the beginning of civiliza-
tion; its form has changed, but its essence has remained the
same. A modern machine made up of innumerable parts is
enormously different from a stone tool manufactured thousands
of years ago, but both serve the same purpose — the lengthening
of man's hand, the extension of his powers. The political State
is a similar extension of man's being and influence, so that, in
the case of some eminent political philosophers, notably Plato
and Hobbes, the State is thought of as only an enlarged man.
Both the body politic and the private person are supposed to
desire the same thing; both aim at what is harmonious with
their respective and similar natures. This may be expressed
in a pleasing and plausible manner by stating that government
rests on the consent of the governed. It is the earliest and the
latest conception of politics.
In Hebrew religion, Greek philosophy, and Roman law, the
consent of the governed was a fundamental principle of politics.
The religio-political conception of life according to the Hebrews
is expressed pointedly in such a statement as the following:
" And Jehoiada made a covenant between the Lord and the king
and the people, that they should be the Lord's people; between
the king also and the people."1 This, however, was only an
unusually definite expression of the covenant-idea of the Old
Testament, according to which Jahweh is represented as saying,
i // Kings XI, 17.
THE CONSENT OF THE GOVERNED
" I will be your God and ye shall be my people." In a certain
sense, this religious conception embodied the modern idea of
civil government by contract. The Deity was to contribute
divine care in consideration for human worship, or the Promised
Land for the pure worship of the national God.
Among the Greeks, Plato with his aristocratic system of politics
would hardly be expected to stoop to the idea of government
by consent and yet his later political philosophy does not omit
this precious principle. Plato gave some expression to it in
connection with the proper principles of rule and obedience in
governments, and states that according to nature there should
be a " rule of law over willing subjects and not a rule of com-
pulsion." 2 He indicates further that a just government is one
of " voluntary rule over voluntary subjects." The Roman con-
ception of government by consent was suggested by the anti-
monarchical work The Grounds of Rights against Tyrants
(1579), in which, as this work is elucidated by Dunning,3 it is
asserted that the relation of king to people is one of contract.
The people or their representatives ask the king whether he will
rule justly and, upon receiving a satisfactory answer, agree to
give faithful obedience. This, as the work suggests, is the
true foundation of all royal government; tyranny consists in
the violation of the contract which the monarch has made with
his people.
Did the Romans base their idea of the State upon this notion
of compact or was this merely the idea of the anti-monarchical
work just referred to? Dunning, whom we were following in
this connection, does no more than state that such was the
opinion expressed in The Grounds of Rights against Tyrants, not
that the consent of the governed was a practice in Roman
history. Mommsen was somewhat more explicit, so that from
his History of Rome we are able to extract the following
sentence by way of illumination: "The community did not
owe fidelity and obedience to the king until he had convoked
the assembly of freemen capable of bearing arms and had
formally challenged its allegiance."4 Yet the consent of the
2 Laws, Bk. Ill, 690. 4 Op. cit.t Vol. I, p. 97.
3 History of Political Theories, Vol. n, p. 53»
340 THE POLITICAL FACTOR
governed is something we are more likely to accept as the
ruling sentiment of a people rather than the actual practice of
a State. The body politic for all its vastness and variety seems
to contain the ingredients of human nature. It is a grouping
of individuals and the assembling of things, is comprised of
persons and property, and attempts to govern one and ad-
minister the other. "A State," said Aristotle, "is one of the
works of nature, and man is by nature a political animal." 5
We may not care to express our conception of man in just
this way, since the political seems like an extra touch applied
to the life of mankind, yet we may rest assured that man
is by nature a social being out of whose social nature the
political can be formed. Men tend to group and gather things
around them, and these activities relate them to one another as
also to the things of this world. The political and physical re-
lations thus engendered provoke the development of an or-
ganized State.
PLATO'S REPUBLIC
The State in the form of these natural, growing relations had
existed for ages before it became the subject -of analytical study.
There was, of course, before the science of the State arose, a
practical study of its needs as also of the best ways of governing
and administering, to say nothing of rather extensive legislation.
But there was no political science until the coming of Greek
philosophy and no political theory until Plato elaborated one.
The remarkable thing about Plato's Republic is that it is at onee
the earliest and the latest theory of the State, for what he said
twenty-three hundred years ago about an ideal Athens is now
being considered in the form of an ideal or rational Italy, an
ideal or scientific Russia. Plato was not concerned with the
scientific question of how the State came into existence or what
are the necessary conditions of a real State. His concern is with
the question why there should be a State and how it may best
be thought o£ Plato deals with theory rather than history, with
values rather than facts. His first step in the direction of an ideal
5 Politics, Kk. I, CLII.
THE REALIZATION OF THE REPUBLIC
order is a step away from the real one; that Is, he begins by
repudiating the natural origin of the State in the family, the
origin of the polls in the oifos. His ideal State is based upon
the principle of community of wives and property. Having
severed the State from its natural origin, Plato was free to de-
velop it according to an ideal end. The communistic arrange-
ment of the Republic and the caste-like division of the State into
orders of men, which Plato discarded in the Laws, reveal the
extreme rationalism of his political system.
In the development of the Republic, which was really a work
on justice, Plato ignored history for the sake of reason and in-
dulged in theoretical premises at the expense of practical con-
clusions. His method of political procedure was that of philo-
sophical division, which seemed to promise a rational republic
and a wise plan of justice. The dialectical division is the three-
fold one penetrating his system. The cosmos is made up of
body-soul-mind, man of appetite-desire-reason; the virtues that
follow are temperance-courage-wisdom, while the classes of men
who possess these faculties and are expected to exemplify these
virtues are the workers-warriors-rulers. The virtue of justice,
which finds no place in the cosmos and belongs to no class in
the State, is supposed to dictate the divisions and preside over
the whole system. The historical example which Plato seems
to have in mind was the government of Sparta, the desired ap-
plication of the plan concerned Athens, while the actual counter-
part of the three classes was suggested to him by the Phoenicians
and Egyptians at the bottom, the Thracians and Scythians in the
middle, and the Greeks generally and the Athenians in particular
at the top.6
THE REALIZATION OF THE REPUBLIC
Both idealism and historical realism seem to have been at
work in Plato's mind when he devised his startling political
plan. On the side of philosophy, Plato's belief in the reality
of the universal idea and the shadow-like existence of particular
things inclined him to view the State as of supreme importance,
« Republic, Bk. IV, 435.
THE POLITICAL FACTOR
the individual as of only relative worth. On the side o£ history,
he realized that the ideal of citizenship exemplified in the con-
stitution of Sparta was an approximation to his theoretical con-
ception of the State; for Sparta had a degree of communism, a
system of classes, lax marriage, and no private property. ^ Athens
was intensely individualistic and stood in need of political re-
form, which Plato would carry out, it seems, by a radical remold-
ing of the whole political system. This was to be the Ideal
Republic. On the positive and favorable side, the philosophical
premises led to the idea of the perfect State, in which each in-
dividual was a citizen. On the negative and unfavorable side,
the same premises brought the political philosopher to the con-
clusion that the individual parts, or human beings with their
personal lives, personal property, and domestic relations were
matters of no concern. The State was for all and yet for none.
What were the ways and means of this hypothetical order
of politics? How was Plato or the political Platonist to put it
into effect? More than one answer was given to that important
question of practical detail, of modus oferandi. These answers
to the question " how? " may be summed up in the form of the
philosophical, political, and social. The philosophical principle
on which the new Republic was to be based found expression
in the well-known saying in the fourth book of the Republic,
"Until philosophers are kings and princes of this world have
the spirit and power of philosophy, then only will this our State
have a possibility of life." The political expedient consisted in
having a despotic philosopher introduce the ideal State by force
and then realize its possibilities by educating the children up
to the new ideals.7 The social method was that of general re-
form, expressed in the Laws, which abandons communism and
endeavors to fill up the gap between the ideal and the real. To
these three devices might be added the idealistic view of the Re-
public, in accordance with which the philosopher considers " the
city which is within him," acts according to its ideals, and is
fairly oblivious of the feeling that it will never find its real
counterpart in the world.8
7 Erdmann, History of Philosophy, tr. Hough, § 79, 6.
8 Republic, Bk. IX, 591-592.
MAN A POLITICAL ANIMAL 343
MAN A POLITICAL ANIMAL
Now, it is this real counterpart to the ideal polity that Aristotle
sought in his work called Politics. Unlike Plato, he did not at-
tempt to take the real State apart and put it together again
according to an ideal pattern; rather did he accept the given con-
tent of government and seek to interpret it according to principles
of reason. The difference between Plato's Ideal Republic and
Aristotle's Household-State indicates the difference between
Plato's Academy and Aristotle's Peripatetic School. In one we
find a system of ideas based upon the Good; in the other a scheme
of entelechies, or living causes, working toward Happiness.
Moreover, the philosophy of Aristode is marked by the presence
of the Golden Mean, which insured him intellectually from the
extremes and contradictions of the real and the ideal as these
keep competing in Plato's system. In other words, Aristotle's
politics is the rationalization and the improvement of the histori-
cal State, or the political form of developing society.
The fundamental characteristics of the Aristotelian State, in-
stead of being framed upon the triple dialectical divisions of
body-soul-mind are found in the threefold natural divisions of
household-village-State. Indeed, we ourselves used these three
to indicate the nature and growth of the political order. The
kind of society which nature herself has formed for daily sup-
port is called a family (oiJ^oi)^ the society of several families
instituted for mutual advantage is called a village (fame) ; and
when many villages join in one society in order that men may live
happily, the result is the State (folis). Although this is the
chronological order, the logical arrangement is the reverse, for
the State is prior to the household and the individual. Although
Aristotle bases his theory of politics upon nature, he makes no
room for the so-called " State of Nature " which, as we shall see,
played such an important part in modern political theory. Since,
according to Aristotle, man is naturally a political animal, it
follows that a creature so imperfect as to be incapable of so-
ciety or so complete as to have no need of it is " either a beast
or a god."9
9 Politics, Bk. I, Ch. II.
THE POLITICAL FACTOR
THE BEST STATE
But Aristotle was not satisfied to show that the State was
a real thing; he desired to indicate further that it was good;
hence he inquired concerning the nature of the best civil society.
It was, of course, impossible for him to avoid examining the
merits of Plato's ideal communism. He began to dismiss this in
a summary manner by proposing a set of three alternatives —
having all things in common, having nothing in common, and
having some things in common. It would be impossible to
have a social State with no things in common, for there must
be at least the common place of habitation or the city. But
should citizens have in common all things, including their
wives, children, and property? Aristotle did not fail to point
out what indeed Plato realized: namely, the practical difficulty
to be experienced in changing from a real State to an ideal one.
He observed, further, that Plato's Republic would not be likely
to produce the unity it aimed at, since the unity it proposed was
more a metaphysical oneness than a moral unanimity. What
Aristode's criticism really amounted to, was that the children
who belong to everybody belong to nobody and, as to property,
what is everybody's business is nobody's business.10
The realism of Aristotle's Politics, based upon the study of
a hundred and fifty and more constitutions,11 is of special value
in its presentation of the kinds of government — monarchy,
aristocracy, commonwealth, which have regard for the interests
of the community. When government becomes excessive and
men are ruled too much and the political interest pertains
chiefly to the ruler, there arise three perversions — tyranny,
oligarchy, democracy. Aristotle distinguishes these three forms
of government with their perversions by an appeal to the idea
of quantity. Monarchy is government by one; aristocracy, gov-
ernment by more than one; and commonwealth or polity,
government by the citizens at large. Aristotle, however, does
not mean to be so obvious and mathematical; accordingly he
makes his distinction anew by stating that tyranny means the
1° Politics, Bk. Ill, Chs. I-V.
11 Dunning, A History of Political Theories, Vol. I, Ch. Ill, p. 50.
DEMOCRACY
despotic power of one person over many, which latter become
as slaves; oligarchy arises when the supreme power of the State is
lodged with the rich; democracy when the government is in the
hands of the poor. Here, of course, the natural assumption is
made that the rich will be few in number and the poor many.12
We moderns cannot help feeling interest in what Aristotle said
about the power of money in politics; we Americans are curious
to find out what he had to say about the commonwealth, or
what he usually called " polity."
DEMOCRACY
Aristotle takes up the question of who or what shall rule in
the rational State by asking in whose hands the supreme power
of the State should be placed. He answers the question none too
clearly by pointing out the difficulties that arise in connection
with each of the three leading forms of government — of mass,
of class, of monarch. Under mass-rule of democracy, in his
sense of that term, there is the danger that the poor may lay
violent hands upon the property of the rich. In an oligarchy
of class-rule, there is the danger that the wealthy may tyran-
nize over the poor; while in a monarchy, if the power of sov-
ereignty be in the hands of one person, the many will go with-
out the honors and offices of the State. If we, in following
Aristotle as patiently as we can, assert that it is not any per-
son or class of persons, but the Law which should be sover-
eign, there remains the difficulty that the Law must still be
administered by men and, as he says, " if this law appoints an
aristocracy or a democracy, how will it help us in our present
doubts?"13
What interests us in Aristotle's political system is the thing
he has to say in favor of vesting the supreme power with the
many; it is the essence of democracy, as we understand that
term. Aristotle inclines toward this, bift does not take it for
granted as we are in the habit of doing. He refers to it as
" the middle state," regards it as a political mean between ex-
tremes, and pronounces it the best. Such a Golden Mean in
12 Politics, Bk. HI, Chs. VH-Vni. 1S II., Bk. Ill, Ch. X.
THE POLITICAL FACTOR
politics Is determined by placing it between " the most perfect
in the abstract " and " the best suited under any given circum-
stances." The third or intermediary polity is that which is best
fitted for all governments and thus, while not being Utopian, is
" imaginary "; it is a sort of average polity.14 The reason that
Aristotle gives for vesting the supreme power with the many
instead of the few or the one is found in a kind of collective
logic. The many taken together have more wealth and more
virtue than the few, just as they have more functions and greater
variety in the power of discrimination. The man is like a multi-
tude of men with " many hands, many feet, many senses," or a
conglomerate audience of men who in their collective capacity
are the best judges of poetry and music.15 Accordingly Aristotle
concludes that the middle state is the best in both ethics and
politics. In the ideal-real State, there should not be a majority
of those who are handsome and strong, noble and rich, or a
majority of those who are poor, weak, or mean, but a large
middle class of average persons.
POST-CLASSIC POLITICS
Plato and Aristotle give at the beginning what might be
expected much later on in the development of politics — the
ideal of a perfect State, but they develop the superstructure rather
than the foundation. Yet it is hardly enough to think of man-
kind as so much raw material for a republic or to speak of man
as naturally a political animal. There must be in human nature
some political principle out of which the State may grow. The
modern thinker, as we shall see, found this in Natural Rights,
jus naturde. Now this conception of jus naturals as something
distinct from lex civilis had not really escaped the Greek mind.
Their tragic poets were unusually fond of contrasting the innate
principle of natural justice, phusis, with the artificial expression
of it in established law, or nomos. The Antigone of Sophocles
presents this contrast in a most spectacular manner. And not the
poets only, but the philosophers also; Aristotle distinguished be-
tween justice and law when he contrasted natural with legal
14 Politics, Bk. IV, Ch. I. 15 Ib., Bk. Ill, Ch. XI.
POST-CLASSIC POLITICS 347
right, or the phusif(pn with the nomi^pn. Yet the principle of
Natural Rights had still to appear.
The theoretical distinctions the Greeks had made, the Ro-
mans put into practice. In elaborating the impressive system
of Roman Law, the imperial jurists were called upon to dis-
tinguish between the private law of Rome and those principles of
natural equity that had grown up in connection with subject
people and foreigners generally. Thus the Roman jurists ob-
served that, as the rights of Roman citizens were guarded by
jus civile, so the customs and rights of non-Romans were su-
pervised by jus gentium, which came to be identified with
the broader and deeper principle of jus naturde. " The scien-
tific work of the jurists/* says Dunning, "was to systematize
and to blend into harmonious unity the jus civile and the jus
gentium. Under the latter head were included all the various
systems which, by the edicts of the successive praetors, had
developed in the court for aliens at Rome and in the prov-
inces."16 It is doubtful, however, whether Roman politics
put into practice that which Roman Law had developed in
theory.
The Garden of Epicurus and the Porch of Zeno the Stoic
could not be expected to excel or even equal in general philosophy
the Academy of Plato and the Lyceum of Aristotle. But per-
haps the Epicureans and Stoics advanced in political practicality.
This indeed they did and, although the pattern of modern
States even today is either Platonic or Aristotelian, the procedure
of political thinking has been influenced by Epicureans and
Stoics. Epicurus states in a radical form the general idea of
government by consent when he insists that " justice has no
independent existence; it results from mutual contracts and
establishes itself wherever there is a mutual agreement to guard
against doing or sustaining mutual injury." The Stoics were
inclined to consider government in just as loose a manner, but
not in the Epicurean form of self-interest. On the contrary,
their anti-classic conception of government was such as to
generate the ideals of world-citizenship, a cosmopolitanism far
different from the trim and narrow ideal of an- Athenian Re-
16 History of Political Theories, Vol. I, p. 127.
34g THE POLITICAL FACTOR
public or a Greek State. In this large and loose conception they
anticipated the Christian ideal of the State.
THE CHRISTIAN STATE
It was not to be expected that a mystic like Christ with his
belief in a Kingdom of God not of this world should perfect or
even attempt a political system. The principle of organization,
except as it might be involved in selecting two small bands of
disciples, The Twelve and The Seventy, was absent from his
mind. He distinguished sharply between the things of Caesar
and the things of God, and devoted himself utterly to one at the
expense of the other, St. Paul continued this distinction, but was
more inclined to be diplomatic toward secular power, with which
he was well acquainted and for which he as a free Roman citizen
had due respect. Hence the Apostle to the Gentiles dealing with
the Roman citizens in the Christian community advises obedience
to magistrates, saying, " Let every soul be subject unto the higher
powers. For there is no power but of God; the powers that be
are ordained of God." 17
How did the growing Christian community adapt itself to the
established State? At first it adjusted itself as best it could,
practiced passive obedience, and endured some martyrdom.
Later it sought to take possession of the State and founded the
Holy Roman Empire, only to yield to the idea of separate, secu-
lar national governments, with the effect of producing a semi-
political and sometimes a semi-religious conception of the
Church. In the mediaeval period with the impressive mass of
theology there was also a certain amount of political material.
This we may consider as it appears in the systems of St. Augustine
and St. Thomas. In one we find a pessimistic, in the other an
optimistic view of the State.
The pessimistic politics of St. Augustine (354-430) was based
upon his theological views, especially those of the Fall of Man
and his redemption. At the same time, the author of The City
of God makes a significant but cynical observation upon the
history of the race as he understands it. This is that Cain, built
" Rom. XIII, i.
THE CHRISTIAN STATE 349
the city o£ Enoch after he had slain his brother Abel, and that
Romulus founded the city of Rome after his murder of Remus.
These traditions lead St. Augustine to observe that evidently
civilization was founded upon fratricide; they suggest to us that
there is still an unfortunate connection between civilization and
war. The political idea couched in The City of God is that the
State is made necessary because of man's sinfulness; the re-
deemed, who belonged to the ciuitas dei, have no need of its
offices, which apply to citizens of the ciuitas mundi. This po-
litical pessimism was accompanied by a kind of utopianism in
that, with the complete redemption of the race, the State is des-
tined to become useless. However, it is the actual condition of
things and the exigencies of historical situations that make the
State necessary for fallen man and that in the form of a neces-
sary evil. This was a political conception far from the usual one
but, as we shall see, it was restated in modern times by none
other than Thomas Paine. The extremes of the sacerdotal and
the secular met in pessimistic politics. Both the devout theo-
logian and the radical politician were driven to the conclusion
that man stands in need of control by the strong arm of the
State.
Between St. Augustine and St. Thomas there was a lapse of
more than eight centuries. These witnessed the fall of Rome,
the establishment of the Holy Roman Empire, and the develop-
ment of feudalism. Unlike the great Father of the Middle Ages,
the great Schoolman had before his eyes no declining empire, but
a growing political order. Hence it was natural for Thomas
Aquinas to view the social order with much more complacency
than St. Augustine had enjoyed. The secularism of Thomas did
not induce him to follow his master Aristotle into the paths of
natural philosophy, but he did accept pagan leadership in the
direction of political thought. Thus he concludes that man, by
virtue of his helplessness, his social nature, and power of speech,
was destined for political life and further stands in need of some
ruling power over him. In addition to such obvious principles
of politics, St. Thomas discusses certain details of statecraft, as
cultivation of the soil, the fortification of cities, and the conduct
of commerce.
35o THE POLITICAL FACTOR
MODERN POLITICAL THEORY
Modern political theory was inaugurated by Machiavelli
(1469-1527); his famous work, The Prince, was published five
years after his death. Machiavelli was the founder of modern
politics just as Galileo, another Italian, became the founder of
modern physics a century later. As Galileo eliminated the hu-
man or secondary qualities from the physical world in order
to make it the subject of pure science, so Machiavelli reduced the
idea of the State to the principle of force or purely material
power. The result of this was not political science so much as it
was " politics " in the cynical sense of that term. Unlike Aris-
totle long before him and Grotius, who was to follow him,,
Machiavelli based his idea of the State upon statecraft rather
than upon a political principle like justice. He introduced
into politics a principle which has since developed all too fully
and one which today we are trying to reduce to a minimum —
the principle of diplomacy.
Although Machiavelli's spirit was thoroughly anti-ecclesiastical
and his method distinct from that of mediaeval thought, his
political theory was of no value to the Reformation. In like
manner, the political weapon that Machiavelli forged was of no
service to the anti-monarchical thinkers who appeared after the
death of Luther and Calvin. Hence the two great movements
of the XVIth century, one opposed to the Pope and the whole
Petrine principle and the other in opposition to the Prince and
the Caesarean idea, proceeded without support from the funda-
mental work on modern politics. Thus the layman is often at
a loss to comprehend the reputation that the name of Machiavelli
enjoys. In behalf of his ideal " Prince," he sought to make a
political art of tyranny, which was the very thing both ecclesiasti-
cal and political thinkers were seeking to avoid.
PROTESTANT POLITICS
The anti-ecclesiastical and anti-monarchical movements of
early modern times were not productive of impressive works in
the science of politics, but they contributed a spirit and a method.
PROTESTANT POLITICS ^
In the case of the German Reformation, the sentiments of Luther
involved a philosophy of rights although this was not based
upon the principle of jus natural?. These sentiments were ex-
pressed in his tracts The Freedom of a Christian Man (1520)
and To the Christian Nobility of the German Nation (1520).
Unlike Machiavelli, Luther in opposing the Catholic Church was
not thereby opposing the idea of the Church as the community
of believers. And in contrast with the anti-monarchical thinkers
who were shortly to appear, he did not question the right of
secular power, but upheld the idea of passive obedience. A more
theoretical conception of politics was advanced by Melanchthon,
who based his theory of the State upon Natural Law, lex naturae,
as this is implanted in the heart of man by the Deity. The Law
of Nature became the basis of the secular government that Luther
had done no more than take for granted.
The political principle was a part of and an essential ingredient
in Calvin's comprehensive system of theology. In his Institutes
one finds a kind of Protestant parallel to the Sum ma of Aquinas.
In Book IV of his classic work, Calvin makes abundant room for
secular government, looks upon it as indispensable, and attributes
to it the functions of preserving life, safeguarding property, and
keeping order. He was far indeed from the modern idea, put
forth a century later by Spinoza, that theology and politics are
distinct in nature and should be kept apart in their operations.
In the case of Calvin with his severe doctrine of predestination,
it is hardly possible to see how a paralyzing theology could be-
come a vivifying principle of political rights. " People have some-
times wondered how the Calvinistic doctrine of Election . . .
could have been held by men of the most vigorous character and
should have been the religious stimulus and education of the very
nations which struggled most stubbornly and most successfully
for civil liberty. Consider to what the doctrine was opposed and
the mystery is explained. The salvation of the individual depends
solely on the eternal and unalterable decree of God ... it de-
pends not at all on the will or act of any ecclesiastical authority,
of any human authority whatever. The doctrine of Election robs
the priest of his power; it is the appeal from man to God." 18
18 Ritchie, Natural Rights, Ch. I, pp. 18-19.
THE POLITICAL FACTOR
In addition to these examples of special pleading exhibited by
the Protestant in his political opposition to the pope there were
similar pleas put forth by both Protestant and Catholic.19 These
were directed against the secular ruler; they assumed the form
of anti-monarchical documents. They sprang from Huguenot
sources and were inspired for the most part by the massacre of
St. Bartholomew. The historical phase of this political move-
ment of pre-modern times cannot concern us here, but we must
not fail to observe that in the course of the controversy over ty-
rants the political thinkers found it expedient to make use of
ideas which were to become the very foci of modern political
philosophy — the original State of Nature and the subsequent
formation of government by Social Contract. These were by no
means novel, although they were forgotten ideas when they were
advanced by the political thinkers of the XVIIth century. We
have observed already that something like government by consent
of the governed as also the idea of a State made by mutual com-
pact were ideas not absent from the theological and political
literature of the Hebrews, Greeks, and Romans. There was also
in the ideas of Eden, the Golden Age, and the pre-political con-
dition of mankind generally, some suggestion of the dominant
idea of early modern politics; namely, the State of Nature. These
ancient ideals of the State were recalled during the Renaissance;
the Reformation resurrected the Hebrew idea; the Revival of
Learning restored the Roman conception of government by con-
tract and gave the thinkers of the Enlightenment certain his-
torical patterns to follow.
THE STATE OF NATURE
The political notion of an original, pre-political, and even pre-
social condition of mankind was so spectacular in its day that
it is worth some detailed consideration. The exponents of the
idea that the life of the race began in a State of Nature had a weak
conception of history, no idea of evolution, and no data of mod-
ern anthropology. They proceeded according to tradition or con-
jecture. Tradition supplied some general conception of primitive
1& Dunning, History of Political Theories t Vol. II, p, 47, note.
THE STATE OF NATURE 353
times like " the good old days " or a period of savagery. For
the most part, the political thinker of the Enlightenment was in-
clined to conjecture what the State of Nature must have been by
considering what modern man would be if law were removed.
Thus the status naturalis of mankind amounted to the status
civilis minus contemporary law and government. This was most
strikingly presented by Hobbes, in whose mind nature so dis-
sociated men and set them at variance with one another that the
State of Nature was " the war of all against all — bellum omnium
contra omnes"
Yet Hobbes was by no means the first political thinker to base
his theory of government upon such an anarchistic conception.
Polybius (c. 204-123 B.C.), the Greek historian of the Roman Re-
public, had suggested that the starting point of civilization was
from a pre-social condition in which men were unfamiliar with
the arts of civilization. In the middle of the XVth century, the
idea appeared again in The Rise and Power of the- Roman Em-
pire by Aeneas Sylvius (Pope Pius II, 1405-1464) . The State of
Nature according to this author was the animal-like existence of
the first human family after the expulsion from Eden and until
reason taught them to assemble in communities, build cities, and
cultivate the arts of civilization.20 A more agreeable picture of
man's natural condition before the organization of society was
painted by Juan de Mariana in his work On Kingship and the
Education of a King (1599). In their natural state men lived like
animals, sought food, and propagated their kind. Such a pre-
social condition had its advantages in that nature herself furnished
man with the requirements of food and shelter, while the dis-
advantages of private property were unknown. It was because
of the increase of wants and the weakness of man that mankind
grouped in the form of governments. This was a natural form
of government, the rule of one man unrestrained by law, which
in the course of time developed in an extensive and elaborate
fashion.21
The modern political thinker found the idea of the status
naturalis most convenient for his conception of political life, so
20 /£., Vol. I, P. 283.
21 #,,VoLH,pf>. 68-69.
S.T. — 24
354 THE POLITICAL FACTOR
that It became a commonplace throughout the XVIIth and
XVIIIth centuries. The State of Nature in its modern form did
not play any essential part in the political theory of Jean Bodin
(1530-1596). His conception of politics was too historical to let
him develop the idea of any pre-social condition of mankind;
he finds it more feasible to start with the organized family rather
than the free individual. Something similar to this might be
said in connection with Hugo Grotius (1583-1645), who was of
extraordinary influence in the development of the political idea
in modern times. The position of Grotius is rendered ambigu-
ous by the fact that, like Aristotle, he thinks of man as by nature
social, so that his theory of politics makes no place for a pre-
social condition. What Grotius does suggest is this: while so-
ciety is as old as man, the State is not. This conveys the idea that
Grotius provides for a pre-political but not a pre-social State of
mankind. The units in this pre-political condition were not iso-
lated individuals but separate families, which were under the
provisional laws of patriarchal government.
THE WAR OF ALL AGAINST ALL
Now, it was with Thomas Hobbes (1588-1679) that the idea
of the State of Nature assumed its most striking form. In discuss-
ing this notion of a primitive and pre-political condition of man-
kind, Hobbes employs what we are calling the method of conjec-
ture rather than that of tradition. Like Kant, who was about
the last of the Natural Rights School, Hobbes, who was among
the very first, treats the whole political problem in the form of an
" as if." That is, political society as we enjoy it today is as if it
had been manufactured out of the raw materials furnished by the
State of Nature. Why did Hobbes, a theoretical materialist, pro-
ceed in this idealistic manner ? Perhaps because he realized that
his picture of the State of Nature, preposterous as it was, could
not be accepted as a true picture of primitive mankind. More
plausible is it to suggest that Hobbes* conception of the State of
Nature was in harmony with his general method, which was a
deductive and almost geometrical one. If we bear in mind that
Hobbes was a devout follower of Euclid, we can more easily
THE WAR OF ALL AGAINST ALL 355
realize how it was that Spinoza, who perfected the more geo-
metrico, should have followed Hobbes' principles of political
philosophy. But what was the Hobbist State of Nature?
It was not an actual condition of things discoverable in the rec-
ords of the past, according to Hobbes; for he had no great respect
for history. The State of Nature was rather a supposed condition
of things arrived at theoretically by a process of elimination. It
was mankind minus the civilization that he had placed upon him-
self, or stark humanity; a state of affairs in which all men were
equal. When Hobbes used that conventional expression, he
spoke with more cynicism than sincerity, his idea being that men
imagine themselves equal and strive by a process of leveling to
promote equality. One may be stronger in body, another quicker
in mind, so that the weakest has strength enough to kill the
strongest by some sort of mental machination. The causes of
quarrel among men are competition, which makes for gain; diffi-
dence, craving safety; and glory, which makes men struggle for
reputation. These natural causes are operative in the State of
Nature wherein men live without a common power to keep them
in awe. Then " they are in that condition which is called Warre,
and such a Warre as is of every man against every man. For
Warre consists not in Battell only or the act of fighting, but in a
tract of time wherein the will to contend by Battell is sufficiently
known." Hobbes then likens war to weather. " For as the na-
ture of Faule weather lyeth not in a showre or two of rain but
an inclination thereto of many days together, so the nature of
Warre consisteth not in actuall fighting, but in the known dispo-
sition thereto, during all the time there is no assurance to the
contrary." 22
Hobbes becomes more explicit in his description of the status
naturdis when he states that it is a condition which affords no
place for industry, culture of the earth, navigation of the sea,
no architecture, geography, chronology, arts or letters, or society;
" and which is worst of all, continuall feare and danger of violent
death, and the life of man solitary, poore, nasty, brutish and
short." In thus depicting the natural or pre-social condition of
the race, Hobbes indicates very plainly that he is proceeding ac-
25 Leviathan, Ck XHI.
356 THE POLITICAL FACTOR
cording to " inference made from the passions," which deductive
argument is followed by a bit of empiricism. It was in connec-
tion with experience that he describes the condition of an English-
man in the middle of the XVIIth century.
PESSIMISTIC POLITICS
" It may seem strange to some man that has not well weighed
these things that nature should thus dissociate and render men
apt to invade and destroy one another. . . . Let him therefore
consider with himselfe, when taking a journey he armes him-
self e and seeks to go well accompanied; when going to sleep he
locks his dores, when even in his own house he locks his chests,
and this when he knowes there bee Lawes and publike Officers
armed to revenge all injuries shall bee done him; what opinion
he has of his fellow subjects when he rides armed, of his fellow
Citizens when he locks his dores and of his children and servants
when he locks his chests. Does he not there as much accuse man-
kind by his actions as I do by my words? "23
The underlying principles of the Hobbist system may be stated
in propositions as well as in this pictorial way. Hobbes the ma-
terialist was none the less a rationalist; his system of politics is
decidedly wanting in principles of actual experience. According
to his reasoning, there is a fundamental Law of Nature: seek
peace and follow it. In contrast with this law is the instinctive
principle of self-assertion, self-defense peculiar to animal life. The
two laws of man's being thus arrange themselves in the form of
sharp contrast between Natural Right, which leads to war, and
the Law of Nature leading to peace; or jus-bellum and lex-pax.
Now, as we have seen, Hobbes was more intent upon devising a
scheme of politics for the present than of discovering the pre-
political situation in the past. He will not listen to the conven-
tional ideals of Aristotle and Grotius, who assumed the social
nature of man, since he believed that nature does not group men
gregariously but dissociates them, rendering them "apt to in-
vade and destroy one another." His contempt for history in
general is akin to his attitude toward natural history, hence he
23 Leviathan, CL XIII.
PESSIMISTIC POLITICS 357
can see no analogy between the social life of insects and that
of men.
" Men are continually in competition for Honour and Dignity
which these creatures are not, and consequently amongst men
there ariseth on that ground Envy and Hatred and finally Warre;
but amongst these not so. ... Amongst these creatures, the com-
mon good differeth not from the private, and being by nature
enclined to the private they procure thereby the common benefit.
. . . These creatures having not, as man, the use of reason do
not see or think they see any fault in the administration of their
common business, whereas amongst men there are very many
that think themselves wiser and abler to govern the Publique
better than the rest. . . . These creatures, though they have some
use of voice in making knowne to one another their desires and
other affections, yet they want that art of words by which some
men can represent to others that" which is Good in the likeness
of Evill and Evill in the likeness of Good. ... As long as they
be at ease they are not offended with their fellowes whereas Man
is then most troublesome when he is most at ease, for then it is
that he loves to showe his Wisdome and controule the actions of
them that governe the Common-wealth." 24
The contrast between Grotius and Hobbes in their views of
man's social nature did not escape the eye of Samuel Pufendorf
(1632-1694) . With the synthetic tendency peculiar to the German
mind, he endeavored to harmonize the social and anti-social in
the earlier thinkers. This he does by attributing society to the
instinctively social nature of man, the political State to a direct
and rational act on the part of man. Pufendorf does not make it
clear whether the State of Nature is society minus civilization, as
this may be conjectured, or society in its pre-political form. He
does refer to it as a condition of society apart from political or-
ganization and is inclined to regard it optimistically as a general
condition of peace rather than war. Furthermore, he declares
that the State of Nature would be a satisfactory condition if men
lived according to reason; but inasmuch as most men are ruled
by selfish passion, the State of Nature would result in a condition
making it necessary for men to live under the control of author-
** ib., du xvii.
THE POLITICAL FACTOR
ity. There is Indeed some sort of organization in the status
naturalis, but not enough to obviate the necessity of civil society,
or commonwealth.25
THE HISTORICAL VIEW
In the hands of John Locke (1632-1704), the State of Nature is
made the pre-political form of human existence which Grotius had
suggested and Pufendorf reaffirmed. According to Locke, " men
living together according to reason and without authority to
judge between them is properly the state of nature." 26 In this
primitive condition, men are aware of Natural Rights and tend
to respect them, so that their inclination is toward peace rather
than war; at the same time the State of Nature is so imperfect as to
be intolerable. Locke, however, was so impressed by the possibili-
ties of the Natural State as a possible condition in the history of
mankind that he assumes to find traces of it in history. " Romu-
lus at the head of a numerous colony from Alba was the first
founder of the Roman State; this colony was in the original state
of nature, free and independent of any dominion whatsoever." 27
The French manner of dealing with the notion that we are pur-
suing was quite different from that of the English, hence the
State of Nature assumes a more dreamy, more delightful form.
This we observe in Montesquieu and Rousseau. The " man " of
Montesquieu was not the politician of Grotius, the beast o£
Hobbes, or the rationalist of Locke. He was more human, more
genial, and filled with esprit. " Pre-social man is," according to
Montesquieu, " a timid, trembling creature, occupied chiefly with
panic-stricken flight from the dangers real and imaginary, which
surround him." 2S The formation of society with the develop-
ment of civilization and culture gives man strength and develops
a state of war. This was the reverse of Hobbes' idea, according
to which men progress from war to peace as they come forth
from their natural condition. Moreover, it was preparatory for
25 Dunning, History of Political Theories, Vol. II, pp. 319-322.
26 "Two Treatises on Government," Wor\s, nth ed., Vol. V, p. 348.
27 Fox Bourne, Life of John Locke, Vol. I, p. 148.
28 Dunning, History of Political Theories, Vol. II, p. 397.
ROUSSEAU'S ROMANTIC POLITICS 350
the genial ideal of Rousseau that the State of Nature is an idyllic
condition, to which man should return.
ROUSSEAU'S ROMANTIC POLITICS
Rousseau (1712-1778) resembled his co-patriot Montesquieu in
his genial conception of the State of Nature, except that he was
not inclined to regard it as a condition that engendered fear in the
human heart. In like manner, Rousseau resembles Hobbes in
regarding the status naturdis as an idea rather than a historical
fact; he differs from Hobbes in that his primitive man is a good
savage and not a crude creature of force. Moreover, Rousseau
is distinguished from all others who developed the idea of nature
in that he was enthusiastic about it and considered it a condition
to which, in a way, mankind might well return. Rousseau's op-
timism is thus a counterbalance to Hobbes' pessimism. In his
Discourse on Inequality (1753), Rousseau paints a romantic pic-
ture of nomadic existence, in which the happy savage is quite non-
chalant about his abode or the things that generally go to make
up civilized existence. In this primeval condition, mankind
found its perfect happiness, for man was independent of society
and with other men rejoiced in the feeling of equality.
But mankind increases in number, differentiates into races, dis-
covers industries, and develops the utilities of civilization. Fields
are planted, tools made, houses built, and hearths with their
fires installed. Then inequality sets in, due to the fact that some
are stronger physically and can do more, others more acute
mentally and can acquire more. The savage was beginning to be
civilized. However, Rousseau does not wholly disapprove of such
simple civilization, probably because he realized that it repre-
sented a more authentic picture of historical man than the State of
the bon sauvage had given, and because, further, it was still far
simpler than the civilization that he knew and despised. In-
deed, the flexibility of Rousseau's methodology was such that,
having begun by extolling the bon sauvage and having advanced
from that to praise of primitive civilization, he ends by elaborating
a doctrine of sovereignty. However, in going to the other ex-
treme, Rousseau does not mean the sovereignty of the monarch,
THE POLITICAL FACTOR
but that of the general will or the sovereignty of the community.
It was in this conception that he sought to fuse the natural with
the civil, the ideals of natural liberty with the principles of po-
litical authority.
It was by no means extraordinary that the sentimental ideals
o£ Rousseau should be adopted by the speculative thinkers of
Germany, who might have built up their political doctrines on the
native ground prepared by their own Pufendorf . The apparent
reason why Kant, Fichte, and Hegel followed Rousseau is to
be found in the fact that this talented but erratic French thinker
detached the political ideal from earth and the domain of imme-
diate existence and made it a sentiment about which one, like
these transcendental Germans, might speculate freely. The po-
litical systems of these philosophers are of value in elucidating
their respective philosophies, but of much less worth in the de-
velopment of the political idea which had been completed before
they began to consider it. In the case of Hegel (1770-1831), the
conception of the State as an expression of Spirit or Geist was
responsible for the development of the idea that society is an
organism and that the State possesses personality. Hegel was of
influence also in suggesting to Karl Marx that it is by the negation
of one polity, like that of capitalism, that we proceed to the
higher level of another, the communistic one. With the German
thinkers mentioned we come to the end of the classic idea as far
as the State of Nature is concerned.
THE SOCIAL CONTRACT
Such in outline was the idea of the State of Nature as this pre-
vailed during tie XVIIth and XVIIIth centuries. We have de-
voted so much space to it that there remains little room for the
companion concept — the Social Contract, However, little ad-
ditional need be said about this second politkal ideal; it may be
inferred from what has been said about the first one. In the case
of those who handled these characteristic ideas, the analysis led
to the synthesis. Reason had led them to divide mankind into
parts and it was reason that then induced them to put the social
parts together in the form of a political whole. The leading idea
THE SOCIAL CONTRACT 361
was that primitive men came to realize that their anarchic con-
dition was intolerable, whence they were led to consider the feasi-
bility if not necessity of forming a status civilis to supplant the
status naturalis. This produced the State; according to more
radical theorists, it was tie cause of society itself.
Already we have referred to the contract conception of govern-
ment supposed to have obtained with the ancients, especially the
Hebrews and the Romans. We have now to observe directly and
briefly how this general idea received definite form in modern
politics. Grotius might be thought to remain aloof from the
contract idea, since his conception of man was that of a social
being. Yet Grotius did not fail to state that civil society had been
brought about by man; but how? By deduction from the very
nature of man in which jus naturalc is an ingredient, not by act of
will on the part of man or even of God. For the Law of Nature
would hold, said Grotius, even though there were no God —
non esse deum. It would be a mistake to assume that this devout
Dutch theologian placed politics upon an atheistic basis after the
manner of the French and perhaps also the American revolu-
tionists. Hence we had better attribute his bold assertion of
the autonomous character of jus naturale to his extremely ration-
alistic methodology. Further to explain his conception of the State
we might refer to it as something which in his mind was formed
by a ##£tf-contract. Grotius was strong in naturalism, whereby
he was able to assert the social nature of mankind, but corre-
spondingly weak in his conception of sovereignty. In Hobbes
we find the very reverse of this.
Hobbes is perfectly clear in his description of the contract and
just as consistent in the deduction of it from the State of Nature,
" that miserable condition of Warre." As he says, it is more than
consent or concord; certainly it is not what we should understand
as the consent of the governed. Perhaps we might regard it the
way Emerson regarded all society — as a "foul compromise/'
In the direct language of Hobbes, the contract is " as if every man
should say to every man, I Authorise and give up my Right of
Governing my selfe to this Man or this Assembly, on this con-
dition that thou give up thy Right to him and Authorise all his
actions in like manner. This doae, the Multitude so united in
362 THE POLITICAL FACTOR
one Person, is called a Common-Wealth, in latine Civitas. This
is the generation of that great Leviathan, or rather (to speake
more reverently) of that Mortall God to which wee owe under
the Immortall God our peace and defense." 29
THE GENERAL WILL
Unlike the anti-monarchists of the Renaissance, Hobbes does
not provide for any covenant on the part of the monarch; the
surrender is altogether on the part of the people, who are sup-
posed to be satisfied with the security and peace which the status
dvilis, thus created, will provide. The subjects of a government
cannot change its form nor the sovereign forfeit his power. No
individual can protest against the sovereign, since that would
automatically replace him in the original condition of war,
wherein any one would have the natural right to kill him. No
matter what the sovereign may do, his acts cannot be judged by
his subjects; still less can he be punished for them. It is for the
sovereign to judge what is necessary for peace in the State
and what may be considered the private property of the indi-
vidual subject. To the sovereign belongs also the right to de-
cide controversies; hence the familiar laws of meum and tuum
are out of place. He may at his own discretion make war and
peace, choose as he will such counselors as these acts may require,
and to these he may bestow such titles of honor as he may please.
Now, it is only as we realize how the specter of war haunted the
mind of Hobbes that we can account for such a drastic system
of government. We may observe further by way of extenuating
such political thinking that, in general, Hobbes proceeded aca-
demically somewhat after the manner of Plato and that, in par-
ticular, he referred to the fatal compact by stating that " as if "
every man had entered into the political agreement in order to
escape the possible ills of the State of Nature.
When we turn to Locke's conception of contract, we tend to re-
turn to the milder conception of Grotius. As Grotius had thought
of man as by nature social, Locke regarded the State of Nature as
a fairly peaceful one, certainly not the Hobbist condition of uni-
29 Leviathan, Ch. XVU
THE GENERAL WILL
versal war. Accordingly, Locke's social contract is much looser
than the iron-bound one of The Leviathan. The difference be-
tween Locke and Hobbes is this: Locke's system calls upon
the individual to give up some of his rights to the community,
whereas Hobbes had called upon him, viewed as a malicious
egoist, to surrender all of his rights to the sovereign. The par-
ticular rights that the Lockian individual surrenders are those of
himself executing the Law of Nature and punishing offenses
against it. Then, the community to which he has surrendered
these rights is something of which he is a part. If there is to be
a sovereign community, this is to be regarded as the public will,
which in its own way is limited as the will or right of one indi-
vidual limits that of another. Now, this amounts to saying that
society is superior to government and the authority of the people
greater than that of law.
Rousseau's conception of sovereignty affords trouble for all who
look for logical consistency and are not satisfied with a glow of
rhetorical expression. In the parallel case of Hobbes, we were
not surprised when The Leviathan effected the transmutation
from the anarchistic status naturalis to the tyrannical status
civilis. The conclusion followed from the premises. In Rous-
seau's case, however, the state of affairs was vastly different in
that the natural and pre-political condition of mankind was re-
garded as ideal and the departure from it regrettable. In Rous-
seau's logic, nature and the State, liberty and law are contradic-
tories; the good and wise life has no place for civilization and
culture. In spite of this view or mood on the part of Rousseau,
he manages to deduce and delight in a conception of sovereignty
in which the civil order destroys the State of Nature. His political
premises should have led him to deduce perfect anarchy; instead
of this he deduced perfect sovereignty. Hobbes seized upon the
idea of absolute monarchy by wholly relinquishing that of liberty;
Locke avoided both extremes, but Rousseau tried to reconcile
them. How did he accomplish this ?
By means of his idea of the " general will — volonte generate"
not by means of a Leviathan. This general will is formed when
each individual puts all of his personality and power into a
common mass or, as it were, fund. In giving himself up to all
364 THE POLITICAL FACTOR
in general, the individual gives himself up to no one in particular.
Since each person does this, each acquires over every other person
what he himself lost or its equivalent. The kind of contract
which safeguards the freedom of the individual is not the political
one of Hobbes, but a social contract; and that which it creates
is something acceptable to the individual's own will: namely, the
general will. To the average reader of Rousseau, the general will
being inalienable and inerrant, resembles the terrible Leviathan,
or the Leviathan duly domesticated. However, in extenuation
of the paradoxes involved in Rousseau's idea of liberty and sover-
eignty, we might suggest that his idea of social contract is ex-
emplified generally in the formation of the United States, al-
though to this day the idea of sovereignty is such as to leave a
doubt as to whether it belongs to the federal government or to
the individual states comprising it.
THE AMERICAN CONCEPTION
The idea of the State of Nature which we have been using as a
guide to the later and larger conception of politics persisted
through the Romanticism of the French and the Transcendental-
ism of the Germans and became a practical principle of political
revolution among the Americans. The doctrine is recognizable
after the passing of two centuries and with the practical changes
which the Fathers of the Republic found it expedient to effect.
It appears in the famous phrase in the Declaration of Independ-
ence wherein it is affirmed that " all men are endowed by their
Creator with certain inalienable rights." The Americans of the
XVIIIth century were still in or had only recently emerged from
a condition of nature, so that they did not deem it necessary to
dilate upon the advantages of the Natural State. Likewise, their
acquaintance with the American Indian had been such that they
were in no mood to join Rousseau in praising "the good savage."
However, the original principle of their liberty was such as to
suggest a state of existence in which men had enjoyed such natural
freedom unmolested by a sovereign, certainly not a foreign one.
Their conception of the Natural State of man was that of the pre-
political condition or one peculiar to the Colonies before the for-
THE POLITICAL AND ECONOMIC 365
mation of the United States; not a pre-social condition, since the
social was something they had long been enjoying. Furthermore,
it must be observed that, in using the expression "inalienable
rights," the American statesman indicated that in entering into a
political compact he was not relinquishing his Natural Rights
after the manner of the Hobbist or even the Rousseauan citizen,
but seeking a means for preserving them. This was the expres-
sion of American individualism and was to the effect that the
State was made for man, not man for the State. Such is the op-
timism of our political theory, although it should be observed that
Thomas Paine, like St. Augustine, took a pessimistic view of the
political principle. " Society," said he, " is produced by our wants
and government by our wickedness; the former promotes our
happiness positively by uniting our affections, the latter nega-
tively by restraining our vices."
THE POLITICAL AND ECONOMIC
The principles of politics that we have been examining assumed
their most definite form in the XVIIIth century and reached
a climax in the American Revolution of 1776 and the French
Revolution of 1789. The rational theory of the State as some-
thing formed by political or social contract exemplified the ancient
idea of the consent of the governed. Speaking broadly, we might
say that this philosophy of rights worked well up to the period
of revolution, but not so well afterwards. The people of the
United States secured their rights and formed their government,
but only by drawing the color-line, for the principles of rights
did not extend to the red man or the black, since the Indian and
the African Negro were not included within the precincts of the
political State. In France, where the Revolution had released
the nucleus of the French people, it did not provide a permanent
organization of the newer sort. To realize this we have only to
consider the violent return to Caesarism that we observe in the
career of Napoleon. The old ideals — the State of Nature, the
social contract, and sovereignty of the people — had made their
bow, played their part and disappeared More practical ideals
of polity were to take their
366 THE POLITICAL FACTOR
In glancing at these post-classic systems, If systems they can be
called, we shall miss the familiar principles of State peculiar to
early modern times, or the Enlightenment. In place of them
we find that politics has been supplanted by political economy,
the idea of the State by that of government, and the view of man
as a "political animal " in a separate nation by the general con-
ception of man as member of a social order. If this were the place
for it, we would discuss the political idea in the utilitarian form
given it by Jeremy Bentham (1748-1832) and John Austin (1790-
1859), James Mill (1773-1836) and John Stuart Mill (1806-1873).
But this conception of man and the social order was left stranded
by the Theory of Evolution. This organic conception of human
life has made necessary a different conception of political ex-
istence.
For the most part, the political conception has been so identi-
fied with the social, industrial, and economic that it is practically
impossible to discuss it in the isolation it once enjoyed. The or-
ganic and evolutionary have taken the place of the inorganic
and rationalistic. The most important principle of politics is that
of Karl Marx (1818-1883), and in The Communist Manifesto
(1848), which he prepared with Friedrich Engels, the most sig-
nificant idea of government is that in the future the State will
deal less and less with the control of persons, more and more
with the administration of things; that is, it will be less political
than economic. The political has to do, then, with the production
and distribution of wealth whereas once it was concerned with
the relation of person to person, people to sovereign. As far as
people are concerned, it is connected with the relation of classes,
primarily with the bourgeoisie or commercial and proletariat or
laboring classes. Political history, according to the Socialist, has
been the history of class struggle; its climax will be reached when
the proletariat come into power and assume dictatorship. The
bourgeoisie, or third estate, having taken the power away from
feudal aristocracy, is now dominating in the form of tyrannic
Capital. Such capitalism is to be itself overthrown by com-
munism. To the Socialist, all previous classes as well as all dis-
tinct nationalities divide themselves into just two classes — Capi-
tal and Labor.
DICTATORIAL GOVERNMENT
DICTATORIAL AND DEMOCRATIC GOVERNMENT
367
The mention of communism is bound to remind us of the ex-
periment now being tried in Russia in the form of the Union of
Socialist Soviet Republics, established July 6, 1923 and now, since
the death of Lenin (January 21, 1924), in the hands of Stalin.
This form of politico-economic enterprise is now recognized
specifically as the Five Year Plan, in operation since 1928 but
adopted formally in May, 1929. Its immediate aim is the sociali-
zation of all agriculture and the expansion of industry. Thus
far, the collectivization of industry has been a success from the
Russian point of view and met with the approval of the Commu-
nist party which met at its biennial congress in July, 1930. In
contrast with Sovietism, we find the Fascism of Italy which was
formed by Mussolini to suppress communism and restore order
in the country. On October 30, 1922, Mussolini, il duce, was made
premier of Italy; in 1929 he made peace with the pope and ter-
minated the sixty-year-old conflict between State and Church,
and now has practically all political power in his hands. In Stalin
and Mussolini we find dictators in control of widely divergent
if not opposite types of politics; the one socialistic and cosmopoli-
tan, the other anti-communistic and nationalistic.
If, finally, we return to our starting point in the contrasted
systems of Plato and Aristode and call them " dictatorial " and
" democratic " respectively, we may observe the exemplification
of them at this late date in Russia and Italy on the one side. Great
Britain and the United States on the other. Germany and France
lie somewhere in between. Sovietism and Fascism differ on
specific points of polity, but both exhibit the Platonistic spirit of
the State over all, with the necessary subordination of the indi-
vidual. Great Britain and the United States keep the individual
and his rights in the ascendancy even when they persist in their
different types of government, of a " crowned republic " and an
uncrowned one. The course of politics in the immediate future
will have to test the respective merits of such Platonistic and
Aristotelian forms of government. Which will gain that which
lies at the foundation of the State — the consent of the governed?
CHAPTER XV
THE SOCIAL CONCEPTION OF LIFE
THE SOCIAL AND POLITICAL
THE POLITICAL FACTOR IN MODERN CIVILIZATION MERGED, AS WE
saw, Into a more general conception of life — the social
one. Hence we turn from the idea that man is a " political
animal " to the conception of man as a social spirit. The political
and the social cannot be wholly severed, but a distinction may
be made between them. The social is the more comprehensive
principle, as it is also the more natural one; the political is chiefly
the work of man, although not in the deliberate form of contract.
We feel that we are social beings and that, apart from established
law, the community has its claims upon us. Furthermore, we be-
lieve that the civilization of the race is its socialization. Now, in
rationalizing our civilization, as we are doing, we have observed
the importance of the political idea; later we shall see that due
analysis of civilization includes industry and economics, art and
religion. At the present point, we must take cognizance of the
social view of life, for, although the social is coeval with mankind,
the conscious idea of sociability is not primitive or even ancient;
it is distinctly modern.
The problem of man's relation to himself, his thought, was
taken up by Descartes (1596-1650) at the beginning of modern
philosophy. The parallel problem of man's relation to his fellow
was being discussed at about the same time by Hobbes, who, as
we have just seen, was such a factor in modern political philoso-
phy. Both men were egoists, but in different senses of that term;
they proceeded alike from the isolated, atomic self to something
more composite. With Descartes it was nature, with Hobbes
the State. Both assumed the reality and inviolability of the indi-
vidual and then went on to show how this personal unit might
become a part of the exterior order; here the physical, there the
political. We of today are inclined to feel that our situation and
our problem are the reverse of these, since we find nature and
THE ANTI-SOCIAL VIEW 369
society as complex wholes given in our experience. It is our
problem to extricate the ego from the mass of the natural and
social in order that, in some measure, one may live his own life
and call his soul his own. But we cannot appreciate the trans-
mutation of social ideals between the XVIIth and XlXth cen-
turies until we have come to an understanding with the bold but
thoughtless egoism of the earlier period.
THE ANTI-SOCIAL VIEW
We must make a fresh beginning historically by referring to
Hobbes. His story has been often told and we are now familiar
with it, but we must take into account certain additional features
of his 'Leviathan, and observe its ethical significance. The misera-
ble condition of man in the State of Nature from which, to end
the war of all against all, man formed the commonwealth, was
due to man's inherent nature. According to Hobbes, man is
thoroughly selfish and to his self-love adds self-esteem. The idea
that man may be social also occurred to Hobbes, but he dismissed
it as something alien to mankind. The social principle, he ob-
served, is dominant among insects, which live instinctively and
automatically form a stereotyped society; it is not observable
among men, who live according to competition and place the
highest possible values upon their personalities. " Men have no
pleasure, but on the contrary a great deale of griefe, in keeping
company where there is no power able to overawe them all. For
every man looketh that his companion should value him at the
same rate he sets upon himselfe." 1
Nature, as Hobbes had pointed out, "dissociates" men; in
their disjuncted condition, each seeks his own pleasure. The ego-
ism that extends throughout Hobbes' work to the exclusion of
the social reveals itself characteristically in Hobbes' conception of
laughter. Aristotle had found the source of mirth in the sudden
juxtaposition of the incongruous, and thus had made it something
physical With Hobbes, laughter has a social origin; it arises
when one is suddenly elevated above his fellow and is thus able
for the time to feel superiority. "Sudden glory is the passion
1 Leviathan,
S.T. — 25
370 THE SOCIAL CONCEPTION OF LIFE
which makes those Grimaces called Laughter and is caused either
by some sudden act o£ their own that pleaseth them or by the
apprehension of some deformed thing in another by comparison
whereof they suddenly applaud themselves."2 On the other
hand, grief over another's sorrow arises within one when he
imagines that a like calamity may befall one's self. Morality does
not spring from the Good, but consists in utility only or natural
necessity. In the State of Nature, where there is no society, there
is no distinction between good and bad. In this manner, Hobbes
challenged modern thought to prove the existence of the social
and moral. He aroused or brought into being the Utilitarians
and Intuitionists. How did England receive Hobbes* egoism?
THE OPPOSITION TO EGOISM
The British system of morals was created almost wholly by
the effort to correct the human egoism and ethical relativism of
Hobbes. The Briton is at heart a gentleman, hence he cannot
admit that man is naturally brutal and selfish. He is just as much
a free man and cannot tolerate the idea that the difference between
virtue and vice depends upon the will of the State. Nevertheless
it was no simple task to repudiate the principles that Hobbes had
set up with such ease and confidence; hence it may be pointed out
that for a century and a half English ethics cast about for the
obvious and then failed to find it. The obvious, as we are in-
clined to believe today, is the social. In our mind, this principle
provides automatically the solution of the problems that troubled
the early modern mind, that have bothered moralists ever since
the days of the Epicureans and the Stoics — the adjustment of
man to mankind, the relation of man to the moral law. Perhaps
we should praise these British moralists for their ethical efforts in
behalf of man before the discovery of the social idea, just as we
are inclined to applaud the muscular activity of man before the
invention of the steam engine. Let us observe briefly how these
gentlemanly moralists tried to redeem the reputation of man
after Hobbes had cast aspersion upon it.
The problem at hand after Hobbes had interpreted man as
2 Leviathan, Ch. VI.
THE IDEAL OF SYMPATHY
selfish was to attribute a social nature to him. Now, the way to
attribute is to attribute. Hobbes had gleaned a number o£ egoistic
facts and had asserted, " Man is egoistic." Two centuries later
Comte and his successors harvested an array of social data and
proclaimed, " Man is social." Between the egoism of Hobbes
and the altruism of Comte, we find the most important members
of the English ethical school trying to change the pattern of hu-
man nature from a circle with an individualistic center to an
ellipse with the selfish and sympathetic as its foci. Indeed, after
the initial work of Comte and the development of Darwinism,
the gentlemanly moralists of England, Mill and Sidgwick, were
still found attempting to " prove " that man is a benevolent
being.
This work was taken up originally by Richard Cumberland ia
his De Legibus Naturae (1672), wherein the noble author insists
upon the ideal of benevolence. The trouble with Cumberland as
an opponent of Hobbes was that he attacked the heavy cudgel
of the real with the light sword of the ideal and failed to lay the
Leviathan low. Shaftesbury in his Inquiry Concerning Virtue
and Merit (1699), was somewhat more realistic in his conception
of human nature, so that he was able to approximate to the so-
cial ideal so dominant today. Shaftesbury approaches our ideal
of the higher gregariousness by introducing such ideas as the
" species," the " system of animals," the " animal order," the
" Whole," and the like. His aesthetic intuition revealed the world
to him as no " distracted universe," but as a proportionate and
harmonious system.3 The moral ideal follows almost auto-
matically — man should live harmoniously, as he may do by ad-
justing the selfish part of his nature to the sympathetic. The
result will be harmony in society and happiness in the heart of the
individual.4
THE IDEAL OP SYMPATHY
English ethics in the XVIIIth century indulged in enough
moral realism to effect the transition from the brutal egoism o£
Hobbes to what we might call the brutal altruism of Darwin. At
* Op. at., Bk. J. * lb., Bk. H,
372 THE SOCIAL CONCEPTION OF LIFE
first it was the supposed might of the individual; this has
changed to acknowledged power of the social order. The semi-
social conception of life was developed by Hume and Adam
Smith in the form of " sympathy," a sort of noblesse oblige. Be-
fore they developed their ethical systems, Francis Hutcheson in-
troduced the more amiable but less effective ideal of " disinterested
affection." In his Inquiry into the Original of our Ideas of Beauty
and Virtue (1720), Hutcheson developed the ideal of a "moral
sense " which sprang from man's noble nature and dictated be-
nevolent affection. It was distinctly different from Butler's con-
ception of a rational conscience with its authoritative sense of
approval and disapproval. In pursuit of this ideal sense of soci-
ality, Hutcheson intuits human society as though its members
past and present made up some happy English community or
even some noble family. " Whence this secret chain between
each person and mankind? How is my interest connected with
the most distant parts of it? And yet I must admire actions
which are beneficial to them, and love the author whence this
love, compassion, indignation and hatred toward even feigned
characters, in the most distant nations and ages according as
they appear kind, faithful and compassionate or of opposite dis-
positions toward their imaginary contemporaries? If there is
no moral sense, which makes rational actions appear beautiful
or deformed; if all approbation be from the interest of the ap-
prover, * What's Hecuba to us or we to Hecuba? ' " 5
But the social ideal of modern life was not advanced to any
significant extent by such aesthetical conceptions of the polite
mind. With Hume, however, there was more realism as also
a historical sense; with Adam Smith, a more penetrating psy-
chology plus economic insight. Both of these moralists placed
their affair upon the idea of " sympathy." An egoism like that
of Hobbes' could not fare well in the hands of a skeptic like
Hume. Since he doubted the existence of the self, he could not
be dogmatic about self-love. " So far from thinking that men
have no affection for anything beyond themselves, I am of the
opinion that, tho' it be rare to meet with any one who loves any
single person better than himself, yet 'tis as rare to meet with one
5 op. dt., Sect, i.
THE IDEAL OF SYMPATHY
in whom all the kind affections taken together do not overbalance
all the selfish." 6 According to Hume, it is not difficult to enter
into the sentiments of others, since they resemble ourselves. Our
own feelings partake more of our idea of them than of the feel-
ings themselves, hence it is easy to enter into the idea of the
feelings that other people have. Thus it comes about that " the
minds of men are mirrors to one another." 7 In such a conception
of social life in the form of sympathy, Hume anticipates Adam
Smith's conception of the moral sense and suggests Darwin's
psychology of conscience. Yet Hume does not fail to continue
the English sense of human nobility aroused by the barbaric
philosophy of Hobbes.
The contrast between the ethical and the economic appears in
the philosophy of Adam Smith, The two factors appear to be
at variance with each other. In 1759, Smith's Theory of
Moral Sentiments developed the traditional idea that the basis of
both moral action and ethical judgment is to be found in the
sense of sympathy. In 1776, his Wealth of Nations placed the
science of economics upon an egoistic basis. There is at least an
apparent conflict between the ethical and economic theories of
Adam Smith, just as there is often a contrast between the ethical
and economic practices of the modern business man. In Smith's
case, however, it may be suggested that his ethics treats of things
as they should be, while in his economics he considers things as
they are. The principle of sympathy on which the ethical ideal
is based has three characteristics — it is natural, mutual, limited.
The naturalness of sympathy is attributed to the fact that it is
instinctive. It is mutual, hence by means of one's own feeling
one can appreciate the feelings in another's mind. It is limited
by its own nature, so that one is in the habit of saying, " I am
sorry, but I cannot sympathize with you." He who in his excess
of emotion craves our sympathy " must flatten the sharpness of
its natural tone in order to reduce it to harmony and concord
with the emotions of those who are about him." 8 Within the
breast of each one is an " impartial spectator " which by means
6 Treatise of Human Nature, Bk. m, Part II, Sect. II.
7 /£., Bk. H, Part II, Sect. V.
8 Theory of Moral Sentiments,'Paxt I, Ch. IV.
374 THE SOCIAL CONCEPTION OF LIFE
of sympathy approves or disapproves of actions, those of others
and finally of the individual himself.
THE SOCIAL VIEW OF MAN
After the XVIIth and XVIIIth centuries had groped about
for the social ideal, it was discovered in the XlXth century by
Auguste Comte (1798-1857). Previous thinkers had labored with
the Hobbist delusion that man had emerged from a natural to
a social condition by some artificial means, as social contract or
moral reasoning. Comte obviated the difficulty of all such
" proofs " by assuming the thing to be demonstrated — the social
nature of mankind. He accepted this the way he accepted the
subject matter of the physical sciences and abandoned the idea
that the social State had been adopted because of its usefulness or
moral value. " It is evident," said he, " that the social state would
never have existed if its rise had depended upon the conviction
of its individual utility, because the benefit could never have been
anticipated by individuals of any degree of ability, but could only
manifest itself after the social evolution had proceeded up to a
certain point. There are even sophists who at this day deny the
utility without being pronounced mad; and the spontaneous
sociability of human nature, independent of all personal calcula-
tion, and often in opposition to the strongest individual interests,
is admitted, as of course, by those who have paid no great atten-
tion to the true biological theory of our intellectual and moral
nature." *
That which had stood in the way of the social ideal for man-
kind was the vague conception of society and the equally vivid
appreciation of the self. It is a question whether Hobbes in his
materialism or Mill in his associationism had enjoyed the right
to premise an ego of any sort. Their speculative views were in
opposition to such an ethical factor. Comte avoided the false
anthropology and inconsistent philosophy of the whole utilitarian
school. Instead of trying to reconcile the ego with society, he
introduced the social ideal and let it crowd the ego out of the
scene. If the sense of selfhood is strong and the feeling of syn>
9 Positive Philosophy, tr. Martineau, Bk. VI, Ck V, pp, 498-499.
THE SOCIAL VIEW OF MAN 375
pathy weak, it is difficult to reconcile egoism with altruism. But
if the social sense has instinctive strength within it while the
sense of individuality is weak and vague, altruism will rejoice in
an easy victory. So it was in the positivist system of Comte. " No
doubt a cat or any other vertebrate animal, without knowing how
to say ' I,' is not in the habit of taking itself for another. More-
over, it is probable that among the superior animals the sense of
personality is still more marked than in man, on account of their
more isolated life."10 With such a conception of the self, so
vastly different from the speculative self of Descartes and the self-
ish ego of Hobbes, it was not difficult for Comte to establish the
social ideal.
The methods by which the social principle has proceeded in-
volved both the source and the sanction of the moral ideal. The
source of the moral principle is to be found, it seems, in man's
social nature. This was primarily the work of Darwin in the
Descent of Man ( 1871 ) . Unlike Herbert Spencer, who speculated
about the Theory of Evolution, Darwin did not use his discoveries
in the realms of plant and animal life for the furtherance of the
social ideal as such. He was not a sociologist. Nevertheless, he
sanctioned the social interpretation of the moral life and supplied
us with what purported to be the evolution of conscience. Dar-
win did not identify conscience with any sort of social sense, but
regarded it much after the manner of Butler and Kant. He
himself summed it up in " that short but imperious word ought!'
The ingredients of such a conscience were, however, within the
domain of his naturalism; they were sociability and reflection
which, duly blended, were able to produce the moral sense. Man
has inherited his social nature and much of his reasoning power
from lower forms of animal life, but the rational interpretation
of his social nature is something strictly human. The intellect,
or what Butler's ethics called conscience or reflection, is the chief
factor. Hence Darwin concludes that "any animal whatever,
endowed with well-marked social instincts, would inevitably
acquire a moral sense or conscience as soon as its intellectual
powers had become as well developed, or nearly as well de-
veloped, as in man."11
10 /£., £>. 385. " Descent of Man, Ch. m.
376 THE SOCIAL CONCEPTION OF LIFE
MODERN SOCIOLOGY
The social idea has been so definitely formulated by Social
Science that we need say little about it; the subject is treated sys-
tematically in the science of sociology. However, it may not be
amiss to examine this form of study for the sake of inquiring
whether sociology is a science, as also whether it gives a just ac-
count of human life as this is found in society. According to the
traditions of Comte and his school, modern sociology is not un-
like mediaeval theology in that it aspires to be the " queen of the
sciences." According to Lester Ward, " Sociology is an advanced
study, the last and latest in the entire curriculum. It involves high
powers of generalization and, what is more, it absolutely requires
a broad basis of induction. ... To understand the laws of so-
ciety the mind must be in possession of a large body of knowl-
edge. This knowledge should not be picked up here and there
at random, but should be instilled in a methodical way. It should
be fed to the mind with an intelligent purpose in view, and that
purpose should be the preparation of the mind for ultimately
entering the last and most difficult as well as the most important
field of human thought, that of sociology." 12 Such a statement
is likely to impress the student of science unfavorably; the tone
of it, at once pretentious and apologetic, is quite different from
that of a work on physics or psychology.
In such a treatment of sociology as we find in Ward, cosmology
and biology, anthropology and psychology are referred to as the
" simpler sciences " that constitute " a part of the data of soci-
ology," to which must be added mathematics, astronomy, physics,
and chemistry.13 This method of arranging the sciences in
such a way as to have them serve the needs of sociology is another
thing that is likely to make an unfavorable impression upon the
student. He realizes that no one science stands alone, but must
enter into relations with a similar one; astronomy demands
mathematics, physics requires astronomy, chemistry necessitates
physics, biology needs chemistry, and psychology, biology. Such
interrelations are to be expected and have been found fruitful,
but apart from the fact that mathematics runs through all the
12 Outlines of Sociology, Ch, I, pp. 17-18. 1S J£.,pp, 118-119.
SOCIAL SCIENCE
sciences as a principle of measurement, there is no reason for
placing any one of them in a superior position, for the idea of
rank in a hierarchy is quite out of place. If we cannot crown the
science of sociology, can we admit it into the royal family of
science?
Now, the question whether sociology is a science or some other
form of study may be set in a fairly clear light by distinguishing
between the things that are historical and those that are not; the
factor of time here becomes important. But what does this mean
in the present case? It means that when we are dealing with
numbers and geometrical figures we are dealing with things
that are wholly unaffected by time, so that the question " when? "
as also that of " where? " cannot come up for discussion. Mathe-
matics is simply out of time. Pretty much the same thing may
be said of the things that are considered in physics and chemistry;
the ball that rolls down an inclined plane at a certain rate of
speed and the atom of hydrogen that combines with an atom of
nitrogen in a certain proportion represent transactions with which
time has nothing to do. We ourselves may experiment today with
the ball or atom, yet we realize that the time-factor that enters
into our private experiment has nothing to do with the general
principles of gravity or chemical combination. The ball is al-
ways attracted toward the earth; the atoms always combine.
Even with biology and psychology, the same timelessness pre-
vails. Hence we may assert that the animal possesses the faculty
of locomotion, the muscles store up glycogen, the eye operates in
concert with the occipital lobe of the brain, and the sense-organs
register their specific qualities. These are given data of the
psycho-physical organism in general and are, as it were, impervi-
ous to historical changes. To think of these functions as varying
would be almost impossible.
SOCIAL SCIENCE
In the case of sociology, the element of change seems to enter
in most decidedly, so that we are bound to view this " science "
as a historical one. The questions that come up in this science
are such that they have to be referred to some historical period
378 THE SOCIAL CONCEPTION OF LIFE
and due allowance made for that fact. When, therefore, we
speak of sociology as being historical in character, we mean that
its subject matter progresses in such a way as to keep creating the
relatively new. Just as much do we mean that, in distinction
from physical and chemical, biological and psychological trans-
actions, the phenomena of social science cannot be repeated.
They are parts of the general course of evolution and must be
understood in a historical sense. There are, of course, persistent
tendencies in all social life, as industry and art, language and re-
ligion, but the content of these keeps undergoing change. With
a natural science we may cut down through the material and
secure a typical cross-section, but with a social science we are
compelled to take into account the direction and movement of the
material as this is carried along on the stream of historical Be-
coming. We may fashion a system of social science and try to
call it " social physics," but what we fashion is only a raft floating
on the surface of the stream.
When we are dealing with natural sciences, we have an ab-
stract mind dealing with detachable data; it is, again, the .case of
two bodies in the gravitational relation or two atoms in chemical
combination. We isolate these data, study them in their inde-
pendence, and draw exact conclusions. No matter how complex
the world, such simplification is always possible. But with so-
cial science this is not the case; we cannot isolate our data, make
out measurements, and ascribe our causes. It is for this reason
that the use of inductive and deductive reasoning can be only gen-
eral, more suggestive than conclusive. In fact, it is not so much
scientific faculty of reason as it is the practical function of judg-
ment that is involved. It is, as Cohen points out, the Aristo-
telian view " that while physical science depends on theoretical
reason (nous), practical social science involves more sound judg-
ment (phronesis)"'14' Nevertheless the social thinker is still
under the impression that his field of investigation may be made
into a science analogous to the sciences of biology and physics.
At any rate, the social idea has become the subject of study, so
that the only question is one concerning the kind of study its data
and methods will permit.
14 Reason and Nature, p. 367.
THE SOCIALIZATION OF LIFE
THE SOCIALIZATION OF LIFE
The social concept,, brought about as it was by ethical theory
and social science, is no longer an academic matter; it is a living
situation, a practical state of affairs. We live in an age that is
both scientific and social, hence we think scientifically and work
socially. In the ancient period of occidental life, man was domi-
nated by the State; in the mediaeval age, he was subordinated to
the Church; in modern times, he has been subsumed under the
idea of Society. At the inception of the modern period there was
an interregnum of individualism experienced in early Protestant-
ism, expressed philosophically by Descartes' cogito ergo sum, and
experienced egoistically in the ethical system of Hobbes. But, as
we have seen, the social idea gained the mastery of the situation,
so that the individualism of the last hundred years has been no
more than a protest against social control. We observe it chiefly
in literary movements like Romanticism, Decadence, and Sym-
bolism, which have endeavored to exalt the idea of aesthetic
personality. The leading idea of the present age when it deals
with practical problems is the social one, just as its guiding star
in theoretical considerations is the scientific one. Scientism and
sociality are the poles of the modern sphere. We must consider
the social idea in both its theoretical and practical forms and ob-
serve how we live in a period of both external and internal
sociality.
The external socialization of the modern man has not come by
thinking, but by acting; not by ethics, but through economics*
This appears in the modern socialization of work. In accord-
ance with the modern method of industry, the wills of men
that had once worked in independence are now intertwining in
the complex activities of a "plant." In the treatment of this
problem, as it is taken up by the professional socialist, the so-
cialization as well as the mechanization of labor comes in for
both approval and disapproval. The socialist bows before the ne-
cessity of socialized industry as one observes it in a factory and
admits that modern wealth can be produced in no other way.
His criticism concerns itself with tie distribution of the wealth
thus produced and he does pot fail to observe where wealth is
38o THE SOCIAL CONCEPTION OF LIFE
produced socially it is distributed individualistically. Now there
can be little doubt that the next problem for the modern mind
to take up is that of the distribution of the wealth which the mod-
ern has learned to produce. The physical question has been
answered and nature has responded to the call for wealth. It is
the economic or ethical question that now calls out for solution.
In order to save the individual from socialism, it is necessary
to distinguish between two kinds of individualism; one is a doc-
trine to the effect that a man is what he has, the other man is
what he is. The one is the individual of commerce, the other the
individual of culture. " You must confess," says the Communist
Manifesto, " that by c individual 5 you mean no other person than
the Bourgeois, than the middle-class owner of property. This
person must indeed be swept out of the way and made impossible.
Communism deprives no man of the power to appropriate the
products of society; all that it does is to deprive him of the power
to subjugate the labor of others by means of such appropria-
tion." 15 Socialism, which seems thus to interpret the " products
of society" as something both material and spiritual, further
declares itself in favor of culture. " Just as to the Bourgeois the
disappearance of class-property is the disappearance of production
itself, so the disappearance of class-culture is to him the disappear-
ance of all culture." 16 But even these admissions do not save
us from the apprehensive feeling that the external socialization of
life is bound to militate against the individual and his culture, the
building up of his own inner life.
THE SOCIALIZATION OF WORK
The external socialization of the race shows itself directly in
mechanized industry, and when the worker lays hold of the ma-
chine, the machine does not fail to lay hold of him. The result
of this modern conflict has been in favor of the machine; Goliath
has won the victory over David. The socialist protests that the
individual worker owns no tools and does not participate in the
profits of his labor. The thinker who is not committed to either
the socialist or the capitalist theory is more likely to protest that
16 Op. tit., authorized trans., pp. 37-38, 16 lb.t p. 38,
THE SOCIALIZATION OF WORK 38t
the individual worker does not possess culture and is in no po-
sition to develop character. The conflict between the socialist and
the capitalist will have to be fought out along party lines, but
also upon the basis of economic and ethical principles. Just now
the quarrel is little more than one between the feelings of greed
and envy. The student of the modern situation can do little more
than observe that, no matter how the conflict may turn out, the
present situation is one in which the social idea is dominant.
Hence it is with the social concept that our thought must deal.
With the drab fact of industrialism before us, we are beginning
to realize that the ethical call to altruism and the religious ideal
of benevolence are hollow things, just as the social life of man-
kind is little more than a shell of existence. When we exhort the
individual to engage in social service, we should realize that the
majority of the population is thus indeed engaged, not from
moral choice, but by physical necessity. Enforced " altruism " is
the order of the day in which wealth is produced by large groups
of men operating mechanically and socially in modern enterprise.
The change that has come over human life since the beginning
of the Industrial Revolution has been one from relative isolation
to a condition of impersonal socialization in which one can hardly
call his soul his own. Hence the problem of life, far from con-
sisting in the duty to participate in the work of the world, is to
find some means whereby the individual may deliver himself
from the socio-industrial order that now envelops and enchains
him.
The picture, as it engraves itself upon our minds, is far from
pleasing and the realism of it seems inescapable. Just as the
naturalization of modern thought tended to interpret the mind
in terms of mechanism, so the socialization of life tends to change
our existence and work into a machine. What once was a theory
is now working out in practice. According to Descartes, man is
a conscious automaton; in the mind of Helvetius (1715-1771),
man is a machine. These were theoretical conclusions drawn
from the general principle of mechanism, but these are now be-
coming practical consequences derived from the application of
mechanics to steam and electrical engineering. Industry has
made man automatic since he must imitate his machine and work
382 THE SOCIAL CONCEPTION OF LIFE
as a unit in an assemblage of fellow workmen. The physical and
the social have thus become the millstones of industry. From
this physico-social organization there has come a great economic
good and the total outcome of modern effort may effect an
equally great ethical good, but at the present time the economic
is seen outstripping the ethical.
SOCIALIZED LABOR
The actual effects of modern industrialism may be appreciated
when we recall what conservative capitalism keeps saying about
radical socialism. The capitalistic critic of socialism warns us
that the socialization of the distribution as well as of the pro-
duction of wealth would lead to a dire condition in which indi-
vidual initiative would be destroyed, private property abolished,
and workers living in barracks. Now, it might be that socialism,
once it had built up its system upon the ruins of capitalism, would
land us in such a distressing condition. If so, individualism
would oppose the new system as it now opposes the old. But,
in contemplating the actual condition of our socialized population,
do we not find that industrial life has already lodged them, a
large portion of the population, in just such a condition ? Viewed
from the standpoint of living and life-loving individualism, the
modern way of life seems to be becoming more and more in-
tolerable.
The social ideal, which had its conception in ethics and its birth
in economics, represents a view of life which prevails by sheer
force of necessity; we can admit it as a fact much better than we
can accept it as an ideal. For those who still cling to the ideal of
an interior, self-directed life for man, and who can see no way out
of the present situation, the most obvious attitude is that of pes-
simism. Indeed we are confronted by a state of affairs and a state
of mind not wholly unlike that of the Middle Ages. Then those
who despaired of the world abandoned it and sought consolation
in the ascetic ideal. At the present time we find a large por-
tion of the population despairing of their modern world, but,
having no spiritual havens at hand, they relapse into general
pessimism.
THE SOCIALIZATION OF MORALITY
THE SOCIALIZATION OF MORALITY
383
In addition to the socialization of life in the form of actual ex-
istence, modern thought is now confronted with the life-ideal in
the same social form. Morality is sociality — that is the last word
in ethics. The ancient ideal of virtue in itself and the modern
notion of an imperative duty dictated by conscience have given
way before a socialized conception of the moral life. After the
social idea had surrounded the modern, it invaded him; it was
first his enveloping atmosphere, but now has become the air he
breathes. The social principle, instead of being an ideal toward
which one should strive by means of benevolence, has become a
factor which realizes itself automatically. We can understand
how a pioneer thinker like Hobbes, starting with the chaos inci-
dent upon a supposed State of Nature for mankind, strove to
prove the existence of the moral and social by means of a social
contract. But, after Comte had socialized all human exist-
ence, it is difficult to appreciate the effort of Mill when he at-
tempted to give a " proof " of utilitarianism. Still less simple is
it to understand why, at the end of the XlXth century, a tradi-
tional thinker like Sidgwick should find it necessary to resort to
an " intuition of rational benevolence " as the basis of ethical
theory. It is difficult for us to understand such philosophical
procedure when the social ideal, reinforced by the method of
evolution, took charge of human life and reduced all its ideals
to social norms.
In addition to the academic work of the professional social
scientist we must observe the operation of the social ideal in the
literature of the XlXth century. Having done this, we may be
led to believe that the dominance of the social has been brought
about by the aesthetical as well as the scientific writer. The poem,
play, and novel of the last one hundred years have often emerged
from a social setting, hence we must encroach upon the history of
literature to enhance our conception of the social conception of
life. The polite literature of the period under discussion will be
found somewhat indifferent to the aesthetic ideal of " art for art's
sake " and just as fully influenced by a democratic spirit inspiring
political reform and social improvement.
384 THE SOCIAL CONCEPTION OF LIFE
THE SOCIAL IDEAL IN LITERATURE
The social motif in English literature does not date as far back
as the days of Richardson and Fielding, but does find a begin-
ning in the XVIIIth century in The Adventures of Caleb Wil-
liams (1794)? in which its author, William Godwin, illustrates
the political views he had previously advanced in his Enquiry
Concerning Political Justice. We find none of this political expres-
sionism in Scott, but it does appear in Shelley, whose Prometheus
Unbound (1818) and The Cenci (1819) call out for some sort
of political reform, or release from authority. Byron's political
activity was chiefly of the emotional and explosive sort. He did
attempt something direct and practical when, in 1822, with
Shelley and Leigh Hunt he started a journal called The Liberal,
but this was a brief and ill-starred venture. His participation with
the Greeks in their revolt against the Turks was another indica-
tion of his political bent, but for the most part his poetic efforts
were romantic, his political activity a romantic revolt. Poetic
effort was more effective in the case of Elizabeth Browning
(1806-1861) with The Cry of the Children (1844), a poem protest-
ing against child labor, as also with her Poems Before Congress
(1860).
The novel with its greater range of plot, character, and descrip-
tion was a more fruitful field for the socially minded Victorians.
Most eminent among the social novelists was Dickens (1812-
1870) . From the mass of Dickensenia we may extract certain of
these well-known works, as David Copperfield, which exposed
evils of the debtor's prison, of child labor, and of certain practices
of the English boarding schools; Oliver Twist with its " Fagin-
ism," or the underworld practice of training youths to be crimi-
nals; and other works depicting the social character of city life.
Earlier than the appearance of these classics, Bulwer-Lyttori wrote
Paul Clifford (1830), a novel of crime and punishment, which
dealt with the subject of prison reform. Mary Barton, by Mrs.
Gaskell (1810-1865), took up the cause of the poor in the indus-
trial centers of England. In somewhat the grand manner of
Dickens, George Eliot (1819-1880) revealed an interest in middle-
class life and a desire to emancipate the individual from its re-
THE SOCIAL IDEAL IN LITERATURE 385
strictions. Maggie Tulliver, in The Mill on the Floss, is an ex-
ample of the self-assertive woman who follows her own desires
rather than domestic direction. George Eliot's male characters,
Adam Bede, Silas Morner, Felix Holt, and the like, are more
individual persons than protagonists of any social or political
movement.
The essayists of this period were in a better position to discuss
economics and political reform; in this field, Ruskin and William
Morris were the most thoroughgoing. The ethico-economic ap-
pears ever so often in Ruskin's works* but assumes its most direct
form in Fors Clavigera (1871-1878), a series of monthly letters to
workingmen. Ruskin himself seems to have had feudal, or
Gothic, ideals; he interested himself in St. George's Guild, which
sought to stimulate the development of agricultural and industrial
colonies. Like Ruskin, William Morris (1834-1896) was inter-
ested in the fusion of art and industry and went so far as to found
an organization, Morris and Company, for the manufacture of
furniture such as the " Morris chair," wall-paper, stained glass,
tiles, and the like. Morris revolted from the modern factory sys-
tem that had grown up with the Industrial Revolution and sought
to save in the best way he could the personality of the individual
worker.
Earlier than these Victorians was Thomas Carlyle (1795-1881),
who was too much influenced by German thought, feudalism, and
hero-worship to participate whole-heartedly in the social move-
ment of the time. In considering the same, as we have done so
briefly, we observe that Scott, Keats, and Browning held aloof
from the social questions of the XlXth century and pursued
literary art for its own sake or with general reference to nature
and humanity. They seem to have been uninfluenced by the
social movements of the day. Tennyson touched the socio-
literary movement at certain points. In The Princess, he protests
against the higher education of women; in LocJfsley Hall — Sixty
Years After (1886), he bewailed the condition of England that
commercialism had brought about. One is thus led to wonder
which is the better type of literary art — that which uses itself
as a means to an end, like the ethical, social, economic, or that
which considers itself an end in itself.
S.T.— 26
THE SOCIAL CONCEPTION OF LIFE
THE THESIS-DRAMA
la addition to the Anglican writers just mentioned, some notice
must be taken of certain Continental authors who raised the social
question. Among the French, we might mention Balzac and
Flaubert, Zola and de Maupassant, but these greater novelists
were inclined to take the social situation for granted and as re-
quiring only realistic description. With Victor Hugo (1802-
1885) the case is different. In Les Miserable*, the character of
Jean Valjean is a study of the criminal and his relation to society.
In Alexandre Dumas fits (1824-1895) we have a fine example of
the thesis-drama exemplified, particularly in La Question d' Ar-
gent and La Femme de Claude. Dumas fils was preceded by
Augier, whose main thesis-drama is Les Effrontes, and followed
by Curel (1854-1928) and Brieux (1858- ). The social drama
with unusual psychological penetration has been represented by
Paul Hervieu (1857-1915) and Octave Mirbeau (1850-1917).
Anatole France (1844-1924), at the time of his death the foremost
literary figure in France, can hardly be classified as a social
writer, yet his attacks on established religion and government
and his interest in the Dreyfus affair and the World War tend
to associate him with something more than polite literature.
Among German authors, Sudermann (1857-1928) and Haupt-
mann (1862- ) are associated with the problem of individual-
ism, or the anti-social question. Yet such a play as Sudermann's
Die Heimat or Ehre involves the social situation, which serves
as a background for the egoistic revolt. In Die Weber Haupt-
mann is directly social, and social considerations enter into his
Rosa Bernd} but his plays induce one to think of the individual
rather than the social condition in which he finds himself. The
Russian novel, which will be taken up in some detail when we
discuss Types of National Culture, is decidedly political; the
characters in it often seem as spokesmen for the radical authors
who have no other way of venting their views. This was true
of Gogol (1809-1852) in his Dead Souls and The Inspector, but
all the more so with Dostoievsky (1821-1881) and Turgenev
(1818-1883). The mere mention of Crime and Punishment by
Dostoievsky and Fathers and Sons by Turgenev shows this. In
INDIVIDUALISM 387
both these writers. Nihilism, a term coined in Fathers and Sons,
is the leading political idea. Among the Scandinavians, Bjorn-
son's social play, A Bankruptcy, is o£ interest in the way it helped
turn Ibsen toward the social drama. Strindberg's plays The
Father and Countess Julia may be listed under thesis-dramas,
but are just as thoroughly autobiographical in character. Ibsen's
plays, especially the social dramas of his second period, move in
a social atmosphere, but are best discussed in connection with
the individualistic reaction to the social situation.
Contemporary writers on social problems are widely read and
need but the brief notice we give them. In England we find a
most commanding literary figure in Galsworthy, a modern epic
in his Forsyte Saga. His plays, such as The Silver Box, Strife,
and Justice, discover the dramatic in social inequality. Bernard
Shaw is more than well known for the brilliant but perhaps
jaunty way in which he has taken up contemporary problems and
made comedies out of what is sometimes tragic material. In
America, Main Street and Babbitt by Sinclair Lewis and An
American Tragedy by Theodore Dreiser present social problems,
but do not so fully indicate the solution of them.
INDIVIDUALISM — OPPOSITION TO THE SOCIAL
The opposition to the social conception of modern life has been
taken up by modern individualism. Indeed individualism was
armed for the conflict before the social ideal had received definite
formulation. The individualistic movement of the XTXth cen-
tury was carried on successively by Romanticism, Decadence, and
Symbolism. Its particular methods were those of aestheticisin,
immoralism, and dilettantism. Its exponents were poets, musi-
cians, and critics. Nowhere do we observe a direct argument be-
tween an artist and a sociologist, but almost everywhere through-
out the XlXth century do we note the painful contrast between
the drab social and the highly-colored individualistic points of
view. The analysis and classification of these individualists, to
say nothing of their divergence from orthodox sociology, is by
no means simple. But we should be unjust to the remarkable
century we have left behind us if w£ did not attempt an examina-
THE SOCIAL CONCEPTION OF LIFE
tion of the competitive view of life — the individualistic one. A
future century writing our history will be able to do it much
better, but we will attempt the task along the vague lines of
aesthetic Romanticism, decadent Immoralism, and symbolistic
Dilettantism.
The romantic school is famous in literature for the manner in
which, breaking with classical tradition, it pressed backward into
the past of mediaevalism and urged forward in the form of a
nameless striving. It is not so fully recognized as a vigorous
movement in the direction of individualism. It was so recog-
nized in Germany, particularly by Friedrich Schlegel, the founder
of the movement there. His thought was vague, the expression
of it fragmentary and inchoate but it did receive a kind of formu-
lation in his romantic doctrine of irony. This Ironie amounts to
subjectivism and was supposed to have been sanctioned by such
solid thinkers as Kant and Fichte. What it meant, however, was
so much dreaming rather than thinking; or, as Novalis expressed
it, " The dream becomes a world, the world becomes a dream."
Schlegel, in his Letters to Ludnde, thinks of this delicious young
woman as living in a world of her own aesthetic creation where
she experiences the " enjoyment of a beautiful Present." 17 The
romantic ego generally, fascinated by its own inner life, can do
no more than indulge " a restless striving after the New, the
Piquant and Striking."18 After the French Revolution had
done its deadly work and the Napoleonic reorganization had not
helped the cause of the German Fatherland, it may have been
natural for a poetic German to seek refuge in such a dream-
world.
The eudaemonistic tone of Romanticism continued after the
movement itself had ended historically and officially. We note
it in Wagner's Ring of the Nibelungen, wherein Wotan is rep-
resented as failing chiefly because of his incapacity for joyousness
and freedom just as his son, Siegmund, cannot carry on his
father's noble work because he also is a prey to sorrow. When
he should have been called Joyful, he was forced to style himself
Woeful.19 Even in such a grim dramatist as Ibsen, with his
17 Lucinde, ed. Reclam, p. 61. 19 The Vdtyries, Act I.
18 ]ugend Schriften, ed. Minor, Bd. I, p. 95.
THE PERSONAL PROTEST 389
constant command to be one's self and live one's own life, the
specific method of self-existence and self-expression is the roman-
tic one of joy. It was by " the happiness of all through all " that
Rosmer and Rebecca, in Rosmersholm, hoped to ennoble man-
kind.
THE PERSONAL PROTEST
Even in the naturalistic drama of Sudermann and Hauptmann,
the romantic idea of selfhood through self-enjoyment still per-
sisted. In The Sunken Bell, Heinrich the bell-founder fails in
his noble work because, instead of working in joy, he labored in
" nameless agony " and was not the master the community es-
teemed him simply because he was not happy. When, later, the
beautiful Rautendelein pours her love into him like wine in his
veins, he was able to say, " I am both happy and a master." 20
In Sudermann's Dame Care, the dutiful and obedient Paul
Meyerhoeffer fails to succeed because he lacks the joy of life and
is able to attain to selfhood and thus cast off the spell of melan-
choly only when, through crime, he experiences a joyful sense of
human existence. In Magda, the pastor becomes a mouthpiece
for Sudermann's eudaemonistic egoism when, addressing the
bold and talented heroine, he says, "As you stood before me
yesterday in your freshness, your natural strength, your — your
greatness, I said to myself, * That is what you might have been
if at the right moment joy had entered into your life.' " 21 Now,
these are only the most obvious examples of the romantic doctrine
that one is one's self in one's joys.
The decadent movement which followed Romanticism was no
less fruitful of individualism. Decadence was more aesthetical
than natural and sought the idea of selfhood in extraordinary
states of mind rather than in purely enjoyable ones. Poe ex-
pressed the decadent idea in its aesthetic form when he declared
that " just as the intellect concerns itself with truth, so taste in-
forms us of the beautiful, while the moral sense informs us of
duty." 22 Baudelaire emphasized the individualistic form of De-
cadence when he laid down the principles of the cult du moi and
20 Op. cit., Act III. a Off. cit.t Act HI. 22 The Poetic Principle, in loc.
THE SOCIAL CONCEPTION OF LIFE
distinguished the decadent method from the romantic one by
placing emphasis upon sorrow rather than joy. Many of the
poems in Flowers of Evil are intolerable except from the stand-
point of poetic technique, but they have a suggestive value about
them in that they show with what difficulty one can extricate him-
self from the social order with its idea of an average life. The
romance of the decadent movement was exemplified in J. K.
Huysmans, especially in his ideal of the solo life lived, for a time,
by the hero in that fantastic tale Against the Grain.
A more serious strain of XlXth-century individualism is to be
found in its theoretical doctrine of Immoralism. This does not
mean immorality, since the ideal of Immoralism is more to
transcend than to transgress the moral law. Friedrich Schlegel,
the Romanticist, expressed it boldly when he said, " The first rule
of the ethical is opposition to the legal." 23 Our own Emerson
kept putting the intrepid ideal in epigrammatic form, as, " Every
actual State is corrupt; good men must not obey the laws too
well." 24 In his antinomianism, or hypernomianism as he called
it, he insisted that " Good and bad are but names very readily
transferable to this or that; the only right is that which is after
my constitution, the only wrong what is against it." 25 The pious
Emerson went even so far as to say, " There is no man who is
not at some time indebted to his vices, as no plant that is not
fed on manures." 26 Under pressure, he was willing to regard
himself as " The Devil's Child." 27
NIHILISM
In the form of the novel, the doctrine of Immoralism was rep-
resented most strikingly by the Russian Turgenev and Dostoiev-
sky, although the idea had been used earlier by Stendhal-Beyle in
The Red and the Elac\ and The Chartreuse of Parma. Tur-
genev introduced the term and used the idea of " Nihilism " to
express contempt for political and every other form of authority.
23 " Ideen," Jugend Schrijten, ed. Minor, p. 60.
24 Politics, in loc.
25 Self Reliance, in loc.
26 Considerations by the Way, tn loc.
27 Self Reliance, in loc. , , .
NIHILISM
The supreme motive of his hero was " I reject/* Dostoievsky was
more violent. His hero knows no law, but proceeds according
to the individualistic principle that the cultured man has the right
to commit any sort of crime; but instead of creating the impres-
sion of the cultured man, the hero seems to resemble the pre-
historic specimens from which we are descended. This appears
in Raskolnikow, the hero in Crime and Punishment, in Rogozhin
in The Idiot, and among the Brothers Karamazov, preeminently
Dmitri and Smerdyakoff. In a philosophical manner, Nietzsche
emphasizes and in a way enhances the immoralistic ideal in the
Schopenhauerian form of " The Will to Power." With all such
ImtnoralistSj the categorical imperative is the opposite of the
social rule of tenderness; it is that of strength and hardness.
On the XlXth-century stage, the immoralistic character ap-
peared most strikingly in the plays of Ibsen. This character is
usually feminine. We observe her in The Doll's House, where
Nora Helmer concludes that a woman's first duty is toward her-
self and personally intends to find out which is right, society or
herself. We hear this immordiste speak in the words of Mrs.
Alving, who asserts that all morality is " machine-sewn and un-
ravels the moment you untie a single knot." Hilda Wangel, in
Master Builder, is another emancipated woman, who calls herself
a " light-haired little devil " and wants her hero, who seems to be
suffering from a " sickly conscience," to have the " conscience of
a viking " and the " ideals of a ruffian." Sudermann's stage, by
no means independent of Ibsen's, was expressive of a similar
antinomianism as, for example, in Magda, wherein the heroine,
as if in imitation of Eve in Eden, asserts, " We must sin if we
wish to grow — sin and then grow greater than our sin."
The individualism that accompanied the social science of the
XlXth century did not stop with aestheticism and Immoralism;
it sought to emancipate the human ego at the cost of irrationalism.
In so doing, it made use of scholastic nominalism whereby it at-
tempted to oppose the individual to the social order. We observe
such logic in Emerson and in Max Stirner. Emerson advises us
to resist the generalization that puts us in the position of subordi-
nation to an idea like that of the State. The function of the State
is purely pedagogical; hence he says, " To educate the wise man,
392 THE SOCIAL CONCEPTION OF LIFE
the State appears; and, with the appearance of the wise man, the
State expires." Stirner was still more irrational and goes so far
in his egoism as to answer the question of Pontius Pilate by saying,
" I am truth/' and " I raise myself above truths and their power;
as I am supersensual, so I am supertrue." 2S If these intrepid
individualists had before them the idea of the social order that
confronts us, would they have been less emphatic in their nega-
tions? But unfortunately for the individualistic movement, it
had only poets, dramatists, and essayists to uphold the cause, not
philosophers like Descartes and Kant.
Such protests against the excessive socialization of human life
provoke the question whether the social concept, so dominant in
the thought of the day, is adequate. Sociality, as we may call it,
seems to give satisfaction to the contemporary mind to the same
degree that classic Formalism, mediaeval Scholasticism, and mod-
ern Rationalism satisfied the spiritual demands of the eras in
which they appeared. The amount of sociological material at
hand in the way of data and the methods available also are im-
pressive, hence it is no wonder that members of the leisure pro-
fessions, who are not in direct contact with life, accept the social
category as supreme. The extended view of life made possible
by history, anthropology, and archaeology and the detailed con-
ception of life revealed by our encyclopedic knowledge tempt
one to believe that the idea of the social is the most enlightening
one available. Art, morality, philosophy, and religion seem too
formal and narrow to cover such a wide range of life. As far
as the quantity of life is concerned, the social idea is able to
represent contemporary civilization about as it exists. But it is
a question whether the inward quality of life, or life's value, can
be presented in a social form.
THE INADEQUACY OF THE SOCIAL
The idea of civilization that we have been following prohibits
us from giving immediate and unqualified sanction to the social
ideal as the supreme expression of the Good. After all, it is
the Good that the nations of the world have sought even when
28 The Ego and his Own, tr. Byington, p. 463.
THE INADEQUACY OF THE SOCIAL 393
they have not recognized It in this massive form. Chinese civiliza-
tion sought the Good in the simple form of domestic virtue and
made its adherents members of a household. Hebrew civilization
sought goodness in the more devout manner of obedience to the
Divine Will. In India it was the quest of the Good in a negative
manner by the renunciation of earth and the desire for life. The
Greeks sought it consciously in connection with a philosophy
which exalted reason and tried to establish a rational republic of
enlightened minds. The Christian Good was the Kingdom of
God on earth, an idea which later became incorporated in a
visible Church. The modern sought the Good in both a broad
rationalism and a narrow nationalism and is now continuing the
quest in an industrial civilization wherein the Good is material
benefit and the good man an efficient worker.
The social conception of life has assumed the form of glorified
gregariousness; it is the result of increased population, socialized
labor, growth of cities; it has been furthered by the evolutionary
conception of life, in which the idea of species predominates over
that of the individual. The social idea is by no means the only
one the world has known and is not necessarily the one that
should be exalted at the present time. Still less is it possible to
assert that it is the best possible conception of human life. It is
open to theoretical criticism on the grounds that it does not afford
the materials or lend itself to the principles of science. Sociology
is not a science in the sense of physics and chemistry, biology and
psychology. Still less is it to be considered the completion of
these. It is rather a detailed description of the milieu in which
these sciences are elaborated.
On the practical side, it is a question whether the social ideal
is an adequate realization of the Good. On the surface, it seems
to be in that it tends to express a common consciousness of human
existence, fellow feeling, and cooperation. Beneath the surface,
however, it assumes a different form. In the character of indus-
trialism, the social principle places the individual in the position
of forced altruism, since his mite of labor is taken to make up
the conglomerated product of wealth, which assumes to be the
Good. In the character of militarism, the same social morality
conscripts the individual and makes him fight for a politico-
394 THE SOCIAL CONCEPTION OF LIFE
social principle which he does not understand and of which he
is barely conscious. It is only by means of vigorous propaganda
that his mind is at all illuminated and his heart inflamed by the
cause for which he is expected to fight. " The c social conscience '
may enforce rules of conduct which are in reality anti-social. It
may, as it did in the Classical culture, relegate masses of man-
kind to permanent slavery. It may, as it does still in the Indian
culture, divide caste from caste; it may, as it has so recently done
in our own culture, force men to share in a disastrous and
suicidal war." 28
*& Hoyland, History as Direction, p. 77.
CHAPTER XVI
THE ECONOMIC VIEW OF CIVILIZATION
How ECONOMICS AROSE
THE ECONOMIC QUESTION OF THE DAY OR THE WORLD'S BUSI-
ness Is so complicated that we are inclined to forget that
at heart it is a simple matter. The instinct to acquire and
save is observable in the life of primitive man and is not absent
from the life of the animal, as the squirrel. " Getting and spend-
ing " has long since been a common adventure of the race and
has now become the all-important consideration; it reveals itself
in the busy world, in the easeful retreat, if not in the most holy
cloister. The love of money may be the root of all kinds
of evil and the mercantilism of our civilization may seem to
threaten us with materialism, yet we cannot dismiss the economic
factor in life with a word or wave business away with an ideal,
We must understand the economic principle, how the idea of
property arose, and what is to be done about wealth today.
This is economics, the "science of wealth/* or the study of
"getting and spending."
Originally the term "economics," derived from the Greek
oif(ps, house, and nemo, manage, meant household management.
Xenophon (430-360 B.C.), who wrote our oldest treatise on the
subject under the tide Economics, discussed the management of a
simple rural household in which the activity that furnished the
income coincided with the household in which this was utilized1
In modern times, however, the economic activity is so widely
separated from the simple household that when such private
economics is discussed it is in the special form of "home eco-
nomics," quite different from the larger field" of "business eco-
nomics." Obviously, the general term economics comprehends
both: (i) the ordering of the economic affairs of the household,
and (2) the planning and management of business undertakings.
In addition, it recognizes the fact that the problem of income
1 Qeconamicus, tr. Holdea (*$95>; Graux and Jacob (1886).
395
396 THE ECONOMIC VIEW OF CIVILIZATION
and expenditure is a serious question for the public as a whole as
well as for the private citizen. And so it is also concerned with
public "getting and spending," with (i) political economy, or
the income and expenditure of the State, commonly called pub-
lic finance; and with (2) social economy, or the income and
expenditure of the people as a whole, commonly called social
economics. Broadly speaking, then, economics may be defined
as the science which is concerned with the communal problems
of wealth-getting and wealth-using activities. It involves the
study of how men produce the things they need, how they divide
them, exchange them, and use them, and how these activities
affect the welfare of the community.
While economics is commonly called a science, any acceptance
of this idea must involve certain suggestions of tentativeness. In
the first place, it must be remembered that economics is a social
science and not an exact or biological science. Truth or fact in
economics is relative, whereas in the exact sciences, and to a
less extent in the biological, it is fixed and absolute. In the social
sciences, few principles can be considered immutable or eternal.
Economic behavior is constantly changing and consequendy
economic generalizations need to be qualified and limited to
the culture or time to which they apply. Again, in the sense of
a widely accepted body of independent and systematically co-
ordinated doctrines, economics is a science which is at the moment
in a state of considerable flux. Over the whole economic field,
professional economists are turning traditional economic as-
sumptions into problems for investigation. These scholars and
teachers no longer deem sufficient mere simplicity and logical
coherence in economic theory; they demand that economic
theory be submitted to the inexorable test of its relevance to
objective reality. Finally, it is impossible to delineate the eco-
nomic field because the professional economists hold such widely
divergent ideas as to the purpose, scope, and method of economics.
As a body of knowledge, economics is distinguished more by the
particular interests which have influenced the inquiries of econo-
mists, by the particular questions which they have tried to an-
swer, and by their methods of attack than by the peculiarities
or the characteristic nature of its subject matter.
MONEY-MAKING
The typical economic order of our present so-called western
civilization and of most preceding civilizations is a business or
money economy. The outstanding feature of an economic order
which may be called a business economy Is the fact that economic
activities are carried on mainly by making and spending money.
A business economy does not develop in a geographical or politi-
cal locality until most of the material activities of that locality
take the form of making and spending money. When men,
instead of making goods which their families need, make money,
and with their money-incomes buy for their own use goods made
by other hands, then dawns a business economy.
MONEY-MAKING
Of course, the mere appearance and use of money as a con-
venient and widely accepted tool of exchange is not the most
significant consideration, although a necessary one, in designat-
ing an economic order as a business or money economy. The
paramount matter is the institutional organization of production,
distribution, and consumption for the people as a whole upon
the basis of money-making and money-spending. Money oc-
cupies the central position in a business economy because it is
the medium in terms of which economic motives express them-
selves. In a business economy the material comfort or misery
of a family, for example, depends more upon its ability to com-
mand an adequate money-income and upon its pecuniary thrift
than upon its efficiency in making useful goods and its skill in
husbanding supplies.2 To the State, money-making is important
chiefly because of its influence upon efficiency in production. In
a business economy natural resources are seldom developed, me-
chanical equipment is seldom utilized, workmanlike skill is sel-
dom exercised, and scientific discoveries are not applied unless
the opportunity for money profit is available to those who can
direct and supervise production.3
The chronological history of business or money economy harks
2 Mitchell, Business Cycles, National Bureau of Economic Research, Inc., New
York (1927)5 P- 63-
s Ib., pp. 65-66.
398 THE ECONOMIC VIEW OF CIVILIZATION
back through the ages and into the haze that hides the begin-
ning of humanity. In the far-off, dim stretches of time, men
began to take their faltering first steps toward the use of money.
Conjecture has it that man first began to exchange gifts and
then to barter for the sake of goods. An animal fur may have
been the first article ever bartered. A weapon for hunting, per-
haps a stone club, may have been the next. Thus the modern
fur dealer and sporting-goods merchant may perhaps lay claim
to the greatest antiquity in " trade " as distinguished from " busi-
ness." However that may be, it is certain that we cannot go
back to the time when men did not barter — trade goods for
goods. Amber, found only in the Baltic, was common in the
earliest days of ancient Greece. And epochs before that, goods
moved about the so-called pre-historic world in astounding fash-
ion. Expert judges believe that certain stone axes, discovered in
France along with other relics of primitive man, are made of a
kind of jade found only in far-off Asia.
Obviously, barter begins with the exchange of superfluous
goods. A man with a weapon to spare, say a tomahawk, barters
it for a bundle of cord for tying up the hair. Later, as life be-
comes settled, the separation of employments or the so-called
" division of labor " begins. The man who is particularly skilled
in making weapons finds that his products are in demand by
others and gives more and more time to that in which he excels.
He discovers that he can build up a surplus of weapons and bar-
ter that surplus for his living necessities. Then, in all probability,
the concept of ownership begins to take more definite form.
Then, too, begin experimental efforts to express values in a
common denominator and to use some commodity as money.
Anything, of course, can be money that will do the money-
work, and curious assortments of things have been so used at
one time or another — shells, iron ingots, blocks of salt, cubes of
pressed tea, sheep, bullets, and so on. Generally, the natural
products of a community are first used as money units. But
commodity units are inconvenient. In the use of commodity
units there is, of course, the difficulty of " coincidence " of wants,
that important drawback to barter — each party having a thing
to dispose of, but neither being able to provide what the other
GREEK MERCHANTS AND PHILOSOPHERS 399
wants. Then there is the difficulty of defining quantity and
quality. No one sheep, no one slave is exactly the same as an-
other. Commodity units are not conveniently homogeneous.
Metallic money, whether coined or not, because of its convenience,
inevitably makes its appearance.
At the dawn of history, certainly, coined money was in use.
Abraham paid for the cave and field of Machpelah with " four
hundred shekels of silver, current money with the merchants "
— money coined of the metal that formed the standard money of
England until 1816. The most generally accepted guess seems
to be that the invention of money coinage — pieces of precious
metal stamped and purporting to be of a certain weight — took
place in western Asia Minor, Lydia, about 600 B.C. Coined
money may have been used in Babylonia before that time, but in
all likelihood early currency was confined to metal ingots that
required weighing at each transaction. Gold coins were struck
by the Phoenicians about 330 B.C. and were thereafter carried
and popularized by these hardy seafarers throughout the Medi-
terranean world. The use of money and its influence upon the
organization of economic activities developed rapidly in Phoe-
nicia, Carthage, and Greece.
GREEK MERCHANTS AND PHILOSOPHERS
The Greeks were not primarily an industrial people. Never-
theless they developed the manufacturing of articles of fine aes-
thetic craftsmanship, they built up export industries, and they
carried on an extensive foreign trade. "Table merchants," so
called because they carried on their money-changing and money-
testing at a table, became bankers, made advances of silver to
farming peasants on the security of the debtor's land, and shared
in the profits of trading ventures by lending money on "bot-
tomry," on the security of a given vessel or cargo, for the voyage
out or back or both. As early as 600 B.C. there existed an ever-
increasing group of wealthy capitalists, private capital was em-
ployed in every direction, and the principle of joint-stock asso-
ciation was apparently well understood.
The two greatest Greek philosophers, Plato and Aristotle, were
40o THE ECONOMIC VIEW OF CIVILIZATION
only incidentally concerned with economic inquiry.4 The Gre-
cian philosophy was so bound up with the problem o£ the " good
life " that it found small place for an examination of economic
or industrial impulses. Economic activities were accepted as nec-
essary but were considered scarcely to warrant a philosopher's at-
tention. Labor was grudgingly respected as the pursuit of in-
ferior men, while trade was largely left to the despised aliens
and freedmen. Aristotle's theories taught that leisure was the
" mother of culture " and as a consequence the citizen who lived
in idleness was often held in high regard. In the Republic and
in the Laws, Plato described an ideal State where private prop-
erty was strictly limited, where interest-taking was forbidden, and
where a simple household economy was highly praised.5 While
Aristode attacked the Republic emphatically, his own economic
conception of an attainable State does not differ fundamentally
from that of Plato. In the Politics, Aristode also condemns
money-making for its own sake, as well as any interest-taking
whatever and most of the simple phenomena of money and ex-
change.6
Both philosophers considered economic problems from a juristic
or ethical point of view; both judged and rated economic activi-
ties good or bad by their relationship to some "rational" or
" natural " view of the general structure of society. So it is that
Aristotle's strong conclusion to the effect that trading for gain,
as contrasted with trading to exchange goods, is " unnatural "
was merely the result of his theories on the nature of the family
and the State. His interests were concerned with ethics and
philosophy, and he developed no practical plans for the economics
of production or commerce.
4 It must not be thought that a study of the Greek ideas Is fruitless in an eco-
nomic-background sense. The beginnings of many economic theories can be found
in Greek literature and philosophy. For example, Aristophanes, in his popular
play The Frogs (405 B.C.), makes reference to that monetary principle now known
as Gresham's law — the principle which states that bad money always drives out
good money*
5 The best translation of Plato is probably that of B. Jowett, 3rd ed., revised,
Oxford (1888).
6 "Politics, tr. Jowett, Oxford (1885). The more striking passages from Aris-
totle which deal with economics may be found in Monroe, Early 'Economic
Thought (1924).
ROMAN ECONOMICS AND LAWS
ROMAN ECONOMICS AND LAWS
401
The Romans, like the Greeks, were not primarily an industrial
or a commercial people. Nevertheless, many of the elements of
a business economy prevailed. Money-changing, money-lending,
speculation., and simple banking became common. Associations
of capitalists were carefully organized as partnerships or joint-
stock companies managed on behalf of the shareholders by
participes. The Forum, with its basilicae, was crowded with
publicani and negotiatores haggling and closing speculative trans-
actions in an immense stock exchange. In spite of the prevalence
of slavery, many men worked for wages in the production of
staple goods on a large scale and for a wide market. In the
later Empire, fine shops were to be found on the Campus Mar-
tius and markets grouped themselves in definite places to such
an extent that streets were named for particular trades, Grain
Merchants' Street, Belt-makers' Street, Sandal-makers' Street
among others.
In spite of the stimulus of a developing business methodology,
the Roman thinkers formulated no important economic ideas.
Like the Greeks they went little further than to praise agricul-
ture and to deprecate trade. Cicero approved trade only on a
scale large enough to permit a merchant to purchase an estate,
retire, and live like a " gentleman." The Roman retailers were
mostly freed slaves, aliens, and members of the lowest classes.
They were looked upon with contempt, debarred from the le-
gions, and assigned to the protection of the god of thieves.
Any real Roman contribution to economic thought came as the
result of the subject matter and method of Roman Law. On the
score of subject matter, Roman Law emphasized individualism,
promulgated an absolute doctrine of private property, recognized
the pecuniary character of assets, and accepted the idea of inter-
est as well as rent. It emphasized a " natural economic order "
and minimized the importance of labor in the productive process
as compared with the place of nature. On the score of method,
the Roman jurisconsults contributed and exemplified processes
of precise formulation of ideas and facile uses of abstraction.
With the decline of the Roman rule, the pecuniary substruc-
402 THE ECONOMIC VIEW OF CIVILIZATION
ture began to go to pieces. The Gothic hordes poured out of
the wilds of northern and northeastern Europe. The " Roman
Peace" ended and darkness closed down upon the western
world. Pillage became more profitable than commerce or in-
dustry, " petty warfare became a chronic misery; the admirable
Roman roads fell into disrepair; commerce shrank to a dribble
of luxuries for the powerful and a local exchange of indispen-
sables like iron, salt, and tar for the commonalty; manufacturing
for a wide market almost disappeared; coinage became scanty,
irregular and incredibly confused." 7 Business economy reverted
to furtive barter.
MONEY IN THE MIDDLE AGES
The economic thought of the Middle Ages was dominated
by the Church or Canon Law, first compiled about 1140 by
the monk Gratian, and the scholastic teachings of St. Thomas
Aquinas ( 1225-1274) .8 While these two bodies of writing were
considerably influenced by a revival of interest in the Roman
Law of the Corpus juris canonid and philosophy of Aristotle,
they were Christian bodies of thought and great care was taken
to purge ancient law and philosophy of any pagan or individual-
istic taint.
Private property was accepted and communism was declared
a mere ideal made unattainable by the fall of man. An indiffer-
ence to wealth was suggested and the social responsibilities of
wealth were emphasized. Labor was highly regarded and idle-
ness frowned upon. Nevertheless, only the labor involved in
the physical production of consumable goods was explicitly com-
mended. The artes fecuniativat were looked upon with sus-
picion and trading profits were only grudgingly condoned. It
was considered improper to expect any money-compensation for
the use of lent money — to demand anything beyond simple re-
imbursement. To be sure, in the later Middle Ages certain defi-
nite exceptions were recognized as suitable grounds for interest-
7 Mitchell, Business Cycles, p. 67.
8 The more important passages from Aquinas* Summa thcologfca may be
found in Monroe, Early Economic Thought.
MODERN MERCANTILISM 403
taking, such as missed opportunities for gain, loss incurred by
or injury accruing to the lender, delay in repayment, and the
like. The "just price" and the "just wage'* were constantly
referred to in the sense of standards. In fact, the " just price "
— determined by constituted authorities independently of the
trading advantages of the moment — included a return which
would support the seller in a fashion " suitable " or " proper "
to his station in life. However, by the beginning of the XlVth
century commerce greatly expanded, the supply of money in-
creased, and the restrictive philosophies of the early Schoolmen
began to be severely strained. Nicole Oresme (1320-1382) of-
fered some shrewd observations on the role and nature of money,
condemned the debasement of the currency, presented an explicit
statement of what is now called Gresham's law, and attempted
to lay down principles to govern the practice of bimetallism/
Throughout the period, however, the fundamental coloring of
economic thought was furnished by moral, ethical, and religious
considerations.
MODERN MERCANTILISM
The beginning of the modern era brought with it sweeping
changes in the economic substructure of civilization. The growth
of intertown and interregional trade and the coincident widen-
ing of markets became apparent. The spread of nationalism was
rapid and led to the formation of large absolutist national States
in the west: France, Spain, Portugal, England, and the later Ger-
man territorial princedoms. The urban units of the mediaeval
economy were replaced by unified national economic areas. Mer-
cenary armies replaced the feudal militia; the centralization of
administration established a salaried officialdom where feudal
methods of self-government had prevailed.10 Slowly but surely
the idea of estate-management for money-revenue instead of for
subsistence progressed. Taxation and the processes of State credit
8 Important sections of Oresnie's De origine, natura, jure et mutationibus
monctarum may be found in translation in Monroe, Early Economic Thought.
10 Spann, The History, of Economics, tr. Eden and Cedar Paul (1930), pp.
29-30.
THE ECONOMIC VIEW OF CIVILIZATION
tended more and more to be carried upon a monetary basis in-
stead of by payments in kind.
For good or ill, by the latter part of the XVth century man-
kind in western and central Europe had begun to think for it-
self, to test the prescriptive rights and duties of mediaeval eco-
nomic thought, to reject much of the old, and to adopt much that
was new. Instead of clinging to authority as a guide, everywhere
men set up " change " and " progress " as watchwords of their
enduring conflict with the problems of economic existence. New
beliefs, new values, and new institutions began to affect not only
the intellectual life of Europe, the Renaissance, and its religious
life, the Reformation, but its business life, the Commercial Revo-
lution, as well.
These circumstances as well as others led to the expression,
during the three hundred years following 1450, of a number of
related economic ideas which are referred to as Mercantilism.
Basically, the Mercantilists glorified the State as an economic
unit, as the guardian of social interest. They held money in
high esteem and foreign trade as well, for they considered com-
merce as the chief means of bringing money into the State.
Consequently, they believed that the State should foster industry,
the forerunner of commerce. As a group, they concerned them-
selves largely with the ways in which the State might secure and
maintain a favorable balance of trade so as to conserve and in-
crease its stock of money and precious metals. While they held
that the chief object of gain to their native State in its transac-
tions with other States should be gain in money or precious
metals, they did not hold that money alone is wealth. They
did not esteem money as an end in itself but on account of its
productive effects. "Money begetteth trade," wrote Thomas
Mun (1571-1641), and "trade encreaseth money."11 Neverthe-
less, their esteem for money and their exaltation of artificial
wealth above natural wealth represented an idea quite new to
economic thinking. In addition, they favored the regulation of
domestic production and consumption down to minute particu-
lars, identifying the interests of the State with the interests of the
merchants, and apparently thinking of the State as though it
11 Spann, The History of Economics, tr. Eden and Cedar Paul (1930), p. 34.
THE PHYSIOCRATS
405
were itself a great trading enterprise, profiting from the excess
of its foreign sales over its foreign purchases.
While Mercantilism cannot be said to involve a systematic gen-
eral view of economic processes taken as a whole, there was an
essential unity of opinion in the writings of Antonio Serra (late
XVIth and early XVIIth centuries), Antoine de Montchretien
(1576-1621, the first writer to use the term " political economy "),
Thomas Mun, Philipp Wilhelm von Hornik (1638-1712), and
Sir James Denham Steuart (1712-1780) ,12 In spite of wide varia-
tions over time and space, and in spite of emphasis upon com-
merce in Italy, Holland, and England and upon industry in
France and Germany, the central theme of Mercantilism influ-
enced and expressed itself in the restrictive policies of such po-
litical statesmen and rulers as Colbert, Burleigh, Cromwell, and
Frederick the Great.
THE PHYSIOCRATS
The first serious and systematic challenge to Mercantilism was
presented in the ideas of a small but influential group of writers
who called themselves Les Economist?*, now referred to as the
Physiocrats, who flourished in France in the second half of the
XVIIIth century. The Physiocrats, or Economists, consisted of
a small and devoted group of disciples and Dr. Francois Quesnay
(1694-1774), their inspiring leader.13 Generally they are consid-
ered the founders of systematic economic thought because they
saw the processes of economic life as a whole and because they
were the first to study these processes from the point of view of
law, principle, and causation. However faulty were the physio-
cratic laws or principles, the fact remains that the Physiocrats be-
lieved that questions should be asked and that laws and princi-
12 Serra, Breve trattato delle cause che possono far abbondare H regni d'oro e
d'argento dove non sono miniere (1613); Montchretien, Traite de I' Economic
folitique (1615); Mun, England's Treasure by Forraign Trade (1664); Hornik,
Oesterreich uber alles, tuenn es nur will (1684); Steuart, An Inquiry into the Prin-
ciples of Political O economy (1767). Passages from Serra, Mun, and Hornik ap-
pear in Monroe, Early Economic Thought.
13 Passages from Quesnay's Tableau cconomique (1758) may be found in
translation in Monroe, Early Economic Thought.
406 THE ECONOMIC VIEW OF CIVILIZATION
pies should be sought. Therein lies their principal contribution
to economic thinking.
The real effort of the Physiocrats was to remove emphasis from
commerce and industry where the Mercantilists had placed it.
They contended that manufacture changes only the form of
wealth and that the value of a finished product is no more than
the value of the raw material and the value of the labor and tools
used upon the finished product. On the other hand, they held
that the former produces a value over and above the costs of pro-
duction. Consequently, they believed that a State could not be-
come rich by working up its raw materials and exporting them
in return for money. Rather, they argued that the State profits
most from increasing the froduit net, the surplus of the raw
produce of thetarth left after defraying the cost of its production.
Deriving their concepts in part from Newton and in part from
Stoicism, they sought the ordre nature!, a natural law as em-
braced in physical forces. In their search they came to believe
that in the long run the individual interest coincides with the
interest of the group and leads to the attainment of the ordre
naturel. Thus, the minute and inclusive State regulations, char-
acteristic of Mercantilism, were held to be contrary to individual
interest, which it was thought desirable to foster. Free com-
petition, free labor, and free trade were praised. The hoarding
of precious metals was frowned upon and the production and
exchange of natural riches under the direction of unimpeded
self-interest was encouraged.
THE ECONOMISTS
To the Scotch philosopher Adam Smith (1723-1790), who pub-
lished his monumental treatise An Inquiry into the Nature and
Causes of the Wealth of Nations in 1776, the mercantilists and
physiocratic ideas were not entirely acceptable. Basically, Smith's
interest was that of the Mercantilists : he endeavored to find out
how national welfare and wealth might best be attained. Never-
theless, he was emphatic in his belief that the wealth of a nation
does not depend either on the balance of trade or on the quantity
of money or precious metals within its borders. He agreed with
THE ECONOMISTS
407
the Physiocrats that the best policy of government in respect to
industry and commerce is a " let alone " policy. He argued that
the best national program is one o£ laissez faire, that if men fol-
low their self-interest they will be guided as by an "invisible
hand" to work the public good. Departing from the physio-
cratic idea, he argued that the real source of a country's wealth is
its " annual labor " — not merely its agricultural labor — and that
the best way to increase a country's wealth is to make its labor
more effective and to husband and increase the products of labor.
The specialization of tasks or the division of labor is the princi-
pal factor in increasing the fruitf ulness of labor and thereby en-
hancing prosperity. In fact, to Smith the division of labor was
more or less the starting point for the whole economic process.
From this starting point Smith's reasoning went on to declare
that the further the division of labor is pushed, the more produc-
tion comes to be carried on with an eye to the market. For pur-
poses of the market, then, there must develop a general means
of exchange or instrument of trade, such as money. Commodi-
ties are exchanged in the market through money acting as a
medium of exchange and thus there develops an exchange-value
or price of goods as contrasted with their use-value. The process
of exchange is accomplished in line with exchange-value or price,
and so price becomes of great importance since it affects the pro-
duction of goods by the expectation of the price to be realized
and the distribution of goods by determining who can buy them.
Thus, we see that Smith made a notable step forward in indi-
vidualistic economic thinking. He rejected the idea of produc-
tive circulation, an idea basic to both the Mercantilists and the
Physiocrats, and for the first time directed attention to a theory of
value and of price.14 The elaboration of Smith's foundations of
classical economics was principally carried on by Thomas Robert
Malthus (1766-1834), a young parish clergyman; David Ricardo
(1772-1823), a wealthy broker; Nassau William Senior (1790-
1864), a teacher of political economy at Oxford; and John Stuart
Mill (1806-1873), an executive of the East India Company.15
14 Spann, History of Economics, pp. 99-100.
15 JUcardo's most notable work was Principles of Political Economy and Taxa-
tion (1817)*, Senior, An Outline of the Science of Political Economy (1836);
408 THE ECONOMIC VIEW OF CIVILIZATION
In his epoch-making Essay on the Principle of Population, Mal-
thus presented the stern theory that human beings tend to in-
crease more rapidly than does the food supply, that human beings
increase in geometrical progression (2, 4, 8, 16, 32, etc.) and that
foodstuffs increase only in arithmetic progression (2, 4, 6, 8, 10,
etc.). These tendencies may only be held in check by (i) posi-
tive checks, such as war, pestilence, and famine, and (2) preven-
tive checks, such as abstinence from marriage, abstinence from
the begetting of children, and the postponement of marriage —
deliberate measures, rationally conceived. Thus, Malthus infers
from his law of population that governments should remove all
hindrances to the cultivation of the soil and favor the preventive
checks, and, in particular, the postponement of marriage. He
believed that wages tend to sink to the level of the minimum of
subsistence and that then the positive checks begin to apply. He
recommended the reduction of poor relief because public charity
took away the incentive to individual prudence, and called more
mouths into the world without adding to the food to be put into
those mouths. By implication, if not by direct statement, Mal-
thus recognized the law of diminishing returns from land.
Ricardo held that the chief object of economic inquiry should
be the distribution of wealth. In addition, he believed that of the
three distributive factors, profits, wages, and rent, the last named
was by far the most important matter for study. Out of the Mal-
thusian theory of the tendency of population to expand, Ricardo
fashioned his own famous law of differential rent. 'Observing
the progressive resort to poorer soils and the more intensive cul-
tivation of better soils he brought out very clearly the fact of
diminishing returns in agriculture and his explanation of rent
as the result of differences in the productivity of soils. On the
score of wages, Ricardo accepted the Malthusian idea that they
tend to seek the level of the minimum of subsistence. To a cer-
tain extent this idea represented the foundation of Ricardo's theo-
ries of distribution and his claim that the " natural " tendency in
any country is toward an increase in rents and a reduction in
profit while (real) wages remain constant.
Malthus, Essay on the Principle of Population (1798); Mill, Principles of Political
Economy (1848).
LAISSEZ FAIRE 409
LAISSEZ FAIRE
Broadly speaking, Ricardo championed mobile capital, unquali-
fied free trade, an " iron law of wages," and a tentative " quantity
theory of money." It began to be plain that, after Ricardo, laissez
faire would mean far more of a ruthless individualism than the
Physiocrats had intended. Ricardo's positiveness of statement,
his willingness to attack the burning questions of his time, his
rejection of concrete induction, and his abstract but practical con-
ception of economics coupled with his use of the deductive
method combined to make him, dominate his followers and em-
bitter his critics.
John Stuart Mill stands out as the culminating figure in Eng-
land so far as the so-called classical economy is concerned. His
outstanding book, Principles of Political Economy with Some of
Their Applications to Social Philosophy, was brilliantly written
and eminently logical. Unquestionably his principal contribu-
tion to economic thought lies in his expository restatement of the
theories of the classical economists, in clarification and systema-
tization, rather than in any very important originality. Appar-
ently his major aim was to demonstrate beyond a doubt that
economics offers a field for direct deduction and that economic
and social laws are as genuine as those of physics or chemistry.
Thus it is that we find in his pages very definite formulae. Here
is a clarified statement of the idea of market value as responding
to demand and supply; of natural or normal value as fixed by
the cost of production; of the Malthusian law of population; of
the Ricardian law of rent; of Senior's principal and original eco-
nomic contribution, the theory that interest represents the reward
of abstinence, exercised by capitalists in refraining from currently
consuming their incomes; of Ricardo's argument for free trade;
and of the quantity theory of money, among others.
In important respects, Mill was less dismal in his outlook than
the preceding classical economists. He was genuinely concerned
about and sympathetic toward the poor and the downtrodden.
Consequently he was not averse to a mild form of interference
and intervention on the part of the State, such as the diffusion of
property by means of the regulation and taxation of inheritances.
4IO THE ECONOMIC VIEW OF CIVILIZATION
In a sense he was a gentle optimist, for he believed quite defi-
nitely in the continual improvement of human nature and that
as human nature improves the whole distributive process grows
better and better. He held that production was subject to in-
exorable laws beyond the control of men, but he believed dis-
tribution to be an arbitrary process, " a matter of human institu-
tions solely."
As the so-called Industrial Revolution wore on, it became more
and more apparent to many that the doctrine of laissez jaire as
a guiding economic principle under which to realize the indi-
vidualistic purposes of life was scarcely adapted to many of the
newer conditions of economic life. Conditions among the fac-
tory workers were deplorable. The low wages, long hours, and
unbearable living quarters these workers had to endure and the
sickness, plague, and even starvation which often resulted cast a
dark shadow of suffering over the period. Laissez jaire worked
well enough so long as men could acquire control o£ the simple
instruments necessary to carry on industry under a handicraft
system. However, under a factory system it was neither satisfac-
tory nor effective for the economist merely to lean back and tell
the workers that they must rely upon their own competitive
powers to improve their condition, that State intervention was
unnecessary in the interests of the sufferers.
THE SOCIALISTS
Inevitably, then, there appeared a group of writers who hotly
denounced the classical economic theory o£ laissez faire and who
proposed that society take a hand in improving the lot of its in-
dividual members. The individual in society might still be the
end of economic inquiry, but the weak and ill-equipped indi-
vidual was to be considered as well as the strong and capable.
These new writers, or Socialists, as they came to be called, in
general believed that society should use one or more of the fol-
lowing means to relieve suffering: (i) destroy or weaken pri-
vate property, (2) substitute a rational and systematic coordina-
tion of economic forces for free competition, and (3) establish
human equality. In fact, in practically every shade of socialist
THE SOCIALISTS
thought down to the present, one or more of these tenets is held
important and fundamental.
The first socialist systematist of note was Henri de Saint-Simon
(1760-1825). Although his disciples, Enfantin (1796-1864) and
Hazard (1791-1832), anticipated most of the later socialistic ideas,
Saint-Simon himself was content to advocate a sweeping reor-
ganization of society with expert guidance and effective control
carefully provided for.16 Then began a series of visionary social- <
istic schemes which were doomed to failure. Fourier (1772-
1837) proposed voluntary associations of cooperative and self-
sufficing communities called " phalanxes." 1T Robert Owen
(1771-1858) 1S and Louis Blanc (i8ii~i882),19 to mention but a
few, also hoped to realize some socialistic actuality through the
establishment of small cooperative commonwealths. Pierre Jo-
seph Proudhon (1809-1865) sponsored the establishment of a
bank of exchange, which was to buy from every producer the
goods he had made, giving him in payment a note proportional
to the amount of labor that had been expended, the bank giving
credit without payment for the accommodation.20 He argued
that no one would then need to borrow from the capitalists and
that they in turn would have to set to work themselves.
Building upon Ricardo, Saint-Simon, and Proudhon, Karl
Johann Rodbertus-Jagetzow (1805-1875) organized the ideas of
the Socialists and established them in Germany.21 He believed
that the State should guide its own destiny, that private prop-
erty should be abolished, that production should be organized
for the satisfaction of social needs rather than for profit, and that
labor was the sole factor in production. While he clearly sys-
tematized his theory, he could not bring himself to construct the
vital program which it implied and ended by advocating mild
State interference with economic phenomena. The most influ-
16 Saint-Simon, V Industrie (1817), Du systeme industriel (1821), Nouveau
christianisme (1825); Hazard, Doctrine de Saint-Simon, Exposition, Premiere annee
(1828).
17 Traite de V association domestique-agricole (1822).
18 A New View oj Society (1813).
19 Organisation du travail (1839).
20 Sy steme de contradictions ectntormqtte£y'<tu philosophic de la misere (1840).
21 Die Forderungen der arbeitenden Klassen (1885, posthumous publication).
4I2 THE ECONOMIC VIEW OF CIVILIZATION
ential of all the early Socialists was Heinrich Karl Marx (1818-
1883), an intelligent, revolutionary-minded German Jew. Marx
went back for his theoretical beginnings to Smith and Ricardo.
From them he took what he chose, whatever suited his ends.
Certainly from them he took his basic idea that labor creates all
wealth. Smith and Ricardo, by making labor the source of value,
laid the doctrinal foundation for Marx's argument that rent, in-
terest, and profits represent deductions from the product which
labor alone creates, and which therefore should go, undimin-
ished, to the workers. ^
Marxian Socialism, outlined in the Communist Manifesto22
and rationalized in Das Kapital (1867), held that the struggle
between the rich and the poor could be distinguished throughout
history; that because of the institution of private property, the
capitalist is able to control the instruments of production and to
exploit the " wage slaves "; that free competition ruins all but a
few very wealthy men; that the concentration of capital involves
repeated disturbances of the market, consequent crises, and wide-
spread unemployment. He contended that as the class struggle
goes on, the proletariat, because it outnumbers all other classes,
would eventually gain control of society, that it would take pos-
session of the means of production and from the superfluity of
products every one would receive according to his needs. How-
ever, he did not attempt to present a detailed description of the
prophesied collectivist system, or to indicate how distribution was
to be effected and his ideal society organized. At least until the
present, it appears that Marx's permanent contribution to eco-
nomics is one of method rather than of subject matter. Certain
it is, that many of the more modern Socialists have broken com-
pletely away from Marx's theory and follow him only inciden-
tally and especially in his desire for some type of social Utopia.
On the score of method, however, Marx rejected deduction and
thought of economics as an inductive science which should study
the changing institutions of a given economic order. His fol-
lowers, in adopting his method, have formed various types of po-
litical parties, adhering in the main, however, to his ideas.
22 Manifest der 'kpmmunistischen Pcartei (1848, with Engels).
THE HISTORICAL SCHOOL
THE CRITICAL SCHOOL
Along with the protest of Socialism against the classical econo-
mists appeared the so-called " critical school " of thinkers who
came much closer to meeting directly the orthodox and classical
ideas. As a group, these " critical " economists occupy a position
midway between that of the older orthodox economists and that
of the Socialists, who denounced the older ideas that were incon-
sistent with their tenets as mere apologies for and products of the
existing economic order.
The most influential thinker of this "critical school" was
Simonde de Sismondi (1773-1 842) .2S With the early Socialists,
Sismondi criticized individualistic economics and free competi-
tion, but he cannot be numbered among them. He believed that
all economists should be primarily concerned with human wel-
fare and not with the production of wealth, and that the idea
of a " passive " State was anything but " natural," historically
speaking. He demanded systematic State action for the protec-
tion of the poor, but without any collectivization of production.
Sismondi's point of view was shared by Charles Brook Dupont-
White (1807-1878), who insisted that intervention by the State
would most surely result in a higher level of general happiness.24
Both Sismondi and Dupont-White made considerable use of his-
tory to sustain their contentions. However, a still more definitive
historical angle of attack on orthodox classical theory was to be
presented by the so-called " historical school " of economics.
THE HISTORICAL SCHOOL
The most important members of the " historical school " were
Friedrich List (i 789^1 846) ,25 Wilhelm Kosher (1817-1894), and
Karl Knies (i 821-1 898) ,26 List contended that history shows
23 Nouveaux principes d' economic politique (1819) and Etudes sur I' economic
politique (1817 to 1838).
24 L'individu et I'etat, Paris (1857), arid La centralisation (1860).
25 Friedrich List is often classified as a member of the " critical " school.
26 List, Das nationale System der politischen Oe\onomie (1841); Kosher,
Grundriss zu Vorlesungen ilber die Staatstuirthsckajt nach geschichtlicher Methode
(1843), System der Volksmrthsckaft (1854); Knies, Die politische Oe\onomie
vom Standpunfye der geschichtlichen Methode (1853).
4!4 THE ECONOMIC VIEW OF CIVILIZATION
that every nation may look forward to an evolution through the
definite "economic stages" of: (i) hunting tribes, (2) pastoral
communities, (3) the agricultural commonwealth, (4) the agri-
cultural and manufacturing State, and (5) the agricultural and
manufacturing and commercial State. In the first and the last
stage, he argued that free trade is advantageous, but that in the
intervening stages progress demands the protection of manufac-
tures by the State. In other words, he believed in the idea of the
relativity of economic policy.
While List appears to have been able to find in history only
what he was looking for, Knies and others attempted to make
the historical point of view the center of their thought. As an
attack on the abuse of abstraction and deduction and an easy
assumption of universals these early " historical school " econo-
mists contributed a great deal in method. Moreover, they set up
an inspiration for the younger historical school headed by such
eminent thinkers as Gustav von Schmoller (1838-1917), James
Edwin Rogers (1823-1890), William Cunningham (1849-1919),
and Sir William Ashley (i 860-1927) .27
These younger economists stressed the idea that the structure
of a nation's life is peculiar to a given nation at a given time, a
product of its past. Thus the wisdom of particular economic
policies is relative to place and time. General laws, therefore,
need to be subordinated to an analysis of the actual facts of a
nation's economic growth. Consequently these scholars gave
themselves over to careful and painstaking historical research
and inductive reasoning. As a result they have produced a large
quantity of economic monographs which are vigorous in their
realism.
Under the constant attacks of the several critical schools, the
orthodox economics began to wither and wane until, after 1850,
it had lost much of its prestige. Nevertheless, by 1870 a group
of important writings began to appear which so far as method
is concerned revived the use of abstraction. In spite of the fact
that much of the methodological criticism of the Classicists cen-
37 Schmoller, Grundriss der allge meinen Volkstvirtschaftslchre (1900); Rogers,
The Economic Interpretation of History (1888); Cunningham, Growth of English
Industry and Commerce (1882); Ashley, An Introduction to English Economic
History and Theory ^
THE MATHEMATICAL SCHOOL
tered on the use of the abstract-deductive method o£ thought,
the older methodology came to be defended and used. In what
appears to be a rather remarkable display of similar and related
ideas, more or less independently arrived at, these newer econo-
mists asserted a complete faith in the importance of abstraction
in pure economic theory. For a basis for their abstraction they
seized, in part at least, upon the hedonistic principle that man
always seeks pleasure and avoids pain.
THE MATHEMATICAL SCHOOL
It is somewhat customary and usual to divide these newer
economists who sprang to the defense of abstraction and adopted
the hedonistic principle into two groups: (i) the mathematical
school, and (2) the psychological school. Obviously this division
is somewhat arbitrary and anything but mutually exclusive so
far as an absolute classification of the various hedonistic writers
is concerned.
The mathematical economists, best represented perhaps by An-
toine Cournot (1801-1877), Hermann Gossen (1810-1898), Wil-
liam Stanley Jevons (1835-1882), Leon Walras (1834-1910),
Joseph Schumpeter (1883- ), Vilfredo Pareto (1848-1923),
Irving Fisher (1867- ), and Henry L. Moore (1869- ),
sought a relatively high degree of abstraction and so turned to
mathematics, the most deductive of all the so-called " exact "
sciences.28 These writers realized that quantities of an economic
sort existed and were functionally related. In general, they con-
centrated their attention on the phenomenon of exchange in an
attempt to reduce their data to the equational form, to formulate
observed ratios of exchange. They held the notion that an eco-
nomic situation at any time is the result of a complexity of shift-
ing forces in constant search of equilibrium. Consequently they
28 Cournot, Recherches sur les principes mathematiques de la theorie des
richesses (1838); Gossen, EntwicJ^elung der Gesetze des menschlichen VerJ^ehrs
(1854); Jevons, The Theory of Political Economy (1871); Walras, Elements
d' economic politique pure (1874); Schumpeter, Das Wesen und der Hauptinhall
der theoretischen Nationaloe%pnomie (1908); Pareto, Cours d' economic politique
(1896); Fisher, The Purchasing Power of Money (1911); Moore, Laws of Wages
(1911) and Economic Cycles (1914). ,
4I6 THE ECONOMIC VIEW OF CIVILIZATION
emphasized more clearly than any previous school of economists
the distinction between a " static " and a " dynamic " economy.
This clarification, together with some very important ideas con-
cerning the combination of the factors in production, the relation
of cost of production to price, and the functions of supply and
demand represent their chief contributions.
THE PSYCHOLOGICAL SCHOOL
The psychological school emphasized the fact that economics
is quite definitely concerned with human behavior. The Aus-
trian writers Carl Menger (1840-1921), Friedrich von Wieser
(1851-1926), Eugene Bohm von Bawerk (1851-1914) were the
pioneers and they exerted considerable influence on such Ameri-
can economists as John Bates Clark, Herbert Joseph Davenport,
Frank Albert Fetter, and others.29 They brought to their in-
quiries a more subjective view of economics to the effect that the
source of value is to be found in men and not alone in materials.
This notion of subjectivity led them into a considerable preoccu-
pation with the phenomenon of demand considered as a function
of human wants. The fact of the satiability of human wants
impressed their thinking and gave rise to their distinguishing
contribution to economic thinking, the idea of marginal utility.
This idea of marginism differed somewhat from the ideas of the
earlier economic systems in that it compared units of want and
feeling instead of units of things. It explains exchange values
by states of feeling and of consciousness in general, but, in par-
ticular, by the use of least (marginal) fractions as a standard for
determining the value of aggregates. To the marginist, wants
are of varying degrees of urgency, satisfied by successive units
of a good, and the unit that satisfies the least important want
which is satisfied at all, is the unit that gives the value to every one
of the other units. In spite of this emphasis upon utility as the
end-all and be-all of economic science and the elaboration of the
29 Menger, Grundsatze der Volkswirthschaftslehre (1871); Wieser, Der
naturliche Wert (1889); Bohm-Bawerk, Kapitcd und Kapitdzins (1884); Clark,
Distribution of Wealth (1899); Davenport, The Economics of Enterprise (1904);
Fetter, The Principles oj Economics (1904).
THE PSYCHOLOGICAL SCHOOL 4x7
old idea of value in use, the psychological school was essentially
classical in its ideas. Its disciples did not destroy or replace the
orthodox economics. They merely corrected, extended, and elab-
orated the earlier thinking.
Amid all this welter of controversy, this congerie of highly
speculative and conflicting theory, it was but natural that some
one should attempt to pick and choose in a purposive effort at
compromise. Here the eminent English economist Alfred Mar-
shall (1842-1924) made a native generosity, balance, and open-
mindedness count in influencing the establishment of what is
commonly called the " eclectic school." 30 His influence in Eng-
land and on the Continent was widespread and only slightly
less so in the United States, where Frank William Taussig and
Thomas Nixon Carver may be roughly classified as disciples.31
Marshall attempted to show that it is possible to put a proper
emphasis upon the interdependence of economic phenomena
while still examining into the operations of the different parts
of the economic mechanism, and while taking account of factors
which make for change as well as of factors which make for
stability. Undisturbed by the apparent conflict between the clas-
sical idea of emphasis upon demand, he proceeded to demon-
strate that from a short-time point of view variations in demand
must certainly dominate value, but that in the long run value
must be sufficient to pay the costs of the " representative firm."
With the same moderation in point of view, he utilized what
seemed best in each of the schools, classical, critical, historical,
and psychological. His whole effort seems to have been to raise
his own work above the scene of current controversy, to resolve
differences, to give a new certainty and scientific authority to
economic theory, and to achieve a more realistic organon of eco-
nomic thought. His method was a " qualitative " analysis of the
kind of forces at work in economic life, an analysis which he
hoped would furnish a basis for later " quantitative " analysis by
statistical methods of the relative strength and importance of the
various forces at work.
30 Principles of Economics (1890).
31 Taussig, Principles of Economics (1911); Carver, The Distribution of
Wealth (1904) and Essays in Social Justice (1915).
S.X. — 2$
418 THE ECONOMIC VIEW OF CIVILIZATION
THE INSTITUTIONAL SCHOOL
One additional so-called school needs to be mentioned, the
commonly-termed " institutional school." While there are many
who insist that an institutional economics, " differentiated from
other economics by discoverable criteria, is largely an intellectual
fiction," in recent years it has been somewhat customary to refer
to a number of economists who evidence an intellectual kinship
to Thorstein Bunde Veblen (1857-1929) as constituting the so-
called " institutional school." 32 In no attempt to be exactly defini-
tive or to imply the possibility of complete differentiation,
Wesley Clair Mitchell, Walton Hamilton, David Friday, and
John R. Commons may be mentioned as economists who call
themselves, or are called by others, institutional economists.33
Basically, it seems safe to say that the " institutionalists " seek to
develop a new type of economic theory by quantitative, inductive
investigations of the evolution and operation of economic insti-
tutions. Insofar as a core of agreement seems to exist among
the institutionalists, they emphasize: (i) group behavior and the
relevancy of psychological theory, (2) the phenomena of change,
the idea that economic generalizations should specify the limits
of culture and time to which they apply, (3) an advocacy of
extensive descriptive work, whether quantitative or otherwise,
(4) an attention to uniformities of custom, habit, and law as
modes of organizing economic life, (5) an insistence upon rele-
vance to control problems as the primary test of economic theory,
and (6) a distant hope that the collection of economic facts will
lead eventually to some integrated restatement of economic
theory. While the so-called " institutionalists " exhibit a certain
indifference to method except as related to specific researches, in
general their desire actually to know the facts inevitably directs
them toward a wide use of the statistical technique. In other
aspects, their method appears to be an enrichment and expansion
of the older historical approach. Certainly it rests upon an effort
32 Veblen, The Theory of Business Enterprise (1904).
33 Mitchell, Business Cycles, Berkeley, California (1913) and Business Cycles,
New York (1927); Hamilton, The Control of Wages (1923) and The Case oj
Bituminous Coal (1925); Friday, Profits, Wages, and Prices (1920); Commons,
The Distribution of Wealth (1905) and Legal Foundations of Capitalism (1924).
THEORETICAL DIFFICULTIES 419
to secure a complete understanding of sociological, psychological,
and historical backgrounds in order to provide a more penetrat-
ing and acute analysis of contemporary economic phenomena.
THEORETICAL DIFFICULTIES
Such has been and is the course of economic theory and method
insofar as this all-too-brief and incomplete treatment can present
it. To the reader all may seem confusion, " sound and fury, sig-
nifying nothing." Indeed, it is certain that many non-professional
economic overlookers in these days despairingly and honestly
sympathize with the opinion of Mr. A. Edward Newton to the
effect that " an * eminent ' economist is always wrong. No two/'
he says, " have ever agreed as to money, either gold or silver or
paper, wages, credit, tariffs, or anything else; yet they remain
'eminent.'" While this statement is putting the matter too
strong, it is symptomatic of the feeling of many a layman.
As a matter of fact, there can be no expectation of general
agreement among economists as to the purpose, scope, and method
of economics. From the beginnings of economic theory down to
the present, about the only sure rallying point of inquiry is in-
evitably a general picture of a scheme of communal economic
life, sufficiently ordered to make some analysis of it possible, and
sufficiently imperfect to give point and purpose to such an analy-
sis in spite of particular points of view and specific analytical
methods.
The difficulties of the economist are legion. In the first place,
the opportunity for genuine experimentation is sharply limited.
As Frederick Alden Bradford puts it: "Progress in economics
is handicapped in a manner which does not affect medicine and
the physical sciences. It is concerned to a large extent with the
actions of human beings. The inanimate working material of
the physical sciences lends itself admirably to experiment while
in medicine, bacteria and animals may be used in the laboratory
for experimental purposes. Experiments in the economic field,
on the other hand, are apt to prove dangerous. Should they go
awry, as many would be bound to do, the results would not be
pleasing to contemplate* Thus, while experiments have been
420 THE ECONOMIC VIEW OF CIVILIZATION
made and are still advocated from time to time by economists,
most of us prefer to make haste slowly lest the treatment prove
more harmful than the disease." 34
In his very approach to economic inquiry, the economist is
beset with trouble. Because the essential unity of all science is
today appreciated as never before, the economist finds himself
entangled in a contemporary psychology which itself is still
fluid, in sociology, in a maze of possible but questionable bio-
logical analogies, and so on. Moreover, he must choose as a
method the systematic formulation of laws or principles by means
of abstract deduction, or the accumulation and interpretation of
facts by way of historical, quantitative, or descriptive observa-
tion and research, or some hodge-podge combination technique.
Finally, there is the profusion and complexity of the economic
groups, pecuniary transactions, productive activities, business or-
ganizations, marketing methods, customs, legal restrictions, and
human incentives with which the economist must need deal, and
all of which admit of orderly classification and treatment only
with the utmost difficulty. No wonder, then, that generalized
scientific explanations that are widely accepted are so few. No
wonder, either, that the intellectual bent of the individual econ-
omist is so important to his contributions and efforts. Truly,
we need to remember that there is no one field of economics
exclusively separated from other fields, but rather % that there are
myriads of fields, even one for the individual economic observer.
Whether the economics of the future will consist of a body of
doctrines, or a body of facts scientifically compiled, or simply a
method cr technique, or all three, time alone will tell with cer-
tainty. Nevertheless, the present guess, hazardous as it must be,
is that the future will hold a place for each and all. Moreover,
there is the hope that the newer economics will grapple with a
more realistic point of view, will help to guide the uncertain steps
of the nation, and will more definitely deal with the everyday
practical affairs of the business world. Certainly a beginning has
been made.
34 " The Economist Under Fire," The American Scholar, Vol. I, No. 3 (May,
3932), p. 204.
THE "NEW ERA"
THE "NEW ERA"
421
Economically speaking, a thousand years have elapsed since
1900, a century's span since 1906. The shoe began to pinch in
1907-1913. Buying power did not keep pace with increased pro-
ducing power. The credit structure of the country had to be en-
larged. A sound expansion of credit was made possible by the
passage of the Federal Reserve Act In 1913. A more questionable
expansion of buying power came to the rescue of mass produc-
tion with the development of installment buying. In 1914 the
war brought to American production that greatest of economic
gifts — "a sellers' market." But it was also a speculators' mar-
ket, and in it there was no attempt to relate production to con-
sumption, nor to the purchasing power of the ultimate consumer.
People bought everything they could, contracted with manufac-
turers for products which they hoped to sell and not to use. The
bubble burst in October, 1919, and the " arctic night " of 1919^-
1921 set in. The liquidation of inventories began and the ma-
chinery of production came almost to a stop.
Faced with the new practice of hand-to-mouth buying and
with decreased purchasing power, business struggled to set the
factory wheels in motion. In 1921 began the period of high-
pressure sales methods, and of generous and effective advertis-
ing. The new principle of " obsolescence " replaced the old prin-
ciple of " wear " and the technique of shortening the style-life of
products was emphasized and extended. The continued growth
of installment buying converted future earning power into cur-
rent purchasing power. Europe's industry was seriously crippled
by the war and her needs beckoned to American productive ca-
pacity, especially as American bankers were only too ready to
lend her money with which to pay for her needs. Once more
business and industry ran smoothly on to peaks of profit.
Prosperity appeared to come to all and to sweep onward by
irresistible force. Pseudo-economists prophesied a " New Era "
and the fever of spending and speculation continued at an ever
more rapid pace.
Abroad, the progress of industry continued to cause concern
to many alert Continental and English economists and business
422 THE ECONOMIC VIEW OF CIVILIZATION
men. The idea of rationalization reared Its head. Variously
used at first as a term, by 1928 it reached a kind o£ definitive
expression from the pen of Oliver Sheldon, an English manage-
ment expert,35 Vague in its implications, it nevertheless seemed
to hold out hope to many, to suggest, at least, a general method
of procedure. At home, we gave scarcely a thought to the eco-
nomic confusion going on outside our borders, continued to
raise our tariffs, and we blindly followed the prophets of the
" New Era." And then came the flood of 1929-1932, the debacle
of the so-called " New Era." As these words are written, we are
deep down in the trough of depression. All about us realistic,
trenchant, and even bitter criticisms of our economic theories
and our economic system abound. Bewildered, we avidly devour
new economic plans — their number is legion 3S — only to reflect
and discover their fundamental weaknesses. Their range is wide
as well, all the way from the Russian scheme to the gentlest of
tinkering with the present competitive and profit-taking system.
As nearly as balance and moderation can express it, we appear
now to be in a stage midway between two systems: (i) a self-
regulating, automatic, individualistic, competitive, unregulated,
unplanned, and unplanning system, and (2) a system " under
which future needs are estimated, production is directed and con-
trolled, and distribution is organized." In this intermediate stage,
as Sir Arthur Salter puts it, we have " lost many of the advan-
tages of both " and have " failed to obtain the full benefits of
either." Indeed, " without securing the advantages of deliberate
planning, we have enough official control and private privilege
and monopoly to impede the automatic adjustments, and to re-
strict the benefits of competition to the consumer."
35 '* Rationalization is the process of associating together individual under-
takings as groups of firms in a close form of amalgamation, and, ultimately, of
unifying, in some practicable degree of combination, whole industries, both na-
tionally and internationally; with the allied objects (beyond what is possible to an
industry divided into many competitive units) of increasing efficiency, lowering
costs, improving conditions of labor, promoting industrial cooperation and reducing
the wastes of competition." — " The Significance of Rationalization," Harvard
'Business Review , Vol. VI, No. 3 (April, 1928), p. 268.
36 An excellent summary of various schemes of planning may be found in
Hhigo Haan's pamphlet American Planning, published by the American Academy
:>f Political and Social Science, Philadelphia (March, 1932),
THE "NEW ERA" 423
The way out is to escape the worst of both systems and to se-
cure unto ourselves the best in each. Let Salter point the direc-
tion: "We cannot return to the unregulated competition of the
last century; an unwillingness to accept some o£ its social conse-
quences and the development of modern industrial technique to-
gether make that impossible. But we need not therefore aim at
a regulated world from which both individual competition and
freedom of enterprise are excluded. To take either course is to
fail in the specific task of this age. That task is to find not a
middle way but a new way, to fashion a system in which com-
petition and individual enterprise on the one hand, and regula-
tion and general planning on the other, will be so adjusted that
the abuses of each will be avoided and the benefits of each re-
tained. We need to construct such a framework of law, custom,
institutions, and planned guidance and direction, that the thrust
of individual effort and ambition can operate only to the general
advantage. We may find a simile for our task in the arch of a
great bridge, so designed that the stresses and strains of the sepa-
rate blocks which constitute it, each pushing and thrusting against
the other, support the whole structure by the interaction of their
reciprocal pressure." S7
37 "Recovery (1932).
AVil
THE INDUSTRIAL FORM OF
CIVILIZATION
INDUSTRY OLD AND NEW
^ I foE TERM " INDUSTRY " MUST BE MADE LARGE ENOUGH TO COVER
I the whole range of man's reactions to nature, from the work
JL of a single savage making a stone tool to the labor of a group
of modern workers manufacturing a huge machine. Every age in
human history has been an industrial one, for it has been by indus-
try that man has made himself man indeed. Without industry
man would not have manufactured tools and weapons, kindled
fires, made huts and tents, domesticated wild animals or tilled the
soil. Industry was at work in the older civilizations of Egypt and
Babylon, Greece and Rome. Nevertheless, we make no mistake
when we apply the term " industry " to the type of activity char-
acterizing western civilization in the second half of the modern
period, or in the last two centuries. There we find the work of
man so changed that we must refer to his new mode of activity as
something that came about through the Industrial Revolution.
This revolution is something we can identify at once by pointing
to the steam engine, for it was this machine which changed the
life of man as well as the face of nature. If, however, we desire
to make our identification of the Industrial Revolution more ade-
quate we can do so by referring to the three factors operative
within it — Soil and Steam and Electricity.
The momentous change which created a cleft between the late
modern era and all the previous history of the world was caused
by two tremendous movements: one political and military, the
other economic and social — the French Revolution and the In-
dustrial Revolution. The French Revolution installed such a new
order of things in the political world that since 1789 the term
" government " has assumed an entirely different meaning from
what it had enjoyed in the history of the world. The body politic
was born again in the travail of the State. But, however signifi-
424
CAUSES OF THE REVOLUTION 425
cant the power of that great revolt of the people and however far-
reaching its influence, the French Revolution bears little com-
parison to the new form of activity that was taking place in the
same age, since the Industrial Revolution of the XVIIIth century
was destined to produce immediate and remote results in the
lives of all classes of men in the western world. The tool was
mightier than the weapon, the factory more important than the
arsenal, and the worker more influential than the warrior.
The term " Industrial Revolution " is capable of more than one
interpretation. Its most obvious sense is that of the transfer from
hand labor to the work of an engine, or from man to machine.
The social change that ran parallel with the industrial one was
the removal of the seat of labor from the home to the factory;
from an individualized, domestic type of work to a socialized and
mechanized one. These two simple factors make up the intrinsic
meaning of the term. But to these obvious determinants of the
new mode of producing wealth we must add certain social, eco-
nomic, and political variations — tremendous increase in popula-
tion, world trade in imports and exports, vast accumulation of
capital, rise of the middle class, and extended horizons of trades
and vocations, thoughts and interests. Likewise was there pro-
jected into the new order of things a series of problems for, the
scientist, economist, and political thinker.
CAUSES OF THE REVOLUTION
When we attempt to locate the causes of the Industrial Revolu-
tion, we begin by dismissing the idea that the great change just
happened to come about in the course of human events. Further,
we avoid the error of stating that the change came about at a
certain time, as though it were down on the program of history.
Before the Revolution as such took place, there was no little fer-
mentation in the pent-up minds of men. The old order, even that
of the Renaissance and the Enlightenment, was changing. The
science of the XVIIth century had won its battle for freedom and
had acquired new heavens and a new earth. The politics of the
XVIIIth century was laying a new foundation on the basis of
liberty. Church and State were being forced to make room for
426 THE INDUSTRIAL FORM OF CIVILIZATION
free men with free minds. The new scientific spirit, or the ad-
venture of the modern mind, was inspiring men to explore the
land as well as the sea and to experiment with old materials for
the sake of finding new truths. Such was the intellectual atmos-
phere of the new movement in connection with machinery.
On the more material side was the extension of trade and com-
merce. England especially, being in control of the seas, was forced
to exert herself to meet the demands of various countries seeking
her manufactured goods. Most of these goods were still being
produced by means of the old manual method in vogue from
the beginning. France, likewise, in the years preceding the
Industrial Revolution, was finding that industry and commerce
were moving hand in hand; but she was somewhat more inter-
ested in the commercial than the industrial, due to superior op-
portunities in the domain of trade. Demand was in advance of
supply, hence there arose the desire to improve, to enhance the
conditions of manufacture, so that the production of wealth might
keep pace with the desired distribution of it. Meanwhile capital
had accrued and was awaiting opportunity for profitable invest-
ment. Hence the times were ripe for a complete clearance of old
methods in manufacture and the inauguration of principles as
novel in industry as the principles of the French Revolution had
been new in government.
This does not mean, however, that the men of those times were
as conscious of their condition as this appears to us in the light
of history. They felt their needs better than they recognized
them and experienced desires for their satisfaction more fully
than they realized the methods that would make this possible.
The state of affairs was thus psychological rather than rational,
popular instead of professional. For most of the discoveries and
inventions were made by average men in the lower walks of life,
men who were interested in a few significant things bearing
directly upon their own lives rather than what in our easy-going
manner we style " scientific invention." How to plant and reap,
how to spin and weave, and how to lengthen the arm of man —
these were the practical issues that, in time, were to result in
advanced agricultural methods and improved machines. Thus
the great Industrial Revolution was not a miracle whose like the
THE SOIL 427
world had never seen, but a slow,, perhaps tedious movement,
which now assumes the vast proportions o£ which those little
builders were quite unaware. A distinguished English statesman
has said, " If in the last hundred years the whole material setting
of civilized life has altered, we owe it neither to politicians nor
to political institutions. We owe it to the combined efforts of
those who advanced science and those who applied it." 1
THE SOIL
The commonplace character of this greater movement is evinced
by the fact that it started in the soil, for the necessity for new
methods in agriculture and stock raising appeared and was
coped with before the wheels of the Revolution began to turn.
It was not only because agriculture was the foundation of all the
industries that the beginning was made in the field; the demands
for agricultural products during the Napoleonic wars had inflated
prices, which offered a monetary incentive to improve farming by
scientific method. If a tenant of a mediaeval manor had traveled
through England during the first half of the XVIIIth century, he
would have experienced but little surprise, since there had been
few departures from the farming methods of feudal days. The
land was still laid in grain for two years, and left fallow the third
year for the recuperation of the soil. The live stock would have
caused no comment, for it was the same in size and diversity as it
had been in the preceding centuries. But this feudal farmer
would have found living conditions greatly improved and a
spirit of contentment springing up, quite unknown in his more
meager and miserable days. Now, had this imaginary visit been
postponed until the close of the century, the reason for this new
spirit would have made itself manifest. Then he would have
been surprised at the changes which were taking place, for in
the very earth the Industrial Revolution was taking root, although
there were many agricultural districts which were not penetrated
until as late as 1817.
The agricultural pioneer was Jethro Tull, who devised the drill,
investigated the growth of plants, and experimented with foreign
1 Warner and Martins The Groundwork of British History, p. 584.
428 THE INDUSTRIAL FORM OF CIVILIZATION
grasses. This Tull planted his crops in drills or rows wide
enough apart for a man to hoe and plow between them with a
horse. In order to prove his contention as to the value of pul-
verizing the soil, Tull raised eighteen crops of wheat on the same
land without using any fertilizer. Another of these Industrial
Revolutionists, as we might call them, was Lord Townshend,
George I's minister and the first lord of trade and the plantations.
Townshend's method consisted in planting the soil with turnips
every third year instead of letting the land lie fallow. This served
the additional purpose of providing the winter food for the cattle
and sheep and, incidentally, gained for the lordly farmer the title
of "Turnip Townshend." On his Norfolk estates, the same
Townshend installed a four-year rotation of crops which proved
so successful a scheme that before the close of the century it
was generally adopted throughout England. Another Norfolk
farmer. Coke of Holkham, Earl of Leicester, introduced the use
of oil cake and bone fertilizer and experimented with the food
values of various grasses.
SCIENTIFIC FARMING
There was more of the scientific element in this new type of
agriculture than the foregoing account may have suggested and
almost as much of the Industrial Revolution behind the plow as
in the machine that was to come. Tull published the results of
his experiments with foreign grasses and the growth of plants.
Agricultural societies arose and their proceedings, which involved
reports of experiments in land cultivation, crop rotation, and the
selective principles of husbandry, were published regularly. The
various aspects of agriculture kept issuing from the press with
unusual regularity. In addition to the interest in the soil, there
was an incentive toward improving the breed of cattle upon a
thousand hills. The most famous of the scientific breeders of
cattle was Bakewell (1725-1794), who developed the famous breed
of Leicestershire sheep. It is said that people flocked from various
parts of the world to see his famous stock, especially his bull
" Two Penny " and his ram " Two Pounder." In his very kitchen^
he entertained none other than Russian princes, French and Ger-
THE ENCLOSED FARM 429
man dukes, British peers, and, besides, all sorts of sight-seers.
BakewelTs extraordinary achievements in this line were rivaled
by those of other successful experimenters in England and Scot-
land, but all of these applied the principles of scientific breeding
that Bakewell himself had discovered.
What had been achieved in a relatively short space of time may
be observed when we note that in 1700 cattle weighed about 370
pounds, sheep about 28 pounds. But by the year 1800, if we
desire to mark the flight of a century upon such a practical basis,
the avoirdupois of cattle had advanced to 800 pounds while the
flight of time was marked by the fact that the new sheep tipped
the beam at 80 and 100 pounds. Was there a parallel improve-
ment in the breed of men ? All of these improvements in stock
breeding had been made, moreover, on enclosed farms of moder-
ate size, or the landed estates of the gentry. The promiscuous
breeding of undersized or diseased stock could not be abolished
while the live stock had the freedom of the common lands.
Consequently the various Enclosure Acts and other like measures
proved beneficial from the standpoint of both cattle breeding and
agriculture. Because of the importance of these land enclosures,
we must observe, although briefly, what such measures really
signified.
THE ENCLOSED FARM
Until the latter half of the XVIIIth century, a large proportion
of the land in England consisted of great common lands composed
of waste, pasture, and arable soil. The cultivated land was still
operated under the mediaeval system of three-field agriculture;
that is, the available land of a village was divided into three
broad strips which were subdivided into further strips about three
rods in width. On this basis, farmers would work two pieces of
land in each field; one of the three strips would be left fal-
low each year only to become the garden of all sorts of ruinous
weeds. The more progressive farmer could do no better than
follow the traditional example of his near-by neighbor. Conse-
quently the land knew nothing better than wheat with an occa-
sional variation of oats and barley; a few minor crops of other
produce might be introduced, but the staples predominated.
430 THE INDUSTRIAL FORM OF CIVILIZATION
How did such feudal farming satisfy the growing needs of the
population?
To a certain extent the archaic system of agriculture was satis-
factory; it offered the materials of food and fuel, clothing and
housing. Then, in conjunction with the profits of home manu-
facture, carried on during the off-farming season, the population
enjoyed a certain degree of economic independence. The village
was more or less sufficient unto itself. But when trade and com-
merce began to feel the impact of the Industrial Revolution, when
cities grew up and the population increased, the effect was felt in
the soil. The ancient system of land tenure and the primitive
method of agriculture were bound to feel the change. The effect
of this was indicated in connection with wealth. Formerly wealth
had been measured in terms of land, but now it began to assume
the form of commodities, for gold was beginning to run in
the channels of manufacture and commerce. Hence it was that
progressive farmers and great landed proprietors insisted that
agriculture should not lag behind but rather join in the general
march toward prosperity. A more systematized and scientific
farming would produce larger crops, and hence reap more
profits. The old-fashioned feudal system of open land was
wasteful, inefficient, and unsatisfactory.
The demand for better farms, as we might style it, crystallized
in a modern form. The feudal system of land tenure had to be
changed and the open field abolished for the sake of installing the
general enclosure of the common lands. The argument that the
waste lands made it possible for many small cottagers and laborers
to keep their geese and goats, donkeys and cows at little or no
expense was offset by the contention that the lands were over-
crowded and as often as not good lands were allowed to remain
idle. In the light of new conditions, the old system looked in-
tolerable and quite out of date. It had bred dissension, litigation,
and inefficiency of the worst sort. Little thought had been given
to adapting the land to its proper uses or of utilizing it for dairy
produce and garden truck; and this was especially the case when
the land in question adjoined the rapidly growing towns. The
changing state of affairs led thus to a change from the old system
of common, open land to the new policy of enclosures.
ENCLOSURE ACTS
ENCLOSURE ACTS
431
The progressive agriculturists o£ the day, in supporting their
claims, pointed to the enclosed farms as the only ones that demon-
strated the productive efficiency of the new methods in agriculture.
In like manner, they contended that it was only the farmers with
capital and large farms who were able to make farming a financial
success. The cumulative effect of these contentions was such as
to create a general demand for enclosures. Early enclosures had
been made under the statutes of Merton (1235) and Westminster
(1285). These enclosures added to the lands of the lord of the
manor, although sufficient pasturage was left for the commoner's
use. In the XVth century, other enclosures were made by various
acts. By the XVIIIth century, however, the pressing necessities
of the time were such as to demand a much more general applica-
tion of the method and the abolition of the wasteful feudal system.
A tentative method of enclosure had been adopted when a certain
group of farmers agreed among themselves to enclose their lands,
but this impromptu method proved impractical because the neces-
sary negotiations were long drawn out by haggling over details.
Something more systematic had to be done.
A new stage in the new system of land tenure was reached when
appeal was made to Parliament. A long series of private acts
during Queen Anne's reign and many more under the Georges
had served to advance the new system of enclosures. In many
cases these private acts were highly expensive to those interested
in having them passed, and no wonder those interested were galled
by the slow and heavy methods of parliamentary procedure. But
when the tedious movement had at last gained headway, and
those in authority had been led to observe its urgent necessity,
Parliament responded with the General Enclosure Act of 1801.
Yet it was not until 1845, when Parliament appointed a body of
commissioners to execute the task, that the system of enclosures
was carried out with any degree of speed and satisfaction. Then
the farm became a " plant "'in the modern sense of that term.
Such an industrial movement as that of enclosure was bound to
work great hardship eimong the poorer farmers, rural laborers,
and village cottagers.' Some of the moving spirits of the En-
432 THE INDUSTRIAL FORM OF CIVILIZATION
closure Acts, the lords of manors and institutions which received
titles, were none too solicitous of the rights of those who were
cast aside when the enclosures were made. Greed, fraud, and cor-
ruption, aye, all means worthy or disreputable, were employed to
complete the designs of those who, with the apparent motive of
superior methods in agriculture, sought to secure title to land.
And the effects of these injustices are to be noted in the landed
system of England today. All manner of evils have been at-
tributed to the Enclosure Acts, particularly that of rural depopula-
tion. It is difficult, however, to substantiate such a contention,
since it was doubdess the attraction of high wages in the new
urban industries and the appeal that the city made to the more
enterprising villagers that had to do with the drift from rural fields
to urban centers. The farming business as such began to assume
the capitalistic form as both farm and market changed. During
the Napoleonic wars, there was profit in agriculture, but when
this modern warrior had been forced to desist in his particular
kind of reaping and the soldiers who opposed him returned to
the soil, deflation set in, causing the weaker planter to sell his
little holdings that once had loomed so large to the great land-
owner. The result was a class division which was soon to show
itself more ostensibly in the domain of manufacture — the sharp
and severe division of rich and poor, of those who have and those
who have not.
MAN AND MACHINE
But the revolution in agricultural method was not a circum-
stance in comparison with the change in the mode of manufacture.
The old farm in its new form was in no sense so spectacular or
influential as the new engine. So striking is the effect of steam
when compared with the slow work of the soil that we can
hardly help identifying the Industrial Revolution with the intro-
duction of the steam engine. Nevertheless, the change in the
method of manufacture began to be made while manual labor was
still the modus oferandi. The new movement was inaugurated
by the application of invention to spinning and weaving. The
loom anticipated the steam engine. Now, spinning and weaving
are arts which trace back to pre-historic times and are about as
LOOMS NEW AND OLD 433
universal as the spread of the human race itself. Due to the
nature of the fabrics made, there are but few examples of this
primitive handicraft, yet they do not fail to show that the art of
loom, spindle, and needle was thoroughly understood. Various
knitted and netted fabrics as well as woven linen cloth have been
recovered from clay beds where the Swiss lake-dwellers made
their home in Neolithic times. Then, some fragments of wooden
wheels, spindle whorls, and loom weights made of stone and
earthenware have been recovered from the same beds. Other
examples of the weaver's art have been found in Egypt, Baby-
lonia, Persia, Greece, China, and Japan as well as other parts of
the world. And here is the remarkable fact — that the essential
principles of spinning and weaving do not appear to have under-
gone fundamental change from pre-historic days to recent times.
Weaving as a handicraft reached its highest point of perfection
in Europe during the early part of the XVIIIth century, especially
in France, England, and Italy. The social and economic status
of the textile craftsman was higher during this period, particularly
in England, than at any other time in the history of the craft.
More often than not, he was a prosperous and highly respected
tradesman whether he worked his trade in some obscure village
or in one of the suburbs of the great towns. Due to economic
causes, this prosperous craftsman of the XVIIIth century fell into
a condition of extreme distress when the XlXth century had
arrived. The plight into which this typical craftsman was plunged
is illustrative of one unhappy change which the Industrial Revo-
lution was to effect. The source of the situation is to be found in
invention.
LOOMS NEW AND OLD
The chief concern of the inventor had been to enhance the
perfection of the loom as a pattern-weaving tool. But in the latter
part of the XVIIIth century a new motive invaded the mind of
the inventor who sought to shorten the time of the operation and
cheapen the cost of production rather than; contribute to the fine-
ness of the product. Hence, instead of having the weaver follow
the design throughout the various stages of its development, the
one-time weaver performed inertly one part of the complete
S.T.—20
434 THE INDUSTRIAL FORM OF CIVILIZATION
operation. The artisan thus became a " hand." With the change
from wooden to iron looms and the application of steam power,
there arose the extreme division of labor and the mechanizing
and socializing of a former handicraft. The revolution of the
weaving industry did not take place in a trice, but required some
one hundred and fifty years for its consummation. The earliest
indication of coming changes in broad weaving was observed in
1687, when Joseph Mason patented a machine duly described by
him as " an engine by the help of which a weaver may perform
the whole work of weaving . . . without the help of a draught
boy, which engine hath been tried and found to be of great use to
the said weaving trade."
The honor of devising a means to overcome, if only in a partial
manner, the driving and catching of the shuttle in the weaving
of broad webs by power is given to John Kay, who, in 1733, in-
vented a " flying shuttle " which could be thrown mechanically
from one side of the loom to the other. Kay intended this
invention for the hand loom, but it proved practicable for the
power loom also. In 1786 a much superior power loom was pro-
duced by Dr. Edmund Cartwright. As far as the number of
these new machines is concerned, it is estimated that by the close
of the XVIIIth century there were 20 thousand power looms and
250 thousand hand looms in Great Britain. Of course, the arts
of spinning and weaving reacted upon each other. When Kay's
flying shuttle came into general use, the weavers were often com-
pelled to wait until the spinners had provided them with sufficient
yarn for the loom, whereas in the days of the hand loom the supply
of yarn was in the excess. It was the swifter, larger power loom
which used the yarn in such quantities as to cause spinner and
weaver to proceed side by side.
The revolution in the spinning industry was due to an invention
of Hargreaves, who in 1764 invented a wheel capable of turning
sixteen spindles. This machine he named a " Spinning Jenny,"
in honor of his wife. In 1769 Arkwright introduced his method
of spinning by rollers through water power. Then came Cromp-
ton with his " mule," which combined the essential features of the
two former methods. As a consequence of these new appliances,
one person could supervise hundreds of spindles. These machines
STEAM 435
were of tremendous importance for civilization, yet the men who
invented them were not Galileos and Newtons, but humble in-
dividuals who seemed to act for the great mass of mankind. They
rejoiced in little technical education and had Htde capital but they
were infinitely patient and practical. They gave impetus, how-
ever, to scientific research, and in time the textile industry
branched out into bleaching, dyeing, and printing and gave Eng-
land its supremacy in textile manufacture.
STEAM
The improvements in the methods of spinning and weaving
would have made but a small chapter in the story of the Industrial
Revolution if it had not been for the contributions of inventors
working in totally dissimilar spheres. Mass production, one of
the marked features of the new movement, necessitated the ap-
plication of unlimited power to the new machinery. Earlier
forms of power, such as hand and horse, wind and water power,
were of no avail for the industrial demands of the new age. More
than one man had been experimenting with steam power and a
number of rude engines had been produced. But it was left to
Watt to improve upon a former model and thus produce a steam
engine for pumping, hauling, and driving. This machine was con-
structed at first for vertical motion and was used chiefly for draw-
ing water. But it was not long before there dawned the idea
of the adaptation of it to rotary and parallel motion, which made
possible the use of steam power for machinery used in manu-
facture.
While spectacular movements were taking place in Europe, a
more happy and fruitful development was being engendered and
peace was competing with war for the attention of mankind. In
1812, while Napoleon was on the Russian campaign, a much more
significant event than his march was taking place, for the Comet,
the new steamboat, was proceeding down the river Clyde under
her own power. Two years after this semi-conspicuous occur-
rence, Stephenson invented the first locomotive engine. And
when the modern Mars reached the climax of his spectacular
career a£ Waterloo, in 1815, Humphry Davy invented the safety
436 THE INDUSTRIAL FORM OF CIVILIZATION
lamp for the use of miners, whose subterranean labors had become
necessary in connection with the problem of fuel for steam en-
gines. All the inventive activity with its application to trades old
and new demanded increased production of coal and iron and
thus there arose great metal and mining industries whose only
rivals were in the domain of the textiles. The Industrial Revo-
lution, which had started in the soil, was now boring its way deep
down into the solid earth.
Many of these ironworks were built around some single indi-
vidual whose foresight and enterprise had made them possible,
just as in the case of the textile trades. Such an individual was
** Mad Iron " Wilkinson of Bushham, whose ironworks were busy
boring cannon for both English and French artillery, construct-
ing iron bridges, and making iron piping for the new Paris
waterworks scheme. The development of this industry is a strik-
ing illustration of the rapid strides the inventors were making in
the iron industry, but not in that alone. Arnold Toynbee states
that in 1737 " fifty mine furnaces in eighteen different counties
produced 17,350 tons annually. It has been computed," he adds,
" that we imported 20,000 tons. In 1881, we exported 3,820,315
tons of iron and steel valued at 27,590,908 pounds and imported
to the value of 3,705,332 pounds." 2
COAL AND IRON
As to fuel, charcoal had long been used in the smelting of iron
and steel, but by the close of the XVIIth century, in England,
timber for charcoal was becoming scarce. By 1740 coke was in-
troduced, with the effect of reviving a languishing iron industry.
After 1619, coal and coke for smelting iron had been experimented
with, particularly by an English ironmaster named Dudley. But
it was not until Darby, another ironmaster, won success in 1730
that the iron industry as we know it today was fairly started on
its road. In 1756, Darby declared that his furnace, " at the very
top pinnacle of prosperity," was producing twenty-two tons a week.
But by 1760 his Coalbrookdale furnace had managed to produce
forty tons of pig iron in a week.
2 The Industrial Revolution of the Eighteenth Century, p. 26.
GREEK SMITHY, PAINTED ON A
GRECIAN VASE
(facing page 437)
Hiving Galloway, N< F,
MODERN AMERICAN STEEL MILLS
STEEL 437
As to the metal itself, we must not fail to observe that Henry
Cort devised new methods of rolling and puddling iron, which
gave such an impetus to the industry that, by the close of the
XVIIIth century, various districts of England saw the rise of great
furnaces belching their volume of smoke and making the night
glow with the lurid glare of their huge fires. When Henry Cort
and Peter Onions in 1783 devised a process of puddling whereby
carbon could be burned out of the pig iron, a malleable iron was
produced and became adaptable to a variety of uses. But per-
fection in this industry had not yet been realized, so that iron
was not available for the purposes to which the XlXth cen-
tury was to put it. As Thornctike says, " The iron industry be-
came the steel industry after the English inventor Bessemer, in
trying to improve the metal employed in artillery, purified iron
by forcing a blast of air through it while in a molten state and at
an extreme heat." 3 It was thus that the iron was cleansed of
additional carbon and slag. While Bessemer announced his in-
vention in 1856, it was not until some time later that his ex-
traordinary process was generally accepted. In 1864, the Martin
Brothers of Sireuil, France, developed the open-hearth process of
making steel, but up to this time no process could eliminate from
the iron or steel the ever-present phosphorus in iron ores. It
was in 1878 that S. G. Thomas introduced a method which solved
this troublesome problem.
STEEL
Steel! All these discoveries and the adoption of new methods
have made possible the use of steel for rails, rolling stock of rail-
roads, steamships, skyscraper edifices, bridges, subways, automo-
biles — an alarming list, a bewildering array of things that have
come out of the steel age. There has been no Midas whose touch
turned everything to gold, but the touch of the common man,
represented by his scientific advocate, has turned almost every-
thing to steel. How can one compress upon a page, compass in
a chapter, or even express in a volume the well-known story of
steel? It forms the skeleton of modern civilization and the sinews
8 A Short History o] Civilization, p, 487.
438 THE INDUSTRIAL FORM OF CIVILIZATION
of war; its ring is heard everywhere in the harsh music of the
XXth century.
At the same time, we must not fail to make mention of the more
tender development of industry in connection with the primitive
art of pottery. Wedgwood was preeminent among all the potters
of western Europe who were experimenting with clay and the
colors and designs it could be made to assume. He succeeded
in producing a ware which was white throughout in contrast to
the red or buff clays which had formerly been used. This dis-
covery made English ware the most popular in Europe. Although
Wedgwood started with the small sum of twenty pounds, a legacy
left to him, he did not hesitate to put back into hi£ small concern
every penny he could save and thus he extended his enterprise
until he left it one of the largest of its kind in the world, with no
diminished prestige even to this day of rapid advancement in
industries.
But the Industrial Revolution looms up in our minds as some-
thing more spectacular than anything that agriculture and manu-
facture can suggest. It means transportation. How was the new
age, the machine age, to arrange for exchange of goods and public
travel? Canals, either invented by the Chinese or early adopted
by them, seemed to hold out promises which to us seem ridiculous
when we think of the improvised canals our airplanes make in the
very air. But such artificial rivers were of value in the earlier
stages of industry. They were introduced into England in 1759
and some of these, like that of the Duke of Bridgewater, enabled
the householder to procure his coal at half its former price. By
the close of the XVIIIth century, London and Bristol, Liverpool
and Hull had each its canal system.
THE RAILROAD
During the early part of the XVIIIth century, roads in Great
Britain, as in most other European countries, were in a deplorable
condition. When a wet summer was added to a wet winter, the
roads became impassable for wheeled traffic. At the close of the
century, however, great improvements were introduced, the most
notable being that of McAdam, who in 1811 reported to Parlia-
THE RAILROAD 439
ment concerning his new method of road making. While the
stage coach had been on the road as early as 1640, it was not until
1784 that mail coaches, later made romantic by Thomas De
Quincey, were introduced by Palmer, the Pullman of those early
days. In 1814 Stephenson invented his locomotive engine for
transporting freight, especially coal — a "freighter" that made
its trip from the coal mines to the cities at the rate of three miles
per hour! The history of the English railway was almost as pro-
tracted as the journey of Ulysses.
In 1818, Parliament refused to sanction a plan for the extension
of railroad lines, partly because the noise of the iron horse would
scare the foxes in their coverts. Three years later, however, the
Stockton and Darlington line was authorized for freight carriage.
Yet the railroads did not take firm hold upon the public imagina-
tion until the Liverpool and Manchester Railroad was opened,
shortly after Stephenson's Rocket had won the prize in competi-
tion with three other competing locomotives of different types.
The proud winner in this test finished in a burst of speed of ap-
proximately thirty miles per hour. In 1830, the Duke of Welling-
ton was present at the opening of the line and a new era began.
But it was not until 1844 ^^ a general railroad-construction
movement was inaugurated, although by 1850 almost all the well-
known railroad systems of England had been established.
The year 1845 has been called the year of the " railroad mania."
The new mode of transportation had conquered space and
captured the popular imagination. For some time previous to
this, people had enjoyed a considerable measure of commercial
prosperity and the accumulated capital was seeking new outlets
into the depths of investment. These new speculators had not
far to look since the phenomenal success of the railroad seemed to
conjure up visions of profits wider and brighter than anything the
world had known before. Here was an Eldorado of steel inviting
the eye and tempting the purse. Hence new railroad companies
sprang up, their stocks were issued and soon began to soar. As
Edward P. Cheney says, "All classes were caught in a wild
speculation which reached to every other form of finance and
industry. A frenzy seized the stock markets and thousands of
men removed their savings from other places, but bound them-
440 THE INDUSTRIAL FORM OF CIVILIZATION
selves to payments far beyond any funds in their actual control.
Men grew rich over night by the rise of the price of shares they
had not yet paid for in companies whose rights of way were not
yet surveyed." 4
A recent experience of a similar character in our own country
gives us to understand how the British populace of nearly a cen-
tury ago was drawn into the whirlpool of speculation. In the
latter months of 1845, the flood subsided and left its victims
stranded. Thousands of families were hopelessly ruined and such
things as prosecutions, flights from justice, imprisonments, and
suicides were quite the order of the day. Out of this chaos, as a
voice crying from the depths, arose the demand for parliamentary
control and regulation of railroads. But the natural disinclination
df Englishmen for excess of government did not fail to assert itself,
so that little by way of control was done. From that day to this,
British railroad systems have felt little governmental influence in
either development or management, for the government has done
little more than emphasize the obvious: that the railroads should
serve public interest and have an eye to its welfare.
THE STEAMBOAT
While steamship development was under way before railroad
activity became so marked, the paddle wheel did not keep pace
with the driving wheel. In 1787, John Fitch ran his steamboat on
the Delaware but could not make the venture pay. But what
Fitch foiled to achieve on the Delaware, Fulton with his Cler-
mont accomplished in 1807 on the Hudson. As we have observed,
Bell's Comet had steamed down the river Clyde in 1812. The
Atlantic Ocean was crossed in 1838 by the Great Western, which
made the trip in fifteen days at an average speed of some eight
knots. Within two years of this time, the Royal Mail Steam
Packet, the Peninsula and Oriental, and the Cunard Company
were off to a successful start. The improvements made in the
facilities for transportation from the beginning of the XlXth
century to the present time make it possible for us to reach prac-
tically any part of the globe with more ease and speed than were
* Industrial and Social History of England, rev. ed, p. 213.
THE STEAMBOAT
available to a European in his endeavor to reach the parts o£ his
own little continent. At the time of the American Revolution, it
required six weeks to reach our shores from England, while the
same trip is now made in less than as many days. In 1804, the
Duke of Wellington had to spend six months to return to Eng-
land from India, while at the present time the same journey re-
quires only thirteen days. One has only to recall the experience
of his grandparents in making their tedious journey westward to
realize what has been accomplished since the days of the covered
wagon, for now the same journey can be made within a week
by automobile. But it is unnecessary to multiply illustrations of
this sort. We feel the speed of the age and accept the benefits of
industrial civilization with the egoistic complacency of a youth
who has fallen heir to the family fortune.
As far as we have gone into the history of modern industry, we
have confined our attention to England, for it was there that the
Industrial Revolution first indicated its character. It was in Eng-
land, too, that the new movement assumed significant proportion
before it began to repeat itself in other lands. But such a prac-
tical movement was bound to spread, for industry is not like art
and does not require the special talent and taste which make one
nation more aesthetic than another. England did attempt to
enclose the industries it had brought forth, but the restrictions it
employed were of little avail. The British government enacted
legislation meant to keep the inventions, discoveries, and indus-
tries within its own borders, just as though such gigantic things
were only trade secrets; but enterprising English workmen, who
passed over to the Continent as also to America, refreshed their
memories of the machines they had worked with at home and
reproduced them in other places. This was hardly the cause of the
new industrialism in extra-English countries, but it was one of the
contributory factors.
THE INDUSTRIAL REVOLUTION ON THE CONTINENT
In France, the influence of the French Revolution and the re-
forms instituted under the Napoleonic regime tended to abolish
the restrictions that the mediaeval guild system had imposed upon
442 THE INDUSTRIAL FORM OF CIVILIZATION
industry. But more direct and significant was the new spirit
abroad in the land, which encouraged initiative along various lines
of industrial development. During the reigns of Louis Philippe
and Napoleon III, fame if not fortune came to French industries,
especially in the manufacture of women's wear, as silks, velvets,
and other sorts of dress goods, to say nothing of perfumes and
other accessories of milady's boudoir. Yet in comparison with
the sturdy growth of English industry that of France was puny
and slow. The reasons for this are not far to seek.
At the time of the Industrial Revolution, France was pre-
dominantly an agricultural country, where the majority of the
population lived on the land in villages and small towns and
where there were no general, large landholdings comparable
to those in England. From the standpoint of foodstuffs, France
was practically independent of imports and, being able to feed
themselves, the French were not greatly concerned about com-
mercial expansion. Then the slight increase in population
whereby there were not so many new mouths to feed delivered
France from the necessity o£ solving the food problem, which in
other lands was more acute. In short, the French people were
quite independent and reasonably contented. The soil was rich
and fruitful, the climate congenial, so that the inhabitants of
la belle France had no marked yearning after the life of the
congested and smoke-swept cities of England.
In addition to such passive resistance to the Industrial Revolu-
tion, the mind of France was taken up with its political problems.
The old order had been destroyed and a new form of government
installed. And then — Napoleon! France had to expend its
energies in conflict and had little strength left for commerce.
There was also a scarcity of raw materials and labor supply, a
limited market and an unwise tariff. France was more con-
cerned with decking out its soldiers in color than in conducting
a more useful form of clothing industry. The engines of war
were more in evidence than the machinery of peace and, al-
though France did have machinery before 1815, it is difficult to
determine the number of these new contrivances or the extent
of their use. Water power was plentiful, accessible, and easily
adapted to the purposes of manufacture; hence there could be
REVOLUTION ON THE CONTINENT 443
no pressing demand for steam. France was addicted to the hand
loom and, in certain types of textile manufacture, uses it even
at the present time. However, the French did not fail to avail
themselves of England's cotton-spinning machinery, introduced in
1786 and used quite elaborately at Creusot and Indre. Yet,
even in 1914, almost half of the French looms for weaving linen
were operated by hand.
French genius did not ignore French industry. By means of
Berthollet's discovery (1786)5 chlorine was applied to bleach-
ing, so that what formerly by a natural process had required
some eight months to whiten was done in two days. Joseph
Jacquard, to mention another industrial pioneer, revolutionized
(1801) the draw loom so that it would weave intricate and deli-
cate patterns. But the full force of the Industrial Revolution in
France was not felt until after her railroad system was com-
pleted (1855-1860). Previous to that period, French facto-
ries were small and used a correspondingly small amount of
steam power. Indeed, we are informed that as late as 1896
" the average number of workers in the 575,000 industrial estab-
lishments of France was 5.5 and only 151 factories employed
more than 1,000 hands while 400,000 had one or two work
people." 5
Since the World War France has improved her position in
respect to certain lines of exports, especially steel. Some of her
industries have been thoroughly Americanized, a notable example
being in the automobile works of Andre Citroen, the largest
automobile manufacturer in Europe. Even more remarkable
from the standpoint of rapidity was the transition from simple
mediaeval existence to the industrial form of life experienced in
Belgium. Just as in England, the farmers were the first to feel
the ferment of new scientific ideas in agriculture. But with the
rapid development of its resources and because of its strategic
position on the map of Europe, its fine system of canals, its
Antwerp harbor, and its coal mines, Belgium was quick to
awaken to the modern day. It was not long before its factories
were humming with the new music and the land itself became a
veritable workshop.
5 Dietz, The Industrial Revolution (1927)* P- 64-
444 THE INDUSTRIAL FORM OF CIVILIZATION
Such countries as Italy, Austria, and Russia have been late-
comers in the industrial field. Italy has suffered from the lack
of coal and iron, things so necessary for industrial enterprise.
On the political side, Italy found it difficult to exemplify the
Roman ideal of unity, although this was achieved finally under
Garibaldi, Mazzini, and Cavour. As for Austria as she was
before the World War, the heterogeneous character of the peoples
living under the Hapsburg rule made it impossible for this
country to respond to the industrial power that was dominating
almost all other countries in Europe. Russia was in a worse
condition industrially, if not otherwise moving along sluggishly
between the banks of East and West. She was mediaeval in her
life, peasant-like in population, and absolutist in government.
The story of Russian transformation must be left to the future,
which may observe unity where we see only conflict and con-
tradiction in the present period of storm and stress.
THE GERMAN AWAKENING
Many causes operated to delay the industrial development of
Germany. Even in the early part of the XlXth century, in-
dustrial development west of the Rhine was behind that of
even such an agricultural country as France. The mediaeval
guild system remained intact after it had relinquished its hold
upon other European countries. But new economic forces were
at work and new industries, organized upon a more modern
basis, were being introduced. These, together with the extension
of the domestic system of manufacture, made the mediaeval
form of association incompatible with the modern ideas of
liberty and free competition.
During the European wars of 1793-1815, England was profit-
ing by the benefits of her Industrial Revolution in that she was
able to compete with German manufacturers in their own
markets. This gave impetus to a movement for a protective tariff
in Germany, perhaps the first immediate, political effect of the
Industrial Revolution there. Each of the German states im-
posed tariff duties on manufactured articles with the aim of
protecting domestic manufacture. But, as Hayes says, " There
AMERICAN INDUSTRIALISM 445
were so many German states, however, that this multiplicity of
customs duties seriously interfered with commerce." 6
Prussia was the first state to attempt a remedy. She established
a uniform tariff over the whole of Prussia itself, imposing a 20
per cent duty on colonial products and a 10 per cent duty on
manufactured goods. She proceeded then to invite other sov-
ereign states in Germany to adopt the same regulations uniting
the customs administrations with her own. These states hesi-
tated, but on January i, 1834 the Customs Union, or Zollverein,
went into effect. It was not long before this Zollverein was
found to rest on good economic foundations, since it enabled
Germans to trade with one another in freedom from the former
restrictions while it protected their manufacturing interests from
inroads by French and English manufacturers.
Industry in Germany, or the Germanics, before the establish-
ment of the Zollverein was in the hands of men who employed
domestic cottage workers or was controlled by masters who
labored side by side with the workers they employed. Almost
everything was done in a small way. " Iron, for example, was
smelted in hundreds of very tiny furnaces owned by artisans
who found by-employment on the land." 7 Few in number
were the large industries and these in the main were confined
to the textile or allied trades, but there were large sugar refineries
in Hamburg and Bremen. It was not until after 1845 that the
industrial development o£ Germany felt any marked accelera-
tion. Then the textile industries, coal and iron productions,
and other industries increased their stride. Although Germany
started late, she learned how to match the pace of her com-
petitors, so that German industrial history is not wanting in
romantic features. In 1914, Germany was about to dominate
the industrial future of Europe.
AMERICAN INDUSTRIALISM
The Industrial Revolution in America was at first a repercus-
sion of the movement in the Old World. Workmen from
6 History of Modern Etirope, Vol. II, p. 96.
* Dictz, The Industrial Revolution, p. 65.
446 THE INDUSTRIAL FORM OF CIVILIZATION
England who had made their homes in the United States re-
produced the kind of machines with which they were familiar
and often improved upon the original patterns. But native
Americans were not behind their English cousins in inventive
genius. The fertility and versatility of the American intellect
is shown by the number and variety of patents issued. The
United States Patent Office was created in 1790 through the
efforts of the American inventor John Stevens of Hoboken. In
1833, the head of this office resigned for the reason that, in his
mind, every important invention had been made. By the year
1860, 36,000 patents had been granted and between that date
and 1890 the number was extended to 640,000. The number
of these patents is now close to a million, since the end of the
first quarter of the present century extended the record up to
969,428. "Nothing more strikingly reveals the extent and
implications of the economic revolution than the fact that the
average number of inventions patented in any one year exceeds
the total number patented in the entire history of the country
before 1860." 8
Yet it was not until the close of the Civil War that the intense
business activity so characteristic of American life became ob-
trusive. Except for the South, prostrated by secession and re-
construction, the years between 1865 and 1873 were crowded
with enterprises. East, North, and West were vibrating with
new activities. Railroad extension was so wide that tracks ran
from the Atlantic to the Pacific and 30,000 shorter lines were
laid here and there over the land. Agriculture responded to the
invitations of the soil and grew like Jonah's gourd. Capital
increased proportionately and the public purse bulged with
profits from domestic and foreign markets.
The parts of the " Machine," which now looks so formidable,
were being put together. Inventions of importance to railroads
were the Westinghouse air brake (1869), Jamey's automatic
coupler (1871), and various other devices enhancing transporta-
tion. The Pullman car appeared in 1864 and sought to add
refinement and comfort to the speed of travel. Meanwhile
Stephen Field and Thomas A. Edison were making significant
8 Morison and Commagcr, The Growth of the American Republic, p. 689.
AMERICAN INDUSTRIALISM 447
experiments in electric transportation. In connection with the
principle of rapid communication between remote points, Sam-
uel F. B. Morse, professor of art at New York University, per-
fected the recording telegraph (1837), while in 1866 Cyrus W.
Field and Sir Charles Bright succeeded in laying the Adantic
cable. In 1876, Alexander Graham Bell made the toy telephone
an economic and social necessity. Now these historical items
do little more than call our attention to the vast and intricate
system of mechanical arrangement enveloping us and invading
our precious lives.
The industrial drive that started in the soil, turned itself
into a machine, and then assumed the form of electricity, is
no longer an Industrial Revolution. There can be no doubt that
the movement was a revolution, but it is a question whether
that £erm can be qualified by the adjective " industrial." In like
manner, we may question whether we can come to an under-
standing with the time by speaking of it as the " Machine Age."
As Beard says, " Indeed, effort to reduce the confusion of the
modern age to principles of control, whether in matters of busi-
ness, labor, health, family life, economy, the arts, government or
international relations, is no mere excursion in mechanics, no
mere question of arranging material objects." 9 The Industrial
Revolution which has transformed human life and reshaped the
earth has done more than create business; it kas brought us
face to face with the business of living. Hence, we cannot solve
the problem of life by inventing a machine or save our souls by
passing a law.
In order to see where we stand, let us glance eastward. A
swift glance at China and India serves to disclose the difference
between the land where the sun rises and that where it sets.
The older, eastern civilization is based on human labor as its
source of power in pathetic contrast to a civilization conducted
by the gigantic robots that the western man has made. But
before the civilization of the West could effect the change from
man to machine, it had to pass through some exacting experiences.
While the transfer was going on, it tended to perpetuate old
evils and add new ones to their store. The movement from field
9 Whither Mankind, pp. 405-406.
448 THE INDUSTRIAL FORM OF CIVILIZATION
to factory, from kitchen to workshop and then to the huge plant
wherein the worker became but a hand was not without the
wrongs that Mammon can ever cause, and many have been the
bitter fruits that have grown up and ripened from the root of
all evil.
THE NEW HOUSE OF BONDAGE
The immediate effect of the Industrial Revolution was to im-
prove the outer condition of the laboring classes as they moved
out of the house of feudal bondage. There were high wages, to
say nothing of improvement in economic conditions generally,
and more improved ways of living. Hosts of farm laborers, glad
to escape from the servile conditions of farm and estate, began
to flock toward the industrial centers. And not these alone,
for their number was augmented by a stream from another
land, and the sons of Erin began to come over from the Green
Isle seeking their share of the wealth in the English Eldorado.
The result was unregulated or almost chaotic competition among
the "hands," whose wages began to fall, and in the economic
struggle in the factory; the children of the factory worker were
forced into the labor market, for the pay of the householder
was not sufficient unto the needs of the household.
Factory towns in England were the battlefields where the
new war was waged and the homes of the toilers became the
" barracks of industry." Not only did the workers have to meet
the competition offered by rival workers and endure the conse-
quent reduction of wages; they were forced to face periods of
unemployment thrust upon industry and beyond the power of
either employer or employee to control. New ideas and chang-
ing fashions outmoded old ones and left the new industrialists
stranded. " Both the manufacturer and his hands were at the
mercy of a change of fashions in Vienna, the failure of a bank-
ing house in Edinburgh, a revolt in India, too rapid expansion
in the production of everything from pottery clay to tea and,
above all, war in Europe." 10 Until 1847 there was no limit set to
the working day and the hours of labor in New England fac-
tories, for example, varied from 60 to 80 per week. Some classes
10 Dietz, The Industrial Revolution, pp. 37-38.
"PROGRESS AND POVERTY " 449
of workers, as the tailoresses, toiled as many as twelve hours
a day seven days a week, with an average weekly wage of $3.81,
providing no time was lost. These facts and others like them
were brought out by an investigating committee of the Senate.11
Little or no thought was given to the question of sanitation
or of safeguarding the worker from possible injuries from the
machinery. In Europe, children who were scarcely more than
infants marched in their wooden clogs over the cobblestones to
their places in the factory, there to toil from sunrise to sunset.
In the mines such children worked in water, in total darkness
and foul air, " opening or shutting trap doors all day long or
dragging, tied by girdle and chain and on hands and knees,
loads of coal too heavy for them." 12 By the early part of the
XlXth century, the growth of the population effected by the
Industrial Revolution was startling, and it has been estimated
that between 1820 and 1870, the numbers increased 20 per cent
in France, 55 per cent in Germany, and 83 per cent in England.
This growth was chiefly in cities, so that for the first time in
western Europe there was a type of civilization distinctly urban.
The new industrialism developed fortunes of huge proportions.
The lords on their estates enjoyed this increase, not only through
investments, but by leasing lands for the new cities; in ad-
dition to this, they did not fail to exact royalties upon the coal
and iron worked from their lands, as well as from the railroads
that passed through their estates.
c* PROGRESS AND POVERTY "
Alongside this great wealth was a form of poverty unlike
anything hitherto seen and it seemed necessary for every Dives
to have his Lazarus. In 1847, John Stuart Mill uttered memor-
able words when he said, " Hitherto it is questionable if all the
mechanical inventions yet made have lightened the day's toil
of any human being. They have enabled a great population to
live the same life of drudgery and imprisonment." Carlyle
11 Report of the Committee of the Senate upon the Relations between Labor
and Capital (1885), pp. 284-287.
12 Warner and Martin, The Groimdwor\ of British History (1926), p. 596.
S.T. — 30
45o THE INDUSTRIAL FORM OF CIVILIZATION
asserted that the question of all questions to which an answer
must be found was the " condition of England," meaning by
this the social and economic degradation of the workers. In
like manner, politically minded workers, who met in taverns
and obscure places, expressed the belief that their problems could
be solved only by having Parliament pass suitable laws, while
labor unionists began to advocate the principle of collective
bargaining.
In France, men like Saint-Simon, Fourier, and Proudhon were
profoundly stirred by the social situation engendered by the
new industrial force. But it was in England and Germany that
the boldest spirits were to be found. Other men besides Carlyle
were seeking the answer to the great question. John Stuart Mill,
to mention only one English economist, was getting down to the
foundations of the new Political Economy. Robert Owen may
have had less economic insight, yet he rejoiced in practical wisdom
and simple faith in the possibilities of mankind; like Saint-Simon
and Fourier, he sought to improve the actual conditions of the
worker. In Owen's mind, misery was the result of the competi-
tion between men and machinery; the cure of it was to be found,
he thought, in the cooperative use of the means of production and
the subordination of them to the well-being of the masses. His
various experiments in education, his theories regarding the in-
fluence of environment upon character, and his earnest effort to
make the State a protective agency for the weak were instrumental
in inaugurating social reforms and factory legislation as well as a
new view of the State's responsibility toward its members.
LABOR LEGISLATION
Public attention having been called to the evils of the factory
system, Parliament was forced to act and a series of Factory Acts,
forty of them, were placed on the statute books. The first of such
laws, passed in 1802 and 1833, dealt exclusively with conditions
in the cotton factories. The act of 1833 forbade the employment
of children under the age of nine, while those between the ages
of nine and thirteen were to be given two hours a day in school.
Later acts prohibited the employment of women and children in
LABOR LEGISLATION
the coal mines. The persistent humanitarianism of Lord Shaftes-
bury bore fruit in an act passed in 1847 in spite of the strenuous
opposition of a large group in Parliament who apparently could
not see why the period of labor in factories should be limited, in
the case of women, boys, and girls, to ten hours per day. These
laws were the precursors of a steadily increasing number of regu-
lative and remedial acts passed in all industrial countries. Thus
the modern State has been forced by the Industrial Revolution to
participate in the social and economic welfare of the people.
While the influence of Owen and almost all other social re-
formers in England was practically limited to their own land, the
influence of Karl Marx was to be felt in every land where the
social problems of the Industrial Revolution emerged. Marx was
a Hebrew and a Hegelian. His intellect, as Ramsay MacDonald
has said, " was of the massive order which conceives big systems,
which follows them through their ramifications and which at the
same time is capable of taking instant action on the passing inci-
dents of the day." 13 The socialism of Marx presents the thesis
that if the workers of the world are to be emancipated they must
realize the fact that they are engaged in a titanic struggle against
the master class that is exploiting their labors. The conception of
life thus involved is industrial, the determining factor in history
economic, and the conclusion a practical one. Marx brought
socialism down to earth from the Utopian clouds in which it had
long languished. His merit lies in the fact that he called attention
to the abuses of industrialism and the shortcomings of capitalism.
At the same time, he is not just the sort of individual one would
acclaim as dictator or vote for as President. And those who
sympathize with the aspirations of such socialists are bound to
realize that there is no short and easy way out of the industrial
complications that have developed since the soil was thoroughly
cultivated and modern machinery began to move.
Those who study civilization realize the importance of industry,
but are not willing to let its machines throw dust into their eyes.
Industry is not the whole of life and those who see everything in
the machine are somewhat myopic in their vision. Life is more
than meat and the body more than raiment. Industry was meant
13 The Socialist Movement, p. 206.
452 THE INDUSTRIAL FORM OF CIVILIZATION
to emancipate man, not to enslave him; to save labor and create
leisure* At the present rate of progress, the near future should
see mankind doing the work of the world in a fraction of the
time formerly devoted to it. The tendency to abridge the time
of industry is appearing in the shorter labor-day and shorter
labor-week. Then will arise the problem of leisure or the ques-
tion, what to do with oneself. This will afford the opportunity
for general culture or the improvement of one's own life. None
the less will the new leisure provide room for civilization and it
is in man himself rather than in any machine that he can make
that civilization is to be found.
CHAPTER XVIII
THE RELIGIOUS TREND OF MODERN LIFE
CONTEMPORARY RELIGION
THE SCIENCE ANI> PHILOSOPHY, POLITICS AND ECONOMICS OF
modern life have not prevented or prohibited the con-
tinuation or development of the religious trend in human
life. However, the modern mind does not accept religion in-
stinctively nor treat it dogmatically, but is inclined to question
its philosophical basis, scientific validity, and social value. The
religious ideals of the western world in the XXth century are
still those of Asia Minor two or three thousand years ago, but
these have undergone definite criticism as to their validity and
value. The modern Christian is now more than ever conscious
of nourishing his spiritual life and instructing his intellect with
values and ideas that another race, to say nothing of another age
and clime, once gave him. He seeks to atone for this by con-
tributing his own critical ideas, the fruits of his logic and ethics.
In dealing with the modern trend in religion, it will be most
convenient to consider it historically in its theological and philo-
sophical, its scientific and social forms. This treatment will in-
volve a consideration of English Deism and German philosophy
of religion, the Anglo-American conflict of science and religion,
as also the American application of psychology and sociology to
religion. Contemporary conclusions to the great religious ques-
tion will be found in the Social Gospel and Humanism.
ENGLISH DEISM
The beginnings of modern philosophy of religion were made
early in the XVIIth century by the English Deists. Usually the
term " Deism " is taken to signify the idea of God outside of and
transcending the universe in distinction from the notion of an
immanental Deity. But in the historical sense, the term has a
specific meaning. It signifies a system of religious thought which
453
454 RELIGIOUS TREND OF MODERN LIFE
asserts the rights of man in opposition to the authority of the
Church, and reason rather than tradition as the guide to religious
belief. In the case of the English Deists, a Deist was one who
asserted the rights of free thought and who supported the con-
tention that religion is based upon reason rather than revelation.
The term " Deist " appeared as early as 1693 in a work by Thomas
Blount entitled The Oracles of Reason, and may have been used
even earlier, since the idea of Deism dates back to the beginning
of that century. Deism itself was but a definite and forceful ex-
pression of Natural Religion, a rationalistic notion prevailing
throughout the XVIIth and XVIIIth centuries during the period
called The Enlightenment, die Auftyarung, Lf£daircissement.
In dealing with Deism, we must not fail to observe that it was
more of a popular and even political movement than a philo-
sophical school. It was based upon the general conception of the
Law of Nature as this was developed in the form of Natural Re-
ligion and Natural Rights. The first of these movements was
headed by Herbert of Cherbury in England, the second by Hugo
.Grotius in Holland. From one we received the idea of religio
naturalis, from the other that of jus naturale. Between these two
movements which aimed at universal religion and international
law there is an association which is both logical and chronologi-
cal. In 1624 Herbert produced his religious work On Truth —
De Veritate; in 1625 appeared Grotius' juristic work The Rights
of War and Peace — De Jure Belli ac Pacts. These exponents
of the Law of Nature in both religion and rights were personally
acquainted and seemed to share their ideas. The intimacy of
their acquaintanceship is shown in Herbert's autobiography,
wherein he says — " My book, De Veritate, having been begun
by me in England and formed there in all its principal parts, was
about this time finished. ... I communicated it to Hugo Gro-
tius, that great scholar who, having escaped his prison in the
Low Countries, came into France and was much welcomed by
me and Monsieur Tielenus also, one of the greatest scholars of
his time, who after they had perused it and had given it more
commendation than is fit for me to repeat, exhorted me earnestly
to print and publish it." *
1 Autobiography of Lord Herbert of Cherbury <, p. 347.
NATURAL RELIGION
NATURAL RELIGION AND NATURAL RIGHTS
455
In addition to the personal association of these two pioneers,
there was a certain logical likeness between their works. Herbert
asserted the existence of a natural religion prior to the determina-
tion of definite creeds and established forms in religion. Grotius
affirmed the existence of a natural right independent of definite
codes and actual legislation. They seemed to have in mind a
law written in the hearts of men. Both agreed in deducing their
first principles a priori from the very nature of man; both pro-
ceeded from this a posteriori to the actual existence of this law
in both creed and code. Their appeal was to an instinctus natu-
rdis and a consensus univer salts. The fusion of Natural Religion
and Natural Rights is to be found in Charles Blount's Religio
Laid (1682) wherein the author considered Herbert's principles
of universal religion the best basis for religious toleration.
But the effectual fusion of Natural Religion and Natural Rights
was brought about by two major thinkers of The Enlightenment,
Locke (1632-1704) and Spinoza (1632-1677). These two men
belong to the class of great thinkers and are not to be confused
with the Deists, whose thought lacked depth and whose philoso-
phy of religion was little more than a protest against dogmatism
and the civil establishment of religion. In the case of Spinoza
there was little likeness between the pantheistic philosophy he
developed into a system and the deistic propaganda his writings
seemed to serve. With Locke, the distance from Deism was even
greater, since Locke elaborated a system of empirical philosophy
quite antithetical to deistic rationalism. How, then, are the
names of these two thinkers to be associated with the deistic
movement? In a political, not a philosophical manner, for it
was their practical conceptions of the State and not their theoret-
ical views of nature that Deists used in advancing their cause.
Although Spinoza's speculative philosophy was dogmatic, his
theory of politics was liberal. He proceeded from Hobbes' idea
that right is might, but softened this severe doctrine by making
it apply to what we might call the might of the brain. His argu-
ment was that, since one has the right to do whatever is in his
power, he has the right to think freely, since his private thoughts
45<S RELIGIOUS TREND OF MODERN LIFE
are things over which no outside power, like that of the magis-
trate, has any control.2 The contention in favor of inward free-
dom is to be made in favor of spiritual worship over which the
magistrate has no control, although he may enjoin the duties of
justice and charity.3 These practical conclusions of Spinoza were
based upon his distinction between the realms of reason and
theology or, as we should say, between science and religion.
" Reason is the realm of truth and knowledge, theology that of
piety and obedience — ratio regnum veritatis et sapientiae; theo-
logia autem pietatis et obedientiae." 4 To us such a distinction
seems obvious and the mention of it trite. Not so, however, in
the XVIIth century, when State and Church were one and where
the control of the citizen was both political and ecclesiastical;
hence the importance of Spinoza's Theologico-political Tractate
of 1670.
FREE THOUGHT AND TOLERATION
Spinoza's relation to Deism was only indirect. His Latin lan-
guage was hardly accessible to the average Deist and his thought
too profound for any of them. His theory of free thought was
calculated to enhance their idea of liberty, had they known his
philosophy; but for the most part they did not. It is significant
to observe in this connection that the Deist Anthony Collins, in
his list of free thinkers from Socrates to Locke, fails to mention
the magic name of this Spinoza! Yet Deism was not wholly
unaware of Spinoza's name. A certain Kortholt considered him
with Herbert and Hobbes as one of the " three impostors." The
Deist Toland (1670-1722), whose ideas were somewhat panthe-
istic, was called by Warburton the " mimic of Spinoza," 5 and
the name of Matthew Tindal, the arch-Deist, was associated with
that of the great philosopher. This was in a bit of doggerel that
went the rounds in the palmy days of Deism :
" Spinoza smiles and cries the work is done;
Tindal shall finish (Satan's darling son) —
Tindal shall finish what Spinoza first begun."
2 Theologico-political Tractate (1670), Cap. XVII. 8 Ib.t Cap. XVIII.
* lb., Cap. XV. 5 Divine Legation of Moses, 5th ed., Vol. IV, p. 373.
FREE THOUGHT AND TOLERATION 457
Locke's theory of toleration was more accessible to the Deists,
although they were more inclined to a vigorous assertion of free
thought than a rational plea for toleration. Locke's philosophy,
as we have intimated, was far from being deistic. Indeed, when
he assumed that the mind is by nature a blank tablet dependent
upon sensation for its knowledge, he was asserting something
the very opposite of Deism, which assumed the existence of a
Law of Nature written in the heart of man. What Locke did
was to insist upon the inner character of religious faith and its
consequent independence of control by State and Church. How
could a magistrate dictate one's private belief? "Although his
opinion in religion be sound," said Locke, " and the way he ap-
points truly evangelical, if I be not thoroughly persuaded in my
own mind, then there will be no safety for me in following it." 6
It was on such a basis that Locke assumed the right to work out
his own conception of religious faith.
The Deists themselves had no such philosophy as we have seen
in Spinoza and Locke or even in Herbert and Grotius, but they
did not introduce their religious ideas without preparing the way
for them by political tracts calculated to advance the cause of free
thought. For the sake of emphasizing the political character of
this theological movement, we make mention of their contribu-
tions to the legalistic literature of the day. Tindal produced, in
1694, An Essay Concerning the Laws of Nations and the Eights
of Sovereigns. This was followed in 1694 by An Essay Con-
cerning Obedience to the Supreme Powers, In a more philo-
sophical manner he wrote, in 1697, An Essay on the Eights of
Mankind and added to this A Discourse on the Uberty of the
Press (1698). We continue the list of juristic works produced by
the Deists by mentioning John Toland's Life of Milton (1699)
and his Amyntor (1699) in defense of it. Toland produced also
Paradoxes of State (1707), The Art of Governing by Parties
(1707), and Anglia Libera (1707). Even Thomas Chubb (1679-
1747), the humble tallow-candle dipper but influential Deist,
wrote Some Short Reflections on the Ground and Extent of
Authority and Liberty (1728)- But the classic work of this phase
of Deism was that of Anthony Collins, A Discourse of Free
6 Letters for Toleration (1689), Worlds, nth ed., Vol. VI, pp. 17-26.
45g RELIGIOUS TREND OF MODERN LIFE
Thinking (1713), a rather specious work in which the author
contends that "the surest and best means of arriving at truth
lies in free thinking." 7 Without such liberty, argues this author,
it will be difficult for one to decide between a true religion and
a false one.
Why mention a series of works long since forgotten? It was
by these that Deism was established and the development of
Deism, although it was a wretched affair, was the beginning
of modern religious thought. The effect of such a combination of
the theological and political on the basis of what the Deists called
reason was felt in this country in the case of Thomas Paine, if
not in that of Thomas Jefferson also, in the popular " infidelity "
of Robert G. Ingersoll as also in the gay theology of the late
Elbert Hubbard. Indeed it might be possible to find survivors
of the deistic movement among some of the free thinkers of the
present day.
RATIONAL CHRISTIANITY
After Deism had contended for free thought, it proceeded to
the rationalization of Christianity. This was undertaken first by
an obscure writer named Arthur Bury in a work entided The
Na\ed Gospel (1690). Again appeared Locke in the role of a
semi-Deist when he published his essay on The Reasonableness
of Christianity (1695), a work which sought to reestablish primi-
tive Christianity pretty much as our Modernists are trying to
do today. Locke's conception of Christianity was much like that
of John the Baptist in that he saw in Christianity only a doctrine
of repentance and faith; a belief in Jesus as the Messiah and a
" good life " were the essentials of true religion. John Toland
gave a deistic touch to such views when he produced his Christi-
anity not Mysterious (1696). Anthony Collins continued the
deistic interpretation of the Gospels in his The Grounds and
Reasons of the Christian Religion (1724), a work in which he
questioned the authenticity of the fulfillment of the prophecies
recorded in the New Testament. To this, William Woolston
added an attack on the miracles mentioned in the Gospels, while
Thomas Chubb, relying upon the favorite notion of the Law of
7 Op. cit., p. 33-
THE DOWNFALL OF DEISM
Nature, produced a work entitled The True Gospel of Jesus
Christ Asserted (1728).
Out of such rationalized Christianity grew a system of Natural
Religion based on the famous Law of Nature deduced by Herbert
and Grotius. This was the work of Matthew Tindal in his im-
pressive volume Christianity as Old as the Creation; or the Gospel
a Republication of the Law of Nature (1730). This work was
known as " the Bible of the Deists n and elicited more than a
hundred replies, chief among which was Bishop Butler's famous
Analogy of Natural and Revealed Religion (1736). Butler was
supposed to have answered Tindal and all the other Deists but,
as a matter of fact, he was really assenting to their main idea,
only his tone was more reverent and his emphasis upon revela-
tion much greater than theirs.
THE DOWNFALL OF DEISM
The reply to Deism came from unexpected sources. A certain
Henry Dodwell wrote, in 1742, a work called Christianity not
Founded on Argument and began to cast doubt on a rationalized
Christianity, saying, "A boasted rational faith is without the
least foundation in either nature or revelation." 8 In like manner
Lord Bolingbroke, a kind of parlor-Deist, was just as skeptical
about Deism's fundamental dogma. "It cannot be proved,"
said he, " without the help of the Old Testament, nor very well
with it, that the unity of God was the primitive belief of mankind,
but I think it evident that the first and great principle of natural
theology could not fail to be discovered as soon as men began to
contemplate themselves and all objects that surrounded them." 9
But it was due to Hume that Deism was brought to an end as
a philosophy of religion, Hume's skepticism would not permit
one to dogmatize concerning the existence of God, which the
Deists had taken for granted. Then, his historical sense led him
to see the absurdity of the deistic notion that a perfect Natural
Religion was the possession of primitive men, who, according to
Hume, had " a low and grovelling sense of Deity." In France,
which had borrowed Deism from England, Rousseau tended to
* Op. tit., p. 7. 9 Wor\s (i754)> VoL IV, p. 203.
46o RELIGIOUS TREND OF MODERN LIFE
offset the progress of the movement by making religion a matter
of emotion. In Germany, where Reimarus had introduced the
deistic idea, Lessing served to restore the importance of historical
religion by regarding it, as it appears in the Bible, as " the educa-
tion of the human race."
The direct results of Deism, which were felt until the close
of the XVIIIth century, are now lost to view. After Hume and
Kant had criticized reason and revealed its limitations, modern
thought was no longer in a mood to dogmatize about the power
of the human understanding to solve transcendental problems.
With the Deists, reason was largely a word, a motto, or a sort of
chronometer one could carry about with him and consult as the
occasion might arise. However, the history of Natural Religion,
or Deism, was of value in liberating the human mind for religious
inquiry. In addition to this, it had the advantage of pointing out
the fact that religion as such is the universal possession of the
human spirit. The freedom of the subject and subject matter
of religion made possible a philosophy of religion, a constructive
rather than a purely contentious view. This was taken up in
Germany in the latter part of the XVIIIth and early part of the
XlXth centuries. It was the work of Kant, Schleiermacher, and
Hegel.
GERMAN PHILOSOPHY OF RELIGION
These three German thinkers agreed tacitly that religion was
some form of absolute life. They differed in their ways of re-
garding this. Kant stressed the moral value of religion, which
he defined as " the recognition of all our duties as divine com-
mands." Hegel proceeded to religion from his usual point of
view, which was that of intellectualism. He defined religion
as "the finite's spirit's recognition of itself as absolute Spirit."
Schleiermacher, the theologian of German Romanticism, ignored
both the ethical and the logical conception of religion and
sought to place it upon an aesthetical basis. He defined religion
as " a feeling of absolute dependence, and held that it lies at the
basis of all thought and action." For convenience, we may sug-
gest that Kant found religion in the will, Hegel in the intellect,
and Schleiermacher in the feelings.
GERMAN PHILOSOPHY OF RELIGION ^fa
KANT
The depth of Kant's thought was such as to submerge his
verbal description of religion and to discourage all who, like
Matthew Arnold, try to regard religion as "morality touched
with emotion." Kant's starting point was that of radical evil
in the world. This he does not attribute to sense alone, which
would make man simply bestial; or to reason only, for that
would make the evil in man a diabolical thing. Human bad-
ness comes about when man, who is a creature of both sense
and reason and who should elevate reason to the higher position,
tends to lower reason for the sake of sensuous advantage. It is
the office of religion to reverse this natural tendency by means
of total repentance rather than by tentative reform on the part
of the religious subject. This is the redemption of the individual,
although it would seem from Kant's discussion of it that the
highest religious act was the self-salvation of Buddhism rather
than the Christian idea of vicarious redemption.
In the achievement of personal salvation, the subject of re-
ligion avails himself of the Son of God, although Kant assumes
this to be the Ideal Man within the individual rather than the
historic Christ. Kant deals just as freely with the New Testa-
ment idea of the Kingdom of God which, as we saw in the
chapter on Christianity, he made the central teaching of Chris-
tianity. The idea is that those who have undergone this self-
salvation through the ideal Son of God become members of an
ethical or spiritual world-order whose end and aim is righteous-
ness. In a general way, Kant tends to associate his idea of the
Kingdom with that of the Church, but it is more the ideal
Church Triumphant than the real and historical Church Mili-
tant. The theological effect of Kant's philosophy of religion, ap-
preciable after Hegelian theology had declined, was seen in
the ethical theology of Albrecht Ritschl.
HEGEL
Hegel's philosophy of religion seems more impressive but less
penetrating than Kant's. It had a metaphysical basis in the
462 RELIGIOUS TREND OF MODERN LIFE
Hegelian idea of the Absolute, which became the God of re-
ligion, just as it had historical scope in the development of
oriental religion, in which Hegel found the awakening of the
finite spirit to its real nature as that of Absolute Spirit. The
manner in which this religious program is carried out involves
Hegel in a kind of higher psychology of history. With all of the
oriental faiths in his hand as so many skeins of spiritual life,
Hegel proceeded to weave them into the pattern of his absolute
idealism, indifferent to the thought that the colors might not
match nor the pattern be suitable. No religious faith except the
culminating one, still less any individual adherent to any cult,
could derive any more satisfaction than the vague feeling that he
was perhaps a single thread or knot in the terrestrial tapestry.
The achievement of this colossal scheme of spiritual life is
through the vast systems of oriental faith. Hegel takes these an-
cient beliefs, revivifies them through his system of Spirit, and
then arranges them after the manner of his threefold plan: the
Religion of Nature, the Religion of Spiritual Individuality, Ab-
solute Religion. The organized forms of Natural Religion are
exemplified in Confucianism, the religion of measure; Brahman-
isrn, the religion of fantasy; and Buddhism, the religion of ab-
sorption. There must be a transition to the Religion of Spiritual
Individuality and this is found in the threefold form of the Per-
sian religion of dualism, the Syrian religion of pain, and the
Egyptian religion of mystery. According to the magnificent
plan conjured up by this Absolute idealist, it was necessary for
the Absolute in its self-realization to break with nature in the
form of dualism, suffer the pain of this diremption, and then
brood over the mystery of the evil involved in it. Then the way
for independent individuality on the part of the Absolute was
prepared. Now, Hegel speaks as though this had actually taken
place in history.
The Religions of Spiritual Individuality are three in number:
the Hebrew religion of majesty, the Grecian religion of beauty,
and the Roman religion of utility. In these ancient cults the
Absolute is individualized, and thus realizes that it is not one
with itself; hence it must return unto itself in the form of Ab-
solute Religion or Christianity, When one considers such a
HEGEL 463
speculative system as Hegel's he is led to wonder whether the
author of it means that the Absolute actually passes through these
stages or whether it merely seems so to the mind of the specula-
tive thinker. This doubt led to the division of Hegel's system
into two schools, the right and the left. According to the Right
School, the evolution of the Absolute was only an idealistic way
of representing the relation of God to history. According to the
Left School, the Hegelian idea is to be understood realistically,
so that the historical course of things is to be understood as the
actual development of spiritual life, in which the highest form
of that life is to be esteemed God. This bold conception fitted in
but none too well with the Christian idea of the incarnation of
God in Christ.
The effect of Hegel's philosophy of religion, as indeed of his
whole system of speculation, was to detach the intellect from
both metaphysical objects and the facts of history and deliver
it over to a flexible but indefinite realm of " Spirit." Apparently
truth could be found apart from objective realities. David
Friedrich Strauss (1808-1874) took advantage of this in writ-
ing his famous Life of Jesus (1835). In this work, Strauss as-
serted that the Gospels were a collection of myths that had
grown up in primitive Christian communities and further gave
the impression that, in his mind, the person of Jesus himself
was a mythical rather than a historical character. In a similar
manner, Ludwig Feuerbach (1804-1872) made a spiritualistic
or psychological application of Hegel's idea that the Absolute
comes to consciousness in man so that man, or humanity, is the
real object of religious thought and worship, or homo homini
deus. Since God is the objectification of man's thought of the
Absolute, there is no worship but that of humanity.10 Hence,
as Max Stirner suggested in criticizing Feuerbach, no longer do
we say, " God is love," but " Love is divine." Something not
wholly unlike this is being attempted today in connection with
social religion. In his own day, Feuerbach's ideas were readily
taken up and spread by the political revolutionary leaders in
Germany and by the radical socialist factions working toward
the abolishing of capitalism.
10 The 'Essence o] Christianity (1841).
464 RELIGIOUS TREND OF MODERN LIFE
SCHLEIERMACHER
Schleiermacher's Discourses on Religion (1788) appeared be-
fore Hegel's Philosophy of Religion, but it is most convenient to
consider it last, since the logical position of Schleiermacher is
between Kant and Hegel. In assuming the attitude that religion
is a matter of feeling, Schleiermacher finds it necessary to show
that religion is not a way of doing, as Kant had indicated, or a
way of thinking, as Hegel was to point out. Schleiermacher be-
gins by attacking the metaphysical ideal of religion, but can do
little more than say that " quantity of knowledge is not quantity
of piety." It was as though he were imitating St. Paul's state-
ment: "Though I have all knowledge and understand all mys-
teries and have not charity it profiteth me nothing." In a parallel
manner, he attacks the notion that religion is a matter of moral
conduct by stating that morality comes upon the soul in a state
of activity, religion in a state of passivity. From this, although it
appeared in a later work, came the definition of religion as a
feeling of absolute dependence.
But Schleiermacher really did more than distinguish religion
from metaphysics and morality; he gave it a positive content.
Thus he speaks of religion as "intuition and feeling," which
makes it different from thought and action. In a manner some-
what more definite, he referred to religion as " sense and taste
for the infinite." u His general conception of religion was that
of pietism and romanticism. It was of value in identifying the
inner spring of religious consciousness, but not so effective in
indicating how this consciousness expresses itself in thought and
deed. In like manner, it was of value in enhancing the content
of religion but not calculated to produce any system of re-
ligious thought or a theology.
CONFLICT OF SCIENCE AND RELIGION IN AMERICA
After the death of Hegel in 1831, his philosophy declined and
fell into disrepute because of the radical activities of the Left
School of the system. The place of idealism was taken by ma-
11 Discourses on Religion, tr. Oman, Discourse II.
SCIENCE AND RELIGION 465
terialism, and religious thought, which had been rationalistic and
philosophical, changed into the conflict between science and
religion. This was conducted on the scientific side by Comte,
Spencer, Huxley, and Haeckel; its history was written by John
William Draper (1811-1882) in his History of the Conflict be-
tween Religion and Science (1874), Andrew D. White (1832-
1918) in his Warfare of Science and Religion (1896), and £mile
Boutroux (1845-1921) in his Science and Religion (1909). The
conflict was an unsatisfactory one since the scientific opponent of
religion, especially in the case of Comte and Spencer, was not the
master of any exact science, while the average defender of the
faith, like Mr. Gladstone and Mr. Bryan, was a decided lay-
man in both fields of the controversy. Moreover, in the XlXth
century, both science and religion suffered from a dogma-
tism which is now quite foreign to them. At the beginning
of the controversy nearly a century ago, it was a matter of re-
ligion or science, whereas now it is the problem of religion
and science. Between these two contrasted phases of the move-
ment there grew up, beginning with Spencer, the science of
religion.
Is there a conflict between religion and science as such or is
it merely a matter of conflicting opinions between those whom
William James called " tender minded " and " tough minded "
people? Apparently there is a real conflict akin to what Kant
called an "antinomy," or an inevitable difference between an
idealistic and a materialistic view of the world. How does this
arise? It might seem to arise all along the line where the forces
of religious belief and scientific measurement are drawn up
against each other, but in reality it does not. For there is no
conflict between religion and mathematics, no reason for choos-
ing between God and gravity. The conflict in question concerns
man and those sciences that bear upon him and his place in the
universe. It has focused upon the sciences of astronomy and
biology; it has assumed a humanistic if not an egotistic character.
In the controversy, we observe man attempting to preserve his
dignity after the planet earth had been placed in an inconspicu-
ous position and man's origin on the earth connected with the
origin of terrestrial life generally. Tte enemies of religion have
S.T. — 31
466 RELIGIOUS TREND OF MODERN LIFE
been Copernicus and Darwin, or more accurately Galileo and
Huxley, who made their vast views accessible to the popular
mind.
ASTRONOMY
Modern astronomy was calculated to degrade the value of man
rather than to destroy the idea of God. Copernicus, the founder
of it, was a religious man, held the office of a secular canon in
the Church, and dedicated his De Revolutionibus Orbium to
none other than Pope Paul III. Two generations later, the new
astronomy was taken up by two men who were much better
scientists than Copernicus; one was Kepler, who by discovering
the laws of planetary motion placed the system upon a mathemati-
cal basis. This supreme act caused no religious controversy, still
less did it result in persecution for its author. The other ex-
ponent of the new system was Galileo, who popularized what
was really a question for mathematical experts. Worse than
that, Galileo treated with scorn and subjected to satire any one
who persisted in the more conservative view. It was this literary
touch more than any scientific theory that got Galileo into
difficulty. For Pope Urban, who as Cardinal Barberini had
formerly been a friend and admirer of the brilliant physicist,
assumed that Galileo had satirized him in the character of
Simplicio, in the Dialogue between the Copernican, Ptolemaic,
and Aristotelian astronomers. The result was as unfortunate for
Galileo as his attack had been undignified. His " imprisonment,"
however, amounted to little more than retirement, first at Siena,
then at Florence. Thus what was really a conflict between two
conceptions of the universe amounted to little more than a quarrel
between two men. At the present time, we have grown ac-
customed to the new celestial order and, marvelous to relate, the
new physics of Relativity makes it possible to resume the old
geocentric point of view provided we will assume that it is only
the relative viewpoint of the observer.
It was the geology and the biology of the XlXth rather than
the astronomy of the XVIth century that brought about the
conflict between science and religion. The new view of the
earth with its gradual evolutions seemed more fatal to faith than
BIOLOGY AND EVOLUTION 467
the new theory of the heavens with the eternal revolutions of the
stars. There was more than one reason for this. In the first
place, it was more difficult to deny the mathematics of Coperni-
cus and Kepler than the geological and biological theories of
Lyell and Darwin. Then, the Copernican astronomy appeared
at a time when the range of popular education did not compare
with that of three centuries later, so that in comparison with
the many who appreciated the significance of evolution there
were few who realized the meaning of the new astronomy. Be-
sides these considerations, it may be added that, even with the
earth as an insignificant dwelling place, man could still preserve
his dignity and dream of his destiny. Moreover, the proponents
of the new astronomy, Copernicus, Kepler, Newton, were re-
ligious men who looked upon the new system of the heavens in
a theistic manner. Hence the original conflict between science
and religion was little more than a private quarrel between such
scientists as Galileo and Bruno and the Church. Not^so, how-
ever, in the case of evolution.
BIOLOGY AND EVOLUTION
The significance of this theory was at once appreciated as
something disastrous to man's belief in his divine destiny; it was
just as destructive of the religious idea of a divine design in the
universe. Man himself was involved in the new theory, which
attempted to account for his origin far back in the history of
nature and in connection with the existence of the lower animals.
To this day, especially after the revival of the controversy in
connection with the famous Dayton trial and what led up to
it, there is repugnance to a scientific theory on the ground that
it implies an ape-ancestry for mankind. Of course it can be
pointed out that the idea of human evolution with its notion
of a lowly ancestry for man is, as it were, a democratic view of
humanity; it can be suggested that, with evolution going on in
both nature and society, there is the prospect of a better future
for the human race; but such vast conceptions of past and future
have never been stimulating to the faith of those who live in
the present.
468 RELIGIOUS TREND OF MODERN LIFE
Since we are inclined to scoff at " tender minded " people, it
may be well to recall that such tender mindedness was peculiar
to Darwin himself. Apparently he regretted the consequences
o£ his own theory of natural selection since, as he said, it
" placed man in the same predicament with the other animals."
Darwin wished to view man in detachment from the animal
world generally and said: "If I saw an angel come down to
teach us good, and I was convinced from others seeing him that
I was not mad, I should believe in design. If man was made of
brass or iron and in no way connected with any other organism
which had ever lived, I should perhaps be convinced." 12 Dar-
win did not appreciate the fact that man is not in the same
predicament with the other animals. In the life of man, as we
noted in Chapter II, there are certain significant factors which
tend to make us forget his animalistic origin. Man's superior
and adaptable brain, his faculty of spoken language, his in-
dustry and art, his social life and religion differentiate him so
fully from his nearest of animal kin that we may view him
about as he was viewed in ancient, mediaeval, and early modern
times.
There is, however, this difference between the man of the past
and -the man of the present in the way he views himself today:
at the present time, after the controversy over evolution and the
place of man in nature, we realize that the place man occupies
is one that in large measure he has made for himself by taking
natural selection into his own hands. Man has come to realize
that the human race, far from falling heir to a terrestrial estate,
has purchased this at the price of human effort in connection with
civilization. Hence the reply to the challenge of evolution, if we
may put it that way, is not merely the intellectual elaboration of
a theory of evolution whereby man has attempted to draw a
circle around the question of his own origin; it is a reply in terms
of effort, the effort of the will in the humanizing and civilizing of
the world. We cannot prove man's moral dignity by speculating
about it; we can, however, promote his moral nature by the
exercise of ethical effort.
From the foregoing it will be seen that modern religious thought
12 Life and Letters of Darwin, cd. by Francis Darwin (1887).
HIGHER CRITICISM 469
in the last three hundred years has passed through the stages of
theology, philosophy, and science. These periods we have ob-
served in the history of English Deism, the development of the
German philosophy of religion, and the Anglo-American con-
flict between religion and science. But there have been other
and less conceptual forms of religious thought; we observe these
in the higher criticism of Biblical literature, the historical life
of Christ, the essence of Christianity, the study of comparative
religion, the psychology of religion, and religious education.
These may be less impressive forms of religious thinking, but they
are no less important. We will begin with the development of
higher criticism.13
HIGHER CRITICISM
The term " higher criticism " is not used to indicate anything
superior on the part of the literary critic; it is called " higher *
to distinguish it from "lower criticism," which deals with the
texts involved and the most probable use, arrangement, and spell-
ing of the words. The higher criticism concerns itself with the
date, authorship, composition, and editing of a religious docu-
ment. Before the beginning of the modern period, there were
suggestions that some of the books of the Old Testament were
later than was commonly supposed, but the authorship of the
Pentateuch was not taken up until the middle of the XVIIIth
century. Before that time Luther, in the true spirit of German
radicalism, had suggested that it did not make any difference
whether Moses was the author of the books that bore his name or
not; in 1670, Spinoza had pointed out that the Pentateuch could
not have been written by Moses.
But no other authorship was suggested until 1753, when Jean
Astruc in his book called Conjectures^ introduced the names
of the " Elohist " and " Jahvist," to which we referred in Chapter
V in dealing with the subject of Hebrew religion. This Astruc
discovered the two different ways of designating the divine name
13 Article " Criticism," Encyclopedia of Religion and Ethics.
14 Conjectures sur les memoires originaux dont il paroit quc Moyse $*est servi
composer le livre de la Genese.
470 RELIGIOUS TREND OF MODERN LIFE
and concluded that, in the book of Genesis, Moses had made use
of the writings of men who had referred to the Deity as Elohim,
or God; Jahweh, or Lord; and Jahweh-Elohim, or Lord God.
This was indeed only a conjecture, but out of it grew up the
modern system of Biblical criticism. In 1783 Eichorn, professor
at Jena, took the hint given by Astruc, introduced other docu-
mentary criteria, and thus carried the idea of plural authorship
throughout the entire Pentateuch. Like Astruc, Eichorn clung
to the idea that Moses was at least the editor of the famous five
books.
Criticism then went to extremes. Alexander Geddes, in Scot-
land, abandoned the Mosaic idea altogether and, what was far
worse, saw in the Pentateuch nothing but a rough collection of
literary fragments, thirty-nine of which he claimed to discover
in the book of Genesis alone. An important step in the direction
of sound criticism was taken in 1798, at Jena, when Ilgen dis-
covered two writers who used the term Elohim to describe the
Divine Being; an early Elohist whose ideals were of prophetic
character and akin to the writings of the Jahvist, and a later
Elohist who was so Levitical in tone as to be known henceforth
as the Priestly Writer. Another document was identified in
Jena when, in 1805, DeWette detached the author of Deuter-
onomy and identified it as a law-book which figured in the
reform during the days of King Josiah, 621 B.C. When DeWette
observed that the style and spirit of Joshua were the same as that
of the Pentateuch, he added it to the collection and made the
Hexateuch the first literary unit of the Old Testament.
Just one hundred years after the pioneer effort of Astruc, Hup-
f eld reasserted the presence of two Elohistic writers, the propheti-
cal and the priestly, and surmised that their documents along
with that of the Jahvist's had been combined by an editor, or
redactor known to criticism as R. It was in this way that litera-
ture of the Hexateuch came to be recognized as the work of
certain anonymous writers known as J, E, P, D. Just as in the
case of English Deism, which was a purely dogmatic movement,
the work of Biblical criticism met opposition from the conserva-
tives. This appeared in the attack upon Bishop Colenso in
England and Dr. Briggs in America. Superior critical work
NEW TESTAMENT CRITICISM
was done by Cheyne and Driver there, by Harper and Toy here.
As a result, the study of the Old Testament is now an intelligible
pursuit o£ the student.
NEW TESTAMENT CRITICISM
In dealing with the literature of the New Testament, our pro-
cedure must follow the general plan used with the Old That is,
as we placed the Prophets before the Law, we must put the
Epistles before the Gospels. In so doing, we make a beginning
about the year 50 and catalogue the documents in the order of
the Thessalonian epistles, the Galatian one, the Corinthians, and
the Roman epistle. In the case of the epistles to the Philippians,
Colossians, Ephesians, and the little letter to Philemon, the Apostle
Paul was in prison at Rome and styles himself the " prisoner of
the Lord." The epistles to Timothy seem to be Pauline in tone,
but some of the subject matter taken up, as the qualifications for
bishops and deacons, indicates ecclesiastical developments that
took place after the Apostle's death. The epistles bearing the
name of John bring up the question whether the author of these
letters was the disciple John, which itself carries us on to the
deeper question whether he was the author of the fourth Gospel.
In order to see that question aright, we must look into the literary
history of all four Gospels.
So much critical literature has been lavished upon the Gospels
and so great the amount of controversy thereby engendered that
we hesitate to make what must be a brief statement of the situa-
tion in this part of New Testament criticism. This, however, we
may follow to the extent of observing that the original Gospel
was that of Mark, containing a brief and somewhat irregular
account of the doings of Christ and the leading events in his
career. It is a valuable book of narratives. The Gospel accord-
ing to Matthew is characterized by the well-known discourses
(the logia) of Christ, but does not fail to contain most of the
narratives recorded in the previous Gospel. According to Renan,
" Papias mentions two writings on the acts and words of Christ:
first, a writing of Mark, the interpreter of the Apostle Peter,
written briefly, incomplete and not arranged in chronological
RELIGIOUS TREND OF MODERN LIFE
order, including narratives and discourses composed from the
information and recollections of the Apostle Peter; second, a
collection of sentences written in Hebrew by Matthew, 'and
which each one has translated as he could.' " 15
The Gospel of Luke is a much more personal document, has
the distinction of being the only book in the Bible written by a
Gentile, and states in its first verse that it was made up of records
made by " many " who were " eyewitnesses and ministers of the
word." The author himself is known as the companion of Paul,
as also the author of The Acts of the Apostles. The book con-
tains considerable material found in the earlier Gospels besides
accounts of some seventeen parables not mentioned elsewhere.
It is of unusual value in showing, as it does in the prologue, how
a typical Gospel, like those of the synoptic writers, was composed.
The problem arising in dealing with these documents of the New
Testament is not to take a composite literary work apart, as was
the case with the Pentateuch, but to fit them together in a har-
monious history. This becomes unusually difficult with the
fourth Gospel.
THE FOURTH GOSPEL
The Gospel according to John is thought usually to differ
from the three synoptic ones in the way that it transcends them
in mysticism. But none the less does this Gospel excel them in
realism in that it gives details supplied by an eyewitness. In the
cleansing of the temple, this author says that Jesus "made a
scourge of small cords; " Judas Iscariot is referred to as " Simon's
son; " the name of the high priest's servant whose ear Peter
cut of! is given as " Malchus; " the other Judas is spoken of as
"not Iscariot;" the time of the final examination in the trial
before Pilate is given as " about the sixth hour; " and in place
of the objective statement that there was a superscription placed
upon the cross, this author says, " And Pilate wrote a title and put
it on the cross, and the writing was, Jesus of Nazareth, the King
of the Jews," and later added, "What I have written, I have
written."
In sharp contrast with these details noted by an eyewitness, we
15 Life of Jesus j Introduction.
COMPARATIVE RELIGION 473
find accounts of mystical discourses absent from the synoptic
Gospels, which do not represent Christ as talking metaphysically
about " life," * truth," " light," and " the world." What shall we
do with this conflict between the first three Gospels and the
fourth, with the internal contrast between the realistic and the
mystical in the fourth Gospel itself? We can do as several like
Renan have done; that is, apply the analogy of the life and death
of Socrates as reported by such widely divergent types of mind
as the practical Xenophon and the dialectical Plato. If we at-
tribute historical accuracy to the author of the Memorabilia of
Socrates, none the less can we ascribe authenticity to the idealized
account of the master as presented in the Dialogues of Plato.
" The Author of this Gospel," says Renan, " is in fact the better
biographer; as if Plato who, whilst attributing to his master
fictitious discourses, had known important matters about his
life which Xenophon ignored entirely." 16 If the Gospels had
been biographies instead of sketches made for those who under-
stood and appreciated them, they would give the unfortunate
impression of being able to contain the transcendent life. In
their brevity and crudeness is found their chief glory. If a " Life
of Christ " were attempted, " I suppose," said the writer of the
fourth Gospel, " that even the world itself could not contain the
books that should be written."
COMPARATIVE RELIGION
The religious thought of the present has been broadened and
perhaps deepened by the rise and development of Comparative
Religion, which took place in the last quarter of the XlXth cen-
tury. The European development of Christianity over a period
of seventeen hundred years, or after the death of the Aposdes,
had caused the Christian to lose sight of the fact that his was
originally an oriental faith. The Semitic form of his theology
had further obscured the fact that, by historical right, he might
well have inherited the faith and intellectual life of his own
Indo-Germanic race. It has come about that the religion of the
western world is Hebrew, not Hindu, in character. The result
16 /£., Introduction.
474 RELIGIOUS TREND OF MODERN LIFE
of this historical fact has been to make the study of oriental re-
ligions nothing but an academic exercise. Hence, when a Swami
representing Brahmanism appeals to the Christian on the basis of
similarity of race and language, the effect is to excite intellectual
curiosity rather than to arouse spiritual interest. In the instance
of the doctrines of theosophy, Hindu thought has made some
impression upon the western mind.
The systematic study of Comparative Religion is associated
with the name of F. Max Miiller (1823-1900). He owed his
training in Sanskrit to his German education, but his work in
Comparative Religion was guided originally by Eugene Burnouf
(1801-1852), who deciphered the text of the Zend Avesta, which
Anquetil du Perron had brought to Paris. The importance of
Max Miiller is found in the way he placed the materials of the
study before those who desired to make a historical study of
religion. In 1875 he began editing the Sacred Boo\s of the East,
which work he continued until his death. As the result of this
effort, the student of Comparative Religion has access to some
fifty-one volumes of Sanskrit, Pali, Zend, and Chinese religious
literature. Among others who advanced the study were Cornelis
P. Tiele, whose Outlines of the History of Religion were trans-
lated into English in 1877, *&& P- D. C. de la Saussaye, whose
Manual of the Science of Religion was translated in 1891. The
study of oriental faith was made popular by James Freeman
Clark's Ten Great Religions (1871). Interest in the study, which
is less acute than in the XlXth century, was aroused by the
World's Congress of Religions at Chicago in 1893.
The historical method followed in the study of Comparative
Religion has not been such as to yield the greatest amount of
religious value. That method has been an external and historical
rather than an internal and spiritual one. This has resulted in
the separation of the world's faiths in both space and time in such
a way as to give sections of human history instead of the histori-
cal flux of spiritual life. Instead of trying to discover the common
spirit that engendered Judaism, Brahmanism, Confucianism, and
the like, the student of Comparative Religion has contrasted the
forms of developed religion. He has compared the different
plants, as it were, without seeking their common life, their single
THE PSYCHOLOGY OF RELIGION 475
soil. This has resulted in identifying the various species of re-
ligion rather than their common genus. The condition of Com-
parative Religion is thus one of spiritual dilettantism in the
different dreams experienced by various races and has produced
confusion. What has been its method? *>
Its method has been static rather than dynamic, and when re-
ligion is surveyed in the form of the " comparative," history be-
comes a set of sections, not a process of various movements. This
has yielded an archaeology instead of a psychology of religion; it
has given us the intellectual meaning of various oriental cults
rather than the motifs operative within them. Then, likewise, in
ranging these religions side by side for the sake of comparison,
it has assumed that each existed in its own right as a separate
form of spiritual life. This has produced what Bergson in his
Creative Evolution calls the " cinematographical illusion," or
artificial practice of making a series of snapshots serve in place of
the continuous moving picture. A similar condemnation of this
practice, applied in particular to human history, is to be found
in Spengler's Decline of the West. It is in connection with Com-
parative Religion, where we find a detached Confucianism, Brah-
manism, or Judaism, that this mechanistic method is misleading.
The spirit of religion can be appreciated when we observe the dis-
tinctive qualities of different faiths — the domestic character of
Chinese worship, the renunciatory form of Hindu faith, and the
pietistic character of Biblical belief.17 It is this vital view of hu-
man history that has been lacking in the static science of Com-
parative Religion. It has given us cross sections of human be-
lief instead of the linear development and historical trend.
THE PSYCHOLOGY OF RELIGION
The psychology of religion has not been more successful and,
like the science of Comparative Religion, it has proved more aca-
demic than constructive. Apart from the quasi-psychology of
Kant, Hegel, and Schleiermacher, there was no analysis of re-
ligious consciousness until the days of Tylor's Primitive Culture
(1871), Spencer's Principles of Sociology (1876-1896), and
17 Hoyland, History as Direction (1930), p. 74.
RELIGIOUS TREND OF MODERN LIFE
Frazer's The Golden Bough (1890). These works, which were
more anthropological than psychological, dealt with man's primi-
tive belief. The psychology of religion as such has been pursued
chiefly in America and in France. In this country, the most
thorough work on the subject is James' Varieties of Religious
Experience (1902). Others that may be mentioned are E. S.
Ames, The Psychology of Religious Experience (1910); J. H.
Leuba, A Psychological Study of Religion (1912) ; and G. A. Coe,
The Psychology of Religion (1916).
Even at its best, when its accepted subject matter was that of
consciousness, modern psychology was in none too good a position
to grasp the subtle complexities of religious experience in the
race. Now that this science is making use of mechanisms, as
the unconscious of Freud and the behavior of Watson's psy-
chology, it is less likely to give a good account of the content of
religion, or indeed of anything else peculiar to the human spirit,
as the aesthetical and ethical. The subject of religion, which has
had a long and serious history in the life of mankind, is not to be
analyzed as though it were a matter of sensation and feeling.
Such a content of experience as religion affords is to be appre-
hended in some other way, perhaps that which the Germans refer
to as Geisteswissenschajt, or science of the spirit,
THE SOCIAL GOSPEL
The present century is witnessing an attempt to Christianize
the world in a secular and social manner. This movement is
recognized generally in the form of " The Social Gospel." The
conception of Christianity that it entertains is that of the King-
dom of God. This great concept of Christ's, analogous to the
Ideal Republic of Plato and the Ethical Commonwealth of Kant,
is the constitution or program of the new religious movement.
The advocate of the Social Gospel, however, is more interested
in Christian propaganda than philosophy of religion, hence he
does not take pains to determine whether the Kingdom is sup-
posed to be visible or invisible, social or spiritual, a remote moral
influence or an immediate social incentive. In certain instances,
where the Social Gospel has bred Christian Socialism, the im-
THE SOCIAL CREED 477
pression is created that the purpose of Christ was to reconstruct
the social order at such time as seemed most propitious. Now,
according to the impromptu philosophy of history sketched by
the social evangelist, that time was the period of our industrial
democracy. " For the first time in religious history, we have the
possibility of so directing religious energy by scientific knowledge
that a comprehensive and continuous reconstruction of social life
in the name of God is within the bounds of human possibility." 1S
In the pre-social period, Christianity was so preoccupied with
pietism, dogmatism, ecclesiasticism, and the like that there was
little or no room for democratic doctrine and social service.
Furthermore, the earlier religious leader was not in possession of
our natural and social sciences, our politics and pedagogy.
In considering the Biblical interpretation, the ethics, and the
philosophy of religion so zealously employed by those who are
anxious to inaugurate the new Social Gospel, one finds it difficult
to avoid certain disagreeable impressions. The close connection
between Christ and the prophets, which the new Gospel attempts
to establish, tends to make both original Christianity and the re-
vival of it appear Jewish in form, gregarious in its conception of
humanity, and materialistic in its application. The ethics is such
as to identify the moral with the social without any attempt to
justify this doubtful conception. The practical effect of such loose
thinking is to minimize -the importance of the individual subject
of ethics and the ethical world-order to which, in distinction from
actual society, he belongs. The social philosophy of religion,
while not to be criticized for ignoring the theological dogmas of
orthodoxy, may well be judged adversely for its failure to sup-
ply reason and faith with objects of belief other than those of
" society." It is not sufficient to state that the Social Gospel is one
of doing, not of thinking. The will stands in need of the intellect,
and the doer of the word must first be a hearer of it.
THE SOCIAL CREED
Just what the Social Gospel has in mind as its program is not
always clear; it has not yet called a Nicaean Council. However, it
18 Rauschenbusch, Christianity and the Social Crisis (1911), p. 209.
RELIGIOUS TREND OF MODERN LIFE
has not failed to produce some sort of religio-social manifesto; we
find it in a statement drawn up under the head of Social Ideals of
the Churches. These ideals were adopted by the First Quadren-
nial Meeting of the Federal Council of the Churches of Christ
in America in 1908 and are still in force, while additional reso-
lutions are contemplated for the meeting in the fall of 1932. The
social creed of Protestantism, which is worth quoting in full, is
as follows:
I. Equal rights and justice for all men in all stations of life.
II. Protection of the family by the single standard of purity,
uniform divorce laws, proper regulation of marriage, proper
housing.
III. The fullest possible development of every child, especially
by the provision of education and recreation.
IV. Abolition of child labor.
V. Such regulation of the conditions of toil for women as shall
safeguard the physical and moral health of the community.
VI Abatement and prevention of poverty.
VII. Protection of the individual and society from the social,
economic, and moral waste of the liquor traffic.
VIII. Conservation of health.
IX. Protection of the worker from dangerous machinery.
X. The right of all men to the opportunity for self -main-
tenance, for safeguarding this right against encroachments
of every kind, for the protection of workers from the
hardships of enforced unemployment.
XL Suitable provision for the old age of the workers, and for
those incapacitated by injury.
XII. The right of employees and employers alike to organize;
and for adequate means of conciliation and arbitration in
industrial disputes.
XIII. Release from employment one day in seven.
XIV. Gradual and reasonable reduction of hours of labor to the
lowest practicable point, and for that degree of leisure for
all which is a condition of the highest possible human life.
XV. A living wage as a minimum in every industry, and for
the highest wage that each industry can afford.
HUMANISM
XVI. A new emphasis upon the application o£ Christian prin-
ciples to the acquisition and use of property, and for the
most equitable division of the product of industry that
can ultimately be devised.
There can be no doubt that since Christianity was not intended
to be a monastic religion, the Christian Church should lay due
stress upon the idea of the immediate welfare of mankind in
connection with morality, health, economic existence, and the
like. The only question is whether the Church can promote these
causes directly by means of a social program or indirectly as the
result of its original spiritual enterprise. One who looks philo-
sophically at the nature of religion may be quite certain that it is
not the calling of the Church to advocate such a proposal as that
of birth control. Indeed, one who takes such an objective point
of view may question whether the Church, considering itself a
body of voters as well as a body of believers, should insist upon
such a political measure as the XVIIIth Amendment to the Con-
stitution. It is possible to combine the spiritual with the social
in the form of cause and effect, or to look upon it as a tree and its
fruits, without making the spiritual merely a means to a social
end.
HUMANISM
The most remote repercussion of the Deistic controversy and
the conflict between science and religion appears in the religion
of Humanism. Its general tendency seems to be that of Ethical
Culture; it bears some resemblance to the humanistic ideals of
Ludwig Feuerbach's The Essence of Christianity (1841) if not
those of ancient Epicureanism. The creed that it affects might
be summed up in " I believe in Man." According to the state-
ment issued by The First Humanist Society of New York, this
faith embodies the following articles:
" Humanism is a new faith for the new age.
It is an affirmative, creative, inspiring religion.
It keeps step with science.
It frees the human spirit from superstition and servility.
48o RELIGIOUS TREND OF MODERN LIFE
It releases man from fear of the supernatural.
It transcends materialism.
It is neither theistic nor atheistic.
It approaches immortality scientifically.
It opens the doors for progress in religion."
The characteristic thing about this project is its attitude toward
history. Humanism assumes that it is possible to break with
the past and begin de novo, presenting " a new faith for a new
age." No great amount of reflection is necessary to reveal the
idea that religion, like law and art and unlike sciences and the
practice of medicine, is involved in history and pushes forward
into the future as it is impelled by the force of the past. The
past is not something that we have left behind us with its cen-
turies like a series of landmarks along a road that has been
traveled; it is something that moves along with us. The histori-
cal view of life tends to make us intellectually sympathetic toward
humanity as a whole and keeps us from being intrigued about
our own day and generation. It is under the influence of the
religious consciousness that we enter into history and let history
enter into us. Now, it is this historical conception which is
pathetically wanting in such a well-intentioned movement as
Humanism.
la addition to its complacent conception of the present, Hu-
manism indulges the idea that man is adequate to his own needs.
Science can answer all man's questions, and industry supply all
his needs. The issue involved in Humanism and similar move-
ments can be presented by quoting a rather rhetorical sentence
from Emerson's essay The Oversoul: "What is the universal
sense of want and of ignorance but the fine innuendo by which
the soul makes its enormous claim? " The "enormous claim "
of religion is the existence of God and the soul. The bases of
these beliefs is the " universal sense of want and of ignorance."
The " fine innuendo " is human faith. According to the reason-
ing, or the impression of Humanism, the sense of want and
ignorance has been dispelled by the theoretical and practical
advance of science, whereby man has become sufficient unto
himself. According to a more sober, more historical view of
HUMANISM 48Z
humanity, science has not and cannot answer all questions or
supply all needs. The field which science has chosen for its
investigations and inventions, since it is that of immediate ex-
perience, is not coterminous or of equal depth with the domain of
spiritual life wherein religion appears and operates.
S.T.— &2
CHAPTER XIX
THE PLACE OF ART IN CONTEMPORARY
CIVILIZATION
THE ART OF ARCHITECTURE
THE PLACE OF ART IN CIVILIZATION HAS ALREADY BEEN RECOG-
nized. When we were considering The Evolution of
Man, we observed that art was one of the various ways
in which man sought to humanize his animal existence. Art in
the aesthetic sense we found to be the primary quality of Greef^
Culture and we noted how, in the case of Gothic architecture
and the poetry of Dante, art tempered the rationalistic spirit of
Scholastic Culture. In still other situations has the aesthetic
spirit revealed itself. Now we are called upon to consider
whether this aesthetic trend, so discernible in the past, persists
into our own age to make it possible for us to participate in the
spirit of the past and enjoy an aesthetic consciousness in the
present. In making this artistic inventory, we shall direct our
view along the lines of history with an eye to the situation in the
present century and shall do what we can to identify the artistic
ideal in America. The three spatial arts of architecture, sculp-
ture, and painting, the two temporal ones of poetry and music
still persist. With all our modern ingenuity, we have been able
to invent no extra one.
The art of architecture exemplifies the spirit of civilization in
the adaptation of man to nature and the adjustment of men to
one another. It concerns itself with the physical principle of
gravity and the arrangement of men in groups, domestic, re-
ligious, political. Architecture is the expression of an age's cul-
ture. We see in typical structures the inherent difference between
Orient and Occident, Greek and Roman, mediaeval and modern,
Europe and America. The Great Pyramid, the Parthenon, the
Roman Pantheon, the Gothic cathedrals, St. Peter's at Rome, St.
Paul's in London, and the Empire State Building in New York
— the differences among these are not those of time and place,
48z
AMERICAN ARCHITECTURE
style and material only; they are differences in civilization, in
spiritual life. How are these divergent tendencies to be identi-
fied?
The ponderous Pyramid, so laboriously constructed, reveals
a sense of life, a form of culture entirely different from the spirit
that built the American skyscraper. According to Hegel, the
Pyramid was a monument to faith in the immortality of the soul
and a belief in salvation by works. The skyscraper is testimony
to scientific skill, economic enterprise, and belief in business.
The Parthenon had its specific application to Greek religion.
It was expressive of belief in form, in beauty and proportion,
and might be taken to mean that " beauty will save the world."
The Roman arch and dome are suggestive of political enterprise.
The arch so often used for the roads that led to Rome and the
dome that rounded over the building indicate a belief in cen-
tralized imperial power. The Gothic cathedrals, so amiable in
form, and so like modern engineering in their structure, portray
the aspiration of the soul and the power of communal activity.
In a structure like St. Peter's, we observe the revival of paganism
or the desire for a classic rather than a scholastic conception of
life. The touch of the classic that one sees in colonial architec-
ture with its useless pillars and the French style with its man-
sard roof, both still conspicuous in the development of Ameri-
can architecture, may be attributed to imitation rather than to
anything inventive or individual.
AMERICAN ARCHITECTURE
The tone of American architecture, betrayed by the skyscraper,
has nothing mystical, aesthetical, or religious about it. The typi-
cal office building rejoices in the spirit of brutal optimism. Even
the World War and unsettled conditions of peace have not been
able to check the confident, self-assertive spirit of the modern
American builder. All architecture signifies the conflict of forces
— the downward drive of gravity and the upward thrust of the
building material. This conflict between gravity and rigidity has
been met with the column and the arch, hence the Grecian and
Gothic styles. In the case of modern America, the structural
484 ART IN CONTEMPORARY CIVILIZATION
problem has been solved and the style determined by the girder.
The tall building is erected in the form of a steel frame enclosed
by comparatively light building material. The artistic justifica-
tion for this style may be found partly by an analogy to the human
form, where the tissue of the body is supported by a skeletal struc-
ture on which it seems to be hung. It is more adequately atoned
for by the physical fact that nature herself in the case of an ore
encloses a certain amount of metal in a stony covering. But, to
speak more definitely, it has been the possibilities of engineering
and the exigencies of commercial existence that have brought the
skyscraper into existence. Now, we cannot fail to observe the
presence of the tower-like building but we are not so observant of
its characteristics. What are the leading features of contemporary
architecture in America ?
The general impression of size appears to be the most salient
feature of modernist architecture; this shows specifically in the
vertical dimension, or height. The Great Pyramid involved at
least as much building material and the Cologne Cathedral sug-
gests as much floor area; but the tallness of the modern building
is its own characteristic. The ideal of altitude was attained
originally by the Eiffel Tower, nearly a thousand feet in height;
but the modern tower of America is still taller, as we observe in
the Empire State Building, something less than a quarter of a
mile high. Moreover, the American steel tower is enclosed and
made into the form of a building serving a commercial purpose.
Now, the specific factors that characterize a modernist American
skyscraper are physical and social; they are concerned with the
building material primarily and the practical purpose, which is
mostly mercantile. If one is at all cynical, he can refer to .such
a structure as a temple to the god Mammon.
If one is disposed to moralize upon modernist architecture, he
may observe that there is a certain structural sincerity about a
skyscraper in that it must abide by the law of gravitation and the
nature of the materials whose rigidity seeks to satisfy or overcome
that law. For the most part, the building is inwardly about as it
appears to be outwardly; the floors correspond to the height of
the girders and the architectural spaces are in harmony with the
structural divisions. In the Woolworth Building in New York,
SCULPTURE AND CIVILIZATION 485
wherein Gothic motifs are combined with Gotham aims3 this
correspondence of the structural with the spectacular is note-
worthy. The modernist building as such is no imitation of the
Gothic or any other style; although it is not without style, it is
independent of stylistic tradition. Its most obvious impressions
are those of the vertical line, the set-back form of exterior eleva-
tion, and the necessary lack of cornices. But it is natural and civil
law that have produced these effects, for only as the structure con-
forms to the law of gravitation and the building code can it be
erected. Decorations, instead of being something added by sculp-
tor and painter, are integral parts of the building and depend for
their effect upon the inherently decorative character of the materi-
als, metal, stone, and plaster, involved. The total effect of the
modern building is that of the gigantic and comely.
There can be no doubt that modern architecture in America
represents national ambition just as it reveals the trend of the
times. It expresses industrial democracy. But when we compare
the American skyscrapers of the XXth century with the Gothic
cathedrals of the XHIth, we are bound to wonder at the compari-
son. Both represent technical skill In engineering; both alike re-
flect the social and cooperative spirit of the respective centuries.
In both we observe the organization of labor; there in the form of
guilds, here in the form of unions. The main difference appears
in the purposes of the two structures. The Gothic sought the
expression of religious aspiration which, however, had little that
was sanctimonious about it, for the Gothic movement was as
much social as spiritual. The spirit of Gotham is of another sort.
It is that of faith and the future; faith in man and a future which
extends into the next generation rather than into eternity.
SCULPTURE AND CIVILIZATION
The art of sculpture is significant of civilization but does not
appear to lend itself with ease to cultural changes. This is largely
because of the usual materials employed — wood, stone, and
metal. In like manner, there is a limit set by the ordinary subject
matter, which is that of the human form. The work of the plastic
artist is beset with difficulty since his material is inflexible, and
486 ART IN CONTEMPORARY CIVILIZATION
even when the sculptor attains to fullness of expression, as he did
in the days of the classic Greeks, there are always the limits pre-
scribed by the human form. Hence we cannot expect such free-
dom as we observe in the other spatial art, that of painting, still
less the free play allowed by such fluid arts as poetry and music.
Sculpture is bound to maintain a certain standard in size, and
form; it requires the touch of the heroic, as this is found in its
development from the Panathenaic Procession that Pheidias de-
picted upon the frieze of the Parthenon to the heroic figures
designed in our day by Gutzon Borglum. However, the sculp-
tor's art has not failed to lend itself to the expression of cultural
periods in their characteristic forms.
The grotesque idea of life with an accompanying sense of
mystery makes its appearance in the monstrous figure of the
Egyptian Sphinx. In such a figure is a confession that man has
not yet arrived at the idea of humanity but intuits its being in
relation to animal existence. In clear and most pleasing contrast
to the art of the Nile is the perfect humanism of Greek sculpture.
It was nobly crude in the case of Myron's Discus Thrower, classi-
cally perfect with Pheidias, beautiful with the Hermes of Prax-
iteles, and still human and beautiful in the decadence which
produced the Laocoon and Venus of Milo. Roman sculpture
could not improve upon the Greek but it could and did add
dignity and gave the art a patriotic touch.
Gothic sculpture suffers from comparison with the Greek as
also from the cathedrals it adorned. However, there was a robust
realism about this type of plastic that might be supposed to devote
itself to a more sacred form of sculpture. In French Gothic it
became independent art. But it was not until the classic tradition
was revived, as it was in the Italian Renaissance, that sculpture
became a fine art again. This it was made in the Xlllth century
by Niccola Pisano with his pulpit of the Baptistery at Pisa. The
bronze gates of the Baptistery at Florence, the " gates of Paradise,"
by Ghiberti (1378-1455), the David and John the Baptist of
Donatello (c. 1386-1466), and the Singing Boys of Luca della
Robbia (1399-1482) may be compared generally with classic sculp-
ture, certainly with the Roman. The climax of Renaissance
plastic appeared in Michelangelo. In the case of this supreme
MODERN SCULPTURE 487
artist, we find the inner genius of the Greeks but not the outer
form, for the creative power of the Italian master drove him into
designing forms which have nothing classic about them. This
we observe in his commanding figure of Moses, which is in no
wise comparable to the Zeus of Pheidias; in like manner, his
statues of the Medici, with the accompanying figures of Day and
Night, Dawn and Evening lack Grecian placidity and are satu-
rated with the romantic and pessimistic. The psychology of these
shapes is that of striving and suffering; it betokens the Christian
rather than the classic conception of life.
MODERN SCULPTURE
Sculpture since the death of Michelangelo has not been impres-
sive as an art but has conveyed the significance of succeeding
cultural periods. Lorenzo Bernini (1598-1680), the last of the
great school of the Renaissance, became Baroque and rendered
sculpture rather theatrical. The early half of the XVIIIth century,
an unaesthetic period, witnessed a continuance of the flamboyant
spirit but underwent a happy change in Houdon (1741-1828) and
Canova (1757-1822), who tended to restore the classic ideal of
form. A certain amount of vigor was driven into the art by
Thorwaldsen (1770-1844), whose Lion of Lucerne rejoices in
realism. In England, Alfred Stevens (1818-1875) gave tne sculp-
ture of the XlXth century a suggestion of Michelangelo in the
XVIth, as one observes in his monument to Wellington in St.
Paul's Cathedral. The culmination of the art founded by the
Greeks appears in Rodin (1840-1917), who seems to have strained
his material for the sake of giving it unusual expression and
symbolic meaning. The psychological touch applied by Rodin
appears in The Kiss and The Thinker, statues which carry the
mind away from the subject matter and the form of the figure
to a story it is supposed to relate.
American sculpture, realizing the patriotic phase of the art, has
revealed itself in statues of military and naval heroes and states-
men, as these are found in Washington and many municipal
centers. In the classic style, Hiram Powers (1805-1873) carved
the Gree\ Slave, a figure which tended to popularize the art.
ART IN CONTEMPORARY CIVILIZATION
Saint-Gaudens (1848-1907) enjoys a great reputation as a plastic
artist, yet his only nude figure was the bronze statue of Diana,
famous for its position at the top of the tower of the old Madison
Square Garden. The robust and colossal in sculpture was the
extensive relief which Gutzon Borglum (1876- ) began to
carve in the face of Stone Mountain, Georgia. Lorado Taft
(1860- ) has gone at the art with chisel and pen and in ad-
dition to patriotic pieces and symbolic forms, like The Blind, has
written an authoritative work, The History of American Sculp-
ture. Among the women sculptors of America are Janet Scudder
(1873- ), famous for her fountains, as also Gertrude Vander-
bilt Whitney with her Aztec Fountain and Fountain of El
Dorado.
Turning points in sculpture were reached after the death of
Praxiteles in the fourth century B.C., Michelangelo in 1564, Hou-
don in 1828, and Rodin in 1917. The tendency of the art is to
yield the ideal of massiveness for the impressionism and expres-
sionism peculiar to modern painting, as also to return to the
primitive. " Just now," says Lorado Taft, " the archaistic fever is
well-nigh universal; buttonhole eyes, macaroni hair, washboard
drapery — all are de rigueur in up-to-date galleries of sculpture.
But in spite of all this wave of childish imitation there has been
in some respects a notable advance. . . . Mass is once more con-
sidered and despite an affectation of naivete, there is a return to
the fundamental principles of good sculpture." * It is a question,
however, whether the modern conception of matter, so wanting
in the idea of solidity, and the prevailing temper of the day, as
fully devoid of stability, can offer much to the classic art of
sculpture.
How PAINTING PICTURES CIVILIZATION
The place of the painter in history may seem to be that of an
illustrator in a book; the story unfolds and the artist simply
pictures it. But the function of painting is something more ener-
getic, for the artist feels life as it is being lived and then expresses
it. The Italian primitive painters did more than paint pictures
1 The Appreciation of Sculpture, p. 41.
" WOLF AND Fox HUNT." RUBENS
44 CHRIST ON LAKE GENNESARET." DELACROIX
(facing page 489)
HOW PAINTING PICTURES CIVILIZATION 489
of the Madonna who was being worshiped; they also were among
the devotees; their belief they expressed by means of the brush*
The painters of the Renaissance did more than copy ancient
models; far more than that they felt the creative spirit that had
animated ancient Greece. The romantic artists did not apply
color just because Romanticism was a roseate view of life, but
they themselves felt the glow of warmth that the early XlXth
century was experiencing. The painter of today does not confine
his efforts to illustrating the confusion in civilization; he feels
this confusion himself, suffers from or glories in it, and then paints
his inchoate canvases as forms of hectic self-expression. Modern
painting in the sense of that which has taken the place of classic
tradition is thus an expression of modern life — romantic, natural-
istic, impressionistic, expressive. Our civilization and our studios
are in something like concord.
When we approach modern art in the strict sense of that term,
we can make a helpful distinction by saying, in the Renaissance
there were " artists " but now we have " painters." This contrast
may be heightened by observing that the artist-painter must con-
sider both subject matter and technical treatment; the matter
and the manner, the way the picture will look in a gallery com-
pared with the way it is painted in the studio. In addition to
these aesthetical comparisons, the ethical one of altruism and ego-
ism may be mentioned. What is the difference in results ? The
older artist paid careful attention to his subject matter and con-
sidered how his painting would look upon exhibition. The newer
painter-artist flouts the subject for the sake of treatment and seems
to be painting for himself in his studio* The difference is that
of "illustration" and a "canvas." We might go so far as to
venture the suggestion that one can tell the difference between
the two types of painting by noting the amount of pigment kid
upon the canvas. The old artist was a " thin " painter, the modern
is inclined to be " thick." Certainly we feel the differences when
we pass from the section of the gallery devoted to the old masters
to the one set aside for the moderns. Botticelli and Leonardo da
Vinci, Michelangelo and Titian, Raphael and Correggio, to men-
tion only a precious few, present one appearance. Turner and
Delacroix, Courbet and Daumier, Gezanne and Picasso, to men-
490 ART IN CONTEMPORARY CIVILIZATION
tion only the best, have produced works that bear but faint resem-
blance to these.
STUDIO TECHNIQUE
There is, however, a common technique shared by these two
schools; let us analyze it briefly and with the primary aim of
pointing out that it was not wanting in the Renaissance. First
of all, there was draftsmanship and painting by means of line.
Now, linear fidelity is something we are bound to mark in the
exquisite touch of Botticelli, in the line of strength in Michel-
angelo, of dignity in Raphael, of living power in Rubens. Color
became manifest with the Venetian school of Titian, Giorgione,
and Palma Vecchio; yet we would not refer to these artists as
colorists. We find some significant lighting, although of an arti-
ficial sort, in Leonardo and Correggio, while there was adequate
perspective and composition when the high Renaissance was
reached after the year 1500. Yet these obvious forms of technique
were used as means to an end, to make a good picture, a good
illustration, as it were.
What we find when we come to the modern art of the XlXth
and XXth centuries is the retreat of the subject and the rapid
advance of technique. Indeed, we find more than that; or, to
reverse the mode of expression, what we lose is the impression
that something outside the canvas is being represented. What we
behold is not a picture of something, as Madonna, prince, his-
torical scene, but a painting. The subject is only an excuse for the
display of the painter's art and often it is difficult to determine.
Thus the motto of the modern painter is, " No representation of
the recognizable." If we may venture the analogy, we will sug-
gest that post-classic aesthetics resembles post-classic physics in
that the conceptions of nature entertained by artist and scientist
are not all obvious. We cannot extend our common-sense notions
of space, time, and matter and thus approximate to the scientific
truth about them or the artistic treatment of them. Physics, as
we observe it in the case of Relativity, and art, as we see it
in modernist painting, require elucidation. The physicist, the
painter must explain his novel methods to us and after that we
MODERN PAINTING AND PHYSICS 49!
must exert ourselves to interpret his formulas, his figures. This
elucidation on his part and sophistication on ours is something
new; it was not required by Newton or Michelangelo. Their
science, their art was not simple nor did it fail to take us out of
our everyday world; but to this we returned with the feeling that
the things of science and of art looked strangely natural.
MODERN PAINTING AND PHYSICS
Perhaps we can do no better than pursue still further this
parallel between the science and the art of today. Art is quite
different from science and yet, like science, it may attempt to press
on beyond the f amiliar world of facts into some unusual order of
existence. This seems to be the case with both physicist and
painter, in whose ideas we find something unearthly. Relativity
proceeds by fusing space and time in a continuum marked by the
interweaving of space-points and time-intervals, so that we can-
not answer the question " Where? " without involving the ques-
tion " When? " In the art of painting, this fusion of space and
time appears when music assumes an objective or pictorial form
and when painting becomes so dynamic as to convey the effect of
movement. Common sense may object to all this and hold out for
separate forms of space and time. In defense of the new view,
however, it may be pointed out that, in observing the position
and formation of a stratum in the earth's surface, we must take
cognizance of the time when the stratum was thus placed. Art
is no less insistent upon the space-time fusion, the blend-
ing of form and movement; as a meteor or rocket draws a bright
path behind it in the sky, the futurist painter seeks to impart
the same sense of movement in the object he places upoa his
canvas.
In a more definite manner, it may be stated that modern art is
best exemplified in Impressionism, Cubism, and Futurism. These
three tendencies are widely divergent; they agree in departing
from the classic conception of a painting as a picture of something.
Their exponents would make of painting a creative art of which
the picture will assume the form of a thing-in-itself. In a certain
sense, the modern painter uses colors the way the composer
492 ART IN CONTEMPORARY CIVILIZATION
employs tones; that Is, the painter would construct something of
them. The Impressionist seeks to present the appearance of an
object at a given time under the changing conditions of light and
to observe that nature, far from using black and white, is devoted
to color. Hence the dark shadow cast by an object is rendered
purple. The Cubist goes to the other extreme. Instead of pre-
senting an object in some ephemeral situation, he prefers to rep-
resent its inherent and abiding nature, or the plan on which it is
constructed. His painting presents a solid rather than a super-
ficial aspect of the object. When this block-method of painting
is employed, it gives us the impression that the work of the painter
has just begun and that the Cubist should proceed with it and
form a human figure capable of organic existence. Such is our
impression when we look upon A Nude Descending a Staircase.
Yet such a painting does not fail to convey at least an architec-
tural conception of the human form. The Futurist, as we have
indicated, develops a kind of energetic art calculated to give the
impression of things in motion or objects at work. In a certain
sense, Futurism is cinematographical. It suggests movement in
the way that a picture of wreckage gives some idea of the railway
collision that caused it.
THE ANTHROPOLOGICAL TENDENCY
In our endeavor to penetrate the mask of modern art, we are
bound to observe the studied crudeness of the painter's work, if
not that of the composer or the poet. In the forms of painting
just mentioned, in free verse and jazz music, there seems to be a
reversion to type, as though the artist would turn evolution back
upon itself to reinstate the primitive. The anthropological factor
in modern arts is unmistakable. We may jest about this and
speak of the " futurist " as really a " pastist," yet we must come
to an understanding with the tendency. In one significant case,
that of Gauguin (1848-1903), we observe a painter who abandons
civilization and goes to the South Sea Islands, where he lives like
a native and paints and carves in primitive style. The portraits
of Maori Women and the Maori Venus reveal a certain amount
of technique and sophistication, yet the spirit of these canvases
THE ANTHROPOLOGICAL TENDENCY
is aboriginal. The tendency thus revealed by Gauguin might be
called ancestral, or atavistic.
When we are confronted by this tendency, which is not con-
fined to Gauguin only, certain questions arise in our minds and
these have a direct bearing upon our whole problem of civiliza-
tion and culture. Is the modern artist so satiated with the life
of the present that he seeks primitive existence as a relief? Or
does primitive art, which has not been worn smooth by the refine-
ments of the classic school, reveal a technical merit which the
modern may well imitate? Or, finally, is the unity of the race
so complete and the continuity of its development so marked
that present and past have much in common? Undoubtedly
an individual artist like Gauguin may have recourse to the primi-
tive in order to refresh his jaded spirit, but the anthropological
spirit, so to style it, must have some deeper source. Everywhere
there is a perceptible tendency to depart from the norms of
culture and the standards of civilization, as these latter are ex-
pressed in statutes. The art of painting reveals this in the
distortions peculiar to Postimpressionism; music accompanies it
with its savage sense of rhythm; poetry responds with its crude-
ness, and architecture forms a background of primitive power.
The effect of modern painting with its change from subject
matter to technical treatment has been to educate the layman in
the meaning of the painter's art. Perhaps the painter goes too
far in his departure from the pictorial when he aims to give " no
representation of the recognizable/' but this extreme tends to
draw our eyes and minds away from the trite conception of paint-
ing as the accurate reproduction of the obvious. That is more
the work of the photographer. In a similar manner, the result
of the new painting has been ethical in the sense that it reveals
a disinterested regard for its objects, whether high or low in the
social scale, impressive or commonplace in the natural order, and
good or bad in the traditional sense of those terms. Modern art
lets its light fall upon just and unjust, proud and humble alike.
In figure painting, it does not aim at a " beauty show " but at-
tempts to present an average' degree of fairness in the average
person. In genre painting, it has the effect of calling our atten-
tion to the stern realities of life and the way they affect the race
494 ART IN CONTEMPORARY CIVILIZATION
in the form of humble surroundings, the bowed form, and
wrinkled face.
Two EFFECTS OF PAINTING
In a more definite manner, it may be pointed out that the new
painting has had two results. It has enlarged the field of the
subject matter by revealing the effect of light and air upon ob-
jects viewed at different times during the day. This has been
the work of Impressionism. It has analyzed its objects in such
ways as to penetrate beneath the surface into their very struc-
ture and thus show how they exist at all times, under all condi-
tions. The Cubist has achieved that. Then, in the case of dy-
namic Futurism, the new painting has impressed us with the
feeling that it is only in a conventional way that bodies may be
thought of as at rest. In truth, every physical object is an exhi-
bition of energy and it is this that the Futurist has striven to bring
out. By means of art, our vision of the world today is different
from what it was because of the way the modern artist has
represented it to us.
On the subjective side, the painter who has enlarged our world
of percepts has not failed to liberalize our tastes. We are now
able to admire what at first seemed only a caricature of objects.
If the painter in the instances of Impressionism, Cubism, and
Futurism has indulged in exaggeration bordering on distortion,
his excesses have had the effect of drawing us away, as if by
force, from aesthetic conventionalism. Our layman's attitude
might be expressed by saying that our new appreciation of the
art is, as it were, a mean between the extremes of old and new,
of illustrative pictures and independent paintings. Hence we are
now in a position to appreciate such a work as Rain, Steam and
Speed by Turner, Apples on a Table by Cezanne, the brilliance
of Signac, the solids of Picasso, and the bold brushwork of Van
Gogh. The new canvas has given us a new consciousness. In
all art, the beholder must participate by contributing appreciation
to the artist's effort. At the present time, when so much of
art is left unsaid or unpainted, the amount that the beholder
must contribute is excessive. The painting taxes (his brain to
THE PROGRESS OF PAINTING
discover its intention or calculated effect. Let us see, then,
where we stand in the art of painting.
Those who look upon art just as they look upon anything else
in civilization — religion, science, industry — find it difficult to
account for the new movements, or the art that has abounded
since 1870 when Impressionism came to the front. It is not
difficult to realize that the painter, who had been a kind of
picture-maker, was disconcerted by the new art of photography,
which was making it possible to procure accurate views of ob-
jects and scenes. The camera had become the rival of the can-
vas. Thus there came a breach in creative art and the world
which it had been imitating. But in addition to the fact of
photography, there were more positive factors in the develop-
ment of Impressionism. There was, for example, the interest
in scientific inventions. In speaking of the difference between
two types of painters, Clive Bell says, "Instead of painting
women and flowers as that back-number Renoir continued to
do, up-to-date M. Besnard would represent Electricity or The
Wonders of Science or just Death." * Now, the value of Bes-
nard's work is that it marks the end of Impressionism.
THE PROGRESS OF PAINTING TO THE PRESENT
If we desire to restate the art of painting historically and thus
indulge in dates, we may observe the beginning of the authentic
movement which rose as early as 1300 with Cimabue and Giotto.
Such academic art, as we might call it, persisted until the death
of Rubens in 1640 or that of Poussin in 1665. Of these two, it
was Rubens who expressed more of the modernist tendency.
The influence, or wake, of the academic tradition continued
until the death of David in 1825, although the Romantic School
may be said to have had its beginning in 1822 when Delacroix
exhibited his first painting, The Barque of Dante. The leading
lines of contrast between the termini of the old classical and
new romantic schools, represented most effectively by David
and Delacroix, may be stated in the form of artistic preferences.
The classical stressed draftsmanship, the line as outline or con-
2 Nineteenth Century Painting* p, 213.
496 ART IN CONTEMPORARY CIVILIZATION
tour; an analytical study of the human form in the classical
manner inclining toward the typical; the subject matter chiefly
historical or otherwise impressive in character. The romantic
changed abruptly to color which blurred the outline, turned to
nature, and interpreted art upon the basis of full emotion rather
than thin intellectuality. The transition from Romanticism to
Impressionism was effected generally by the landscape painters
of the XlXth century, primarily Corot and Theodore Rousseau,
Turner and Constable.
The aspiration of the older artist was to see nature steadily
and see it whole. The Impressionist has sought to view nature
swiftly in the form of fleeting instants of the passing light. If
we may venture to suggest chronological confines of the move-
ment, we can date Impressionism from the exhibition of Manet's
works in Paris, 1867, to the death of Cezanne in 1907. Within
this forty-year period, we can include also Monet, Degas, Renoir,
and Pissarro. The most typical development of Impressionism
is afforded by the work of Monet, who, in such a picture as
The Haystac\s provided himself with a score of canvases upon
which he painted in progression the successive sunlight effects
of his object. This, however, yielded more of a Luminism in
particular than a general Impressionism. The lightness of
impressionistic principles of painting was such as to discon-
tent a great artist like Cezanne, hence we observe the emer-
gence of a Postimpression School comprised of what we might
call little Cezannes. In the group, however, were such inde-
pendent artists as Van Gogh and Gauguin.
Cezanne in particular requires notice; his superior art has had
the effect of making the modern movement at least semiofficial
or half orthodox. "The germinal ideas of Cezanne may be
formulated as follows," says Mather, "creative distortion: this
means the departure from actual appearance that the artist
makes either to express his emotion or to emphasize as against
what the eye sees in the object what the mind knows to be
there. We may call these distortions Expressive and Factual." 8
Such " expressive distortion " may be understood by comparing
the painter's manner to the author's style, in the sense that
3 Modern Painting, p. 344.
" A WHEELWRIGHT'S YARD ON THE BANKS OF THE SEINE." COROT
" THE FOREST OF FQNTAINEBLEAU." CEZANNE
(facing page 496)
498 ART IN CONTEMPORARY CIVILIZATION
Nor is our spirit today that of those great composers Bach and
Handel, or of their followers in the Classical School of the
XVIIIth century, Haydn, Gluck, and Mozart. But the Roman-
tic School of the XlXth century, the school of Schumann, Chopin,
Berlioz, Liszt, and Wagner, broke down many of the classical
restrictions and opened the way to a freer use of harmony and
a development of a new type of melody. Composers of today
may, it is true, go back to Bach in their adoption of his contra-
puntal writing, that is, the combination of several musical melo-
dies and harmonies moving along at the same time; but the
modern counterpoint is extremely dissonant, so much so that it is
difficult to discover the different melodies running through the
work.
It is to the romantic composers that we are particularly in-
debted In certain technical ways musicians of today follow that
outstanding operatic composer Wagner (1813-1883). Wagner's
use of the chromatic scale, which progresses by half steps instead
of by the more usual diatonic combination of whole and half
steps, is a forerunner of the similar though more advanced type
used by Debussy (1862-1918) and the impressionistic composers.
However, there is one important distinction to be noted. In
spite of his use of the chromatic scale, in Wagner's works one is
ordinarily conscious of the original key in which the composition
was written, whereas Cesar Franck (1822-1890), though he pro-
gressed from one key to another by the chromatic scale in much
the same way as did Wagner, occasionally made the central key
of his work somewhat more obscure. Debussy, in our own cen-
tury, carrying Impressionism still further in his search after un-
usual color effects in his music, finally evolved harmonic patterns
which are in no key. Just as the French painters of the school of
Impressionism, Manet, Monet, Renoir, and others, employed
color, so does Debussy treat each musical chord as a bit of color,
ignoring the structure of his composition. This fragmentary
music is similar to the poetry of the Impressionistic School.
Maeterlinck in his " PdUas et Mttisande " allowed one or two
colorful words to express an entire thought. When Debussy
wrote the musical setting for the poem, he too reflected the
element of sound for its own sake. The older idea of a melody
FRENCH AND GERMAN COMPOSERS 499
with harmonic accompaniment is largely abandoned by the
impressionistic writers. If a certain chord expresses, let us say,
light or water or mist, it is repeated in sequence in an endless
variety of pianistic figures to intensify the initial impression.
In this way the usual harmonic progressions sanctified by tradi-
tion are entirely absent and we get what one critic has called
"merely movement, sound, and color." Such impressionistic
music is naturally largely sensuous, and the intellectual element
plays a minor part.
FRENCH AND GERMAN COMPOSERS
In spite of the utter lack of structure in the compositions of cer-
tain modern composers today, there are other composers who
fail to consider the emotional element of music at all, and ap-
proach composition with an intellectual attitude resembling that
of the Classical School. To be sure, their dissonant chords and
progressions from one key to another would never be mistaken
for classic, but in their utter subduing of feeling and their un-
swerving regard for the structure and architecture of their com-
positions they are classic. Such a one was Reger (1873-1916), in
Germany, who wrote involved counterpoint of an extremely dis-
sonant order. The intricate weaving of the tone lines in counter-
point involves an intellectual capacity far more than any other
type of composition. Another writer of this intellectual music
is Schonberg, who was at first a Romanticist in the Wagnerian
manner. He writes in a scale made up of twelve tones instead
of the more usual eight tones, and employs the devices of coun-
terpoint in a most intricate manner. His music lacks emotional
warmth, but has great architectural value. Hindemith, another
German composer, writes in the most advanced manner as far
as dissonance is concerned. His works are sometimes spirited
and usually hard in tone. He employs many of the classic forms
and hence is particularly concerned with design rather than with
color effect. Along with these Germans, the French composers
still preserve their traditional elegance, precision, and clarity of
design, which has been part of their national heritage. Ravel,
not one of the most ultra composers, still writes music of great
500 ART IN CONTEMPORARY CIVILIZATION
technical brilliance and, though not an extremist, is a modern in
tone.
The treatment of the old contrapuntal principles in this dis-
sonant way has resulted in a type of music known as polytonal.
In such music several keys are heard simultaneously, as the dif-
ferent voices are written in different keys. However, the tech-
nique of counterpoint has merely been expanded to include lines
of chords and keys instead of single melodies. Richard Strauss
has employed polytonal progressions in his orchestral works.
The different tonal streams each running its own way and yet
combining in a unified effect are most arresting when employed to
express conflict. Honegger has used the polytonal apparatus
with wonderful effect in his Le Roi David, notably when he pic-
tures the various camps of the armies and different groups march-
ing. Both architecture and dissonance are combined in such
music, resulting in an effect which is pleasing to some and
entirely cacophonous to others.
NEW CHORDS
In constructing this dissonant music, it is natural that new
chords should be invented to meet the demands of the sound
and color effects. Even in the Romantic School one finds chords
which include non-harmonic tones; that is, tones not found on
the chord-structure built up from intervals of thirds and fourths,
the ordinary chords which make up the music of hymns. Such
familiar chords have lost their appeal, and startling combinations
of intervals have been constructed, entirely apart from ordinary
rule. Yet many people of no musical training like such pro-
gressions.
The piano, used by Chopin (1810-1849) and Debussy, both
of whom appreciated its genius, has undergone a change in the
manner of technical manipulation. Now it is played with not
only the fingers, but the palm of the hand, the fist, the entire
forearm, and the elbow. It is struck with hammers, the strings
are plucked, etc. To many this seems a sacrilege, but new
sonority has developed. These percussive effects are sometimes
legitimate. In general the orchestra could do much better, how-
NEW CHORDS 501
ever. There is a limit to the capacity of the piano and it can
scarcely be forced beyond its limitations. The inclusion of many
tones lying adjacent to each other is technically called the use
of tone clusters. These often include all the tones of the scale,
heard at the same time, and the tones of the black keys which
form the pentatonic scale. Unusually brilliant passages are found
with tone clusters alternating with scale runs and with the over-
worked glissando, or glide. Some of the effects are cheap and
have little to do with the real development of musical thought.
There is a place for them, however.
In the orchestra there is more attention paid to the individual
instruments than ever before. Again we find evidence of innova-
tion in the Romantic School. Berlioz (1803-1869), who has been
called the greatest of French musicians, experimented very defi-
nitely in the groupings of the orchestra, dividing the strings into
eight or twelve parts and developing special effects in the per-
cussions. It is for such innovations as these that he is regarded
as the real founder of modern French music. Modern composers
have tried to achieve effects similar to those produced by Berlioz,
but more economically. The instrumental body of the orchestra
has been reduced by certain German composers, and the solo in-
struments are heard to greater advantage. There is almost a fad
for the smaller orchestra. The piano is introduced as a full-time
member of the group, instead of performing only as a solo in-
strument. Rimsky-Korsakoff (1844-1908), Richard Strauss, Stra-
vinsky, and many others have written passages that tax the in-
dividual instruments to their full capacity. The infinite range
of instrumental capacity is amazing. The amount of sonority
has increased to such an extent that one is often inclined to call
it noise. It is Respighi who uses the orchestral apparatus to
the limit.
It is difficult to classify moderns in the field of music because
each composer is a law unto himself. However, there are certain
composers who should be mentioned, since they represent spe-
cific tendencies. Scriabin (1871-1915) enlarged the harmonic vo-
cabulary by writing arbitrary scales which give a peculiar and
individual quality to his work, and also used involved rhythms.
Stravinsky is also rhythmic to a degree which nearly obscures
502 ART IN CONTEMPORARY CIVILIZATION
other elements o£ his art. His rhythms are sometimes primitive
in effect, often o£ a complexity which is amazing, and again
very sophisticated. Stravinsky has passed through several har-
monic phases, from a neo-Russian folk strain to a pale and non-
individual, nee-classic style. Many consider Sibelius the greatest
living composer. He is comparatively uninfluenced by the trends
of other countries. He reflects the quality of his own native
Finland. There is a strength and rugged quality quite indi-
vidual to him, and his harmonic scheme is different from that
of any other composer. He seems less a member of a school
than a lone personality of peculiar force. His music is folkiikc,
yet dissonant, and abounds in original effects.
' AMERICAN COMPOSERS
Most of the younger American composers write in the mod-
ern idiom, speaking technically. Aesthetically they are not all
of one mind. In general they use all the resources of dissonant
counterpoint, employ the most advanced type of chord struc-
tures, and treat the orchestra in the newer manner. There are
many and varied influences which cause the works of different
composers to possess distinct styles. Howard Hanson is known
far the rugged character of his harmonic style. Aaron Copland
has made jazz a part of his idiom. John Alden Carpenter,
although older than some of these newer composers, has mir-
rored American life in its urban aspects in Skyscrapers, while
Arthur Shephard has written music with a touch of the west-
ern prairies running through it. Henry Cowell experiments
with new instruments and new ways of securing novel tonal
effects on the piano. He has delved into the physics of music
more than has the average musician. Roy Harris writes with
vigor and a certain freedom from convention. Although these
composers are not always self-avowed nationalists, there is a
strong tendency to seek an expression truly American. Charles
Ives, an older composer than those mentioned, is nevertheless
very modern in spirit He has, in the Concord Sonata (1920),
given a tonal recreation of the great personalities of Concord:
Emerson, the Alcotts, Hawthorne, and Thoreau. The wild
UP-TO-DATE POETRY 503
young man of a few years back, Leo Ornstein, has reverted to
a more conservative idiom in the past few years. His adven-
tures among the tone clusters were startling when they first
resounded on an astounded public's ears.
The influence of the Negro spiritual and Negro music in
general has been felt. John Powell has written a Negro Rhap-
sody, and Harold Morris a concerto (piano) based on Negro
themes. The latter was one of the most praised works of recent
seasons. The modern Americans talk a great deal about the
" long melodic line," the necessity of abandoning the strict
chord sequence, and the effect of " polyrhythms." In many
cases there is a radical tendency, with the negation of all that
has gone before. Yet Chasins, one of the talented younger men,
recendy argued in favor of the evolutionary principle rather
than the revolutionary. One is impressed by the intellectual
quality of the aesthetic creed of the moderns; there is less talk
about feeling. In fact, it seems to be considered in bad taste in
many quarters to exhibit any emotion. Whether this can con-
tinue is an open question. Music has always been an expression
of the emotions, and one can scarcely leave that phase out of the
composition process. Recently people have asked how far the
dissonant element in modern music can go without degenerating
into mere noise. Radical composers have replied that noise is a
legitimate part of music. They approve of imitating our peculiar
and often distracting noises. This opens the question of whether
wholesale imitation of everyday affairs, even in the realm of
sound, is a good aesthetic position. The selection of sounds to
make an artistic pattern is probably a far better way of creating
lasting music. Just as the mind refuses to accept all the over-
tones in any fundamental tone, this being a biological protection,
so will it refuse to accept as beautiful all sounds, regardless of
their source or combination.
UP-TO-DATE POETRY
The art of poetry is quite in litue, and in a rather jagged line,
with its sister arts of painting and music, All three give tfee
impression of being intoxicated. Of course, k is not fair to
5o4 ART IN CONTEMPORARY CIVILIZATION
measure a modern canvas, a flash of free verse, or a bit of synco-
pation with the frescoes of Michelangelo, the blank verse of
Milton, or the symphonies of Beethoven. There is no question
about the authenticity of such classics, and in comparison with
them these modern productions are bound to fall short. But do
they need to plunge down? We would be sympathetic toward
the aesthetic strivings of the nouveau, but we cannot help wish-
ing he would be more respectful in his attitude toward the past,
if not more amenable to its instruction. Is modern verse to be
called poetry in any acceptable sense of that term? Perhaps, but
those who have felt the undulations of great poetic seas — The
Iliad, faery Queen, Divine Comedy, and Faust — must fail to
feel any tidal drift in the modern poem, which seems to do no
more than trickle, splash, and spatter. Under what circum-
stances did this American art arise?
THE POETIC RENAISSANCE OF 1912
Twenty years ago, Harriet Monroe, herself a poet, began the
publication of Poetry, a Magazine of Verse. It was a sign of
the times. Poets were springing up everywhere and so great
was the output of verse that, six years later, John Masefield was
led to remark that America seemed to be making ready for a
great poetic revival comparable to the eras preceding Chaucer
and Shakespeare.5 The historical analogy breaks down at the
point where the poetic genius is supposed to appear, since no
semblance of a colossal figure is discernible, but it is not to be
denied that the new republic of verse includes many talented
minds which have given adequate expression to poetic art as
they understand it. These pioneers of poetry resemble their
forefathers in that they also regard America as the land of oppor-
tunity, opportunity for the ideal as well as the real. The Colum-
bus of the American adventure seems to have been Walt Whit-
man, whose " barbaric yawp," as he himself called it, was to
awaken the land to its poetic task. This impromptu bard may
not have found " tongues in trees, books in the running brooks,
sermons in stones, and good in everything," but he saw miracles
6 Marguerite Wilkinson, New Voices, An Introduction to Contemporary Poets.
THE POETIC RENAISSANCE OF 1912 505
in leaves of grass, an ant and grain of sand, the tree-toad, cow
and mouse.6 Moreover, it was not only his own voice that caught
his ear, for he heard America singing in the voice of the me-
chanic, carpenter, mason, shoemaker, seamstress, and the like,
" each singing what belongs to him or her and to none else." 7
Then there was Emily Dickinson, also, another pioneer of
the new verse, and what a strange companion for the rugged
Whitman!
The Who's Who in American poetry would form quite a sub-
stantial volume, since the list of names is long and the range of
poems wide; hence it becomes difficult to select the names that
will prove permanent in literature or to cite the poems that will
endure the test of time and prove to be of abiding merit. We
might reach back and restore the names of Riley and Field, make
mention of Edwin Markham and Bliss Carman, and pay some
attention to Edwin Arlington Robinson and Edgar Lee Masters.
But the style of verse we are seeking as typical of the nouveau
poetry is findable chiefly in Carl Sandburg and Vachel Lindsay.
The usual reader of poetry looks to the poem to take him out
of the commonplace world by invitations to its own realm of
remote delights, hence he is not inclined toward the poetry of
the steel mill, the slaughter house, and the crowded city. But it
was in such a milieu that Sandburg produced his Chicago Poems.
Paris, Venice, Vienna seem promising places for poetry, but can
any verse come out of a bustling American city? Yet Sandburg
produced poetry that is one hundred per cent American.
The democratic if not banal element appears no less obtru-
sively in Vachel Lindsay's three R's, " Rhyme, Religion and Rag-
time." 8 The Congo is an Africo-American poem inspired by
the poet-pedestrian's long tramps through certain of the south-
ern states. In it we hear the tones of the primitive medicine
man and the modern evangelist, the deep bass and the shrill
falsetto of colored singers in their spirituals, and both the pom-
posity and fear of the primitive mind represented by the Ameri-
can Negro. The evangelistic tone which hums through much
6 Song of Myself.
7 I Hear America Singing,
8 Louis Untermeyer, Modern American and British Poetry, p. 159.
506 ART IN CONTEMPORARY CIVILIZATION
of Lindsay's verse comes forth most distinctly in his General
Booth Enters into Heaven, which adopts the rhythm and bor-
rows the lilt and language of a well-known Salvation Army
street hymn.
THE RANGE OF AMERICAN VERSE
Although the artistically judicious may grieve over the quality
of verse being put forth and the ears of the groundlings not be
tickled by its music, we dare not deny that poetry puts forth its
voice and gains at least some hearing. More people than ever
before are writing verse and if the art is not so popular as it was
in Elizabethan times when almost every man was a verse-maker,
rhythm has become contagious and with a certain set rivals the
fad of dancing. The symptoms of this noble mania cannot be
mistaken; they appear in the form of a light rash upon the pages
of newspaper, magazine, and bound volume, however slender
and wide with extent of white space these last may be.
The taste of the newspaper reader is such that the " daily
poem" is printed with the news, advertisements, and comic
strips. A page or so of the " best verse " is printed in some of
the weekly magazines and a sonnet for which the editor has
paid a modest sum appears here and there in the monthly maga-
zine. The book reviews in the Sunday papers include criticisms
of the latest poetic offerings. In a more constructive manner,
such a periodical as Poetry, a Magazine of Verse, devotes space
to poems that otherwise might not find their way into print.
Speaking of such magazines, Carl and Mark Van Doren's
American and British Literature since 1890 says, " They . have
given a hearing to poets who might otherwise have been neglected,
they have stimulated critical discussion of poetry, they have
helped to fix public attention upon the art."9 If the young
poet is not privileged to assemble his verses in a bound volume,
some of his poems may appear in company with those of his
fellow bards in an annual anthology like The Best Poems of
ig — , a rather authentic publication which began to appear in
1923.
9 Op. cit., p. 13.
TENDER BARDS
TENDER BARDS
507
Going farther back into the mind of the modern Muse, we
find that schools and colleges are encouraging the youthful mind
to express itself in the form of the new verse, which is not quite
so severe as the classic poem. Indeed, curricula in some second-
ary schools are now devoting less time to the classics for the sake
of presenting contemporary literature in the form of drama and
poem, essay and novel, or the type of reading matter the student
is most likely to continue reading after graduation. On the
constructive side, school poetry, as we might call it, has been
furthered by the publication of such a magazine as The Scho-
lastic, a magazine designed primarily for the writings of scholars
in the secondary schools. Then there is the student anthology
Saplings, made up entirely of the literary work of high-school
students. This " Children's Crusade " has advanced so far that
an ancient publishing house in New York brought out in 1927
a work entitled Singing Youth, an anthology of poems by
children, edited by Mabel Mountsier. Four years earlier,
Louis Untermeyer, himself a poet, had edited an anthology
called This Singing World, a book designed to appeal primarily
to children.
Modern poetry, as far as one can discern its method, seems to
be more interested in expressing immediate actualities than in
groping after clouds of idealities. It seems to take life " as is,"
or in the caveat emftor sense, and makes no distinction between
poetic and non-poetic subjects. The poems are free in expression
but not without some sort of pattern which is designed to fit the
mood. As to technique, it may be observed that the all-important
factor of rhythm is founded on cadence rather than on metrical
feet, for the poem is supposed to read better than it scans. The
diction, too, is quite informal, being the speech of everyday life
rather than the traditional language of the Muse whose use of
"thee" and "ye," "yclept" and "ere" has been supplanted
by the colloquial Imagery is present, but it is not so much
the analogy between the poet's impression and some object in
nature, as cloud or stream or hill; rather is it the expression of
his mood.
508 ART IN CONTEMPORARY CIVILIZATION
THE WOMEN POETS
Those who read modern American poems in moods as sympa-
thetic as they can command are bound to observe that the new
American art has enlisted the endeavors of women. Poetry had
known its Sappho and Elizabeth Barrett Browning, but was not
disposed to admit that the art which Homer, Dante, Shakespeare,
Milton, Goethe, and others not quite so superior had glorified
would ever "go feminine." This it seems to be doing at the
present time to such an extent that the woman poet is not at all
exceptional. Apparently feminism has extended beyond the
ballot box and has adopted modes other than those of costume
and coiffure. Poetry is one of these feminine fashions. It shows
itself in connection with the rise of the new lyricism and is some-
what emphatic in its stress upon love. In The Answering Voice
(1917), for example, Sara Teasdale has assembled one hundred
love lyrics by women, and apparently is not going to meet much
competition in the form of as many sentimental sonnets by men.
One cannot forget the success which Petrarch and Shakespeare
enjoyed in their attempts to express amorous adoration in sonnet
form and may wonder why the American Renaissance has not
witnessed anything of the kind among its vigorous bards. Can it
be that the feminist movement, which placed women in many of
the positions formerly occupied by men, has ousted these women
from the tender places they once enjoyed in masculine hearts?
And is it that woman writes, and that somewhat dispassionately,
about her love for man because man refuses to write about his
love for woman ? " One could chart the progress of unsenti-
mental love-poems from the intensities of Emily Dickinson and
the simplicities of Lizette Woodworth Reese to the varied reso-
nances of Edna St. Vincent Millay, Sara Teasdale, Elinor Wylie,
Elizabeth J. Coatsworth, Leonie Adams, Virginia Moore, and a
score of others," says Louis Untermeyer.10 " Such a course would
be endless and unprofitable." If endless, why "unprofitable? "
the reader might ask. For between the ranges of Edna St. Vin-
cent Millay's The Fatal Interview and The Janitor's Boy by
Nathalia Crane, there must be room for much psychological and
10 Modern American and British Poetry, p. 47.
THE WOMEN POETS 509
sociological matter well worth analyzing in the spirit of the
times.
The masculine bards appear to be leaving the feminine heart
to its own devices, for the " nymphs " that intrigue their way
into their poems are more likely to be the Brooklyn Bridge,
Subway Builders, Steel, Science, New York, Abraham Lincoln,
Trees, A Crowded Trolley Car, Lincoln again, Turbines, and that
most remarkable Burial of a Dead Cat. It is the city rather than
the milieu of meadow, grove, and dale that seems to make appeal
to the sophisticated poet.11 Practically all of these determined
bards take their art most seriously, although here and there, as
in the case of Ogden Nash and Wilfred Funk, there seems to
be the feeling that it is all very good fun. In the instance of
James J. Montague, who produces a poem for the newspapers
every week day, a very clever bit of verse is turned out as though
it were all in the day's work. If only these other versifiers would
take themselves less seriously we could have more sympathy for
their efforts. However, it cannot be denied that American poetry
of the last twenty years is a fairly authentic expression of Ameri-
can life during that period, and if the poet does not write worthy
verses it is because we do not live worthy lives.
11 Edna Lou Walton, The City Day, pp. 3-42.
CHAPTER XX
THE VALUES OF CIVILIZATION
MAN A VALUING ANIMAL
MAN," SAID NIETZSCHE, " is THE VALUING ANIMAL AS SUCH."
Now, this is quite different from calling man a " good
animal" or a "happy animal"; goodness may develop
in man and happiness occur in his life, but in the meantime man
must express his nature and carry on in human enterprise. He
does this, as we realize today, by a constant process of valuing
whereby he sets the seal of approval upon men, enterprises, ideas,
and the like. Man may never discover the summum bonum
in his life or develop Utopia in his civilization, but he appreciates
the values of things and tries to decide upon the worth of life.
Civilization and culture are sets of human values — outer values
that have taken the form of cities and institutions; inner ones
appearing in the arts and sciences. The result of what man has
done is findable in just these works of the Valuing animal as such.
All of us use the standard of value without knowing it. When
we look at anything sharply, we are inclined to ask, " What is
the good of it? " If we sum up the results of feudalism or the
French Revolution or the World War, we may inquire, " What
good did it do? " Likewise, when we observe the intensive
mechanization of labor and watch the robots at work, we are
tempted to put the question, " What will it amount to ? " We
vary the expression but maintain the same attitude of the valuing
animal when we keep asking, "What's the use" of this or that?
Values know no national boundaries but are coterminous with
human existence, yet there seem to be such things as German
values and English values, the more explicit sense of values ex-
pressed by Russia and Italy. At the present time, when the
world everywhere is adopting a critical attitude toward civiliza-
tion, we are inclined to inquire concerning our own national
values. Are these still just life, liberty, and the pursuit of happi-
ness or are we in quest of new values?
510
VALUE AND ENERGY 5II
When we apply our value-judgment, or what the Germans
and Austrians call a Werturtheil, we are likely to apply some
specific standard rather than a general norm. We are like geome-
ters who apply their axioms and deduce their propositions,
determine points and positions, and draw lines and figures, but
who do not attempt to analyze the nature or compute the size
of the space with which they deal. Thus we do not raise the
question whether life has any worth or civilization any value;
we assume, as we are bound to do, that the civilized existence of
man has some value, then we try to discover what that is. We
cannot step off the earth, survey our planet critically, and decide
whether it is a good place to dwell or not. We cannot detach
ourselves from life and give a disinterested opinion of human
existence. For we are on earth and in life, not in empty space
or paradise, and it is here on earth that we must elaborate our
system of value-judgments or the things worth while. Hence
our view of the values that civilization has given us is an im-
manental not a transcendental one and we measure our existence
from an interior point of view just as we compute the size of the
universe from the way it shapes itself around us. Now, what is
the principle of value whereby we pass practical judgment upon
the character of things?
VALUE AND ENERGY
In taking up the difficult question concerning the nature of
value, we may observe that, as a happy coincidence, it came into
existence as an idea about the time that science discovered the
principle of energy, if we may put it that way. Value and energy
were discoveries of the first half of the XlXth century. Men
had always found worth in things and the universe had forever
expressed energy, but the idea that value was a desire to be
realized and energy a work to be performed were new to the
human mind. For the sake of definiteness, we might apply
the physical idea to the human ideal and thus say, " Value is the
energy of the soul or the inherent capacity for work." It has
operated in the various phases of western civilization that we
have examined — politicaX social, industrial, economic, artistic,
5I2 THE VALUES OF CIVILIZATION
and religious. It has a psychology of its own and a history as
long as that of civilization in the western world. We will survey
the idea as it arose in history.
The source of the value-principle is to be found in Christianity,
not as a theological system or an ecclesiastical organization,
but as an inner system of spiritual life. Christianity began by
departing from the idea of the Good and ignoring the cardinal
virtues. There was none good but God and as for the virtues,
where could one find the human being who thoroughly exempli-
fied the virtue of temperance or courage, of wisdom or justice?
The Christian conscience did not lower the tone of morality but
rather raised it; at the same time, it changed the standpoint of
life from the idea of the Good in itself to that of the value of the
soul " What shall it profit a man if he gain the whole world
and lose his own soul? " This was the original value-judgment
of the western world. It involved a change from outer to inner,
from the physical to the psychological.
As a spiritual potential, the principle of value was called the
faith that removes mountains and overcomes the world. It is
true that the Founder of Christianity did say that it was of no
value to gain the whole world and lose one's own soul, but
thereby he implied that it was within man's power both to win
the world and save his soul. There could be no sense in re-
nouncing the world unless one had it in his power to possess it.
Theology has been taken up with the idea of saving the soul, not
that of winning the world. Both are forms of Christian energy;
of the energy that makes for values. The result of this energy
has been to establish a spiritual order expressed by the Christian
Church and an order of civilization appearing in the State. For
Christianity, as a religion of values, worked for the intensification
of man's inner life and the extension of his outer existence. It
was both Asiatic and European; ancient and modern.
The essence of humanity consists in the adaptation of inner life
to outer existence; something that has quality to something that
has quantity, or the small to the large. The old Asiatic world
conducted this adjustment by reducing the conditions of adapta-
tion to a minimum; that is, by wishing and thinking and doing
less and less. The motive was to set up no ideal that could not
ORIENTAL VALUES
be realized. Since man cannot have or achieve everything, he
attains peace by renouncing the desire thus to have or to achieve;
he escapes the " divine discontent " peculiar to the Christian
consciousness. This reduction of one's own world to a minimum
appeared in China in the form of Taoism, in India as Buddhism,
in late Greek thought as Stoicism. All are foreign to the Chris-
tian conception of value.
ORIENTAL VALUES
From the Texts of Tdoism^ we extract the following signifi-
cant sentences:
"I consider doing nothing to be the great enjoyment, while
ordinary people consider it to be a great evil. Hence it is said,
Perfect enjoyment is to be without enjoyment; the highest praise
is to be without praise. . . . Heaven does nothing, and thence
comes its serenity; earth does nothing and thence comes its rest.
By the union of these two inactivities, all things are produced.
All things in their variety grow from this inaction. Hence it is
said, Heaven and earth do nothing, and yet there is nothing that
they do not do. But what man is there who can attain to this
inaction? ... To exercise no thought and anxious considera-
tion is the first step toward knowing the Tao; to dwell nowhere
and to do nothing is the first step toward resting in the Tao;
to start from nowhere and pursue no path is the first step to-
ward making the Tao your own. He who practices the Tao
daily diminishes his doing. The perfect man is said to do nothing
and the greatest sage to originate nothing, such language show-
ing that they look to heaven and earth as their model."
The Hindu mind, just as fully despairing of its inability to
cope with the world, indulged similar views and was equally
glad to praise inactivity. This appeared in the philosophical
system of Yoga and the Buddhistic religion. In the Bh&gavad
Gita, which has sometimes been compared to the New Testa-
ment, the god Krishna asserts, "Casting off works and the
rule of works both lead to bliss; but of 'these the rule of works
is higher than casting off works. ... He who in doing works
1 Books XVHI, XXII.
S.T.—34
5i4 THE VALUES OF CIVILIZATION
lays his works on Brahma and puts away attachment is not
defiled, as the lotus leaf is unsullied by the water. . . . With-
out undertaking works, no man can come to worklessness. . . .
But for the man whose delight is in Self, who is contented with
Self and is glad of Self, there is nought for which he should
work. ... He who beholds in work no-work and in no-work
work is the man of understanding among mortals." Buddhism
goes deeper than this in that Buddhism penetrates to the core
of human existence in desire. Since, according to the Buddhistic
conception of things, the world is not destined to grant man his
desires, the only thing to do is to reduce and ultimately eradicate
them. Then one will come to an understanding with his world;
if he gains nothing, he loses nothing, since he really asked
nothing.
A faint repercussion of such noble despair appears in the
writings of die late Stoics. The founder of this movement,
Zeno, was supposed to have had an Asiatic origin, which may ac-
count for the tendency of the stoical mind to relinquish the
world. Before the appearance of Stoicism, at the end of the
classic period, the Greeks had entertained the ideal of world
supremacy by means of art and philosophy with their dominant
ideals of Form. What the Greeks lacked was the idea of Force,
the energy of the soul that makes for value. The late Stoics seek
to adjust the will to the world by making the intellect distinguish
between the things that are in one's power and the things that
are not If the Christian had drawn that line there would
have been no modern period in our sense of the term, no dis-
covery, invention, or enterprise. There is much that is noble
in the writings of these men, as Epictetus and Marcus Aurelius,
but at heart their ideas are paralyzing and fatal. They are often
read by youths who, on the threshold of life, despair of their
powers and seek temporary comfort in the anaemic idea of the
things beyond one's power. In the Christian consciousness and
according to the Christian will, there is nothing conceivable that
is beyond man's power. "All power is given unto me," said
Christ, "All things are yours," said St. Paul. The modern
Christian is quite aware of this, although he may understand
" all things " in a rather practical way*
THE CHRISTIAN IDEA OF WORTH
THE CHRISTIAN IDEA OF WORTH
515
The Christian religion, came into the world in the form o£
enterprise. It generated belief in mankind and engendered value
as energy. Tinged somewhat with the oriental ideal of re-
nunciation, Christianity put this principle to good use. Let one
lose his life in the world, behold! he saves it. Let him hate his
little existence and he will begin to love his larger life. The
result was refreshing, regenerating. "Ask and ye shall re-
ceive; seek and ye shall find; knock and it shall be opened unto
you." Unlike oriental systems of thought and worship, Chris-
tianity did not attempt to decrease man's desires but sought to
increase his power to achieve them, hence the desire for things
and the energy that wins them began to be adjusted. The
special method was that of religion — faith in the individual,
salvation of the world, and the establishment of the Church.
But the general nature was broader, deeper; it tended to re-
lease the inherent powers of the soul, raise all men to a higher
level, and unite them in a great world-movement. This is the
reason why we find in Christianity the origin of the value-
principle; it was inherent in Christ's thought and the basis of
his Kingdom.
As the Kingdom of God came without observation, so the
principle of value was slow in receiving recognition. Indeed,
it was not until modern science released the forces of nature and
powers of the mind that, as though it were doing a miraculous
work, the idea of human value in the world was clearly seen. It
had dawned in the idea of the Church, flashed out in the crusades,
and brightened into chivalry; but the value idea implicit in these
movements was not clear or well founded. Christian values were
felt as emotions and employed practically in the development
of institutions; these contained the Christian sense of life's
worth, but did not express it as a philosophical idea. But
the values of life which the ancients had sought in the formal
virtues exhibited by the perfect State were incorporated in
religion and became an overwhelming spiritual force. The
realm of values had been unearthed, a new continent of life
discovered.
THE VALUES OF CIVILIZATION
MODERN THEORIES OF VALUE
The recognition of this value did not appear until the end
of the XVIIIth century when it was given by Kant. Before
that time, modern ethics had revived Epicureanism and Stoicism
in the form of Hedonism and Intuitionism, or so much old
wine in new bottles. It was Kant who discovered the new
world of values although, like Columbus, he did not realize
what he had done. So intent was he upon enforcing his supreme
law of duty in the Categorical Imperative that he did not ap-
preciate the spiritual content within this rationalistic form.
However, he did make direct reference to the principle in ques-
tion when he said, "Whatever has a value can be replaced by
something else which is equivalent; whatever, on the other
hand, is above all value and therefore admits of no equivalent
has a dignity." 2 Kant made a more personal approach to the
idea of value when he added a second imperative: " So act as to
treat humanity, whether in thine own person or in that of an-
other, in every case as an end and never as a means only."3
The resulting idea is — man has worth and the world of hu-
manity is a kingdom of values. A generation later, Schopenhauer
gave more solidity to the idea of value by raising the total
question whether life itself has any worth. His conclusion
was negative, unfavorable. Life for him meant the blind ex-
pression of the Will-to-Live and the misery that follows from
it. Nevertheless we are indebted to this pessimist for present-
ing the question of the life-value, which we can consider as
seems best to us.
After the general principle of value had been established by
Kant and Schopenhauer, other German thinkers proceeded to
a more definite analysis of the idea. F. E. Beneke (1798-1854),
the German psychologist, placed the idea of value upon the basis
of experience, making it comprehensible in terms of pleasure.
The German philosopher Lotze, returning to the ideas of Kant,
endeavored to superimpose upon the world of intellectual forms
the world of ethical values, thereby making the distinction be-
tween the What-is and the What-ought-to-be. At the close o£
2 Metaphysics of Ethics, p. 64. a /£., p. 57.
FORM, PIETY, AND FORCE
the XlXth century, the principle of value was formulated more
definitely by the Austrian thinkers Meinong and Ehrenfels, one
defining the value of a thing in terms of its pleasurability, the
other using desirability as the basis of the value-judgment. In
addition to this direct and practical conception of what has worth
for mankind, there have been derivative and theoretical develop-
ments of the principle which have sought to bring about an ap-
proach between the validity of an idea in itself and its value for
the mind that entertains it.
Then there has been the brilliant but unreliable treatment of
the question by Nietzsche, who, following Schopenhauer's doc-
trine of the will, introduced the idea of the Will-to-power and
urged a " Transvaluation of all Values " whereby the modern
man might repudiate Christianity and reinstate paganism or its
equivalent. From Nietzsche we can appropriate the idea that
values, like energies, can be changed, whereby we who feel no
such bitterness toward the existing order of things may still
regard it as in need of revaluation. That will yield us the fu-
turism that Nietzsche so madly sought. Suppose, then, we
adopt Nietzsche's definition and look upon ourselves as valu-
ing animals; all things old will begin to assume new forms.
FORM, PIETY, AND FORCE
Before we can evaluate the present and the future, we must
view the past. What values has mankind been pursuing in the
last three thousand years ? Historical generalizations are bound
to be faulty since nations do not assemble themselves in groups
like animals that organize the life of the species upon the basis
of instinct. But we must run the risk and excuse ourselves on
the ground that we are seeking illustrations. Accordingly we
may assume that the ancient ideal was that of Form. The
Greeks sought this in art, the Romans in law. Both nations
sought to perfect something and render it permanent. There
were many things about their ways of thinking and doing that
were not formal, but the idea of a pattern ever prevailed. The
mediaeval conception of life was that of Piety; the pattern was
a divine one. Ancient forms persisted but they were invested
THE VALUES OF CIVILIZATION
with a spiritual content that overflowed the banks of the canals
the ancients had cut for them. The Fathers of the Church and
the Schoolmen were Greek, but only outwardly. And with all
their deviations from their central purpose they pursued the
value of Piety. With moderns, who are nearer to us, the pre-
vailing ideal has been that of Force. The dynamic value could
hardly escape attention when nature was revealing its supreme
system of natural force. Hence, if we dare sum up the history
of the western world in terms of that which has had worth, we
may speak of the values of Form, Piety, and Force.
Before we can stipulate the special values of our century, or
indicate the characteristic values of individual nations, we must
come to an understanding with the general principle of value.
This we can do without much trouble if we will turn away
from the idea that reality is something substantial and fixed.
Of course we still incline to the ancient notion that reality is
a substance and the modern but now classic conception of matter
as a material thing. But we are learning that physical reality
is something much more like energy. It is capacity for work, a
tendency, or work still to be performed. Energy is not a reality
in the ordinary sense of the term; it is a kind of realizing, or at
best a realization. Its stability is assured by its tendency to con-
serve itself without loss or gain rather than to be itself as a thing.
Value is the energy of the soul; it is inherent capacity for work,
work that is being performed but has still to reach anything like
realization. Now, that realizing principle of life, observable in
individuals like Shakespeare and Goethe, in nations like Eng-
land and France, is value. It is difficult to lay hold of it, as in
the case of energy, but not difficult to appreciate it. The ancient
life-ideal was that of the Good, a kind of moral thing-in-itself.
It seemed like a rare metal that one could find, a new continent
he might discover. Its actual presence became even more defi-
nite in the virtues that sprang from it — courage and temper-
ance, wisdom and justice. The modern conception of value is
not so solid. It is a force within humanity which, like the
struggle for existence, tends to make humanity realize itself. The
principle of value instead of merely existing in the world like the
Good, is rolling through the world like a snowball, which picks
VALUE AND HUMAN LIFE
up its immediate past, incorporates this into itself, and crushes
its way on into the immediate future. Indeed, there is no ethical
ideal comparable to that of value in the expression of progress.
VALUE AND HUMAN LIFE
Just as there is energy inherent in the universe, so is there
inherent value in human life. Such human value assumes the
energetic form of strength. For the most part, this strength does
not exist as a thing that might be compared with the human
body; it is promissory and potential, or something that can come
into existence through exercise. Dropping these physical and
physiological analogies and resorting to psychology, we may
speak of man as the creature who, in part, emerges from the
animal order and exerts himself in order to become human. It
is, perhaps, as Ibsen expressed it in The Emperor Julian:*
" So shall it be when the Right Man comes.
And who is the Right Man?
He comes into being in the man who wills himself."
The same is true in some degree of man as such; he also comes
into being as a self-willed creature. The Right Man or the Right
Nation is that one which sees the value of its personal, national
existence and brings its real self into being.
The individual does this or has it done to him through educa-
tion. Society effects it or produces it within by means of culture.
The State arrives at national selfhood by its civilization. The
aim of individual life is not always clear since the issues of life
are many, but it is reasonable to assume that both in ideals and
actuality the individual aspires to get value out of life. In a
community with its complexity of interests, the social aim is not
always apparent, but it is clear that a community is tending
toward the values that seem within its reach. In a political
State, where manufacture, trade, war, and the like stand out most
eminently, the undercurrent of energy is valuational. The State
is trying to get lvalue out of the world. This tendency is recog-
nized under different names — " balance of power," " a place in
4 Op. dt.t Act III.
520 THE VALUES OF CIVILIZATION
the sun," " irredentism," " making the world safe for democracy;'
and the like.
At the present time, the western world and to some extent
the Orient also, is debating the respective values of war and
peace. As we shall see when we come to The Present Outloo\,
wherein the supposed and actual values of the World War are
discussed, the idea of war probably because of the extraordinary
activities that it involves creates the delusion that there are
positive values in war by means of which a nation hopes to
secure the foreign possession or foreign trade of the nation
against which it contends. On the other hand, peace tends to
create the impression of stagnation through inactivity, since
it does not enlist the value-energy of the soul in anything
definite or different from the routine of industry and trade.
In the XlXth century it was supposed that industrial activity
would inhibit militaristic activity, but the recent war revealed
the fallacy of the economic argument. Nations sacrificed a
large volume of trade with one another for the sake of a smaller
volume of possible trade with their rivals' dependencies. But
although the war-value of nations has been discounted if not
deprived of all its appeal, the western world is still under the
impression that there is worth in warfare. The difficulty with
the peace-value is found in its negative character, since it means
the absence of war rather than the presence of something positive.
But the creation of peace-values is perhaps the greatest of all
problems of present civilization.
WHAT is VALUE?
Now we cannot probe very deeply into the lives of present
civilizations unless we sharpen our instrument. We must have
a keen idea of what we mean by value, and this will require a
certain degree of psychological analysis. The widest range of
the subject may be measured by the concept of " Interest." The
values of men are the things that interest them or may be said
to be of interest to them. It is no paradox to say that many men
are not interested in the interesting, but are absorbed by what
is not interesting at all. Health, for example, is of interest to
WHAT IS VALUE? 521
mankind; but it does not follow from this indisputable propo-
sition that every individual is thinking about hygiene and watch-
ing his diet. Wealth, on the contrary, may not be as much a
matter of interest as it would appear to be by the way it looms
up in human life today, but this idea does not prevent people
everywhere from being excessively interested in money and what
it will buy. What, then, is this mysterious principle called
"Interest?"
If we let the idea of interest serve as the general tone of mind
in the completeness of its feelings, volitions, and ideas, we shall
be in a position to appreciate it more keenly. That which in-
terests the intellect catches the attention and directs the mind
along definite lines. These lines may be marked by the desire
to work out a puzzle, solve a mathematical problem, or map out
various constellations in the sky. When appeal is made to the
will, one's powers are so engaged that one goes about some
definite task like building a house or setting up a business. All
that an individual accomplishes in his life might be called the
objectification of his interests, although it may be more conven-
ient to refer to the fortune he has made, the position he achieved,
or the reputation gained. With nations, the kinds of civilization
they have wrought out might be called their national interests,
although it seems simpler to speak of Babylon and Assyria,
Greece and Rome, England and France. However, we are not
thus prevented from referring to Babylonian or Grecian or Brit-
ish values — the things they willed and wrought.
The emotional side of interest needs more complete descrip-
tion, fuller discussion. Interest itself is of an emotional charac-
ter; it is something that we feel. Hence, instead of applying the
idea of interest in general, we shall penetrate our subject more
deeply if we sharpen the instrument down to feeling. Here,
likewise, we have something we know by experience. Feeling
identifies itself at once in the form of pleasure and pain, which
assume a passive, receptive form. Feeling appears again in a
dynamic and aggressive way as desire and aversion. These are
pleasure and pain in action. These factors in our problem give
us no trouble since we know what they mean and how they work.
Some trouble may arise, however, when we find it necessary to
522 THE VALUES OF CIVILIZATION
distinguish between pleasure and the pleasurable, desire and the
desirable. Then we shall have to apply reason to emotion and
begin to rationalize our simple feelings*
VALUE AS PLEASURE
Until we discover that our views are inadequate, we will make
this simple assertion: "Value is pleasure." This means that we
shall take a simple, agreeable experience and look at it. That
which pleases the tongue or stomach registers itself as an agree-
able feeling. But that is not the total experience; the mind re-
acts upon the immediate feeling and pronounces it worth while.
The feeling has value. On the other hand, one may eat what is
pleasant to the taste and for the time satisfactory to the stomach,
but because of subsequent indigestion conclude that the gastro-
nomic experience was not worth while. The preliminary feel-
ing of pleasure did not have value. Apparently our feelings are
too superficial to make valuing animals of us.
In addition to superficiality, there is another phase of feeling
that makes it a poor candidate for the position of value in human
life. The feeling of pleasure is for the time being only, which
fact we recognize when we say, " You cannot eat your cake and
have it." The pleasure of eating cake or anything else pleasant
comes at the time of eating plus a moment before and a moment
after. The feeling is fixed in time. The same is true of every
pleasure; it belongs to the class of things attached to special,
privileged moments. Now, value is a condition of consciousness
that has no such discontinuity about it; value is a frame of mind,
a constant tendency or habit. We might imagine that the mind
could stretch its feeling of pleasure backwards and forwards to
make it fill up the gap between pleasures, but the mind does not
do that. If there are six hours between meals, we do not devote
the first three of these recalling the past pleasure of eating and
the last three to the anticipation of the next meal. Pleasures are
experiences that we do not recall in the past or anticipate in the
future.
In order to escape from the predicament produced by the
temporal fixation of a feeling in its special " now," we seek to
VALUE AND DESIRE 523
make it more flexible by calling pleasure the " pleasurable." By
this we mean that an experience is calculated to give pleasure.
We are not having the feeling at the time, for we are not eating
or reading or traveling as we would like to do; but we judge that
food or a book or a trip could give us pleasure and conclude that
it must have value for us. Furthermore, one can render his
idea of pleasurability still more flexible by concluding that cer-
tain experiences, while not actually pleasurable to one's self, are
likely to be satisfactory to others. In this spirit one says, " I do
not happen to like caviar, but I can see how others may be fond
of it. German opera does not appeal to me, but doubtless it is
of interest to a certain class of people. I am not fond of science,
but I recognize its importance." In this manner, one leaps from
his private sense of pleasure as though from a springboard to
plunge into human experience as a whole. But even the more
adaptable idea of the pleasure is not sufficient as a determinant
of value. It lacks the dynamic quality which life demands.
VALUE AND DESIRE
The dynamic quality of feeling is found in desire. This is
feeling plus volition. When we desire an object, we set our
sense of pleasure in motion and proceed toward it. When we
feel aversion, we make our implicit sense of pain draw us away
from what we do not desire. In its dynamic quality, then, the
principle of desire seems more effective than the passive sense
of pleasure. But desire is more than a dynamic feeling; it is
more than feeling but less than will. The result is that we can
desire just as we do desire; it may be the pleasurable, the in-
different, or even the painful. The volitional, the willful factor
in desire makes it relatively independent of mere feeling. There
is no question about our desiring pleasurable experiences. But
we can desire and later find satisfaction in things that are matters
of emotional indifference. " Yes, I read the book, saw the play,
took the trip to Montreal. I can't say that I enjoyed them,
but still I'm glad I know the book, witnessed the play, and saw
the city." We can desire the painful also. This may amount
to playing the hard game, climbing the steep, craggy mountain,
THE VALUES OF CIVILIZATION
or mastering a difficult subject, such as calculus. There was no
promise of pleasure at the outset, no feeling of pleasure at the
outcome of these rugged experiences, but the tough nature of the
valuing animal made him desire to do the unpleasant thing.
Finally he finds satisfaction in his performance.
But desire, like pleasure, is subject to chronological limi-
tations. Pleasure is always in the present, desire in the future.
Now, the principle of value is not temporal; it abides, carries
on, and spans the whole range of man's life. For this reason,
the exponent of the value-theory of life is forced to shift from
desire to the " desirable " just as he was impelled to change from
pleasure to the " pleasurable." Now, the desirable is that which
we believe to be in harmony with man's nature as such, even if no
human being actually desires it. Value is that which is " to be
desired." " The judgments of the Lord are true and righteous
altogether. More are they to be desired than gold and much
fine gold. Sweeter also are they than honey and the honey-
comb.5' Thus spake the Psalmist. But he did not assert that
man in his finite capacity actually desires the principles of right-
eousness to the extreme of preferring them to the sweet taste of
honey and the obvious advantage of gold. He exercised value-
judgment and declares upon the basis of good reason that man
realizes the desirability of what he does not actually desire.
VALUES AND DESIDERATA
There are certain examples of human preference that tend to
reveal this cardinal distinction between the desired and the de-
sirable; between the finite nature of man and his infinite ability
to reason; between man and Man, the valuing animal as such.
The exemplification of the desired-undesirable is found in
war and wealth. In the minds of modern people, if we except
professional militarists and munition-makers, war is judged to be
undesirable. We see now, after the greatest but least satisfactory
of wars, that human conflict is irrational. Yet we desire war to
the extent that a slight pretext will promote patriotism, urge us
to arms, and engender bloodshed. The case of wealth is analo-
gous but not so convincing. The best of men are convinced that
VALUES AND DESIDERATA 525
the pursuit of wealth for its own sake, especially in the modern
manner, is irrational, yet all of us actually desire such irrational
wealth. In the instances of both war and wealth, we feel and
act contrary to ideas and values, yet the rational idea of value as
that which is to be desired persists.
On the other hand, we have at least two parallel cases of the
desirable-undesired: in piety and death. Practically everybody
believes in and praises that degree of moral perfection we have
called piety; practically everybody wishes to see it exemplified in
the lives of others. But scarcely anybody wishes such a paralyz-
ing ideal for himself. " The judgments of the Lord " are merely
" to be desired." The same is true of death, and all the more so.
Everybody believes in death, for it would be infinitely worse to
live on instead of dying. Nevertheless, no one, if we except the
aged person, the chronic invalid, or the suicide, actually desires
the desirable termination of life in death. Here, again, reason
saves us; reason tells us that our emotional appreciation of life-
experiences — of war and wealth, piety and death — is at fault
and will remain fallacious until rationalized in the form of the
judgmental desire, the value-judgment.
If values are the genuine desiderata of the human soul, what
can be said of the various national values that have appeared in
the course of history? It is by no means easy to determine the
desires of the nations except as this is done in a broad and cur-
sory manner. We feel that the desires of the East are different
from those of the West and that the things sought for in antiquity
have been supplanted by the new desires of the modern man. In
the empires of the Babylonians and Assyrians, one observes a de-
sire for splendor and luxury. The Chinese mind exhibits a de-
cided inclination for regularity and a staid condition of existence.
The ancient Hebrews manifested a wish for earthly righteousness
and a national prosperity extending into the far future. In the
history of the Greeks, we observe a noble passion for wisdom and
a longing for form, while the records of Rome reveal tendencies
toward dignity in the Roman citizens and power in, the world at
large. Such were the values of the ancient order. What things
have come to be esteemed valuable ki the new world?
526 THE VALUES OF CIVILIZATION
THE DESIRES OF THE NATIONS
The desires, or values, of modern nations are not so clear;
they have not passed on into perspective and our conception of
them is likely to be colored by our own desires as citizens. Since
the discovery of America, the values of European nations have
been influenced by their desire to colonize in the western hemi-
sphere, Spain in South America, France and England in North.
In the case of England, the effect of insular position has been
toward an expansion which has resulted in world-wide empire.
Such national ambitions betray themselves in various expressions
of pride, or " such boastings as the Gentiles use." Thus we have
such slogans as " Britannia rules the waves "; " Deutschland ubei*
Alles "; " France d' abort "; " The Land of the Free and the Home
of the Brave." Inwardly viewed, England sets value upon aristoc-
racy not only in the official nobility but also in the type of man
recognized as a gentleman. Germany is expressive of thorough-
ness, or dcutsche Grundlich\eit; this shows itself in German
system, German efficiency in war and peace. France still rejoices
in national homogeneity and that sense of form which has created
the expression la belle France. The United States is still trying to
rejoice in its pioneer sense of freedom from authority but is some-
what disconcerted by the way in which irresponsible immigrants,
delivered from the control of their native lands, have developed
what might be styled a system of lawlessness. Russia and Italy
are persuaded that there is national value in made-to-order forms
of government of Communism and Fascism.
What is the American norm of value and what the seven deadly
values of the day? From the discovery of this continent until
within immediate memory, " America " has been synonymous
with " opportunity." It was opportunity for the discoverer, the
settler, and the immigrant, but now the rest of the world is leav-
ing it to itself. The era of opportunity has closed, the frontiers
have disappeared, and conservation has taken the place of exploita-
tion. The tone of national life changed during the Civil War
from the political to the industrial, and the .period that Lincoln
marked when he spoke of the founding of the nation " four score
and seven years ago " bears only a faint resemblance to the period
COMMUNICATION 527
of three score and ten years since. The first period was marked
by the founding of the Republic, the principle of states' rights, the
rise of national parties, and deductive legislation growing out
of the Constitution. In the second period, we find the more
brilliant minds preferring private enterprise to public life, the de-
velopment of business organizations rather than political parties,
industrial inventions in place of political programs, and legisla-
tion based chiefly on expediency. Business has surmounted poli-
tics and labor movements taken the place of political develop-
ments. These are transvaluations which have come about in the
natural course of human events.
/
OUR SEVEN DEADLY VALUES
In addition to these general values that concern the nation as
much as the people, there are certain popular values which are
so marked as to demand special notice. The American mind,
if not the minds of other nations, has become keenly conscious
of its desires and has let these crystallize in the form of values.
Most of them are by-products of American technics, for the ma-
chine has both affected the appearance of the world and changed
the desires of those who live in it. No longer is the average citi-
zen contented to dwell under his own vine and fig tree; he de-
sires to get out of life at least all that there is in it for him. These
seven deadly values, as we may call them, are Communication,
Speed, Entertainment, Health, Psychology, Sex, and Youth.
Mankind may ever have desired such benefits as these, but the
proportion in which they are esteemed today makes them new
values.
COMMUNICATION
The desire for immediate Communication with distant points
and the consequent annihilation of space arose in connection with
steam and electricity. Another age might have hesitated to break
down the apparently natural barriers of space and time lest it in-
cur the wrath of the gods, but the American of the last one hun-
dred years has rejoiced in the machinery that grinds more rapidly
THE VALUES OF CIVILIZATION
than the mills of the gods. These space-time destroyers are easily
recognized in the locomotive, the steamboat, automobile, and
airplane. These provide the advantage of rapid transportation
of the individual himself, his body. Communication of a differ-
ent sort appears in the telegraph, telephone, radio, and television,
whereby one's mind is placed in immediate communication with
that of another at some distant point. In such victories over the
old space-time barrier we find an intrinsic value.
When we seek to evaluate the value of communication, we
must bear in mind that it concerns the form of an operation, not
its content. It is a question of the physical manner of the com-
munication, not the spiritual matter. In a poetic manner, we may
speak of the Revolutionary fathers as having "fired the shot
heard round the world," but it was a long time before report of
American freedom was heard in the Old World. Compared with
the broadcast of an advertisement spoken or sung or-crooned from
a radio station the time involved seems distressingly long. Yet
nothing worth while is taken from Lincoln's Gettysburg Address
because it went forth with only the speed of sound to be heard
by a few hundreds; nothing is added to a commonplace address
because it proceeds with the speed of light to as many millions.
And yet we are bound to find a value, if only a potential one,
in the facilities of instantaneous communication.
SPEED
In close connection with the value of communication is that
of Speed. There is a saying that he that believeth shall make no
haste, but for all that we have faith in rapid movement. In most
cases, such rapid transportation by means of steam engine or
motor is based upon the principle of necessity, since the exi-
gencies of modern life require one to cover greater reaches of
space in correspondingly short stretches of time. Yet in other
instances by no means exceptional, the idea in mind appears to
be movement for its own sake, as in motoring, with the added
zest of speeding. We crave the kinaesthetic sensation that comes
from swift transportation through space especially when ftjhe
means of locomotion are under our own control, and just
ENTERTAINMENT
do we observe and recount to others the time we made on such
and such a trip. The nation may be no better off for those who in
their swift cars have taken the place of the forefathers who jour-
neyed in the covered wagon, yet we cannot disabuse our minds of
the idea that the increase in speed is a gain in capability and
character.
The value of speed contributed to life by means of the motor
means increase in the quantity of life without improvement in its
quality. At the end of a day's motor trip in which one's senses
have recorded thousands of impressions where formerly these
were merely in the hundreds, one is no wiser than at the start of
the journey. Or is there any appreciable difference between those
who have their cars and drive them and the less restless persons
whose motor experiences consist of no more than an occasional
ride in bus or taxicab ? But since motoring is so universal and has
come to the point where we average about a car to a family, the
time is coming when rapid transportation will be so taken for
granted that its value will not be appreciated. There is still the
air, but even there it is possible that before the end of the century
aeronautics, which is now so exceptional, will become the rule
and the airplane will repeat the history of the automobile.
ENTERTAINMENT
The value of Entertainment is another desideratum which has
been both created and satisfied by the machine. This might be
called our " show value." The stage is by no means new, since it
dates back as far as the theater of Dionysus in the middle or
perhaps earlier period of Greek life and has since existed the
world over. But mechanical entertainment peculiar to the movie-
play and also the radio-play, which is coming into existence, is
something new. The remarkable feature of the moving picture
show is not that it exists or that it commands attention now and
then after the manner of the theater, but that it is accepted as an
essential of everyday life in America. As we shall see when we
come to the details of The Present Qufloo\, the statistics of at-
tendance at the movies is such as to sfhow that, on the average,
every member of the population sees a picture every week. Wlle-B?
S.T.— 35
THE VALUES OF CIVILIZATION
the number of infants, of the very aged, the blind, and those who
are not impressed by the technique of the movie stage is con-
sidered, it will appear that the " movie population " is unusually
devoted to the art and science of the mechanized drama and
assiduous in attendance.
For the most part, it may be assumed that the moving picture
show, except where it depicts crime and sensuality, is a negligible
factor in American life. It might be regarded as having a broad-
ening effect upon and an educational influence over the mind, but
the flying images of instantaneous photographs even when they
are synchronized with some sort of spoken text are not likely to
have a Shakespearean effect upon the mind of the habitual movie
audience. On the other hand, it might be suggested that the
movies are of ill effect mentally in the way that they take one's
mind away from the realities of life and create the impression
that, after all, all the world's a film. At best, it may be said that
the moving picture, whether it has a value or not, is such a factor
in contemporary life as to express a " frivolity rendered august
by its persistence," to borrow an expression from Anatole France.
HEALTH
The present age is interested in the Health of mind and body,
so that we find a sort of hygienic value asserting itself among
these more spectacular desiderata. The range of this value is
such as to include more than the organic welfare of the body; the
hygienic value includes concern for the nerves, glands, teeth, the
skin, and the like. The importance of health in the American
mind is indicated in striking manner by the Rockefeller Institute
for Mediccd Research, founded in 1901, and the Rockefeller
Foundation, 1913, with its International Health Division. The
millions or hundreds of millions set aside for this work suggest
the price that is set upon this value.
There can be no doubt that the hygienic value is a genuine one,
yet it can have the ill effect of making the average person over-
conscious of his body and mind so that, instead of accepting hints
from nature or warnings from the family physician, he may be
inclined to attribute to himself some of the ills that are referred
PSYCHOLOGY 53!
to in the " health column " of the daily paper. This is most likely
to be the case when, in the guise o£ psychology, the eccentricities,
dreams, and occasional black thoughts of the human mind are
made to appear unusually serious and to suggest that one is
suffering from the mental ills on which the enthusiastic psycholo-
gist is expatiating. The health value, especially when it concerns
our mental health, may be understood as a consideration naturally
arising in a civilization whose excitement and speed stimulate
the nerves to the point of irritation. If there were not the con-
stant tendency to disorder in mind and body, there would not
be such an effort put forth toward preventive medicine. Fortu-
nately for the American population, the methods being adopted
for the prevention and cure of disease have to do more with diet,
air, exercise, rest, and a common-sense plan of living than with
the patent medication which sprang up and flourished all too
well in the XlXth century. The ideal of a sound mind in a
sound body is being pursued more and more with regard for the
principles of rational living, less and less with blind faith in
the magic of medicine.
PSYCHOLOGY
Psychology is a popular value which has arisen in the XXth
century. When this science, if it was a science, was studied in the
form of " mental philosophy," the principles involved in it were
too metaphysical and the interests which it aroused were too
theological to make any popular appeal and constitute a value.
In like manner, although to a less degree, when the advance of
such study to the introspective study of consciousness was still
along the academic line, the populace had no access to the psycho-
logical laboratory and hence people lived their lives and did their
work in rather charming innocence of psychophysics. The popu-
lar mind made some general reference to the brain and spoke of
the successful person as one who was " brainy," but did not have
any desire or ability to look into these important matters. But
in time the science of psychology became something other than
the study of mind or mind-body. It began to refer to glands,
complexes, reactions, psychoses, and the like and the very in-
532 THE VALUES OF CIVILIZATION
definiteness of these terms, along with the constant appeal to the
sex-factor in life, made psychology a popular value or something
worth thinking about. An array of popular psychologies ap-
peared duly flanked by magazine and newspaper articles. At
least one newspaper syndicate put forth a feature conducted by
an emeritus professor of psychology, who sought to enlighten
the public on the subject of mind normal and abnormal. At the
present time, psychology is not as appealing as astrology, but
it has become such a popular desideratum as to afford a distinct
value.
Attention was called to psychology by the various efficiency
methods and intelligence tests that appeared with the new cen-
tury, and psychological interest was enhanced by the special in-
telligence tests of the army. Unfortunately this wholesale psy-
chology had the effect of showing that the male and militant
portion of the population was better fitted to fight than to
comprehend the purpose of the conflict, but the general idea of a
mental test on paper seized the popular imagination, and thus
there arose a variety of impromptu tests in the form of cross-
word puzzles, "Do you know that's?" and the like. This
press psychology had the effect of enhancing the psychological
value and tended also to popularize the clinical term " moron,"
often if not habitually employed by those who, under examina-
tion, would have been unable to state the psychological signifi-
cance of the opprobrious epithet. In addition to such psychology
of cognition, there has been an unusual interest in the mind
viewed from the emotional and elemental point of view.
This has associated itself with the vague use of the terms
ce glands " and " complexes." The glands, both ductless and other-
wise, had been in operation from time immemorial, cases of
goiter were by no means new, but the psychological effect of the
ductless glands and their influence upon personality soon became
popular. The gland became a kind of fad and the inimitable
" Hermione " of Don Marquis, having first referred to them as
though they were all the rage, added that, in her opinion, they
would soon become outmoded like the leather coats worn by
autoists. The complexes have made still greater appeal — that of
sex, This function, like the glandular one, is by no means new.
SEX 533
As far back as the days of Sophocles, from whom Freud adapted
the terms "Oedipus Complex" and "Electra Complex," the
morbid range of dreams had been divined.
SEX
The idea of Sex, not the only but still the predominant one
in psychoanalysis, has been raised from the biological to the psy-
chological level and made a conscious value in the life of the
present age. The antiquity of sex needs no comment; the obvious
importance of it in both animal and plant may suggest, however,
that sex is hardly a discovery of the XXth century, as though it
were an element rare as radium. No, it is merely the historical
fact that people at large are thinking and talking and writing
about the obvious and making a special value out of a general
function; this is what calls for comment. The advantages of this
tendency, or the value of the sex-value, may be expressed under
the general head of popular enlightenment, although in our age
this assumes the superficial form of sophistication. Thus it can
easily be demonstrated that a certain amount of elemental in-
formation coming in a sober, semi-scientific way is better than a
vague impression often associated with vulgarity* In like manner,
the sex-value may be upheld on hygienic grounds. Furthermore,
it might be pointed out that the " short and ugly word " is capable
of being lengthened and perhaps adorned by the psychological
fact that sex plays an aesthetic as well as an erotic part, having
at least something to do with both the appreciation and produc-
tion of the beautiful in art.
However, it requires but a moment's reflection to convince one
that this single function of the organism is not supposed to assume
responsibility for every form of human thinking and action, still
less for all manner of civilized institutions. The economic, in-
dustrial, political, religious, and even the social institutions in
general are in no special debt to the peculiar economy of all faunal
and floral existence. In the life of the individual, the disadvantage
of the sex-value appears in the way that it tends to discount the
delightful experience and romantic theme of love. The older
generation managed to live, love, and bring the younger, smarter
534 THE VALUES OF CIVILIZATION
generation into existence without the self-conscious and sex-
conscious sentiments so much in evidence in the popular mind.
The Ignorance of sex was the bliss of love, but the present genera-
tion seems to be willing to forego romance for the sake of sophis-
tication. If the primordial principle seems like such a new idea
that one is supposed to believe that sex has just been discovered,
it might be borne in mind that Eros was* both the oldest and the
youngest of the gods, so that the erotic tendency may be viewed
as the most primitive and elemental or as the most advanced and
psychological. There are many living today who can recall the
time when there was no such word as sex in the bright lexicon
of youth, just as there are some of the present generation who
doubtless will live long enough to observe the passing of the same
word from common speech.
YOUTH
The seventh of the deadly values that may be cited is that of
Youth. At a time in the history of civilization when the in-
habitants of the West might well have thought of oriental old
age and death, so deadly was the effect of the World War, their
aspirations took a decided turn in the direction of youthfulness.
The amazement of and deference to youth was by no means a
new idea when it was reproduced in the present century. A sort
of Ponce de Leonisrn rose soon after the discovery of America;
history was familiar with the expression jcunessc dortc, and older
generations had accustomed themselves to saying, " Youth must
be served." But the contemporary youth-value assumed the novel
form of youthfulness triumphant in the trim figure of the
"Flapper." She was apparently the product of the economic
regime in connection with which the great god Mammon found
it expedient to employ whole regiments of young girls who could
do the work of men without unduly burdening the payroll.
These daughters of Dives promptly met the situation by organ-
izing themselves, as it were, into a corps of sweetly militant
maids who changed the symbol of the young woman from that
of the clinging vine to the proud sapling. They were character-
ized by independent spirits but recognized by their short hair and
YOUTH 535
short skirts — fashions demanded by the kind of life they had
begun to live.
Not to be outdone by these authentic examples of youthfulness,
no longer sweet but strenuous sixteen, their mothers imitated
them. As the child of the older generation found it interesting
at times to don the mother's garments, the mothers of the pres-
ent generation have reversed this process. The result is that the
women of this generation, young and old, give or attempt to give
the impression of youthfulness. Bobbed hair and docked skirt
for both mother and daughter are or have been symptoms of
this. The feminine symbol for the genuinely young is Joan of
Arc; for the apparently young, that same Cleopatra whom age
could not wither and whose infinite variety custom could not
stale. Other indications of the youth-value feminine are findable
in what might be called major cosmetics, or face-lifting, to say
nothing of the rejuvenation process instituted by Dr. Steinach.
A literary example of this phase of new womanhood was given by
Gertrude Atherton in her novel en tided Blacf^ Oxen.
Although the youth-value of the XXth century will be associ-
ated with the life of woman, man has not been indifferent to the
idea of a Fountain of Youth. The men of the XXth century have
gone at the problem in a tonsorial, sartorial manner just as the
women made use of coiffure and costume in the outer quest of
youthfulness. Thus the men of the age are usually smooth-
shaven and to that extent boyish in appearance, comfortably and
perhaps jauntily attired. The short skirt has been matched by
the knickerbockers of golf players and non-participants in the
sport, and such athletic attire has been quite generally adopted
even when the wearers of it are often quite wanting in the ac-
companying athletic figure. In more serious ways men have
matched Steinach with VornoflE; that is, they also have expressed
the hope of actual rejuvenation. But for the most part men have
taken the youth-value to mean the prolongation of their existence
on earth and thus have gone in for life-extension. Their literary
guide is none other than that forever-young senior, Bernard
Shaw, who, in his Bacf^ to Methuselah f has tried to create the
illusion that the alloted span of life can be stretched, if only in
imagination.
536 THE VALUES OF CIVILIZATION
NEW VALUES NEEDED
The time is coming when these seven deadly values will have
to give place to new ones and it has been suggested that a hand-
some prize should be offered to the genius who will invent a new
value for the human race. If evolution proceeds by emergence,
it is possible that such a novel value will appear in the form of a
new purpose in life, a more remote goal than is now in sight.
CHAPTER XXI
TYPES OF NATIONAL CULTURE
CULTURE PERSONAL AND NATIONAL
IN CONTRAST WITH SCIENCE, WHICH IS IMPERSONAL AND SOCIAL,
culture is individual and national. This is because it relates
to man rather than nature and moves along in history in-
stead of taking its place in the world. Culture is something
creative and only remotely related to the intellect's faculty of
comprehension. It deals with the sciences, but with the arts
also, and consists of intellectual life rather than any process of
reasoning. There can be no national culture without the culture
of individuals who make up the political group and there can
hardly be intellectual culture without the aesthetic background
that a nation affords. We are bound to associate Homer with
Greece, Cicero with Rome, Leonardo da Vinci with Italy; Goethe
is ever German, Rousseau French, and Emerson American. In
a certain sense, culture is a European ideal and may be said to
consist of the Europeanization of the intellect; but none the
less is it so national that the cultured individual can hardly de-
tach himself from his group or uproot himself from his native
soil. The very fact of language, which the man of culture uses
in expressing himself, is testimony to his racial and political
connection.
As a result of the patriotico-personal character of culture, sepa-
rate nations have expressed massive forms of intellectual life,
which have then been exemplified by private individuals who
have both borrowed from and contributed to the national culture-
spirit* Here and there an individual may be a branch broken
off and grafted upon the olive to partake of the root and fatness
of the tree. This we observe with Heine in France, Stendhal-
Beyle in Italy, Henry James and Joseph Conrad in England; but
such transplantings seldom result in genuine culture or true
art with the mind that is to the manner born. The sincere artist
may transcend the level o£ his national existence, as did Goethe,
537
TYPES OF NATIONAL CULTURE
exceed the limits of his locality as in the case of Emerson, or like
Ibsen wander from his native land; but Goethe was forever
German, Emerson American, and Ibsen Norwegian. Native
tongues take care that native sons shall speak their proper lan-
guage and testify to the nationalism of their culture. How may
these national cultures be identified?
GREEK CULTURE OF BEAUTY
Already, as a matter of history, we have spoken of Greek
culture in its connection with our civilization. In so doing, we
sought to pursue historical method and thus were forced to refer
to the Greeks in a realistic way, perhaps as they may have thought
of themselves, all unmindful of the sublime fact that they were to
become models of Classicism. Having paid our tribute to prag-
matic history, it is now our privilege to indulge the idealistic
interpretation which the study of Greek life has made tradi-
tional. We place their intellectuals, the \doi \agathoi, at the
head of the column, to be followed in turn by artists who made
other nations famous for the Greek spirit of culture. Greece
was responsible for its national culture, for there was nothing
overpowering in the geographical situation in which it found
itself. There were no towering mountain ranges or majestic
rivers, no vast reaches of either land or sea, but only hill-like
elevations and slender streams, while the coast line on the Medi-
terranean was well fortified with many a charming isle. The
absence of natural grandeur prevented the Greek intellect from
being embarrassed by the thought of its natural limitations,
while the character of the land kept them from becoming too
gregarious. They beheld nature in miniature and developed
their art in the spirit of proportion rather than size. They
viewed human life socially, entered by free choice into their
own political relations, and developed the polis in the tiny form
of the city-state.
The psychology of the Greek mind was that of perfect hu-
manism; it reveals its subjects as men who sought to rationalize
all impressions, emotions, and impulses. We have recognized
this already when in speaking of Greek culture we referred to
THE GREEK LANGUAGE
their ideals of self-knowledge and restraint, or nothing in excess.
But above all they were to exhibit what Aristotle came to call' the
" energy of contemplation " or activity of an intellect that be-
held interesting problems everywhere. It began to reveal itself
in extravagant dreams about the universe, man, and the course
of things celestial. In time it appeared again, when metaphys-
ics had taken the place of myth in naive speculations about the
nature of things, whether of water or air, whether one thing at
rest or many things in motion. None the less did this intel-
lectual avidity lead the Greeks to lay hold of the intimate nature
of particular things, as when Archimedes sought the true weight
of gold and Pythagoras considered the relation of the hypotenuse
to the other two sides of the triangle. These and many other
things noted in the chapter on Greek culture indicate the cog-
nitive character of Greek psychology.
The reflective culture that the Greeks superimposed upon their
discoveries and inventions assumed the form of official philosophy>
or idealism. The Greeks were drawn to this type of speculation
by their desire to have a standardized way of thinking in place of
the sophistical opinions of Protagoras. It was their desire to dis-
cover what all men must think, not what one man may think.
Then, they were drawn to the idealism of forms as a way of escape
from the flux of particular things that the heedless philosophy of
Heraclitus had proposed. Hence they welcomed the teaching
of Socrates, who established knowledge on the basis of definitions
in much the same manner that Pheidias described the human
body in a typical and anatomical way. These Socratic ideas as-
sumed the form, of a set framework in the absolute idealism of
Plato, which provided the intellect with knowable objects distinct
from the imperfect and changing objects of sense. Just as much
was there among these Greeks the desire to discover the channels
of life and paths of action, so that to their metaphysics they added
a system of morality based upon the contemplation of the Good.
THE GREEK LANGUAGE
The immediate expression of this intellectualism came to the
Greeks as a gift in the form of language, for in the beginning was
540 TYPES OF NATIONAL CULTURE
the word. The logos was the gift of the gods. It meant
more than " word "; it included the idea the word expressed, if
not the thing behind the idea. Their language itself was euphoni-
ous and in comparison with Latin came forth with fullness in
sentences complete in meaning and remarkable for smoothness
of sequence. Greek rejoices in a wealth of forms indicative of a
mind whose perceptions are acute and whose thought has con-
sidered its subject with care. The noun with its definite article
is declined with less modification than the Latin substantive,
but its four cases are adequate. The verb exhibits rich con-
jugations capable of expressing all possible variety of relations,
which themselves are made more definite by the use of signifi-
cant prepositions, while the various shades of meaning are made
apparent by a profusion of particles. With the logos as his
guide, the Greek could say what he wished in the way he
wished it understood, since his flexible language made his thought
articulate.
Classic consciousness and its mode of self-expression engen-
dered style in art, the Apollonian form of culture; this style
consisted in loyalty to the media in which the artist worked.
Greek architecture seems to stride majestically from the simple
Doric to the symmetrical Ionic, to the ornate Corinthian. Greek
sculpture advanced from the rnassiveness of Myron to the per-
fect formalism of Pheidias and thence to the beauty of Praxiteles.
In keeping with this implicit plan or pattern, the Grecian drama
began by unfolding the sturdy stanzas of Aeschylus, proceeded
to the Classicism of Sophocles, and culminated in the more con-
scious and human art of Euripides. The art of the Greeks seems
to have advanced according to a preconceived plan and to have
filled in a framework devised in advance. It was in this spirit
that Plato referred to ideas as preexistent patterns which the
mortal mind of man recalled as its experiences in a previous state
of existence.
CLASSICISM
The Greek spirit reasserted itself directly in the Italian Re-
naissance, when Apollo resumed his creative work. The Greek
CLASSICISM 54I
idea appeared in France and Germany where it was first a
pattern for imitation and then a principle for analysis. The
classic sense of form reveals itself in the development of French
poetry from Malherbe onward; tightly unified drama appeared on
the stage of Corneille. Moreover, the clarity of French style and
the constant reference to the intellect may be taken as further
examples of Grecian influence. In the German mind, the Clas-
sic became a concept to be submitted to reflection rather than
a model to be followed by creative art, so that it was the aestheti-
cal more than the artistic that the Germans acquired from the
Greeks.
Among the Germans we observe this in the archaeologist
Winckelmann, who likened classic beauty to rare wine drunk
from a simple, transparent goblet or a spirit drawn from the
material order by fire. " Beauty," he went on to say in dilating
upon the Greek ideal of art, " is like the purest water, which is
more highly prized the less taste it has because it is free from
foreign elements."1 Lessing, who felt that the neo-Classicism
of the French was not authentic, exhibited what he esteemed the
Greek ideal by drawing sharp lines of distinction between poetic
and plastic art and with the rigor of the metaphysician relegated
one to the perception of time, the other to the domain of space.
Schiller was more sunny in his method. He distinguished be-
tween ancient and modern poetry when he spoke of the former
as " naive," the latter as " sentimental," thereby setting the Greek
ideal in a relief it had never enjoyed before. For the most part,
the popular effect of classic culture has shown itself in the Greek
motif in conventional architecture and the pursuit of Greek
and Latin in the schools.
The Greek conception of culture, as this is now fixed in our
minds, may seem too good to be true, hence there are those who
feel that Grecian idealism and aestheticism are somewhat mythi-
cal. Surely we cannot think of original Greeks as devoting all
their precious energies to the True and Good and Beautiful any
more than we can imagine the ancient Hebrews so surrendered
to righteousness that the Ten Tribes were found instantly serving
God day and night. In the case of Grecian idealism as it was
* Werfy, Lib. 4, Cap. 2, § 23.
542 TYPES OF NATIONAL CULTURE
entertained by the Greeks themselves, it must be observed that
Apollo, god of beauty and enlightenment, was not the only deity,
for there was Dionysus, god of sense and debauchery. Thus
it was that Nietzsche,2 having felt that the Apollonian had
been too highly praised, strove to rehabilitate the Dionysian
ideal of robust culture. His contention was that the Greeks
went too far when, especially in the drama, they allowed the
rationalism of the Apollonian forces to subject the barbaric
and titanic powers of the Dionysian cult whereby the Greek
stage became a rigid form instead of a living body. To this
philosophical criticism he added a bit of propaganda by in-
sisting that it was the original mission of Richard Wagner by
his naturalistic operas of the Nibelungen Ring to restore the bar-
baric vigor symbolized by the worship of Dionysus. This, how-
ever, was not to be done, not even by the Germans, who are
guided by Faust rather than by the ancient god.
But after we have duly discounted the traditional idealism of
the Greeks and made as much allowance for the realism of life,
we cannot consent to the idea that there was anything like a
balance between the ideal and the real, or genuine competition
between Apollo and Dionysus. The faunal deity with his troupe
of satyrs was looked upon by the Greeks as a sort of interloper
whose mischievous presence was tolerated by only a base minor-
ity. In the Bacchae 3 of Euripides, we observe Greek hostility to
the orgiastic rites o£ this impromptu god. The stand taken,
which is the losing one in both history and drama, is represented
by the Theban king Pentheus, who tries to discredit the new
rites being introduced into his little dynasty by styling them as
unseemly and as better suited to barbarians than to Greeks. It
may have been that it was the Dionysian motif in Greek life
that gave the national culture its genius, yet without the ethical
restraint and intellectual guidance of the Apollonian, Greek cul-
ture might have amounted to nothing but so much mental fer-
mentation or a protracted period of storm and stress. The
impression left by the ancient Greeks is forever the Apollonian
ideal of idea and form; to us they bequeathed their world of
ideas.
3 The Birth of Tragedy. 3 Bacchae, tr. Way, 482*483.
ROMAN CULTURE OF DIGNITY 543
ROMAN CULTURE OF DIGNITY
Roman culture was far less volatile than that of the Greeks;
it tended to harden into the practical forms of civilization. In-
stead of regarding the intellectual and aesthetical life of the
Romans as competing with Greek culture, it is wiser to consider
it as something complementary, or as the addition of the practical
to the theoretical. The Roman mind saw this clearly and thus
indicated, as it were, a division of labor whereby the Greeks
should be thought of as perfecting the arts and sciences while the
Romans excelled in law and politics. It was with this in mind
that Virgil referred to others who cut out breathing bronzes and
drew living countenances from marble, traced out the plan of the
heavens and predicted the rising of stars, only to conclude that
Romans were meant to rule peoples, beat down the haughty in
war, and impose the practice of peace.4 Such was the imperial-
istic standard which Rome set up in contrast with the intellectu-
alistic ideal of Greece. The comparison was implicit in all the
Romans did, but did not fail to receive explicit statement, as in
the above case of Virgil. In a similiar spirit, Cicero, himself a
man much after the Greek pattern, expressed himself in his ora-
tion on the impeachment of Verres, the corrupt governor of
Sicily who had plundered the Grecian cities of all their master-
pieces of art. " I realize that it is hard for you, gentlemen of the
jury, to understand how the Greeks feel about spoliations of this
particular sort. Indeed, in a manner that seems strange (to us),
the Greeks take delight in those things that we despise." 5 There
was this sharp contrast between two ancient peoples; how are
we to account for it?
The deep cultural contrast between Rome and Greece is not to
be accounted for outwardly on the basis of physical causality as
though there were a radical difference in the geographical set-
tings of the two lands. Both were peninsulas thrusting their
way down into what we might call the basin of civilization and
culture — the Mediterranean Sea. But the Roman mind, or will,
accepted its position in the physical world in a spirit somewhat
different from what Greece had done, certainly before Greece
* Aeneid, 847-853. B In Vcrrcm, II, iv, 134.
544 TYPES OF NATIONAL CULTURE
came under Macedonian rule. The original aim of the Greeks
had been to enjoy and cultivate something given in the joy of a
beautiful present, in a mood which made them forget the past
and entertain only vague presentiments of the future. With the
Roman it was otherwise. The Italian peninsula seemed to point
significantly in the direction of Carthage to the south while to
the north it spread out in such a way as to suggest a Europe that
might be conquered. To follow out these geographical sugges-
tions would be to review the well-known topic, the rise and fall
of Rome; not so clearly, however, would it supply us with a
psychology of Roman culture.
ROMAN CULTURE AND CIVILIZATION
Among the Romans, the tendency to fixate ideas in the forms
of civilization was such that the idea of a Roman culture in a
free and flowing form is all but lost to view. The Romans did
not luxuriate in the intellectual and artistic life that had meant
so much to Grecian enjoyment. And there was in Roman cul-
ture little of that aesthetic delight in form or mental avidity to
understand that had made the Greeks seem like students more
than men of the world. The Romans did not lack taste or
curiosity, but their pursuit of the Beautiful and True was not so
disinterested, so enthusiastic; it was subordinated to the Good as
they understood it; the Good of power and utility. If the es-
sence of the Greek mind had inclined it to some sort of logic,
Roman culture gravitated toward law. Apparently the Roman
mind was content to let the things of this world take care of
themselves, but not so the affairs of the human order, for there
was a world which was to be governed by suitable laws which,
later, were interpreted as the dictates of nature in the form of
lex naturalis.
The psychology of the Roman mind appears altogether staid
when compared with the spontaneity of Greek intellect. The
Romans had their own humanism, but it was ethical rather than
intellectual; it lacked the warmth, versatility, and color that the
Greeks had infused into human consciousness. The difference
between Greeks and Romans may be indicated by calling one
THE LATIN LANGUAGE 545
a people of intellect, the other a people of will. It might be
expressed by the suggestion that the Greeks were more cultured
than civilized, the Romans more civilized than cultured. How
did this appear in their respective arts? Greek art exemplifies
beauty and grace, that of Rome a feeling for elegance and dig-
nity. The Greek was artistic where the Roman was more arti-
ficial, and between the two artistic efforts there is the difference
between creating and making. The Greeks pursued art for its
own sake and ended by laying down, as they did with Aristotle,
the laws of aesthetics. The Romans began with the rule and
sought to exemplify it.
THE LATIN LANGUAGE
The mental difference between these two model nations of
antiquity was bound to appear in the languages they used to ex-
press their characteristic spirits. Attention has already been
called to the flexibility and richness of the Greek language; it
remains only to observe the opposite qualities of laconic Latin.
Greek in the hands of those who used it was as wax to be molded
according to the ideas and feelings of the mind; Latin was a
bronze to be beaten into acceptable, permanent form. The lan-
guage that the Romans employed to express their prevailing mood
rejoiced in none of the fluency which the voluble Greeks de-
manded of their speech; it exhibits a discontinuity in which much
must be made of the independent word and a taciturnity in-
escapable in the well-known veni, vidi, vici. A large portion of
the utterance is thus left to the imagination of hearer or reader.
The noun lacks the article which, in the case of Greek, is so
impressive that the omission of it is of special significance. There
Is no such copious use of particles or even of prepositions, for
the main parts of speech are supposed to bear their own burden
of argument. The Latin verb is there to express relations, but not
with the versatility of the Greek paradigm.
When contrasted psychologically, Greek might be styled a sub-
jective language in the sense of verbal expression going forth
from a mind desirous of expressing itself fully, while Latin
subordinates the mood of the speaker to the object he is COJGH
S.T.— 36
546 TYPES OF NATIONAL CULTURE
sidering as something apart from himself. Yet in spite of this
apparent lack of human warmth in the Latin language, it has
been able to permeate modern tongues to such a degree that
today we use one dares hardly say how many more Latinized
than Hellenized modes of speech. Long ago Latin gained a
foothold in the vernacular of law and politics; in modern times
Greek forms have been revived to enrich the terminology of
science.
Such were the deep-grown roots of Indo-Germanic culture,
such the direct growth of intellectual life in Athens and Rome.
But the Graeco-Roman spirit did not pass away with the death
of the body, for the culture of the ancient world, being dead, yet
speaketh. That which at first was the Hellenizing of mankind
in the western world was destined to become the Europeanizing
of the western man. When Greek culture and Roman civiliza-
tion had ceased to exist, the people who were destined to revive
them were still in a raw condition bent more upon destroying the
old world than building upon it. These Germanic tribes were to
be converted to Christianity, cultured according to the Greek
plan, and civilized in a Roman manner. They were destined in
time to develop their own national cultures partly by revivals of
the ancient European culture and in part through something
indigenous within them. We must now analyze the cultures
of various modern nations with the hope of discovering the
typical within them.
ITALIAN CULTURE AND THE RENAISSANCE
The character of Italian culture invites admiration more than it
provokes analysis; it yields more enjoyment than enlightenment.
For the most part, the culture of Italy may be regarded as one
vast picture gallery. It has its poetry from Dante to Petrarch,
and after the Renaissance was to give the world modern science
in the person of Galileo. During the Renaissance, it rejoiced in
the arts of sculpture and architecture. Then there was Palestrina,
who may not be related to modern music the way Bach is, but
who was not wanting in modern technique. But still it is the
canvas that must remain the symbol of Italian culture, or paint-
ITALIAN CULTURE AND THE RENAISSANCE 547
ing from the birth o£ Cimabue (c. 1240) to the death of Titian
(1576). In dealing with the question of Italian culture, we
must consider whether it was a Renaissance movement and, if
we decide that it was not, whether it was really helped by the
revival of the ancient method. We are in the habit of regarding
Italian culture as though it were a wistful tendency which
emerged from the gloom of the Gothic era and made furtive
gestures in the direction of an art which could not come to any
culmination until the Renaissance appeared in all its glory, just
as we are inclined to believe that the decline of the neo-classical
style with its simplicity and formalism was followed by the
fantasies of the Baroque. A superficial view of the XVth cen-
tury renders such a conception of Italian culture plausible. Yet
it is more profound to think of the course of culture in Italy as
a spiritual movement which proceeded from the Xllth to the
XVIth century, from Gothic to Baroque, in a vital and creative
manner, to be interrupted for the time by XVth-century imita-
tions of the pagan manner. Such a conception of Italian culture
pkces us in a position where we must regard the classical Renais-
sance as a hindrance to the free development of the Italian spirit.
After the lapse of a thousand years and more, it was impossible
to resuscitate the spirit of antiquity with whose body Italy was
quite familiar. In the interim, Christianity had appeared and
developed into a world-religion, the Gothic spirit had spread
over Europe and given its art a distinct style, music had arisen
and was soon to be systematized by Palestrina (c. 1524-1594), and
genius had come forth in the person of the Italian painter, the
Italian poet. The characteristic art was to be painting, as for-
merly it had been sculpture. The relation between ancient and
modern art was chiefly in plastic art as represented by Michel-
angelo, and to some extent in architecture. The great Tuscan
sculptor had been deeply affected by the discovery of the Lao-
coon group in 1506, itself more of an example of the Baroque or
Romantic than of Classicism. But this and other examples of
classical form had no power to overcome the genius of Michel-
angelo and render his art pagan. His attitude toward his art
was radically different from what that of Pheidias had been.
" For Pheidias marble is the cosmic stuff that is crying out for
548 TYPES OF NATIONAL CULTURE
form. The story of Pygmalion and Galatea expresses the very
essence of that art. But for Michelangelo marble was the foe to
be subdued, the prison out of which he was to deliver his idea
as Siegfried delivered Brunhilde." 6
REALISM OF ITALIAN CULTURE
Not Greece and Rome, but nature and Christianity are to be
taken as the true foci of Italian culture, for it was not what
artist and scientist might have inherited from the past but what
they felt and perceived around them that was to engender the
spirit of Italian culture. As far as tradition was concerned, this
was originally Byzantine, but it was abandoned as early as
Cimabue. One sees this in his Madonna Rucdlai in the church
of Santa Maria Novella at Florence. The art of Giotto (1276-
1336), his pupil, is even more intuitive and vital; it reveals
expression and action, excels in certain points of technique, as
the representation of drapery, and is nearer nature herself than
to any school of art. The same independence of Classicism
appears in Fra Angelico (1387-1455)3 whose name can hardly
be. attached to that of any school save the Gothic. In choice
of .subject matter, there was a touch of paganism in the art of
Botticelli (c. 1444-1510), who painted both the Venus and the
Virgin, but the manner of execution in its flowing line was not
at all classical.
The course of Italian culture, unlike that of France or Eng-
land, where continuity has prevailed, was comparatively brief.
None the less was it a compact movement which has given, the
world culture in a condensed form. We have seen that Italian
culture cannot be called Renaissance culture in the classic sense;
it was itself a Renaissance which, unable to triumph over the im-
pressive forms of ancient art, came to an untimely end. Since
the official close of the Renaissance, Italian culture has not been
able to compete with the intellectual and aesthetic work put
forth elsewhere in Europe. It made a magnificent beginning a
century later when the new science of physics was practically
established by Galileo and flashed forth a century later when
6 Spengler, The Decline of the V^cst, tr, Atkinson, Vol. fc p, 276^
THE DOGE'S PALACE, VENICE
SENATE CHAMBER IN THE DOGE*S PALACE
The interior of the palace was decorated by famous Venetian,
painters of the sixteenth century,
ag® $48)
DILETTANTISM OF FRENCH CULTURE 549
Vice's Scienza Nuova (1725) suggested the possibility of social
science. But for the most part, the poetry and painting, the
architecture and sculpture of Italy are a precious memory. This
must be said even when, in addition to these arts of the Renais-
sance, Italy gave opera to the modern world, as it did in the
XVIth century through Emilio del Cavaliere, Vecchio, and
Peri. But here, again, it was a Renaissance beginning rather
than a continuous development.
THE DILETTANTISM OF FRENCH CULTURE
It is a precarious undertaking to attempt in a few pages the
characterization of a national culture extending over several
centuries and ramifying among the various arts. We can do
little better than indulge in significant adjectives. In this spirit
we would refer to French culture as being dilettant. Unlike the
national culture of Italy, that of France was not dependent upon
the classical Renaissance and did not develop any school of XVth-
or XVIth-century painting. The culture of France, rejoicing in
the continuity lacking in Italy, grew up steadily out of the
mediaeval period and has continued without interruption to the
present century. The absence of Renaissance painting, itself so
conspicuous not in Italy alone but in Germany, Holland, Bel-
gium, and Spain, is atoned for by the presence of a culture-spirit
whose continuity and steadfastness is the most characteristic
feature of Gallic culture. This, however, aside from its Gothic
architecture of the Scholastic era, has been the culture of the
word — of poetry, drama, or literature generally.
The tone of French culture is that of dilettantism. This is an
unhappy term, but the offense that it might cause may be avoided
by considering just what it means. By national dilettantism such
as one finds in French culture, we do not mean any such intel-
lectual superficiality as an individual displays when dabbling in
art or science. There is no such superficiality in the Gallic mind,
but still there is a certain lightness of touch and versatility of
action that justifies the use of the term employed. Compare the
culture of France with that of Italy and you behold no such
religious faith as the Italian mind exhibited in a practically per-
550 TYPES OF NATIONAL CULTURE
manent mood from the Gothic period to the Baroque, when its
culture flourished. France, likewise, enjoys none of the empiri-
cism which has made the English mind stolid and practical in
even its most artistic periods. Nor is there discernible in the
French mind that rationalism which, with the German, deepened
into dogmatism. On the contrary, there is about the Gallic
genius a noble skepticism in the sense of a mind that refuses to
commit itself to anything.
GALLIC SKEPTICISM
The character of Gallic dilettantism appears in the way that
the French mind plays with its ideas. Montaigne played with
knowledge when he asked, "What do I know? — Que sats-
je? " This was a question put in a spirit far different from the
tremendous interrogative of Kant, when at the end of The
Critique of Pure Reason he asked, " What can I know? — Was
\ann ich wissen?" Descartes' academic skepticism which led
ultimately to belief in nothing but his own existence is not really
an example of a man doubting, but of a mind that wishes to
see what can be accomplished by doubt. The same sort of
dialectical dilettantism appears in Pascal's Pensees, in which the
weakness of reason, ugliness of nature, and hatefulness of self
are ideas indulged in for the sake of discovering the innermost
recesses of the heart. Rousseau is the most extreme example of
the dilettant. He played with the ideas of culture and civiliza-
tion as a child might play with toys and in his childishness dis-
claimed all mental and moral responsibility. In like manner,
Voltaire's Candide is a form of play in which the earth itself is
the toy. One cannot fail to find dilettantism in the Positive Phi-
losophy of Auguste Comte, which, for all its show of science,
conveys the impression that the author is amusing himself, al-
though in a serious way. The culmination of Comte's idea, the
Religion of Humanity, which for him was the worship of hu-
manity incarnate in his sweetheart, is convincing of its semi-
serious or dilettant spirit.
Evidently the dilettant tone of French culture is something
persistent. Ernest Renan betrayed it theologically in his Vic de
THE CONTINUITY OF ENGLISH CULTURE
Jesus (1863) and it was he who said, " Man sees clearly at the
hour which is now striking that he will never know anything o£
the supreme cause of the universe or his own destiny. Never-
theless he wishes to be talked to about all that." And is there
not the same distrust of logic accompanied by a free play of
fancy in Bergson's idea that the intellect must surrender to the
intuitive faculty, which alone is able to comprehend life? Fur-
ther touches of dilettantism appear in the arts. Cubism, al-
though of Spanish origin, has been furthered by the French as
by no other people. The same may be said of Futurism and
Dadaism; if they arose outside France, it has been within its
borders that these movements have been developed. However,
since there is so much thickness in English empiricism, so much
heaviness in German dogmatism, to say nothing of the nihilism
of Russian culture and the commercialism of the American mind,
the noble dilettantism of the French mind is to be welcomed and
prized for the freshness of its tone and brightness of its ideas.
THE CONTINUITY OF ENGLISH CULTURE
English culture resembles French in being indigenous and
continuous. It is somewhat akin to the culture of Italy in that
it has devoted itself to art instead of developing tendencies or
aesthetical theories; then, it is devoted to practically a single art
— that of poetry. There was English Gothic and there has been
English painting, as that of Turner and Constable. But beside
French architecture and Italian painting English efforts in those
directions can only suffer by comparison. English poetry, how-
ever, is without parallel in the modern world; and, then, there
is always Shakespeare.
Although we must regard English culture in the direct form
of literature, we must not overlook the fact that in the Elizabethan
and Victorian periods it produced its culture-philosophers —
Bacon and Matthew Arnold. Yet in both instances, the culture-
ideal, far from being a creative one calculated to engender de-
velopment in the fine arts generally, -was associated with the
literary. Both Bacon's Advancement of Learning (1605) and
Arnold's Culture and Anarchy (1869) are concerned with books.
552 TYPES OF NATIONAL CULTURE
In like manner, both these exponents o£ culture consider art,
which for them is only literary art, from the appreciative or
critical standpoint, not the creative. They appeal to reader rather
than writer, and tend to think of culture as information. A more
comprehensive conception of the cultural was afforded in Ar-
nold's day by Ruskin, who was aware of the fact that beauty
can express itself in the less articulate forms of architecture and
painting.
If for a moment we return to the theoretical principle of cul-
ture laid down in Chapter IV, we may be able to appraise the
value of culture in the English mind. Culture, we recall, con-
cerns itself with the contrast between animality and humanity.
In England's case, even with its Darwinism, we may not say
that the mind has remained upon the plane of animality, but as
surely may we observe that it has not wholly surrendered itself
to the competitive ideal of humanity. Then, has England with
its ever-pronounced empiricism seen fit to cultivate the ideal of
the Remote as in a moment we shall find this in German tran-
scendentalism? Or has the English nation as a culture-people
been so impressed with the inward possibilities of Contemplation
that it has minimized the ideal of Conquest? It is true that the
English mind has long felt the importance of the inner life, as
one observes in its religious belief and reverence for conscience,
but apart from its spiritual and ethical earnestness it has not
surrendered the ideal of outer existence in either individual or
nation. But these are largely theoretical considerations.
ENGLISH POETRY
The development of British culture does not reveal any restless
ramification into all the forms of art, but an almost uninterrupted
growth along the single line of poetry. It is as though the
English intellect in forsaking the immediate realms of the em-
pirical, practical, and political had resolved to indulge in only
an articulate form of art and through the beauty of language
develop the aesthetical in the most sensible manner possible. The
silent and implied beauty of painting, still less the mystical beauty
of music, have made no such appeal as is found in the rational
PERSISTENCE OF THE POETIC PRINCIPLE 553
medium of language. Architecture? Yes, this solid and use-
ful art has made its appeal to the British brain, but not in such
ways as to open architectural avenues comparable with those of
ancient Greece and modern France. The English people have
followed more of a Roman model. Painting, also, in the form
of landscape and portrait — Constable and Gainsborough — but
no development of the color-art such as one finds in the Renais-
sance lands. As for the art of tone apart from the indirect de-
velopment of this in English poetry, the land of Shakespeare is
practically without music.
But in the articulate art of poetry, which reveals the power
of the word, England is easily able to take its place in the select
line of peoples with their national cultures. When one considers
British verse, which has made supreme use of a language rich
in both Anglo-Saxon and Latin words as German and French
are not, one is inclined to refer to great names — Spenser and
Shakespeare in the Great Queen's day, Milton, and then Brown-
ing and Tennyson in the era of the other great woman monarch.
But there was poetry before Shakespeare transcended his land
and age, and a continuous stream of verse between Elizabeth and
Victoria. As for Shakespeare, to whose genius the Germans lay
some claim, it might be observed that when he was intent upon
dramatic effect he staged his play outside England — Italy, Den-
mark, Egypt.
PERSISTENCE OF THE POETIC PRINCIPLE
Now, it is the continuity of English poetry-culture that should
attract notice and receive emphasis, for its insular aesthetics reveals
no likeness to the condensed culture o£ Italy or the sporadic
efforts of Germany; rather is England like France in the strength
and smoothness of its intellectual energy. The Anglo-Saxon
period had its Beowulf and Cynewulf and a stream of melody
however slender from the year 700 to the Norman conquest some
four centuries later. The middle period of English literature is
well filled by Chaucer, whose greatness, as we appreciate it now,
had power to carry the poetic spirit over the period made barren
by the Hundred Years' War and the Wars of the Roses. But
TYPES OF NATIONAL CULTURE
even here a foreign war and domestic turmoil did not prohibit
the appearance of Sir Thomas Malory's Morte d' Arthur. To
mention the Elizabethan period is to pronounce the magic name
of Shakespeare and raise British culture to a special, sudden
height. Nor should we ignore the fact that, in addition to the
Elizabethan court there was a kind of Elizabethan underworld,
and if the official stage was absorbed by the genius of Shakespeare,
there were commercial theaters whose dramatic wants were sup-
plied by such playwrights as Thomas Dekker, Thomas Hey wood,
and Thomas Middleton. Indeed, some two thousand plays were
produced between the middle of the XVIth and the middle of
the XVIIth centuries, yet the world has decided to let Shake-
speare stand as the symbol of this great dramatic movement in
which all the world was indeed a stage.
The persistence of the poetic principle was threatened by the
Puritan regime in which the play was prohibited, but it failed to
nip in the bud the genius of Milton, who himself emerged as a
world figure when the period of Restoration appeared. Here
were also such technical poets as Dryden and Pope, to say nothing
of the poetically minded Bunyan. What the drab XVIIIth cen-
tury lacked in poetic fervor it made up, in part, by the creation
of the modern novel, the development of the essay, a touch of
genuine drama in Goldsmith, and the romantic reaction against
Classicism. The XlXth century saw England caught up a
second time in a cloud of poetry or literature generally, in the
Victorian period. The present century, while somewhat too
sophisticated for the naive spirit of art, has made room* for
scientific-social writers easily recognized in the persons of Thomas
Hardy, Bernard Shaw, and John Galsworthy. English culture
in the sense of enlightenment has not been wanting in scientific
contributions of unusual importance, as one realizes the moment
he mentions the names of Newton and Dalton, Darwin and, in
our century, Sir Ernest Rutherford. English culture has been
much more stolid than that of France and might be called the
culture of naturalism. What it lacks in beauty it makes up in
power. It is a type of culture so well supported as to insure
itself for a long period.
GERMAN CULTURE
THE SPORADIC NATURE OF GERMAN CULTURE
555
The course of culture in Germany has been the opposite of
smooth. The American mind which studies European cultures
for the sake of instruction and nourishment observes in Teutonic
culture something akin to the political geography of the land;
this is broken up into kingdoms and principalities as its culture
is scattered about in periods, as Storm and Stress, Romanti^ and
the like. Like other European cultures, that of Germany had
its background, which was that of Lied and Saga, but from these
unto modern times to say nothing of the present there was no
continuous development. What in other nations was the Renais-
sance was to Germany the Reformation, whose literature was
bound to sacrifice style to doctrine and religious propaganda.
Then while other nations were developing their special types of
culture, Germany was in the throes of the Thirty Years' War
(1618-1648). The result was that German literature enjoyed
scarcely more than a century of existence, or from the birth of
Goethe in 1749 to the death of Heine in 1856, a period bounded
by religion at the beginning and science at the end.
In the art of painting Germany made a geniune beginning in
the Renaissance painting of Diirer (1471-1528) and Holbein
(1497-1543), but this movement was interrupted by the Reforma-
tion and when the artistic spirit reasserted itself it was through
the art of music. However, it must be said in behalf of German
culture that its music, exemplified so superbly by Bach, Haydn,
and Mozart, tends to redeem the ugliness of such an unaesthetic
period as the XVIIIth century. This music persisted with
Beethoven as its transitional figure between century and century,
classic and romantic schools, and became an unusual force in the
case of Wagner (1813-1883), but when we think of German
culture since that time, we think of Kultur, of politics.
The German mind is characterized by its tendency to promote
an inner unity of thought and feeling without the added ability
to realize this in an objective form. It entertained nationalistic
ideals as far back as the days of Luther, but these were not real-
ized in the form of a unified government until the days of Bis-
marck. It enjoyed a religious and, mystical spirit, but this it has
556 TYPES OF NATIONAL CULTURE
not been able to use in the form of a unified church, since it is
partly Protestant and partly Catholic in theology and politics.
It has indulged fine aesthetic ideals, but it is only in the art o£
music, so akin to its own national spirit, that Germany has been
able to compete with the culture of other nations. From the
beginning of modern times, something has held this people back,
something has operated to divide the national spirit. At the
present time, it is the aim of the Hitler party to bestow the
long-sought nationalism upon the German people.
GOETHE AS CULTURE PATTERN
Germany had its architectural development in both the Ro-
manesque and Gothic periods. The Rhine reveals this in the
Romanesque structures at Mainz, Speier, and Worms; in the
Gothic cathedrals or minsters in Cologne, Strassburg, and Frei-
burg. The Danube also saw its Gothic in cathedrals at Regens-
burg, Ulrn, and St. Stephens at Vienna. We have mentioned
the Renaissance painting of Holbein and Diirer, but these were
not the only artists of the period, for there were also the Cranachs,
Lucas the elder and Lucas the younger. The poetry that we
have seen fit to crowd into the century between 1750 and 1850
was glorified by the grand name of Goethe, In a certain sense,
Germany is Goethe and Goethe Germany. The importance of
Goethe is not likely to be overestimated, not even when one, like
Spengler, identifies western culture with the name of Goethe's
hero and thus styles it " Faustian." At the same time, one can-
not fail to observe in Goethe a certain noble weakness character-
istic of the German people.
This is the pathetic inability to unify the inner life of the
soul with the outer existence of the body, the eternal with the
temporal. Extreme subjectivity appears in The Sorrows of
Werther, a kind of balance between subjective and objective in
Torquato Tasso, and finally, an acquired, studied objectivity in
the complete Faust. Goethe was aroused to creative activity by
reading Shakespeare and has been spoken of as "the German
Shakespeare," but there is an enormous difference between a
type of genius that, like nature herself, puts forth its products
GERMAN DOGMATISM 557
Unconsciously, with limitless richness and no trace o£ egoism, and
another which labors splendidly with itself until at last it achieves
genuine greatness. Nevertheless, the poetry of Goethe while self-
conscious and often pedantic is of more value to the conscious
culture of a nation than anything and everything in Shakespeare.
Hence one turns to Shakespeare for endless entertainment, but
to Goethe for enlightenment. It is only in Hamlet that one can
find anything to brood over for any protracted period, while
the poetry of Goethe seems labored because it is burdened with
thought.
DOGMATIC CHARACTER OF GERMAN CULTURE
There can be no doubt about the authenticity of German cul-
ture in the past; the only question is one that concerns its future.
Those who know their Goethe and Schiller have not been in-
clined to marvel at the clever novels and plays of Hauptmann and
Sudermann, which are far from being distinctly German thing?.
Moreover, the student of national cultures is bound to regret
the militaristic tone of Bernhardi in his pre-war work, Germany
and the Next War (1912), in which the question of German
national culture is discussed, and the violent polemics of Kaiser
Wilhelm, in which the more general term Kultur was given and
taken to mean intellectual and aesthetical culture in the form of
Bildung. It was around this strange standard of deutsche Kultur
that the intellectuals of Germany rallied or were rallied in 1914.
But the Germans in their lust after nationalism had had this in
their blood for a century. Fichte expressed the ideal of German
unity on the basis of national culture in the sad days of the
Napoleonic campaigns. " Nothing in the world of sense, noth-
ing which concerns our acts or affections has value except as it
makes for culture." 7 It was unfortunate that he should have
given a militaristic- touch to this as he did when he added, " War
makes for culture,'*8 Culture is indeed a nationalizing principk
which this country has still to develop, but in its spiritual breadth
it is even more international in character.
German culture may be characterized as dogmatic, although
7 Wer\e> VT, p. 86. 8 /*., p. 101.
558 TYPES OF NATIONAL CULTURE
not in a bad sense. It is stamped by ideas and proceeds from the
principles of aesthetics to the practices o£ art. The aesthetics of
Baumgarten and the criticism of Lessing preceded the poetry of
Goethe and Schiller, and the transcendental philosophy of Kant
and Fichte seem to have been necessary as the theoretical basis
of the Romantic School. German culture is Grecian culture
reversed. Faust is the very opposite of Apollo. However, the
culture-doctrine of Germany, even when it is dogmatic, is most
useful for purposes of study. One does not feel in German
culture what he experiences in the suave intellectual life of France
or England, but he learns from Germany more than France and
England together can teach him.
THE Two EPOCHS OF SPANISH CULTURE
The culture of a nation is the spiritual gift which the world
cannot refuse or whose bestowal forget. In the case of Spain, at
the western end of the enchanted Mediterranean, there was the
gift of the western hemisphere or the disclosure of a new world.
In its long history, Spain has undergone two experiences which
have marked its national character and placed an impress upon its
culture. The first of these experiences was the so-called "Re-
conquest," or the long series of wars between Christians and
Mohammedans continuing intermittently from the Vlllth to the
XVth century and ending at last in the surrender of the famous
fortress of the Alhambra in Granada to the arnyes of the Catholic
sovereigns Ferdinand and Isabella. This was in January, 1492.
In the following August, Christopher Columbus, under the pat-
ronage of Queen Isabella, sailed westward to discover a new
route to the Indies and returned " to give a new world to Castile
and Leon," as an old Spanish rhyme puts it. For the next cen-
tury and a half, Spain was the richest and most powerful nation
in Europe, the head of a world-empire, the center of a cultural
domain whose only rival was the England of Elizabeth.
Out of the turmoil of the Reconquest the first masterpiece of
Spanish literature was born. This was the great epic Poem of
the Cid, or Cantar de mio Cid, which recounts the adventures of
Rodrigo Diaz, the Cid Campeador. This Lord Champion, exiled
DON QUIXOTE
from Castile because o£ the displeasure of King Alfonso VI,
fights against the Mohammedans and captures the city of Valen-
cia. The Cid in character is the perfect warrior, the first Spanish
national hero and the incarnation of his country's ideals. To
understand these ideals one must appreciate his character. The
Cid was so human in character as to have been of the earth
earthly. Although the epic that bears his name glorifies him, it
does not lose sight of the fact that he was a historical character
nor does it endow him with excessive virtues, still less with super-
natural powers. Compared with the hero of the Chanson de
Roland or the Siegfried of the Nibdungenlied, the Cid is a de-
cidedly realistic character, brave, loyal, and courteous enough, but
sufficiently human to display resentment and stoop to trickery.
We are prone to think of Spanish culture as something romantic,
but it is just as thoroughly realistic.
DON QUIXOTE
Out of the abundance of life in the Golden Age of Spain which
followed upon the discovery of America and the world-wide ex-
pansion of the Spanish Empire, there issued a wealth of literary
and artistic material which the world now accepts as something
more lasting than the establishment of the empire itself. During
this classic age, the XVIth and XVIIth centuries, Lope de Vega
wrote dramas literally by the thousands and Calderon composed
his religious and allegorical dramas in which Shelley and others
were to take delight. But the greatest gift of the Golden Age was
Don Quixote, The Adventures of the Ingenious Gentleman, Don
Quixote of La Mancha, Almost everybody is familiar with the
story of the poor, crazed knight who, with rusty spear and patched
helmet, set out to right the wrongs of a perverse world. His
very name is the symbol of impractical idealism and to be quixotic
is to be nobly thoughtless of self. But it must not be overlooked
that the true greatness of this great work by Cervantes lies more
in the serene sense of reality that pervades the story than in the
fanaticism of the hero. The adventures of Don Quixote are
distinguished from those of a hundred other knights-errant by
the fact that he rides through a real world while these others
560 TYPES OF NATIONAL CULTURE
are found in some far-off fairy land. Then, likewise, Don
Quixote is ever accompanied by one of the most realistic char-
acters in imaginative literature — the peasant Sancho Panza, his
squire. Each character of Cervantes' work is a distinct creation;
the realist is as authentic as the idealist.
THE PICARESQUE NOVEL
But Cervantes was not the first to turn his attention to the
humble character or genre figure. Half a century before Don
Quixote was published, there appeared an anonymous booklet
entitled, The Life of Lazarillo of Tormes and his fortunes and
Adversities. This marked the beginning of the " picaresque
novel." This type of fiction assumed the form of satirical writing
purporting to be the autobiography of a picaro, or rogue who
respects no precepts nor conventions but makes his way by his
wits. The effrontery of such a character makes it possible for
him to penetrate the sham and conceit of society, while his astute-
ness enables him to capitalize such social traits. Lazarillo was the
first of these rascals, but his brethren soon became numerous.
Like him, these picaresque characters are shrewd and hard-
hearted opportunists living a real and utterly unsentimental
existence in a sordid and selfish world. The type of novel
which develops such human characters affords the last word in
realistic fiction.
There is realism in Spanish painting as well as in Spanish
literature, or a mingling of idealism and realism. The superb
canvases of Velasquez are as objective as nature herself in their
adjustment of beauty to ugliness. This " painter's painter " and
master of technique is as ready to depict drunken peasants and
dwarfs as the members of the royal family of Philip IV. For
Velasquez beauty is the expression o£ reality, hence he paints the
ugly chin of his royal patron with the same fidelity with which
he renders the humped back of the jester. To a certain extent,
this realism may be attributed to Murillo, whose canvases reveal
Madonnas or peasant girls, saints or street urchins. Among other
noble realists of Spanish studios are Zurbar£n, Ribera, and de
Goya.
RUSSIAN CULTURE AND NIHILISM 56!
RUSSIAN CULTURE AND NIHILISM
When we attempt to come to an understanding with the culture
of old Russia, we are made to feel that, as its Dostoievsky said,
" Russia is a freak of nature " and " the Russian soul is a dark
place." The types of national culture we have examined in the
intellectual development of Europe from Greece to Germany,
have revealed fairly small and homogeneous nations occupied
with native ideas. In the case of Russia, however, we find a land
overwhelming in size and dominated by the " black-earth force."
In addition to this geographical factor, there is a sociological one
also, for Russia is a mixture of East and West. " Scratch the
Russian," said Dostoievsky, " and you'll find the Tatar." The
Russian's sense of national destiny, voiced by Gogol in 1842, is
of special interest at the present time. "And you, Russia of
mine, are you not speeding like a troika which nought can
overtake? Is not the road smoking beneath your wheels and
the bridges thundering as you cross them? . . . Whither
are you speeding, O Russia of mine? Whither? Answer
me! But no answer comes, only the weird sound of your
collar bells. Rent into a thousand shreds, the air roars past
you, for you are overtaking the whole world and shall one
, day force all nations, all empires to stand aside to give you
way."0
The outer culture of Russia, in distinction from its strange
culture-spirit, can be identified generally by a glance at its archi-
tecture and literature. After a long preliminary period marked
by insignificant wooden structures, Russia inaugurated its history
of architecture by imitating the Byzantine style made character-
istic and spectacular by weird cupolas and metal decorations.
During the great Gothic period of Europe, Russian architecture
was halted by the Tatar invasion (1238) and the weight of the
Tatar yoke, which was not thrown off until the time of Ivan
the Great, in 1480. From the Byzantine style, Russia passed to the
Baroque, as it may best be styled although it retained some of its
oriental forms and indulged in certain excesses of the Rococo.
A striking example o£ the Byzantine appears in the Ostankino
* Dead Souls, end of Part I.
S*T.— 37
562 TYPES OF NATIONAL CULTURE
Church at Moscow; of the Baroque, in the Winter Palace at St.
Petersburg.
Russian literature, to which we shall turn in a moment for en-
lightenment on the subject of Russian culture, fails to follow the
analogy of European writing generally. It dates back hardly
earlier than the XVIIIth century when, especially in the reign
of Peter the Great (1672-1725), the Russian mind came under
the influence of French and German authors. A beginning in
the Russian poetry of the cultural period was made by Antiokh
Kantemir (1708-1744), but the most brilliant representative of
the school was the romantic poet Alexander Pushkin (1799-1837).
Yet the most significant factor in Russian culture is the Russian
novel. . Sometimes the Russian novel is in line with the usual
work of fiction, as in Dostoievsky's Brothers Karamazov and
Tolstoi's Anna Kartnina, but for the most part the Russian work
is a species of propaganda or what might be called thesis-novel.
We will look into it for the sake of discovering how the typical
Russian writer of the XlXth century regarded his land and the
state of its national culture.
THE RUSSIAN NOVEL
Gogol, as we have observed* prophesied the rise of Russia and
its descent upon Europe, but later writers tend to despair of
Russia's destiny and to depreciate its state of culture. " There is
no one, as yet, among us; there are no men, look where you will,"
says a character in one of Turgenev's stories. " All are either
small fry or squabblers, petty Hamlets, cannibals, either under-
ground gloom and thicket, or bullies, empty triflers and drum
sticks." Yet in a spirit somewhat akin to that of Gogol, Turgenev
proceeds to predict the coming of Russian men. " They will
come? O, thou soil! Thou black-earth force! Thou hast said,
' They will come? ' Behold I put thy words on record." 10 How-
ever, while he was inditing such sentiments he could not refrain
from speaking of his land as " anonymous Russia," which seemed
to lack originality and the power to give anything to the world.
" Our dear mother, Orthodox Russia, might sink down to the
10 On the Eve, tr. Hapgood, pp. 232-233.
THE VALUES OF RUSSIAN CULTURE 563
nethermost Hell, and not a single tack, not a single pin would
be disturbed. Everything would remain quite calmly in its
place, because even the samovar and linden bast slippers, the
shaft arch and the knout, those renowned products of ours, were
not invented by us." 13-
At the close of the XlXth century, Maxim Gorky, a lineal,
literary descendant of Gogol, resumed anew the question of
Russia's place in the world. This he discusses on the basis of
" a foreign word called ' culture.' " Just as Dostoievsky had re-
ferred to what he called " the Russian's longing for seemliness,"
so does Gorky indicate that Russia's great need is order. " That
means," says a significant character in Forna Gordyeeff, "that
a cultured man is he who loves business and order, who in general
loves to arrange life, loves to live, knows the value of himself and
life." 12 Man was appointed to organize life, but the Russian
has not heeded his divine vocation. " You have not made life,
but a prison," says Foma in the story just mentioned. " You have
not constructed life; you have made a cesspool."
THE VALUES OF RUSSIAN CULTURE
In spite of such derogatory criticism on the part of Russia's
own spokesmen, the land of the " black-earth force " has not been
wanting in genius-culture. It has developed a characteristic
form of architecture based upon the Byzantine, but developed
in its own national manner, especially in its gorgeous minarets.
Russian music is still more expressive of the Slavic spirit. The
characteristic Russian composition is divided into phrases of five
or seven measures instead of the even-measured ones of the
Nordic. Its modal basis is found in the melodies that have come
down from the primitive period through the Greek Orthodox
Church. The mood of such music is not simply somber; it is
made up of sharp contrasts between the melancholy deepening
into despair to the gay bordering on the riotous. Outside Russia,
it was influenced by Tschaikowsky and Rubinstein; its national-
ist representatives are Moussorgsky, Borodin, Cui, and Rimsky-
Korsakoff.
« Smoke* tr, Hapgood, p. 151, 12 Foma Gordyteff, tr, Hapgood, p. 4^3*
564 TYPES OF NATIONAL CULTURE
Within the field of the natural sciences, the world is indebted
to Lobatchevsky for a system of non-Euclidean mathematics
which, with that of Riemann, has enabled the modern man to
take a macroscopic instead of a purely mundane view of the
universe. Mendelieff organized and rationalized the science of
chemistry when he proposed the Periodic Law adjusting the
then-known chemical elements to one another and making possi-
ble the successful prediction of the existence of others. Pavlov
has given psychology the " conditioned reflex " which has made
the psychology of Behaviorism possible. The Russian soul may
have been a " dark place," but it has not been wholly wanting
in light.
Of all modern nations, Russia has been significant in setting
the culture-problem in a vivid light, although often an unfavor-
able one. The question whether a nation should devote itself to
remote interests and inner ideals when there are immediate needs
and urgent tasks before it was taken up by these authors of novels
with ideas. Turgenev had had a taste of European life and was
loyal to the idea of Russia rather than to Russia itself. He is
fond of depicting Russia as Hamlet, the ineffective dreamer, when
it should be Don Quixote, the unselfish idealist. On the other
hand, Dostoievsky, without really questioning the possibility of
national culture, was in doubt about its desirability. Instead of
making man effective, culture may so sharpen his faculties as to
render him vicious and in opposition to the moral purpose of
life. The reader of Dostoievsky, an extraordinary but disordered
mind, finds it difficult to form a clear idea of his intention, but
can gather the idea that culture inclines man toward crime and
should be controlled by compassion. Let the reader of the Russian
novel compare Raskolnikow, in Crime and Punishment, with
Myshkin in The Idiot, and he will observe the striking contrast
between the intellectual and the moral. This appears in opposed
maxims. " A cultured man has the right to commit crime, even
murder." Such is the motif of one work, while the imperative
ideal of the other is " Compassion is the only law of human exist-
ence." Now, this is in a way a conflict between the Tatar and
Buddhist ideals of the ambiguous Russian mind, of " anonymous
Russia." . , . •
AMERICAN CULTURE AN ASPIRATION 565
The culture-issue, or the conflict between the individual's ideals
and society's needs, was voiced by Dostoievsky when he said,
through one of his characters, " The whole question lies in the
question, which is more beautiful, Shakespeare or boots, Raphael
or petroleum?"13 Elsewhere in this same work, Raphael's
masterpiece is contrasted in value with simple and useful objects
and the opinion is expressed that "the Sistine Madonna is in-
ferior to a glass or a pencil." In like manner, one of the char-
acters in The Possessed speaks of " the rumble of the carts carry-
ing bread to humanity being more important than the Sistine
Madonna." This is, of course, the Buddhist ideal of compassion,
which affected both Dostoievsky and Tolstoi. As for the Hellenic
ideal, it is " the idiot " in the work so entitled who lisps the idea
that "beauty will save the world." At the present time with
Russia under Soviet rule and busy with its Five Year Plan, it
is difficult to forecast the future of national culture there.
AMERICAN CULTURE AN ASPIRATION
American culture is at least an aspiration and may be spoken of
as something that is yet to come. In some ways, it bears analogy
to Russian culture in that it was hardly thought of until the
XVIIIth century and made no real beginning until the next
century had come. Without any peasantry at the bottom or an
official aristocracy at the top, America has led an average life in
which political adjustment, industrial development, and com-
mercial organization have been uppermost in the national mind.
The separation of Church and State, which allowed the individual
to worship according to the dictates of his own conscience, has
been followed, although unofficially, by a similar separation of
Academy and State, which has left the individual to follow the
dictates of his own tastes. The result is that we have no national
religion, but hosts of religious individuals; no national culture,
but a goodly group of individuals interested in the intellectual
life, Thus far American culture has been something in excess
of national mentality, a kind of dessert one might or might not
take after a hearty meal of substantial things.
18 The Possessed, tr, Garaett, p. 454.
566 TYPES OF NATIONAL CULTURE
Certain features of national culture are discernible in American
life, if only in outline. In a remote manner, the American re-
sembles the Athenian in his restless desire for enlightenment and
the conviction that a good life, especially that of the citizen, de-
pends upon knowledge. The public-school system might perhaps
be regarded as reflecting the spirit of Socrates, although the way
in which this is exemplified is just as suggestive of Protagoras,
who sought to make the individual the measure of all things.
This we do in the name of liberty and thus do we assert that the
private citizen has a perfect right to poor taste, for American
aesthetics ever tends to take this juristic point of view. In another
sense, there is an analogy between American culture and that of
Rome in the common practicality of these two people, ancient
and modern. Then, in a manner not unlike that of France,
American culture is dilettant in the way that it plays with ideas
without assuming any philosophical responsibility for them.
Americans find ideas interesting, but are not inclined to mull
over them. For the most part, the culture-life of America is
Anglican by inheritance and imitation. The only art it has is the
literary one, although its commercial architecture is a sign of
creative aesthetics.
THE MENTAL MELTING POT
The minor dilettantism of the American mind, which compares
none too favorably with the major dilettantism of Gallic genius,
has arisen apparently from the excess of information over the
power of invention. Americans desire to know things, hence
their thousands of newspapers, hundreds of magazines, and
annual output of books on all subjects. They are given to en-
cyclopedias, digests, and works of condensed information. In
addition to this, they have a certain acquaintance with the
ideas of other nations as these have been brought over by the
more intellectual immigrants. The condition of the American
mind is not unlike that indicated by Paul Bourget when he de-
scribed the psychology of dilettantism as the mind's participation
in "an infinite fecundity of things" whence arises a melange
of ideas and the "conflict among the dreams of the universe
EMERSON AS CULTURE PROPHET 567
elaborated by diverse races." There was a time in the progress
of American culture when some were inclined to look to im-
migration as an intellectual influence and to feel that America
might be able to synthesize a rich variety of ideals in a " melting
pot." But not only has immigration ceased, but the effects of the
influx of foreigners in the past has fashioned more of a witch's
cauldron than a melting pot. A nation's intellect can endure and
make good use of the ideas that come from some other nation, as
Rome was nourished by Greek culture, but when a heedless
variety of ideas is brought together the result is only confusion.
American culture so far as it has proceeded has been an experi-
ment. It has attempted to develop culture on a democratic basis
and pursue it in connection with a life of activity. Now,
orthodox culture has always been founded on aristocracy and a
life of leisure. The American ideal, instead of being the Athenian
one, according to which the gods of intellect quietly surveyed the
world from the heights of Olympus, tends to exemplify the
prophecy of Daniel : " Many shall run to and fro and knowledge
shall be increased." There can be no doubt' that the American
is attempting its national culture on this popular and activistic
basis. The only possible doubt is whether such a new type of
culture can so succeed as to place America among the cultured
nations.
EMERSON AS CULTURE PROPHET
America had its culture prophet in the figure of Emerson,
whose address The American Scholar was a sort of intellectual
declaration of independence. He thought of the incipient Ameri-
can scholar as a native genius educated by Nature, by books, and
by action, chiefly the first and the last, and implied that the
American mind, while wanting in its own history of culture,
could draw as minds in other nations had done from the original
sources of spiritual life. Then, he prophesied, American scholars
and not merely pedants and dilettants will appear. " We will
walk on our own feet, we will work with our own hands, we will
speak our own minds. The study of letters shall be no longer
a name for pity, for doubt and for sensual indulgence. The dread
568 TYPES OF NATIONAL CULTURE
of man and the love of man shall be a wall of defense and a
wreath of joy around all. A nation of men will for the first time
exist, because each believes himself inspired by the Divine Soul
which also inspires all men."
The intense Americanism of this noble document was quite in
keeping with the juvenile sense of national pride peculiar to what
we might call the first period of American culture. Herein we
find artless tales of pioneer life — the backwoodsmen of Cooper,
the early settlers of Irving, and the whalers of Melville. Such is
the conception of poetry at the present time that one hesitates
to introduce into its blatant music the flute-like tones of Long-
fellow's verse or make any mention of Foe's perfect technique
in versification. In like manner, it seems out of place to say any-
thing about the complacency enjoyed by the conventional novels
of Howells. For we have turned away abruptly from the naive
and demure aesthetics our fathers were wont to enjoy. The
present century has witnessed the rise of the discontented writer
and disorganized artist. America, it seems, has no right to be
self-satisfied, still less to indulge in the youthful braggadocio of
writers like Bret Harte and Mark Twain. Ours is the era of
disenchantment in which we find no more charms along " Main
Street " and no particular merits in our " Babbitts." In place of
the early literature, which was really " the American comedy,"
we have now something that Dreiser calls " the American
'tragedy." It remains to be seen whether this new pessimism in
American culture will be as productive as the old optimism. It
may turn out later that this era of our discontent will prove to
have been but the transition to a higher level of intellectual life
in America.
CHAPTER XXII
THE EASTERN QUESTION
THE ORIENT AWAKENS
WHEN, TOWARD THE CLOSE OF A WORK ON CIVILIZATION AND
culture, we refer to The Eastern Question, we may
appear to be dismissing a great problem with a shrug
of the shoulders or a wave of the hand. Why, one may ask, was
not the Orient mentioned if not fully elaborated at the beginning,
and how can such a vast continent with its antique history and
diversified races be compressed into a single chapter? The
answer to this question has been given already if only by implica-
tion — that it was not until late modern times that western
civilization felt the impact of the East in any form save that of
the Hebrews and such other oriental peoples as were associated
with them. Hence our western civilization betrays a Hebraic
strain, while the Mongolian, Hindu, Persian, Siamese, and the
like are not indicated. However, we do not intend to affect
disdain for or disclaim responsibility toward the gigantic East.
If it did not influence Christian civilization while it was in the
making, it is beginning to bear upon it now with a force which
is likely to intensify itself during the course of the century.
" The sun also rises " and the East has at last arrived. -
In taking up the oriental problem, if we may so call it, we are
conscious of the fact that our method is rather indiscriminate.
What we call the East includes more than its share of the earth's
population and this great mass is divided into vast groups which,
like the Chinese and Hindu, are decidedly characteristic. We
have been careful to distinguish the Greek from the Roman, the
Anglican from the Continental, and the American from the
European, when these folks have definite likenesses. How, then,
can we place the mask of the Orient over the features of Asiatics
who among themselves are so sharply divided and widely diversi-
fied? Narrow little valleys separate our western peoples; tre-
mendous canyons of space and time, language and custom yawn
570 THE EASTERN QUESTION
between the Asiatic nations. Hence we feel somewhat con-
science stricken when we take a whole continent o£ people with
different religions, languages, civilizations, and the like and call
it " The East." Yet in most ways we are justified.
EAST AND WEST
We will not proceed to our justification by employing what
has become a kind of geographical " bromide " and thus say
" East is East and West is West.5' Rather will we say that, for
all their inherent differences, the nations of the Orient are all
alike in being systematically different from those of the western
world. These differences may be indicated sharply by stating
that we of the West have indulged the principle of progress,
which they of the East have seen fit to neglect, just as we have
promoted the idea of historical movement and historical record,
which seem to have meant so little in the oriental world. The
trends of civilization that we have followed — science and phi-
losophy, politics and social thought, industry and economics,
have been traced out in the West since there was little indication
of them in the East. And then, sad to relate, we have made our
progress in civilization and culture by means of something by
no means so well known or so eagerly accepted — - war!
The Near East is no stranger to western thought, for it has
been represented quite definitely by the Turk, with whom, it is to
be hoped, we have learned how to deal. But at the present time
the Far East, as also India, is looming up; hence it is well to look
as far as we can in that direction, observe what has been going
on in China, and try to adjust our vision to the future. Japan,
like Turkey, is no such stranger to us, and the Japanese may
become a practical problem for America as the Turk has been
for Europe.
OLD CHINA
The history of China has been incomparably longer than was
that of Rome, but how unimportant seems time when divided
into such historical periods. The Chinese records give a confused
OLD CHINA
account of the beginning of things, but Creation is not a subject
which warrants clarity. The first human being was Pan-ku and
this Chinese Adam, who was likewise a Methuselah, was sup-
posed to have lived millions of years before the opening of the
historic period. After the passing of this ageless character there
appeared the Heavenly Emperors in the form of a succession of
thirteen brothers, each of whom is said to have ruled 18,000 years.
The next in the royal, order were the Earthly Emperors, eleven
brothers, who are credited with some sort of astronomical ob-
servation and the development of a calendar. The Human Em-
perors, who came next in order, consisted of nine brothers who
divided the world into nine countries and established towns and
cities. Before anything like a historical character was placed ori
record, there was a period of five dragons and a number of
fabulous emperors. At last came Fu Hsi, who reigned in the
province of Honan from 2852 to 2738 B.C. and who is credited
with having originated the law of marriage, the domestication
of animals, the Chinese system of writing, the lute and the lyre,
as also the fish net. Shen-nung (2738-2705 B.C.) appeared next
and added to Chinese civilization the art of husbandry and the
use of medicinal herbs. Huang-Ti (2705-2595 B.C.) invented the
calendar and is reputed to have taught handicraft in connection
with wood, clay, and metal.1
This practical era was followed by four other rulers, who led
up to the glorious reign of Yao (^.2426 B.C.), the democratic
king during the golden age of Chinese history. The Hsia period
(2205-1766 B.C.) was marked by certain contributions to civiliza-
tion in the form of astronomical study, the establishment of
schools for nobles, and the invention of wine. The Shang period
(1766-1122 B.C.) was significant for the beginning of lyric poetry,
but it was the Chow dynasty (1122-255 B.C.) which began to
reveal rational civilization and culture. This significant span of
years includes the time of Lao Tze and Confucius, as also Mo Tze,
" the Christ of China." In 536 B.C., the first written law code was
effected. The Chin dynasty (221-206 B.C.) lasted only fifteen
years but it was significant for having given its name " Chin " to
1 Les mtmoircs kistoriques dc Se Ma Tsien traduitt et annotfa par Edouard
Chavannes (1905).
572 THE EASTERN QUESTION
the country thenceforth known to the West as China. It was a
period of centralized power, gold and copper coins came into use
as the medium of exchange, the brush pen was invented, and the
art of calligraphy came into being.
THE SONS OF HAN
The Han dynasty (200 B.C.-200 A.D.), which has given rise to
the expression "Sons of Han" to describe the Chinese, was
marked by the appearance of a Chinese history written by Sze-
ma-chien, a Chinese dictionary by Hsu Shen, and the opening of
the Imperial Library. The period of the Three Kingdoms (220-
589 AJ>.) was one of incessant war but did not prevent the ap-
pearance of poets and savants such as the Seven Scholars of
Chang-an. In the succeeding period (589-618) the knowledge
of the world was made under seven heads: i) Classics; 2) His-
tory; 3) Philosophy and Military Tactics; 4) Poetry; 5) Arts
and Sciences; 6) Buddhism; 7) Taoism. The Tang dynasty
(618-907) covered a period of Chinese culture. For the first
time in China's history, the intelligentsia of north and south co-
operated in the cultural movement, making it possible for the
Chinese to claim that in the VHIth century theirs was the most
cultured land under the sun. The Sung period (960-1280) was
an age of refinement which produced some famous poets and
painters, while the Yuan period (1280-1368) was the age of
Kublai Khan, the Mongol leader. Other periods followed, but
it is the Ching dynasty (1644-1911) which interests us by reason
of its relation to the West.
CONTACTS OF EAST AND WEST
The earliest contact between East and West is not on record,
but doubtless it antedates the Christian era. There are annals of
Chinese emperors wherein the doings of the Romans are men-
tioned. On the other side of Asia, the Hebrew prophet Isaiah
cast Messianic glances in more than one direction and appears
to have scanned China, "the land of Sinim." "Behold, these
shall come from far; and, lo, these from the north and from the
CONTACTS OF EAST AND WEST 573
west; and these from the land of Sinim."2 Horace, certain
poets of the Augustan period, Pliny, and Ptolemy refer to China
and its people under the names of " Sin," " Chin," " Sinae," and
" Seres." In the Ilnd century A.D., Marinus, the Tyrian geog-
rapher, knew China under the name of " Chin." In the Vlth
century, the Greek monk Cosmos Indicopleutes referred to the
land as though his reader knew just where China was; in the
Vllth century, the Byzantine Theophylactus Simocatta refers to
the Chinese as Taugas.
, The interest in the East was an economic one and might be
symbolized by the term " silk," or ser as the Mongolians called
it. The name came into Greece and Rome along with the product
itself and thus we observe that Virgil, Horace, Strabo, and others
made mention of the Seres or Sericae. But silk was not all that
the Westerners procured from China, for there were other de-
sirable things, such as furs and iron, and it was Chinese iron
rather than the more luxurious product which appealed to
Pliny. The silk industry in China dates as far back as the
Empress Huang-ti (c. 2640 B.C.), who encouraged the cultivation
of the mulberry tree and the rearing of silkworms. It is said that
the eggs of the silkworm and seeds of the mulberry tree were
carried into India by a Chinese princess (419 A.D.), who secreted
them in the lining of her headdress. From the Ganges valley,
the silkworm seems to have moved into Khotam, Persia, and
Central Asia, finally to arrive at Rome, where its precious product
was worth its weight in gold. But the silkworm in China was
one thing, in the West another, and it was a long time before
the manufacture of silk was achieved. However, there were two
Persian monks who had lived in China, where they had learned
the art of silk-making. These monks came to Constantinople
and told the emperor of their talent but confessed to their lack
of raw material for the art, whereupon they repaired to China
and in 550 returned to the Byzantine capital with a supply of
silkworm's eggs duly concealed in a bamboo cane. It was thus
that the West learned this valuable form of manufacture,
Chinese salesmanship two thousand years ago was nothing in
comparison with this business art at the present time, yet business
2 is. XLIX, 12.
574 THE EASTERN QUESTION
trips were not unknown. According to the Chinese records, the
Emperor Wu Ti of the Han dynasty sent a certain envoy named
Chang Chien to Bactria, Parthia, and Mesopotamia. Leaving
China in 138 B.C., this agent returned twelve years later with tales
to relate about the regions round the Oxus and Jaxertes rivers.
He reported that he had seen Chinese goods in Bactrian markets
— clothing and bamboo sticks, imported from Szechwan and
Yunan through India and Afghanistan. This trip marks the
beginning of China's trade with the West. It is said further of
this Chang Chien that upon his return from his long trip he
brought back with him the grapevine and alfalfa and had such
seeds as those of the walnut, hemp, and grape hidden upon his
person.
The wandering of this Chinese " salesman " bears certain but
yet remote resemblances to the more classical journey of Ulysses.
Chang Chien and his hundred companions were captured by the
Huns. In vain he tried to escape; he therefore settled down to
the extent of taking a Hun wife and begetting a son, yet with an
eye ever cast eastward. When the Huns were busy fighting
another tribe, he escaped without his family and with only one
of his hundred followers. Before reaching home, Chang Chien
had to endure capture by a Tatar tribe, but at last he did effect
his long-delayed return and in quite the modern spirit wrote an
account of his perilous journey. Not only did this business trip
enrich the experience of this Chinese entrepreneur, but it won
him the title of " Road Opener." In 104 B.C., the Chinese general
Li Kuang-li fared forth with a larger force on a different mission,
since his purpose was to avenge the murder of the Chinese en-
voys at Ferghana. Before he returned, this Mongolian militarist
had entered into diplomatic relations with Parthia and even
sent an envoy, Kan Ying, as far west as the Syrian border of the
Roman Empire.
WESTERNERS Go EAST
The overtures of the West to the East were not quite so
theatrical Chinese records of 196 A.D. make mention of an envoy
from the Emperor Marcus Aurelius and there is an astronomical
WESTERNERS GO EAST 575
treatise said to have been brought to China from somewhere in
the Roman Empire. In 166 A.D., the records are to the effect
that King An Tun, said to be the Emperor Antoninus, sent a
mission to the Chinese. Some contemporary Orientals are of
the opinion that the emissary in question may have been none
other than his nephew, none other than Marcus Aurelius An-
toninus, who may have wished to acquire eastern wisdom and
substitute it for Greek philosophy, but it is doubtful whether this
Roman Stoic would extend his investigations to such length.
After a lapse of some three centuries in a period of history when
centuries did not mean much, China had the advantage of enter-
taining emissaries from Fu-lin, or Constantinople. Nestorian
missionaries followed during the reign of Tang Tai Tsung
(627-650) and were established under imperial patronage. But
the exchange of cultures was not confined to the silk industry
and diplomacy. It assumed the more prosaic form of paper and
block type.
The art of making paper came westward in a rather circum-
stantial manner. There were Arabian merchants who had en-
tered in business relations with the Chinese and during a battle
between squads of the two nations the Arabs managed to take
some Chinese prisoners. Now certain of these soldiers were
none the less printers, or were familiar with the art of paper-
making, and communicated the same to their Arabian con-
querors. Paper-making reached Europe through Spain, where
Arabs and Europeans were thinking of something other than this
useful art-industry. Block printing on paper dates back to
593 A.0* in China, The development of the art was so slow,
however, that it was not until the Xth century that a certain
Feng Tao struck off the first book in modern form. The oldest
printed book now in existence, one of the many precious things
in the British Museum, is in the Korean language. In the year
932, or exactly one thousand years ago, all the Confucian classics
were printed in book form by order of the Chinese government,
In addition to these more material exchanges of civilization
there was the religious relationship promoted by the Nestorian
missionaries already mentioned. Their arrival in China, dated
at 635, was made manifest by a tablet or monument erected in
THE EASTERN QUESTION
781 and discovered in 1625 at Sian in Shensi province. According
to this source, a certain A-lo-peu (Raban or Ruben) as well as
others reached China and translated the Bible into Chinese.
Those were the days of toleration, and the Emperor Tai Tsung
received representatives of all religious faiths, including Bud-
dhists, Parsees, Manicheans, as well as these Nestorians. Likewise
were there guests from various nations, including the Japanese,
Koreans, Tibetans, Tatars, and Annamese. The Chinese court
was a veritable culture center and hither came envoys from
the caliphs of Omar and Othman and the Byzantine emperor
Theodosius.
The rise of the Mongols shows us what the Chinese Empire
was and suggests what it might become again in the future if it
could produce another Jenghiz Khan (c.i 155-1227). Under the
leadership of this Tatar leader, China extended its already large
borders and spread its sway from the Pacific Ocean to central
Europe, so that northern, central, and western Asia, to say
nothing of southern Russia and the lower Danube land, was
under Mongol sway. The sons of Jenghiz were no less ag-
gressive, for they advanced their regime in Poland, Hungary,
Croatia, Dalmatia, Serbia, and Bulgaria. To be sure, they were
beaten back by western force and retained only Russia, which
paid tribute to the house of Khan until 1480. This is just so
much history and has been written numerous times, but it is
worth while reflecting upon what China might do if it were to
resume its one-time militarism under the auspices of modern
warfare. The West, especially Europe, still persists in the assump-
tion that all civilization and culture, not to mention industry
and warfare, are its own prerogatives. But the West is not what
it was, so that in time it may have to come to an understanding
with the East.
THE RISE OF ORIENTALISM
From the Xlllth century to the present time, the East has been
a source of fascination for the West, which has lingered over the
travel tales of Friar John Piano Carpini, Friar Odoric the Bo-
- temian, William of Rubirw|ii»is, Ibn Batata the Moor, and Marco
Ewiiiff Galloway, N. F.
THE GREAT WALL OF CHINA, BUILT ABOUT 214 B.C.
Every hundred yards the wall is fortified with a tower.
TEMPLE OF CONFUCIUS, PEKINO, CHINA
THE RISE OF ORIENTALISM 577
Polo of Venice.3 Still another and later popular Orientalist was
Sir John de Mandeville. Shakespeare had heard o£ Salamis and
in Othello we hear an echo from its streets. Coleridge, after
reading Marco Polo's account of the summer palace, had a vision
of the " stately pleasure dome where Alph the sacred river ran,
through caverns measureless to man." After Marco Polo, the
first information in written words appears in the reports of the
Jesuit missionaries after they had gained access to China. A
sample of a French missionary's letter, printed in 1589, is found
in the following: "From the most glorious and right royal isle
of Japan and then straight from the uttermost end of the earth,
to wit: from the most mighty empire of the Chinas." Between
1596 and 1598 the first Chinese portraits were brought to Holland,
and French engravers in the time of Louis XlVth printed from
the Dutch plates and found no little market for their pictures.
Treatises about China soon followed. In 1655 Novus Atlas
Sinensis de Martina Martini appeared in Vienna and had a wide
circulation. This geographical work exercised a considerable
influence over Athanasius Kircher, who published a copiously
illustrated work on China.
But pictures or books of illustrations were not the only reflec-
tions of the East upon the mind of the West. In 1662 Pere
Ignatius da Costa translated the Ta Hsio or Great Doctrine and
published it in China under the title of Sapientia Sinica, with
woodcuts in the Chinese style. The work, by the way, was a
discussion of Chinese philosophy generally, with special reference
to Confucius and his social system of morals. In 1673 came
Intorcetta's translation of Chung Yung, which contained a life
of Lao Tze done in both Latin and French. In addition to this,
the work expatiated on the Tao, or logos or ratio or way of this
same Lao Tze, The first translation of the Analects of Confucius
was made by P&re Philippe in 1687, The Analects consists of
twenty chapters of Confucian philosophy wherein the Jen, or
human relationship, receives much stress. The religious feature
of this staid work appears in the idea that as institutions depend
upon morals, so morals depend upon beliefs. At the same time,
8 The Book, of Sir Marco Polo, tr. Yule (1903); Jordanus, The Wonders oj
the East, tr. Yule (1863).
S.T.— - 38
THE EASTERN QUESTION
the Chinese sage did not fail to stress the domestic ideal for
which China is famous, saying, " When all families are in proper
order, all will be right with the world." 4 Further appreciation
of the Chinese on the part of the French is observable in the
work of Pere Lecomte, Das heutige Sina (1686). "When
Heaven distributed the gifts of nature, it gave to the French
valor and the science of war, to the Dutch shrewdness in trade,
to the English the art of navigation, to the Chinese skill in gov-
ernment, but to themselves, the Siamese, wisdom and under-
standing." 5
FRENCH INTEREST IN CHINA
French interest in China was so marked in the XVIIIth century
that New Year's Day, 1801, was celebrated in the French court
with festivities of a Chinese character. Under Chinese influence,
the stateliness of the Gothic and the formalism of the classic
Renaissance were forgotten and French architecture assumed
the Rococo form. This style, itself implicit in the Baroque, in-
vited a relaxation of forms, the introduction of subtle lines, and
a fondness for pale tones. The lighter arts likewise betrayed the
oriental influence in the enthusiasm over porcelain and shimmer-
ing Chinese silk — feau de chine. The Chinese garden became
popular; Louis La Comte., who in 1696 wrote on the subject,
was widely read. During the period 1750-1759, Chambers,
architect to the king of England, produced the first Chinese
garden in the West. In order to study the subject, he made two
journeys to China, and in addition to his new departure in
landscape gardening wrote his Essay on Oriental Gardening,
The Chinese garden which Chambers developed in Kew Garden
for the Duke of Kent became the model for others, and, when
taken up in France, became known as " Chinese-English.51
Replicas of the pagoda in this garden were built in Het Loo,
Holland, at Chanteloup on the Loire, and in the Englischer
Garten in Munich.
But the thoughts as well as the things of China made some
appeal to Europe, as can be seen in the political philosophy
4 Cf. Reichwein, China and Europe (1925)* 5 Of. tit,, p, 309.
EASTERN AND WESTERN THOUGHT 579
of Francois Quesnay. Quesnay happened to meet in Paris a
Chinaman named Ko, from whom he learned something about
the man's homeland. The Chinese conception of State and
citizenship appealed to Quesnay and his political economy seems
to indicate some intellectual importations from the East. He
commented upon the Analects of Confucius, saying, " They all
deal with good government, virtue, and good works; this col-
lection is full of principles and moral sentences which surpass
those of the Seven Sages of Greece." This Quesnay goes on to
add, in Despotism e de la Chine, " It is only the method of the
Chinese doctrine which should serve as the model for all States."
His .pupil Mirabeau shared his enthusiasm for Confucius and,
speaking at the funeral of Quesnay, he said, " The whole teach-
ing of Confucius aimed at restoring to human nature that first
radiance which it had received from Heaven and which had
become obscured by ignorance and passion. He therefore ex-
horted his countrymen to obey the Lord of Heaven, to honor
and fear him, to love their neighbors as themselves, to overcome
their inclinations, never to make passion the measure of action
but to subject it to reason, and not to do or think or say anything
contrary to reason."
The XVIIIth century, especially in France, seemed susceptible
to oriental influence; the age was weary of its own civilization
and sought something. In this case it was really the old, yet the
East served as a novelty and provided a step back toward nature.
We observe this in Voltaire's oft-quoted maxim that wisdom
and happiness come from a cultivation of the garden, but we
feel the force of it more fully in Rousseau's excessive enthusiasm
for what he called nature. This has already received notice and
needs no repetition. However, we may observe that the Chinese
who have become acquainted with this Gallic genius are in-
clined to find his historical prototype in their ancient culture.
EASTERN AND WESTERN THOUGHT
His sentiments sound somewhat like an echo from the writings
of Lao Tze, although there is no indication that Rousseau was
influenced by the Chinese sage whose writings had yet to see
5ga THE EASTERN QUESTION
the light o£ western translation. There is, however, some re-
semblance between the intellectual nihilism of the early oriental
writer and the more hectic naturalism o£ the late western one,
so much so that Chinese students who have adopted European
culture are inclined to press the analogy. The Tdo Teh King,
written by Lao Tze, advocated a retreat from the civilization of
his day, the sixth century B.C. But that was not all, since this
Chinese Rousseau, as we might call him, seems to have favored
a flight from all reality for the sake of finding peace in a kind
of mystical nothingness. He shows the endless attraction of
nonexistence by calling our attention to sweet nothings with
which we are already familiar. The Tao is like the emptiness
of a jug, like the empty space in a wheel where the axle turns;
it is the charming hollowness of a door or window in a house.
The jug serves as a container, the wheel turns, and both door
and window perform their functions of ventilation and illumina-
tion simply because they are not, because of their sublime empti-
ness.6 This, however, is not romanticism and is not likely to
appeal to the Rousseauan; rather is it a nihilism in which all
western cultures would be swallowed up.
The intellectual entente of East and West was strengthened
by the influence of Goethe, for he also appears to have felt the
appeal of the Chinese mind. Certain European scholars, pri-
marily Von Biedermann,7 are of the opinion that the oriental
influence was sufficiently direct to have contributed to the sources
of Goethe's play Elenor. What had Goethe to say about the
question? In his diary, January 10, 1781, there is a note to the
effect that he was reading A Detailed Description of the Chinese
Empire by Du Halde and had come across a play and a story
which interested him. This play was The Little Orphan of the
House of Chao* On September 4, 1817, according to the diary,
Goethe read another Chinese play, An Heir in His Old Age, and
described it as a remarkable piece of work. In his old age he
confessed to being impressed by certain Chinese poems which
had been translated into French; and toward the close of his
life, as we observe from his conversations with Eckermann,
January 31, 1827, he said: "I see more and more that poetry is
6 Tdo Teh King, tr, Lcggc, Ch, 4, p. n. 7 Goethe-Forschungcn (1879)*
THE STUDY OF CHINESE LITERATURE 581
a common possession of mankind. The expression 'national
literature ' does not mean much now. The age of ' world litera-
ture' is at hand and every one should endeavor to hasten its
coming." But all such literary enthusiasm for the East was
little more than so much exoticism; we may liken it to Europe's
interest in China's silk. The more direct contact through litera-
ture, commerce, and politics was yet to come.
THE STUDY OF CHINESE LITERATURE
The exact knowledge of Chinese literature dates from the days
of James Legge (1815-1897), whose thirty years as a missionary
in China, whatever it may have meant to the Chinese, resulted
in the translation of the Chinese classic nine volumes (1861-
1886). Legge appeals to the Chinese as a man with missionary
prejudices but they feel indebted to him for the way he gave
publicity to their esteemed literature. The volumes in question
consist of the Five Classics, or the King, and the Four Books,
or the Shu, containing the Analects of Confucius, The Great
Learning, The Doctrine of the Mean, and The Boo^ of Mencius.
In addition to these authoritative works, Legge translated the
teachings of Mo Tze, which are supposed to draw a spiritual
line parallel to that of Christianity before the latter was in
existence, selected parts of Yang Chu, and various prose poems.
The classics mentioned are embodied in The Sacred Booths of
the East, edited by F. Max Miiller.
Since we are seeking to indicate the intellectual lines extended
between West and East, we may note that America as well as
Europe came to feel the fascination of the Orient and to feel
that the cradle of the human race might still be of interest to
the mature men of the West. Emerson, who so often indulged
his sense of intellectual irresponsibility, was in possession of cer-
tain translations which Legge had made. He read The Eoo\
of Poetry and dabbled in certain secondary sources of Chinese
wisdom. In 1868, when the Chinese minister visited Boston,
Emerson made a speech characterized by a graceful gesture
toward the East; " China interests us at this moment in a point
of politics. I am sure that the gentlemen around me bear in
582 THE EASTERN QUESTION
mind the bill . . . requiring that candidates for public offices
shall first pass examinations on their literary qualifications for
the same. Well, China has preceded us as well as England and
France in this essential correction of a reckless usage, and the like
high esteem of education appears in China in social life to whose
distinctions it is made an indispensable passport" The Con-
fucian realism with all its staid talk about education, family life,
and politics was far from intriguing the genius of the Concord
sage, who preferred ideas that were incapable of exact statement
and direct application. Hence it was Lao Tze with his dumb-
founding doctrine of the Tao rather than the homely Confucius
who appealed to Emerson.
Emerson maintained his role of "Greek Yankee" and de-
scended just far enough into the vasty deeps of the Spirit to look
like an American Buddhist, but he was not so adept in the part
of a mandarin. His oriental thought seems to have passed
through Athens and undergone a change of attire. " As we go
back before the light of tradition comes in, the veil drops. . . .
All tends toward the mysterious East. . . . From the time of
the first dispersion of the human family to the rise of the Greeks,
everything in the history of man is obscure and we think our-
selves fortunate if we can write in broad lines the fate of a
dynasty." s Now, that which drew the intellectual emotions of
Emerson toward the East, which he did not for a moment un-
derstand, was his own doctrine of the " OversouL" The con-
ception of spiritual emanation to which we human beings owe
our existence and enlightenment made an original appeal to
Emerson, since it delivered him from logic and action. It is not
to be wondered at that he was inclined to see the exemplification
of this sentiment in the original gropings of the oriental mind
represented so strangely by both Buddhism and T&oism,
ORIENTAL PESSIMISM
The oriental idea in Buddhistic and other forms has made
appeal to some of the more delicious minds in Europe and
America. In 1879 Edwin Arnold sought to popularize Buddhism
8 Cj. Carpenter, Emerson and Asia (1930).
ORIENTAL PESSIMISM 583
through his work The Light of Asia. In the present century,
the appeal of the East has been felt by H. A. Giles, Witter
Bynner, Amy Lowell, Ezra Pound, Arthur Waley, Eugene
O'Neill, John Hall Wheelock, and others. Among students of
Chinese literature we find I. R. Richards, Irving Babbitt, and
Arthur Hummel. A much more profound sympathy for the
East was felt in the XlXth century, when popular Orientalism
was not so fashionable. We have mentioned Goethe as a modern
who found a motif in some bit of Chinese literature but we
should not harbor the impression that there was anything oriental
in the sense of suffering expressed in The Sorrows of Werther
and Torquato Tasso. Goethean grief was far from being a bor-
rowed emotion and the subject of it did not have to look abroad
for sorrow. Hence we may understand that he spoke for himself
when he said, " Some god gave me power to tell how I suffer —
Gab mir ein Gott zu sagen wie ich leide"
In the case of Schopenhauer, whose pessimism competed with
the worst forms of Asiatic despair, the case is not so clear. In
his major work, The World as Will and Idea, Schopenhauer
refers sympathetically to the Bhagauad Gita* makes a rather
unconvincing comment on the doctrine of the " Gunas " in the
Brahmanas™ and specializes, we might say, in the objective
idealism of the Upanishads^ This is in connection with the
principle of Vedanta, whereby the disciple of that philosophical
faith is led to identify himself with the world and the world with
himself according to the maxim " That thou art — tat tvam a$i"
Schopenhauer's notion was that each little fretful will is but an
expression of the one Will-to-Live, which is hardly what the
Vedanta itself teaches.
The East made a more sincere appeal to the Russian mind,
which both physically and psychologically is closer to the Orient.
Tolstoi seems to avail himself of both Christian and Buddhistic
sentiments in his criticism of modern civilization, as one may
observe from reading his spiritual autobiography, My Religion.
Dostoievsky, who to his sorrow knew the Siberian section of
Asia, falls quite naturally into Buddhistic moods. " Compassion
is the only law of human existence," he wrote; is not this Bud-
» Op. cit., § 54. 10 lb., § 59« u *b., § 63.
THE EASTERN QUESTION
dhistic? Or, as a more palpable example of the Buddhistic, take
the case of the hero in The Idiot. A mental affliction had so
operated in the brain of "the idiot" that it had removed all
desire for life and tendency toward evil, so that he was placed
almost automatically in the condition of Nirvana or something
akin to it. Now, it was the idea of human life reduced to a
minimum that made appeal to Dostoievsky, who was bound to
prefer Buddhistic quietism to the Tatar sense of vicious self-
affirmation which he observed in Russia. But concerning all
these furtive attempts to express western feeling in eastern forms,
we might suggest that in most cases they seem affected. In
addition to this it might be pointed out that the Christian feeling
of seriousness and the Shakespearean sense of sorrow, as expressed
in Hamlet, are adequate unto most of our emotional needs, so
that we need not borrow any feelings from the Far East.
POLITICAL APPROACHES TO THE EAST
There have been political as well as literary approaches to the
East. The Portuguese made expeditions to China in 1517 and
1522, but upon both occasions were expelled. In 1553, however,
they succeeded in establishing themselves in Macao but not
without political conflict. It seems that the king of Portugal,
having already assumed the title " Lord of the Indies," wanted
something of the same sort of lordship in China. Blood was
shed, as might be expected, and the political ambition of the
Portuguese frustrated; but they did succeed in acquiring the
privilege of trading along the coastline with Macao as a base.
In 1543 the Spaniards seized the Philippines, where quite a
Chinese colony had been established. Competition set in and
as a result the Spaniards massacred the whole Chinese popula-
tion, some 20,000 in number. When more Chinese came
to the Philippines, the method of massacre was repeated; and
then the Spaniards decided to permit a colony limited to 6,000
to remain and carry on trade. The reaction of the Chinese
government represented by the officials at Canton was such,
among other things, as to create what they called a Co-hong,
or group of thirteen Chinese merchants appointed to arrange
EASTERN TRADE 585
trade relations with foreigners and it was through the members
of the Co-hong that the new western business men had to deal.
In their business relations, it may be remarked, the Chinese
merchants used no contracts but still kept faithfully to their word.
The West was represented again in the East when Dutch
traders reached the East Indies in 1599. They came to Canton
to trade, but the jealous Portuguese persuaded the Chinese offi-
cials to oppose them. In retaliation, the Dutch sent fifteen ships
to attack Macao but were repulsed, whereupon they went to
the Pescadores, only to be driven out thence. For a while they
established themselves in Formosa, but the Chinese took this
from them, so that their trade expedition came to naught and
for a century they accomplished nothing but what could be done
by smuggling. With the beginning of the Manchu reign in
China certain western nations, Portuguese, Spanish, Dutch, and
Russian, approached the land more diplomatically in the form
of embassies which came to China in search of commercial
privileges,12
EASTERN TRADE
The English came to China in 1620 and seventeen years later
employed the cannon to force commercial relations with their
host. But apparently little came of this militant method of
mercantilism, since the British were busy at home, and it was
not until the XVIIIth century that they repeated their vigorous
attempts at salesmanship* It was in the XlXth century, however,
that the Chinese were made to realize how seriously the western
world takes the question of business. Most of the British trade
with China was in the hands of the East India Company, an
organization comparable to the Co-hong already mentioned.
The British business organization was responsible for the Opium
War of 1840; it began to open the slanting eyes of the Chinese
to some of our western ways. The opium habit was spreading
and the Chinese officials were concerned about it; they wanted
less of the drug rather than more* When the Chinese govern-
ment forbade the importation of opium and destroyed 20,000
is Hitfoire dn Commerce du Monde (1894).
586 THE EASTERN QUESTION
chests of the drug, the English government went to war. The
conflict came to an end with the unjust treaty of 1842, whereby
China was forced to pay the cost of the war, indemnify Britain
for the destruction of the opium, and cede the city of Hongkong
to her. Thus arose the extra-territorial jurisdiction of foreigners
in China.13
The relation of France with China began by being politico-
religious, for the French were interested in the activities of the
Roman Catholic Church in China. But the French, like the
English, showed themselves somewhat predatory and the con-
flicting aims of western missionaries and merchants were some-
what bewildering to the naive Orientals. France joined England
in fighting China in 1857, when Peking was captured and the im-
perial palace burned. In ,1884 France again came into conflict
with China over Tonkin, which had been a vassal state of the
Chinese.
Although an American ship landed in China the year the
United States gained its independence from England, it was not
until 1844 that a treaty between the two nations was signed.
The American treaty was the same in content as the British docu-
ment as far as extra-territorial stipulations were concerned, so
that America did not appear much more friendly to the Chinese
than Europe had been. But there was at least one bright spot
in the dark firmament of diplomacy. It was found in the
diplomatic career of Anson Burlingame, whom President Lin-
coln sent as Minister to China. After six years of service, Bur-
lingame resigned and became an envoy in the Chinese service.
This Burlingame became the head of the Chinese political mis-
sion to various nations; he advocated a more just international
policy concerning China and insisted upon the full recognition
of her sovereign rights. One example of this diplomacy appears
in a treaty signed by Secretary Seward for the United States in
1868.
The age-old isolation of China ended before the Opium War
of 1840, for at that time China was no longer left to herself.
Disputes with France and England gave her some idea of
western civilization, opened her seaports, and started foreign
18 Soothill, China and the West (1925).
HOW CHINA AWOKE 587
trade. China began to realize the importance of knowing foreign
languages other than the famous "pigeon English," as the
Mongolian tongue pronounced "business English." A school
for the study of western languages, called the Tung Wen Kuan,
was founded, political reforms inaugurated, and a navy estab-
lished. Books on modern science were published and with the
reform of 1898 there appeared Huxley's Evolution and Ethics,
to be followed by Mill's Logic and essay On Liberty, Spencer's
Sociology, and Adam Smith's Wealth of Nations.
How CHINA AWOKE
China was on the way toward Europeanization when its
slumbering nationalism awoke in the form of the Boxer Re-
bellion. She has yet to recover financially from the heavy drain
upon her resources, sadly reduced by payments for indemnity.
The outside world had never looked attractive to the self-con-
tained nation, but the anti-foreign feeling reached a climax at
the end of the century. Japan made war upon the defeated
China in 1895 and took Formosa as a trophy. The western
powers saw similar opportunities and began to take advantage
of them. Germany got Kiaochow, England Weiheiwei and
Kowloon, and France Kwang Chow-wan, while Russia leased
Port Arthur and Dalny. These powers became rivals in the
matter of mines, railways, and the like, and serenely availed
themselves of the special privileges that China had accorded
foreigners. At last China showed resentment and a society
called " The Righteous Harmony Fists," or " Boxers," spurred
on by the empress dowager, attempted to kill the " foreign
devils." The result of the revolt was defeat for China, which
had to pay heavy indemnity for the death and destruction
wrought by the Boxers. Although China was humiliated by this
experience, she took heart again after observing the victory of
a sister oriental land, when Japan defeated Russia in 1904,
Chinese students flocked to Japan to learn the art of war and the
Chinese government began to assume a more modern form.
The Chinese revolution of 1911 has become a great land-
mark in the rather eventless history of that country. Its leader,
THE EASTERN QUESTION
Sun Yat-sen, respected the old culture in a way but was not at
all averse to western methods. His one ambition was to break
down the Manchu rule and establish a republic upon the noble
ruins. Sun Yat-sen was not himself successful but he engendered
a political spirit which has become symbolic of unity and progress
in China. The revolution gave the Chinese a sense of self-
confidence, which, except in the case of Japan or Turkey, had ever
been lacking in the oriental world. During the World War,
China had a chance to breathe and go about developing her
industries. Socially and economically, China was better off
for the war in the West, although politically she was not pre-
pared to meet international competition, to say nothing of the
special aggression of Japan.
In order to understand the recent conflict between China and
Japan, we must bear in mind the sociological differences be-
tween the two types of mind. The Japanese rejoices in a
spirit of all-for-one and aims at the tight unity of the nation.
China, made up of various tribes who have always agreed to
disagree rather than to work their way to compactness and
unity, stands for sectional units rather than national unifica-
tion. The Japanese are a small, progressive, and aggressive
people, proud of themselves but the subject of disdain on the
part of China. Their 60,000,000 inhabitants, who strain the
imperial islands, represent a population which has doubled in
the last sixty years. The Japanese mind appeals to the Chinese
as being rather self-styled or sui generis, as though it were
neither an orientalized nor occidentalized but a native conscious-
ness. Japan rejoices in modernized mills and factories, a well-
trained and completely equipped army, and the third largest
navy in the world. Since the time that Commodore Perry opened
her gates by force in 1853, Japan has progressed by learning
western lessons and following western examples and the last
seventy-five years have seen her emerge from semibarbarism to a
condition of intensive civilization and authentic political power.
In her wars, Japan has known nothing but success and she is
proud of the way she has played the part of David with such a
Goliath as Russia and China. In order to carry on as a world
power, Japan must have foreign trade and foreign territory much
CHINA AND JAPAN 589
after the manner of the great island empire of the West — Great
Britain.
CHINA AND JAPAN
The recent Chino-Japanese clash in Manchuria was due to a
pair of fundamental factors. There was, first, a series of treaties
and agreements forced upon China whereby Japan established
her interest and influence in Manchuria and, second, Chinese
nationalism. Japan intends to extend her power on the main-
land, while China is just as determined to deliver herself from
foreign aggression. The relations between China and Japan,
never any too friendly, have been strained since 1925. In the first
place, there is the mutual hatred between two oriental nations
dwelling side by side; and, further, the more modern clash in the
economic field, China has resolved to build railways to com-
pete with the lines controlled by the Japanese. The Mukden-
Hailungcheng railway, built by the Chinese, runs parallel with
the Kirin-Changchun line managed by the Japanese. Then there
is the Mukden-Kirin road constructed by China. The Japanese
state of mind is such that she finds it intolerable to have China
conduct her own ways of transportation.
China regards Japan with suspicion and believes that the
island empire is indulging in imperialistic plans. China believes
that her little Asiatic relative is planning the conquest of the
southwestern Pacific, including Formosa, the Philippines, the
Dutch East Indies, and certain islands below the equator. But
not bits of land in the sea only, for China is under the painful
impression that Japanese ambition extends to the mainland also,
where Japan seems to desire dominion over eastern Asia, includ-
ing Korea, Manchuria, and Mongolia, if not China itself. The
western powers have been able to check the southern sweep over
the sea; but various things, internal strife in China, Russia's
preoccupation with her Five Year Plan, and the economic de-
pression in the West, seem to be making Japan's Asiatic ambition
more likely*
As for China, it may be said that she is the one country which
rejoices in a civilization wherein adjustment by compromise
590 THE EASTERN QUESTION
rather than domination by war has been the rule. She entered
the League o£ Nations whole-heartedly, but her membership in
that body has not been of quite so much value to her as her own
troops. China, however, has yet to become a militaristic nation;
but a great destructive power reposes within her walls. With
her incomparable numbers and vast natural resources, she is a
potential military power. In addition to this implicit aggressive-
ness, China is in a position to unite with Russia and confront the
whole world with a vigorous communism. In the past, China
has fascinated the imagination; before long she may attract the
attention of the world in a more serious way.
OUR ASIATIC RELATIVES
Our gesture toward the " Orient," as we call it, appears un-
usually broad when we turn from the Chinese to the Hindus.
From the historical point of view we are more like the people of
India than they are like the Chinese. Our very language shows
that, for we and our Hindu relatives speak the Indo-European
tongue, which has no sort of linguistic connection with the speech
of the Semites or that of the various Mongolian tribes. The an-
cient Aryan tongue, divided as it was into Sanskrit and Zend and
still extant in the modern languages of India and Persia, has not
been lost in Greek, Latin, the Romance languages, German, Eng-
lish, Slavic, and Celtic. But it was centuries after the separation
of Asia and Europe that the Westerners realized that they were
talking upon a more or less Asiatic basis. There is also a kind of
psychological affinity between Europe and India in that the West
follows mental processes of analysis, definition, logical reasoning,
and the like, by no means so striking outside the Indo-European
group of peoples. The Hindus have their Vedanta philosophy
and we have our rationalism. Then why is it we do not come
to an understanding with India and embrace Brahmanism?
The answer to that impromptu question is quite simple when
considered in historical terms. We, the people of the western
world, having lost sight of our Hindu connections, were induced
to adopt a Hebrew form of religion, so that we who are of Aryan
stock and Aryan tone rejoice in a form of spiritual life peculiar
INDIA TODAY
to the Semites, the Hebrews. If Christianity had remained a
Jewish sect such as it was at the outset of its career, our position
in religion would be extremely paradoxical, but the passage of
the Church to the Gentiles and the expansion of Christianity into
a world religion make it possible for us with good grace to be
Christians. The apostle of Hindu faith, as a persuasive Swami,
may point out that we are so constituted mentally and so related
historically that we should be Vedantists, but long ago the
famous Apostle to the Gentiles gave us good reasons why we
should become Christians.
A study of civilization in taking up The Eastern Question, as
we are calling it, is bound to interest itself in India and the pres-
ent situation in that overpopulous peninsula. We realize the
historical fact that the British put in an appearance there more
than three centuries ago, after which the inevitable happened.
England established herself and for two centuries has been in
practical control of the land. But what is the XXth-century
situation in India? There was unrest at the beginning of the
epoch, but the coming of the World War found India throwing
her forces on the side of her English emperor to the extent of
supplying England with a million and a quarter soldiers. But
it has been different since the armistice, for in 1918 certain diffi-
culties arose.
INDIA TODAY
The British government passed into the hands of the " Die-
hards " and instead of rewarding India for her help in the World
War it began to impose laws and ordinances to suppress the
nationalistic spirit in India. The Indians, like the Irish, wanted
home rule or at least dominion status like that of Canada. It
was at this juncture that Gandhi came to the front. At heart he
was a Loyalist and in political procedure a Moderate. He had
served England in both the Boer War and the World War, so
that his allegiance to the crown was hardly to be questioned. But
after 1918 Gandhi became disaffected toward England because of
her repudiation of India's claims for herself and political partner-
ship with England Then there arose certain political activities
592 THE EASTERN QUESTION
in India as well as outbursts of the nationalistic spirit. These
were due to three major causes :
1. The enactment of the Rowlatt Acts, which led to rule by
martial law in several of India's provinces.
2. The massacre of Amritsar, in 1919, of unarmed Hindus gath-
ered in a peaceful meeting to pass political resolutions.
3. The breach of promise to Indian Moslems, who had been
promised that the Turkish Empire would not be dismembered
if they fought on the side of the Allies, even when they had to
take up arms against their fellow-religionists. Gandhi himself
launched the non-cooperation movement against England and as
a result Moslems, Sikhas, and Parsees, to say nothing of Hindus,
flocked to his standard. Gandhi was an apostle of non-violence,
but in spite of him riots and assassinations of British officials did
occur. Gandhi was imprisoned in 1922 and thousands of Hindus
working under the Indian National Congress were jailed and
severely penalized. Due to his ill health, Gandhi was released,
whereupon he ordered the Congress to desist in their work of
non-cooperation but to contest seats in the Provincial and Fed-
eral Assemblies. The Nationalists had no difficulty in winning
the elections and, having done so, attempted to bring the govern-
ment to a standstill by obstructionist tactics.
HINDU INDUSTRY
Gandhi is by no means as poetical as Tagore, but he does not
fail to project romantic ideals in industrialism. This he does
in his little book entitled The Wheel of Fortune; by this he
means what we more frankly call "the machine." But does
Gandhi want this "Wheel of Fortune" to move forwards or
backwards? Does he want to play a quixotic part and fight the
power mill with the hand loom and have the enterprise of Man-
chester or any other factory town in England imitate the spinning
methods in little Hindu villages? Apparently not, yet his in-
dustrial ideal is not clearly stated. e< Do I want to destroy ma-
chinery altogether? . . . My answer is: I would not weep over
the disappearance of machinery or consider it a calamity. But I
have no design upon machinery as such. What I want to do at
JAPANESE PRINT, FROM AN OLD WOODCUT
DnwAm TttMPtv, Mr. ABU, INDIA
HINDU INDUSTRY 593
the present moment is to supplement the production of yarn and
cloth through our mills, save the millions we send out of India,
and distribute them in our cottages. This I cannot do until the
nation is prepared to devote its leisure hours to spinning." 14
The idea of having the Hindu population use its leisure hours
for spinning and thus supplement the work of the machine by
light hand-labor is perhaps more artistic than economic, although
in the spirit of the economist Gandhi does not fail to note that
" even at the present time the weavers weave more cloth than the
mills." 15 He makes us think of William Morris rather than John
Stuart Mill. His argument proceeds primarily by analogy: " Why
should not each home manufacture its own cloth even as it cooks
its own food ? " 10 Now it is the cloth industry, which in such
a climate as India's might seem unimportant, and no other form
of manufacture for which Gandhi contends, and that upon the
ground that India should cleave to the home loom and family
stove rather than resort to the gigantic mill and huge bakery,
Is Gandhi an Indian industrialist? Apparently not, from his
rather tepid enthusiasm for the machine. When he exalts the
loom, his " Wheel of Fortune," he does not mean something pro-
Hindu and economic but something anti-British and political.
He will fight England with the hand loom and inspire his people
with the patriotism of taste. " Will the nation revise its taste for
Japanese silk, the Manchester calico or the French lace and find all
its decoration out of hand-spun and hand-woven cloth? "17 If
it will do that, it can carry out its program of non-cooperation; it
can conduct its boycott of British goods. Hindu industry will
thus lead to Hindu independence. For, as Gandhi claims, " there
are enough weavers and enough looms in India to replace the
whole of the foreign import of cloth," 18 Unlike German chil-
dren, those of India will not be taught to fight but to spin, and
the barricade against British aggression will be that of homespun
cloth rather than barbed wire. Now there is no question that
British policy toward India has been one of complete selfishness,
yet it is a question whether this encroachment upon Hindu rights
14 The Wheel of Fortune* pp* 14-15. 17 lb., p, 6.
*' /*„ p. 9. 1S #„, p. 89.
" /*., p. 24.
594 THE EASTERN QUESTION
can be met by the naive methods of industry which Gandhi plans
for his people.
WHAT DOES INDIA WANT?
Just what does India want ? The Hindus answer that question
with rather uncertain sounds. Apart from a minimum who want
the British status quo to remain intact, there are groups which
appear to desire this, that, and the other sort of independence.
The most moderate desire less and less British rule, more and
more Indian independence; but this is only a general sentiment,
not a political program. The more ardent Nationalists in India
desire the status of dominion government such as England ac-
cords to Canada. More radical Hindus seem bent upon an inde-
pendent form of government on the basis of which they can
develop a sort of " United States of India." There are still more
radical minds that look toward some sort of affiliation with Russia
and the establishment of a communistic regime.
What is India's political ambition? She appears to want na-
tionalism, and yet her interests seem to be social and spiritual.
These disincline her toward western civilization as such, as well
as the development of the western type of State represented by
Japan. Just as India desires industry without industrialism, so
she appears to wish some sort of national independence and unity
without political nationalism. " Nationalism," says Tagore, " is
a great menace. It is the particular thing which for years has been
at the bottom of India's troubles. And inasmuch as we have been
ruled and dominated by a nation that is strictly political in its
attitude, we have tried to develop within ourselves, despite our
inheritance from the past, a belief in our eventual political
destiny."19
CAN INDIA GOVERN HERSELF?
Is India prepared for self-government? The American Colo-
nies were in 1776; Ireland was when it set up the Irish Free State;
but the case of India seems different. Its vast, mixed population
19 Nationalism, p, 133.
CAN INDIA GOVERN HERSELF? 595
is not united in any political program, although the Nationalist
sentiment is the most popular idea in the land. This is evinced
by the Round Table Conferences held at London. At the first
conference (November, 1930), the representatives consisted of
seventy-six Loyalists nominated by the Viceroy and thirteen
British members. The Nationalists refused to participate unless
all political prisoners, including Gandhi and 40,000 of his fol-
lowers, were released from prison. Even at such a conservative
conference the spirit of nationalism prevailed. The Hindu dele-
gates demanded it and succeeded in having the conference close
with a pledge of Indian autonomy. Furthermore, the political
prisoners were released. At the second Conference, Gandhi
was made the sole representative of the Nationalists and put
forth India's claims for equal partnership in the British Com-
monwealth of Nations and a dominion status like that of Canada.
Gandhi was given audience by the king and appeared in his
simple Hindu garb instead of formal court dress. This was the
subject of both amusement and admiration on the part of the
world generally, which may not have understood that Gandhi's
loin cloth was worn by him as a symbol of the poverty endured
by the millions whom he represented.
Apparently India has no real desire for a nationalism like that
of England in the West and Japan in the East. Her problem is
to produce a people, not a State. " In my country," says Tagore,
"we have been seeking to find out something common to all
races, which will prove their real unity. No nation looking for a
merely political or commercial basis of unity will find such a solu-
tion sufficient. Men of thought and power will discover spiritual
unity, will realize it, and preach it," 20 Is the West to continue its
practical leadership in the world or will the East surpass it with
a different form of civilization? As we have seen, civilization
means something industrial and political, scientific and social; it
means citizen and machine. The oriental idea in China and
India is something different, a less strict and strenuous concep-
tion of civilized life. Should not the West study the East and,
as it learned of old its original lessons there, try to learn some
newer ones ?
w lb<> p. 137.
CHAPTER XXIII
THE PRESENT OUTLOOK
THE SO-CALLED PRESENT
WHAT WE CALL THE " PRESENT " IS NOT DETERMINED BY
the calendar, but by custom. Everything that is the
object of perception and does not incline us to indulge
in memory may be called " contemporary; " a " thing of the past "
is not merely that which is old, but that which is no longer in
use. In the larger sense, then, the present is the era of modern
improvements dating back nearly a century and might be moved
back to 1837, when the electric telegraph of Morse came into
vogue. The dates that indicate the beginnings of centuries are
unimportant in themselves; the year 1801 does not compare in
significance with 1815, when Napoleon met his Waterloo, nor
the year 1901 have any meaning when contrasted with the year
1914. What we may call our present dates from the beginning
of the World War or, more accurately perhaps, in the subsequent
period of ambiguous peace, whose problems of recovery are now
perplexing us. At any rate, we can partly identify our present
with the part of the XXth century that we have lived.
The first decade of the XXth century was hardly different
from the last ten years of the XlXth. It was still dominated by
the ideals of the Victorian period, which ended officially, one
might say, with the death of the queen in 1901. The former
ways of conducting business and the comfortable ways of living
were still in force. People generally did not pride themselves
upon sophistication, but were more interested in preserving the
graces of life and the ideals of respectability. The style of the
new century was still that of the old; the literature was still
Victorian. People of culture were more inclined to form Brown-
ing clubs than to attend Ibsen plays. The ancient institution
of marriage was not subjected to attack, divorce was not taken
for granted, and references to sex were made with reluctance,
as also with delicacy. The population was made up of men and
596
AIRPLANES MANEUVERING
Pairchild Aerial Surveys, Inc.
THE LINER Manhattan, IN THE HUDSON RIVER
(facing pag® 59?)
FROM CENTURY TO CENTURY 597
women in whom mental health was the rule; people were either
sane or insane, for there was no twilight zone of semi-unbalanced
minds.
FROM CENTURY TO CENTURY
The passage from the XlXth to the XXth century saw little
change in the outer mode of living. It was still the era of the
home, private homes for the middle class, city and country houses
for the more wealthy. In America, apartment houses were com-
paratively few in number even in the larger cities and when
they were built did not rise above three or four stories and thus
were able to preserve the general tone of domesticity. In the
matter of conveyance, which was deemed of secondary impor-
tance, it was still the era of the horse, and the ideal of motion
for its own sake, or the flux of the present, had not been de-
veloped. There was an approach to this, however, in the bi-
cycle, but its radius of activity was about equal to that of the
carriage. The automobile appeared, but was a decided luxury;
and when the Ford put in its appearance it was more of an
object of ridicule than a desired possession. In 1896 Langley's
airplane made its first flight, one of three thousand feet, and in
1903 the more practical plane of the Wright brothers enabled
them in their original flights to remain in the air about a
minute and travel 852 feet. Two years later, a span of twenty-
four and a half miles was made, which hardly anticipated the
transatlantic flight that is now (1932) coming into vogue. Radio
in the sense of telephonic communication from a broadcasting
station to a loud speaker is a matter of the 1920'$.
At the beginning of the century, business corporations were
small in comparison with the gigantic concerns of the present
and did not fail to arouse opposition among both literary men
and legislators* Thus a considerable amount of anti-trust litera-
ture inspired by the Sherman anti-trust law of 1890 flourished; in
1906, suit was brought against the Standard Oil Company, which
was ordered to dissolve, the dissolution taking place five years
later. As far as the mass of the population was concerned,
America was still the land of opportunity, for there was still
598 THE PRESENT OUTLOOK
plenty of free land left for the disposal of those who desired to
go west and develop homesteads. The Spanish War had given
the nation a new faith in its ability to contend with a European
power, so that faith in America and the future of its people was
unbounded. There was an unquestioned belief in democracy
and just as much confidence in the ability and opportunity of
each individual within it. It was this pioneer spirit that America
expected to perpetuate during and after its participation in the
World War. Europe was still under the domination of the
ancient idea that a victorious war is a successful one. In con-
sidering the present outlook, therefore, it will be necessary to
observe the most significant feature of contemporary existence —
the World War.
THE WORLD WAR
A dire prophecy of the futility of war had been made and
as serious a warning given four years before the conflict began.
This, to mention just one work, was brought out by Norman
Angell in The Great Illusion (1910), a book wherein he at-
tempted to show " that the commerce and industry of a people
no longer depend upon the expansion of its political frontiers;
that a nation's political and economic frontiers do not necessarily
coincide; that military power is socially and economically futile
and can have no relation to the prosperity of the people exercising
it; that it is impossible for one nation to seize by force the wealth
or trade of another — to enrich itself by subjugating or imposing
its will by force on another; that is, in short, war, even when
victorious, can no longer achieve those aims for which people
strive." l Before we turn to economic losses, we must not fail
to observe the ghastly destruction in the living domain of human
existence. The losses of the European belligerents in those who
were killed immediately or died of their wounds amounted to
about 7,300,000, while the total of the wounded ran up to
something less than 20 million. These figures do not include
those of Japan, which were comparatively small, or those of
the United States, where the figures are about 300 thousand
1 Op, cit., p. x,
ECONOMIC LOSSES 599
dead from all causes connected with the war, more than 75
thousand wounded, of whom some 85 per cent returned to duty,
to say nothing of a large number unaccounted for. These data
apply to the military forces; the casualties in the Marine Corps
were comparatively small. All told, some 50 million men were
engaged in fighting or in some other form of military activity.2
Later estimates have placed the total number of dead at about
10 million, of wounded well over 20 million.
In continuing this tragic inventory, we might include later
losses resulting from revolutions following upon the war. If
warfare had not begun in 1914, there would be no way of ac-
counting for the three attempts to restore the monarchies in
Russia, two similar attempts in Hungary, with their attendant
losses, or the sacrifices that resulted from the creation of the
so-called " succession states " around the Baltic and in central
Europe. Of these later losses there is no accurate account, since
Denikin and others who attempted to restore the Romanoffs
to the throne kept no records, while the Bolsheviki minimized
their own casualties and magnified those of their royalist op-
ponents. Then the famine following the devastations ia Russia
was responsible for additional thousands of deaths, some accounts
of the same running into several millions. Thus, making every
reasonable allowance for exaggeration, it is fairly safe to state
that the war was responsible for more than 10 million deaths.
Those that came about as the result of undernourishment and
neglect of children in countries other than Russia in the decade
following the war cannot be ascertained, but the misery of the
masses from 1915 to 1925 was only another sickle in the hands of
the grim reaper Death.
ECONOMIC LOSSES
The loss in economic resources was colossal; the figures we
shall give are so large that imagination cannot visualize the real
amount of the account Since the war was fought essentially in
the interests o£ commercial rivalry, the losses in commerce may
be observed first. The industrial nations of Europe, primarily
* Binder, Major Social ^foUems (1920), p. 268,
6oo THE PRESENT OUTLOOK
Great Britain and Germany, had been trying constantly to ex-
tend their exports; therefore it was natural for them to seek
more colonies as outlets for their surplus products. The pro-
cedure was based upon false economic logic; then the facts of in-
ternational commerce were against it. In citing these facts, we
can do no better than quote at length from the valuable pages of
Charles A. Beard's work, Cross Currents in Europe Today (1922).
" Now strange as it may seem — and this is one of the para-
doxes of the situation — the most important branch of the trade
of all European countries was not with the backward races of
the earth which they were eagerly struggling to conquer and
hold, but with their powerful and enlightened neighbors. In
1911, for example, Great Britain sold to Germany 57 million
pounds worth of goods. That was more than the value of her
exports to her immense Indian Empire with its 200 million sub-
jects. In the same year, England sold to Russia goods to the
value of 22 million pounds. That was more than she sold to
all the dusky natives of her African and distant insular posses-
sions. In 1913, England's business with Germany, counting ex-
ports and imports, was equal to more than one third her entire
business with all her colonies, dominions and dependencies. In
other words, on the eve of the War, Great Britain's business with
Germany — her bitterest rival — was a vital part of her economic
life. There is another fact worth remembering; namely, that
Great Britain, in 1913, did 500 million pounds worth of business
with her imperial possessions and a billion pounds worth of busi-
ness with the lands she did not rule: namely, the free nations of
the earth. When we recall that the World War cost Great Britain
about 10 billion pounds and that the annual interest and other
charges on her debt in 1921 amounted to 350 million pounds,
we may be permitted to raise a question as to whether com-
mercial warfare by arms * pays ' in any sense of the word." 8
FIGURES WRITTEN IN RED
Germany was by no means the only country that was linked
in the chains of trade with Great Britain. There was Austro-
8 Off. cit., p. 85, ft scq.
FIGURES WRITTEN IN RED 601
Hungary and a considerable territory of middle Europe under
the commercial domination of Vienna which, while themselves
prosperous and in a position to offer competition to Great
Britain, offered her most profitable business opportunities. Rus-
sia, likewise, was no mean market. In 1910, her export trade
amounted to 1,383,000,000 rubles; her imports totaled 953,000,-
ooo rubles. Europe was thus a golden network of economic
bands. Her swift express trains carried merchants and
capitalists from Paris to St. Petersburg, from London to Con-
stantinople. Not only did the war destroy these golden lines
of a vast commercial system, but, by means of strife and bitter-
ness, has prevented the laying down of new lines in the old
places. Today European commerce is confined to bare necessities,
while each country tries to erect trade-barriers against its neigh-
bors. Then there is with this commercial antagonism a politi-
cal one, the two so interwoven that it is difficult to determine
which is cause, which effect.
Again we must return to the money question and by means
of gigantic sums exemplify the finances of the belligerents be-
fore and after the war. "The aggregate debt of the United
States, Great Britain, France, Russia, Italy, Germany and Austro-
Hungary increased from August ist, 1914 to January ist, 1919
by $166,700,000,000. This total does not include the increase in
the national debt of Greece, Serbia, Turkey, Bulgaria, Rumania
and Japan nor the losses sustained by municipalities, villages,
hamlets and farms in the destruction of buildings, machinery
and means of transportation. These figures are staggering but
have probably been increased by twenty per cent during 1919.
What the burden of the future will be may be inferred from
the interest which has to be paid. The difference between 1920
and 1913 was, for the United States $1,100,000,000 against $23,-
000,000; Great Britain, $2,300,000,000 against $122,500,000; France,
$2,000,000,000 against $257,300,000; Russia, $1,600,000,000 against
$212,200,000; Italy, $600,000,000 against $93,000,000; Germany,
$2,500,000,000 against $200,000,000; Austro-Hungary, $1,500,000,-
ooo against $161,700,000 — a total difference for the seven coun-
tries of $0,600,000,000 against $1,070,000,000. This interest must
be raised annually and will decrease only very gradually as pay-
602 THE PRESENT OUTLOOK
merits on the principal are made. The increase is due not only
to the growth of the debts, but also to the rise in the rate of
interest from an average of 3.9 per cent to one of 5.5 per cent.
Here is an increase for payment of interest of 1,000 per cent. For
each the interest charge on indebtedness exceeds or at least equals
the total yearly public revenue in 1913 and imposes correspond-
ingly heavy responsibilities on the taxpayers."4
The total economic losses have been variously estimated from
250 to 300 billions. The total direct and indirect costs of the
war, including as nearly as possible every item, such as the
capitalization of the lives and properties lost on land and sea
to neutrals as well as belligerents, have been estimated at the
sum of $337,946, i79,657.5 The United States went into the war
with a national debt of $971,562,590 as of 1916 and came out with
a net cost for the war of $22,625,252,843, having in addition loaned
the Allies the sum of $9,455,014,125 — a gross expenditure of
$32,o8o,266,968.6 A small part of the loan to the Allies has been
paid back but the chances are that most of the remainder will
have to be canceled. Meanwhile other expenditures connected
with the war have to be added to its cost. Federal expenditures
alone in behalf of World War veterans, including all expenses
for pensions, medical and educational care, administration and
bonuses, etc., have amounted to $5475^505,520 between 1917 and
February 29, 19327 Then the expenditures of different states
add to this sum paid by the Federal government.
IDEAL LOSSES
Suppose we turn from these figures that only a Croesus could
comprehend and consider individuals with small amounts of
money in their pockets. Prior to the avalanche of 1914, the
average Parisian workingman paid about 18 francs for a month's
rent as reckoned in gold and 30 centimes for a kilo of bread.
After the victory, the same French citizen was compelled to pay
4 Binder, Major Social Problems, p. 269.
5 Bogert, Direct and Indirect Costs of the Great World War, Carnegie Endow-
ment for International Peace publications, p. 299.
6 /£., p. 267.
7 Charles Merz, New Yor^ Times (April 10, 1932),
EUROPE SINCE THE ARMISTICE 603
four times as much for rent and bread. Every other European
like him has been compelled to pay for the cost of his war.
Then, money-inflation added to the general distress and pro-
duced confusion worse confounded. Who knew the value of the
official paper he carried about with him? Its purchasing power
could change with the winds or one wake up in the morning to
find that the money of yesterday had shrunk in size like the hide
in Balzac's story The Wild Asses' Sfyn. The tendency engen-
dered was not that of thrift but of spendthrift. How worth-
less was paper money may be inferred from the specific case of
certain printers in Russia's official money mill who stole some 15
billion rubles but thereby managed to profit to the extent of only
$70. But such monetary losses were not the only ones.
There were imponderable, incalculable ideal losses. The inter-
national good will which the peoples of Europe had required
decades to develop was destroyed when the first shot was fired.
The pale light of love was overwhelmed by a black cloud. Who
can tell how many homes were broken up, how many widows
and orphans made? How many died of starvation, disease, and
the spiritual maladies of sorrow and the broken heart? Confi-
dence in civilization was destroyed and the spiritual outlook upon
life shattered more thoroughly than the walls of a cathedral
like Rheims. Civilization may be returning, but its moral
standards have been ruptured and its ideals obscured. Perhaps
the war, while it lasted, did produce a flash of patriotism, an
outburst of self-sacrifice and a broadening of the intellectual
horizon, but such moral assets are so small in comparison with
the necessary liabilities that one may well ask, "What price
victory?" It is only as the western world, which according
to Spengler faces its downfall, resolves to outmode and outlaw
war that one can be optimistic about the present century " up
to now."
EUROPE SINCE THE ARMISTICE
What about Europe since the signing of the Armistice? In
what ways have the leading civilized nations established any
sort of modus vivcndi? As is ever the case with intense emo-
604 THE PRESENT OUTLOOK
tions, the feelings inflamed by the war have altered and in most
cases disappeared. The human heart cannot forever indulge
the hatreds that spring up in special, sudden ways; these tend
to burn themselves out. Since the close of the war, which is
our real present, a series of readjustments may be taken to
mean as many efforts to rehabilitate civilization. The history
of Europe in this period may be divided into three parts, in
which have been found as many attempts to reconcile various
bitter antagonisms.8 The first period may be said to extend
from the Treaty of Versailles in 1919 to the occupation of the
Ruhr, beginning in January, 1923. The period was marked by
political confusion and economic chaos among the Central Pow-
ers, especially Germany, where in the summer of 1923 the old
mark, which had been terribly inflated, collapsed. The Cen-
tral Powers were shorn of their colonies by their conquerors
who seem to have been animated by self-interest, a spirit of re-
venge, and a desire to render their one-time enemies powerless
in the future. Since the Treaty of Versailles had claimed
that Germany and her allies were responsible for the war, the
procedure took on the form of punishment.
POLITICAL ACTIVITIES
In the matter of liabilities, the amount of reparation based
largely upon theoretical computations was placed at the sum of
120 billion dollars, although later this was reduced to the rela-
tively small figure of 9 billion. The Treaty of St. Germain with
Austria severed that country from Hungary. Thus Austria,
which had been the immediate occasion of the war, was not only
defeated but disrupted. When the country became impoverished,
its people were fed by the American Relief Administration at
the cost of 72 million dollars. In 1922 the remnant of a nation
secured from Great Britain and France, Italy and Czechoslo-
vakia about 35 million dollars, which saved it from complete
collapse. The Treaty of Trianon with Hungary had the ulti*
mate effect of reducing the former dual monarchy to a fraction
of its former self. Their territory was reduced to about one
8 Article " Europe," New Standard Encyclopedia,
POLITICAL ACTIVITIES 605
third of its former extent; the remaining two thirds were given
to the newly created succession states of Czechoslovakia and
Jugoslavia, as also to the old country of Rumania, which with
the addition of Bessarabia from Russia and the Dobrudja from
Bulgaria increased its territory and population two hundred
per cent. Italy fell heir to Trieste and Fiume with the adjoin-
ing territory. Turkey was reduced to a narrow strip of land
around Constantinople, from whence it had to transfer its seat
of government to Angora in Anatolia, Its other European lands
fell into the hands of Greece and the newly created state of
Albania.
In the meanwhile, Mussolini had taken control of Italy in the
name of Fascism. In the role of Caesarean dictator, Mussolini
acquired the free city of Fiume and the island of Rhodes. An
expedition into Corfu was checked by the intervention of the
League of Nations. Such an increase in the power of Italy irri-
tated France, which felt that the system of the balance of power
was being threatened by Mussolini, who by means of treaties
was making overtures to Czechoslovakia, Hungary, Germany,
Spain, Rumania, and even Great Britain* In order to offset
these advances, France approached the members of The Little
Entente, composed of Czechoslovakia, Jugoslavia, and Rumania,
and by means of loans forced Austria and Hungary to submit
to this alliance. The object of France in these acts of diplo-
macy was to cripple Germany by isolating her and by extracting
the utmost in reparations. To this end France established an
entente cordialc with Poland, which had been, rehabilitated from
former Russian, Prussian, and Austrian territory, France en-
couraged the formation of succession states along the Baltic at
the expense of Russia. These states — Estonia, Latvia, Lithu-
ania, and Finland — are small, but with Poland they formed
a bulwark against Bolshevist Russia. There communism had
succeeded, had been able to gain some foothold in Germany and
Italy, and established a short-lived regime in Hungary under
Bfla Kun; The first post-war period of European history may
be called the political one. Its climax was reached in the Geneva
Protocol for the Pacific Settlement of International Disputes in
the fall of 1924.
THE PRESENT OUTLOOK
ECONOMIC ENTERPRISES
The second period might be styled the economic one; it was
begun in 1924 in connection with the Dawes plan o£ reparations
and continued until the close of 1927. Its work was resumed,
however, in 1929 in connection with the Young reparations plan.
Both of these plans were developed by the realization that Ger-
many, the chief debtor nation, was approaching economic dis-
aster; they led to a more rational view of the reparations problem
and prepared the way for the creation of the Bank for Interna-
tional Settlements, 1930. An additional step toward genuine
peace with Germany was her admission to the League of Na-
tions and the award of a permanent seat in 1927. The important
Treaty of Locarno in 1925, signed by Belgium, France, Germany,
Great Britain, and Italy, pledged these powers to the recognition
of the then-existing status quo and left them free to direct their
attention to the improvement of the economic situation, espe-
cially in the defeated countries. The attempt of Germany to
seek an Anschluss with Austria and Hungary by means of a
customs union aroused violent protest from the Entente Powers
in 1931 on the ground that it threatened the policy of the balance
of power.
During the years 1923-1929, the United States made a number
of debt settlements with various European States and extended
numerous large loans to foreign governments in both Europe
and South America. This government took part both in the
inauguration and endorsement of various peace pacts. Great
Britain has played a comparatively moderate part in Continental
politics, since her energy has been absorbed chiefly in the adjust-
ment of internal problems, the establishment of the Irish Free
State and the questions arising in connection with her rule in
India. There is no little significance in the change of terms from
" British Dominions " to " British Commonwealth of Nations."
RUSSIA'S FIVE YEAR PLAN
The third period of European post-war history, or that from
1928, may be thought of most clearly in connection with Soviet
RUSSIA'S FIVE YEAR PLAN 607
Russia. It may be dated from the tentative operation o£ the Five
Year Plan, taken up in October, 1928 and adopted in May, 1929.
The plan calls for the socialization of agriculture and industrial
expansion with the increase of output of 55 per cent in the one
and 133 per cent in the other. In the technic'alization of Russia,
assistance has been loaned by American engineers. In this pe-
riod, which is the present one, it has come to be recognized that
the Soviet is quite a permanent factor in international matters,
Russia has all but proved its ability to maintain a stable govern-
ment and organize its internal affairs. In recognition of the new
Russian system of industry and the modern American system
of production, Europe has responded in the form of an economic
bloc or Pan-Europa or what might be called the United States
of Europe. It is the program sponsored by Aristide Briand.
The three periods mentioned may be taken to signify as many
attempts to solve the problems that have dogged our steps since
the end of the World War. The best that we can say of them
is that they have not been failures. At this point, in our attempt
to come to an understanding with the present, we might observe
the practically bloodless revolution in which Spain, on April 15,
1931, deposed its monarch and established a republic. And we
might add the moratorium of June 19 of the same year, when the
United States established a temporary suspension of reparation
payments. These separate events are symptoms of a desire to
effect radical changes peacefully and to promote 'economic
cooperation. The German ballot which reelected President von
Hindenburg is not without its meanings. First, it was an indi-
cation that the German people wish to continue a stable form of
government and are disinclined to make any approach toward
Fascism, as this was represented by Adolf Hitler, the opponent of
von Hindenburg. The defeat of Hitler was a defeat for mili-
taristic nationalism* As a side issue of this political event, it
might be observed that the Hitler campaign was made on the
basis o£ no further payment o£ reparations. This was accepted
by the Germans as a vigorous gesture, but, in addition to that,
it was taken to mean that the victors in the World War are
resigned to the idea that reparation payments are bound to
come to an end without the full payment of the war debt.
THE PRESENT OUTLOOK
THE LEAGUE OF NATIONS
The present, or post-war, situation sees a rainbow of promise
in the League of Nations, which has been in existence and opera-
tion for a dozen years. The League was formally established
January 10, 1920. It is an association "of States which, by sign-
ing the covenant, pledge themselves to refrain from war until
they have submitted their disputes with one another or with
States not members of the League to the consideration of the
League. Any State violating the pledge is automatically in a
condition of outlawry as to the other States, which are bound
to sever all political and economic relations with the defaulting
member. Not only this, but the nation-members of the League
have pledged themselves to cooperate in social and economic,
humanitarian and labor questions. By its timely intervention,
the League has been able to prevent several smaller wars and
has been responsible further for several agencies of great inter-
national importance. It supplies information concerning topics
of interest to nations and endeavors to mold public opinion in
the interests of peace. The most important of the particular
agencies for peace have been the Disarmament Conference,
the Kellogg-Briand Pact, and the Bank for International Set-
tlements.
In October, 1924, a number of European powers met in
Geneva in order to clear still further the tense atmosphere pro-
duced by the war. The discussions resulted in The Geneva
Protocol for the Pacific Settlement of International Disputes,
Few nations signed the document and thus this attempt on the
part of the League of Nations to build up a permanent agency
of arbitration died abortively in 1925. However, the policy
thus inaugurated proved more permanent and resulted in a
number of disarmament conferences, which have been o£ in-
creasing importance in the troubled affairs of the nations. The
conference held in the early part of 1932 at Geneva has aroused
greater interest than any of its predecessors because of the larger
number of nations represented. It will not bring peace to earth
but it does afford an example of what could be done by men of
good will.
SOCIAL EFFECTS OF THE WAR
OTHER PACIFIC MOVEMENTS
609
The Kellogg-Briand Pact of 1928 for the renunciation of war is
a multilateral treaty aimed generally at the outlawry of war;
it may be considered the logical outcome of the last of the
Fourteen Points indicated during the war by President Wilson.
The United States itself has declined to become a member of the
League but has given ever-increasing evidence of its interest
in the League's activities, especially in that of the World Court,
or the Permanent Court of International Justice. It was officially
represented at the Disarmament Conference of 1932.
The Bank of International Settlements, located at Basel, Swit-
zerland, was opened May 20, 1930 with a fixed capital of 500 mil-
lion Swiss francs, The purpose of this organization is to avoid
friction that might be occasioned by the payment of war debts
and reparations.9 All such payments are made to this bank,
which disburses the moneys to the various creditors and seeks,
further, to adjust all differences in the matter of claims between
the parties concerned. From the beginning, the operations of the
bank proved most beneficial; the first year's business showed
a turnover o£ more than 300 million dollars.
These activities of the League are to some extent the cause
but to a greater degree the effect of that general aversion to
war which is growing up among civilized peoples. A number
of books depicting the horrors of war have found ready and
numerous readers and the feeling that war must be abolished
has grown in volume and intensity. The ideas of philosophers,
like Immanuel Kant, on the subject of perpetual peace are studie4
more eagerly today than ever before, and a greater number of
people are joining the ranks of the Pacifists. In general, the
feeling that war is an abomination is shared by peoples and
governments alike; it has become a kind of international force.
SOCIAL EFFECTS OF THE WAR
A certain touch of internationalism is indicated by the various
European tours that have become so popular since the war*
* Article "Reparations," New International Yearbook (*93o).
THE PRESENT OUTLOOK
Such tours were in operation before 1914, but were not such
popular movements as we observe today. Travel was a matter
of business or luxury. The war aroused curiosity on the part
of Americans, who desired to visit the battlefields, see the lands
about which they had heard so much, and breathe the atmosphere
of the Old World. Hence we have observed numerous student
tours and sometimes the so-called " floating universities," which
have taken their classes on tours around the world, stopping at
important places, investigating the customs of different peoples,
and studying. Such intelligent travel is a manifestation on the
part of one half of the world to learn how the other half lives.
The war, which still colors our present outlook, cast a certain
reflection upon science. It was more a matter of machines than
of men. The only reason the Germans could achieve so many
victories against numerically superior foes is found in their su-
perior use of the scientific means of warfare. Their submarines,
" Big Berthas," and lethal gases were tragically effective. Their
application of science to food-economy and in finding synthetic
substitutes for war-materials enabled them to hold out much
longer than otherwise would have been possible. It was only
when their raw materials were exhausted and the Allies them-
selves applied similar scientific methods, as in the case of the
British " tank/5 that the Germans were forced to yield.
AERONAUTICS
The war was fought on land and sea, beneath the surface of
the earth and water, and in the air. One result of these bel-
ligerent operations has been to make us " air-minded.*' Aero«
nautics is the science that has profited by the war. The risks
of flying are much greater than those of motoring, but the ab-
sence of physical obstacles and the possibility of choosing one's
own path as well as the speed attainable have loaned a lure to
aviation. Only the future can tell what will come of a mode of
transportation that still is unusual. The record solo flight o£
Charles A. Lindbergh, who in 1927 flew from New York to
Paris, a distance of 3,610 miles, in thirty-three hours and twenty-
nine minutes, is not likely to be equaled by the average aviator,
THE AMERICAN SKYLINE
although an approximation to it was made in May, 1932 by the
famous woman-flyer Amelia Earhart. Although aviation, in
comparison with motoring, is still in the hands of isolated ex-
perts, it is becoming safer every year and correspondingly more
popular. There are actually fewer accidents in the air than on
the auto highway, although the proportion of accidents to total
trips is much greater, but catastrophes in the air are of such
spectacular character as to cause much comment in the press.
The figures to which we must resort in speaking of anything in
this age of statistics are impressive.
In the year 1931, all aircraft under the American flag, civilian,
commercial, governmental, flew a grand total of 218,890,503
miles. This was six and a half million miles less than in 1930,
but twenty million more than in the boom year, 1929. Civilian
and commercial planes flew 144,978,228 miles in 1931, compared
with 164,793,612 in 1930 and 144,579,451 miles in 1929. * The
number of passengers carried in 1931 was 1,875,992 compared
with 2,621,992 in I930.10
THE AMERICAN" SKYLINE
In a certain sense, the background of the present outlook in
America is afforded by the skyline of the great city. In dealing
with The Place of Art in Civilization, we made some comment
on American architecture in connection with the general history
of building. This topic we must resume in order to comprehend
the trend of contemporary life. The increased value of land
forced modern enterprise to extend the height of the building
rather than to extend the area of the foundation. The result
has been the skyscraper. Although the first of this architectural
type is usually associated with the city of Chicago, the New
Yorker can point to the fact that in 1880 George B. Post built
for Darius O. Mills a building 120 feet in height and commodious
enough to house 1,200 tenants. By the beginning of the XXth
century, the mastery of steel construction and the elevator made
more ambitious projects possible. In 1902, the Flatiron Building
in New York rose to the height of twenty stories, or 286 feet, In
10 Aircraft Yearbook (1933), p. 12, et seq.
6i2 THE PRESENT OUTLOOK
1913, the Woolworth Building ascended sixty stories or 796 feet.
A few years ago, to say nothing of the numerous commercial
towers erected in the interval, the Chrysler Building extended
its sixty-eight stories to a height of 1,046 feet, only to be displaced
in the air by New York's and the world's tallest structure —
the Empire State Building, with its altitude of 1,248 feet above
the street.
What shall we say of these structures which are so characteris-
tic of contemporary America? They seem indeed to ignore the
mythological message which might come to them from the
Tower of Babel with its heaven-defying height and its confusion
of tongues. Are we in our architecture challenging the law of
gravity? Are we also, with our mixture of races, running the risk
of confused tongues and conflicting race-ideals ? Prof. Charles A.
Beard in his monumental, half-million-word work, The Rise of
American Civilization, has a significant word on this subject.
" For good or evil, perhaps beyond both, in any case inexorably,
the spirit of American business enterprise was not reverent,
shrinking or benign; it was the spirit of power, crude and ruth-
less, rash to the point of peril, defiant of all petty material limita-
tions, given to action too swift for meters. When called upon
to serve this spirit, architects for a long time came hobbling in
the restraints of the academies; they deprecated it, scorned it or
if they took commissions tried to crush it." u To what extent, in
what way shall we moralize upon American architecture? In
itself it is an obvious form of building; society demands it, nature
allows it. If we may moralize at all, we may observe that those
who entered the Parthenon were infused with the classic spirit
in all its superiority, while they who in all reverence crossed
the portals of Chartres and Rheims were filled with the Gothic
spirit in all its solemnity. Are we of this age inspired with feel-
ings equally appropriate or must we come under the condemna-
tion of the poet who, in another connection, said of our peace
palaces, "Ye build, ye build but do not enter in"? It would
require giants or supermen properly to inhabit such gigantic
structures, hence one is tempted to make the comment — such
people in such buildings.
u Op. tit., Part Two, pp. 786-787*
Keystone View Co,
THE EMPIRE STATE BUILDING, NEW YORK CITY
4HiJ TKE Nnw YORK SKYLINE
POPULAR SCIENCE
MOVING PICTURES
613
A totally different manifestation of man's power over nature
is found in the moving picture, an indication of national en-
tertainment on a huge scale. The next century may look back
upon this one amazed to learn that today a considerable portion
of the population spend part of the day or night looking at long
strips of photographs. " In the United States there are over
22,000 motion-picture theaters having a weekly average attend-
ance of 120 million people." 12 This amounts to saying that
one seventh of the population are in attendance daily. From an
inconspicuous beginning at about the opening of the century, the
industry, as we may call it, has shown marked improvement in
technique and extraordinary increase in popularity. The " nick^
elodeons " that sprang up in the first decade of the century were
crude affairs attended by people whose social standing is indicated
by the price of admission charged. Today we find magnificent
buildings often superior to theaters and opera houses wherein are
exhibited films whose production has cost millions. Such daily
shows are taken for granted and attendance upon the <f movies "
is parallel to reading the news. The pictures are sometimes ele-
vating and instructive, but usually commonplace in dramatic con-
struction and tawdry in appearance. At the present time, the
leading aim of the motion picture is to project drama. The effect
of such an adaptation is often that of the substitution of coin-
cidence for motivated action, so that a good picture is often a
bad play* The motion picture, however, is an industry rather
than an art. The total capital invested in the enterprise through-
out the world is about two and a half billion dollars. The addi-
tion o£ equipment for the sound picture cost approximately half
a billion,
POPULAR SCIENCE
The effect of the technicalism involved in modern inventions
has been direct and physical, indirect and psychological We
are utilizing what the machine produces; we are trying to un-
*a Article " Motion Pictures," New Standard Encyclopedia.
THE PRESENT OUTLOOK
derstand how the product is manufactured. This has given rise
to popular science. This movement may not have enhanced the
dignity of physics and other sciences but it has served to enlighten
the modern mind, especially in the case of youth. The typical
American boy plays with mechanical toys or miniature repro-
ductions of machines and thus grows up in the atmosphere of
the scientific. In addition to this, he and his elders also find
in electrical appliances, to say nothing of " the car," an incentive
to observe and perhaps think about scientific matters. A number
of popular magazines, such as Science News Letter, Popular
Science, Popular Mechanics, Science and Invention, cater to the
mild appetite for scientific information. This semiscientific
state of mind at large is made more intensive by science courses
in the schools, if not by popular discussions in books and mag-
azine articles devoted to the new physics. Hence a young lady
who might be expected to comment upon the latest novel may
be heard discussing the Quantum Theory. It is doubtful whether
the mass of those who speak glibly of science have any inkling
of the theories recently put forth by Planck, Bohr, and others, but
the hero-worship for Einstein is at least an indication of interest
in the mysterious ways of the universe.
The present outlook is marked further and more deeply by a
change from the humanities of the older education to the
technics of the new. In colleges, the halls of languages are by no
means so popular as the chemical and physical laboratories. In
society, a gentleman is no longer a man familiar with the clas-
sics but one who is adept at machinery, while a lady of today
instead of speaking French drives her own car. In addition to
science in the form of application, the present view of the world
is marked by science as a sentiment. The popularization of
science has had the effect of diminishing fear and superstition.
Even the average person of the present is inclined to regard
disease in a scientific rather than an animistic manner, as the
logical result of improper living or imperfect sanitation. The
conquest of nature, which, marked the beginning of civilization,
has reached a point where man has learned how to live and
what to think about the natural order that produced him*
The expansion of the popular mind into a world-outlook may
LAXITY IN MORALS 615
be attributed to the World War. This has been largely emo-
tional and has engendered a desire for a fuller life and greater
freedom of self-expression. In the case of the more intelligent
and capable portion of the American population, such a desire
for largesse and liberty revealed itself practically in the attempt
to extend enterprise and make more money. The pause in in-
dustry, as for example that of building, called for extra effort in
the field of work; the inflation of prices due to the war market
as also payments on loans to foreign countries promised and
realized the bull market that obtained until the close of the year
1929. In all this, there was no industrial philosophy at work,
for the thoughts that were entertained were the effects of happy
circumstances, not the cause of them. With the populace at
large, the fullness and freedom of life, as life recoiled from the
tension of war, assumed various forms in which the sense of
responsibility was not always present.
LAXITY IN MORALS
The sudden passage from war to peace caused a relaxation
of the ethical earnestness that, in the form of courage, self-
sacrifice, and devotion to a cause, had gripped the western
world. The moral quality of life during the war had been
largely that of a morale consisting chiefly of courage. When
such Spartan vigor was relaxed, the result was of the Epicurean
sort. The uncertainty of life had shown itself on the battlefields
of Europe and the futility of human existence insinuated itself
into the mind of the masses, who seemed inclined to adopt the
ancient maxim, "Let us eat, drink, and be merry, for to-
morrow we die." In the minds of the older generation, the
ethics seemed to be, " The great crime of war has rendered
petty all possible vices of peace." Those who were too young to
have participated in the conflict appeared to reason, " You com-
mitted your great sin, we will now indulge in minor ones." The
proprieties of the past, especially as these had crystallized in the
Victorian age, were at once outmoded and a new morality
compounded of Cynical and Cyrenaic factors began to prevail.
This laxity in morals found direct expression in connection
616 THE PRESENT OUTLOOK
with sex, a short and significant word now as much in vogue as
it was formerly taken for granted and passed over in silence.
The idea involved assumed the form of both the artistic and scien-
tific, if we may style them such, for sex became the subject of
novels and plays, where it ousted the more refined sentiment of
love. The change has been such as to suggest eroticism in
literature. On the scientific side of the question, this biological
factor known to medical science and assumed in practical life
has become the subject of conversation and the theme of books
on sexology, some of them written by women. The plea ad-
vanced in the case of such scientific " best sellers " is that of truth-
fulness, or the idea that the significant facts in life should be
fully known by as many as possible. No such plea, however,
has been put forth in connection with any other biological func-
tion, where it is still assumed that nature will take her own
course and attend to the welfare of the human organism.
THE STATUS OF WOMAN
The status of woman, which is usually significant of a civiliza-
tion's temper, has undergone quite a radical change. This can
hardly be attributed to the political significance of the XlXth
Amendment, which gave woman the ballot, still less to any
attempt on the part of the politically " new woman " to be an
aggressive force in politics. The ballots cast appear to be about
as they were before women went to the polls, except that more
of them are cast. The change in the status of woman is more
decidedly social. It reveals itself in costume and coiffure; the
short skirt almost necessitated short hair and vice versa in order
to preserve the appearance of balance in woman's form. The
development of the cigarette habit is another sign that woman
wishes to live pretty much after the manner of man. This has
come to the point where to see women smoking while walking
through the street and frequenting smoking cars is by no means
unusual. Perhaps the whole situation where women arc con-
cerned may be expressed by saying that the lines once drawn
between the sexes and between women of social position and
those of doubtful reputation have been at least blurred. The re-
PROHIBITION
suit has been confusion. It would be fallacious to connect wo-
man's new freedom with the Flapper movement, itself by no
means to be regretted; it is not flaming youth but flaming middle
age that may be criticized.
The public press responded to the new outlook on life by
providing an appropriate sheet: the tabloid press. The first
of these diminutive newspapers made its appearance at the close
of the war, to be followed by others which now have their regular
place on the news-stand. The tabloids have outdone the yellow
journals in sensationalism and appeal to emotion and human
curiosity. The press generally had been able to supply the de-
mand for criminal news; the tabloid press added to this bits of
piquant gossip duly set off by the illustrations that comprised
most of the space. The great success of these little sheets has
revealed the existence of multitudes who make up mentally the
lower strata of society. These appear to read with satisfaction
the pseudo-papers with the feeling that in scanning large, lurid
headlines and gazing upon photographs they are keeping up
with the news of the day. Tabloid readers seem to take a per-
sonal interest in their papers, thus giving the impression that those
who absorb the hectic matter enjoy it empathically, or by proxy.
PROHIBITION
The question of Prohibition is so vast and complicated that a
volume instead of a paragraph is really demanded by it. We may
observe, however, that although anticipated by state-wide Prohi-
bition in many parts of the country, that is, in twenty-four states,
the proposal of the XVIIIth Amendment at the close of 1917 and
its ratification by the states early in 1919 was comparatively sud-
den and may be considered a war-measure.
The popular attitude toward this gigantic social movement has
been the subject of straw ballots in which the " wets " have pre-
ponderated* On the other hand, tentative measures in the direc-
tion of " wet " legislation by Congress have failed. I£ one is dis-
posed to analyze the present situation in Prohibition on the basis
of national history and sociology, he is likely to observe a baffling
combination of the Puritan spirit that brought the law into exist-
THE PRESENT OUTLOOK
ence and a pioneer spirit of lawlessness. Those who settled the
land originally were of Puritan stock, but as they extended their
frontiers far and farther west, as they did in the days of the pio-
neers, the distance from any seat of authority tended to make
them heedless of law. The passage of time has not removed the
Puritan desire to make laws and the pioneer tendency to ignore
them. In the language of President Hoover, when he was Secre-
tary of Commerce, Prohibition is " an experiment nobly planned,"
not a " noble experiment," as his words are commonly quoted.
Apparently the " experiment " has engendered tendencies wholly
unlocked for, as in the development of the " gangsterism " and
the social and political corruption that has followed in its wake.
To a certain definite extent, we have exchanged the saloon for the
" speakeasy " and the licensed liquor traffic for " bootlegging."
The better minds of the land, who are in the vast majority, are
agreed that there must be adequate liquor legislation, but are not
agreed upon the idea that this is to be found in national Prohi-
bition.
URBAN LIFE
Another feature of the present situation is findable in the
surge or drift of the population from country to city. This may
be attributed to the economic factor in contemporary life. The
introduction of labor-saving machinery on the farm has rendered
many former agrarian workers technically unemployed, while
the lack of proportion between agrarian and industrial labor has
made the farm unattractive. But the social factor has been in
operation also. The city offers better opportunities for work, less
drudgery, more leisure and entertainment, and more of that thrill
which we have come to believe a necessary ingredient in human
life. These are quite obvious factors put in an informal manner.
A few lines of statistics will reveal their operation more definitely.
Census of Population
1890 1900 1910 1920 1930
Urban 22,298,000 30,380,000 42,166,000 54,304,000 68,955,000
Rural 40,649,000 46,614,000 49,806,000 51,406,000 53,820,000
URBAN LIFE
Thus the urban population, which forty years ago was little more
than half of the rural figure, caught up with it in about twenty
years and is now considerably in excess.
The ascendancy of the city over the country in such obvious
things as finance, business, politics, newspapers, and the like
appears also in manners and morals, customs and costumes. In
our own country, these differences were never so marked as they
were abroad. One who knew the different sections of a foreign
land could tell from a glance at the costume from what section a
person had come. These differences in dress loaned color to the
great international fairs at Leipzig and Nizhni Novgorod; the
costumes displayed were loved and adhered to because they ex-
pressed the tribal consciousness o£ the wearers and, in many
cases, embodied tribal history. But with the ever-increasing
facilities for transportation on the removal of political restric-
tions on free migration, such costumes are rapidly passing away.
Public gatherings in Madrid and Moscow exhibit their country-
men in the same factory-made garments as one finds in Paris or
London — the same drab uniform of the Machine Age in which
none of the love and pride of the possessor is evident.
In the United States, where outer uniformity has long pre-
vailed, there was still a certain psychological difference. The
rural person was supposed to have a better heart and superior
morals, while his city cousin presumed to have a better brain
and keener intelligence. But now the denizen of the rural regions
either reads city papers or has the national news gathered by
press associations and newspaper syndicates printed in his lo-
cal paper. His radio-outfit keeps him constantly in touch with
urban centers and makes him feel as though he were a part of
the nation's pulsating life. In this manner, the one-time provin-
cialism has given way to a kind of cosmopolitanism, In ad-
dition to this national expansion which has made the country
more homogeneous, there is a tendency to Europeanize American
life. This has come about from reading news of the war, foreign
travel, and the translation of foreign books into English.
On the other hand, the present situation in the western world
reveals the fact that an Americanization of Europe is taking
place in the matter of industry* American factory products were
620 THE PRESENT OUTLOOK
formerly imported by different European countries, but now
Americans have exported the factories themselves. At first
such industrial exportation was at the rate of 2,000 per annum
and although it has slackened since 1929, it is still proceed-
ing in such a way that goods made by American machines
are threatening the old handicrafts. We have already com-
mented upon the fact that the industrial Five Year Plan in
Russia is involving American technics.
CAPITALISM AND COMMUNISM
In addition and in sometimes superficial trends, the present
outlook is rendered significant by the appearance and persist-
ence of the Russian Soviet. There is nothing in Europe, still
less in America, that runs parallel with it. On the surface, the
philosophy of this Bolshevism is an economic one made popular
theoretically by Karl Marx. But the underlying and animating
psychology of this politico-economic movement involves a breadth
and depth of life formerly unknown in Czarist Russia. That
which would prove impossible here seems to be at least tolerable
there. The Bolsheviki claim that there communism, by liberat-
ing men from the perpetual anxiety over their livelihood, is able
thus to arouse their higher motives. The claim of the Russian
communist is that, once their collectivist State has passed through
its present period of adolescence with its accompanying storm
and stress, the mature government will be able to provide amply
for its citizens, who will then enjoy greater leisure and more
opportunity for self -development and the elaboration of a higher
type of mankind. Thus runs the Utopian argument from Plato's
Re-public to More's Utopia, from Marx's Capital to Edward
Bellamy's Looking Backward, and thence to Lenin and Stalin,
The retort of the capitalist is based upon an entirely dif-
ferent philosophy of life. According to capitalistic ethics, the
best in man is developed through struggle which supplies la-
centive to work and initiative in developing enterprise. Com-
munism, so argues the capitalistic thinker, is possible but only
upon the basis of slavery such as Plato advocated and the Incas
practiced. Further, it is asserted that small tribes that have lived
PRESENT SERIOUSNESS
for ages under a communistic regime are still on the lowest level
of civilization. Capitalism may be' guilty of some iniquities, but
these fade into insignificance when compared with the funda-
mental iniquity of communism in its attempt to reduce all men
to the same level, since the leveling process will not be upward
but downward. If the present injustices of capitalism can be
removed, this system of producing and distributing wealth will
still offer the highest opportunities for the type of life all men
are supposed to seek.
THE END OF IMMIGRATION
The present outlook in the matter of American population re-
veals the fact that America is no longer the land of golden
opportunity for European immigrants. For more than a century
this land was a haven of refuge for all who in their distress
sought to improve their economic, social, and cultural condition.
The largest number of immigrants admitted to this country in
any decade was from 1901 to 1910, when 8,795,000 aliens who
intended to make their homes here entered our various ports.
The following decade showed a sharp decline; the third, marked
as it was by stricter immigration laws, showed a decided re-
cession; while the fourth one seems likely to prove the end of
immigration, unless some decided and unexpected change takes
place. In 1931, the number of immigrants admitted was only
97,000, the deportations amounted to 2,000, while the number
of emigrant departures totalled 61,882. For 1932, the number of
new arrivals is estimated at only 45,000 and with the return
of older immigrants to their native lands there will be no in-
crease of population from that source. Greater opportunities
are now being offered by several South American republics and
Immigrants from overcrowded Europe are headed southward,
especially toward Brazil and Argentina.
PRESENT SERIOUSNESS
The outlook for the second decade since the war is such as
to reveal a greater degree of seriousness on the part of the popu-
622 THE PRESENT OUTLOOK
lace. Law is regarded as something to be changed, not merely
defied. The gangster, who was originally a " rum runner " but
has now become a kidnaper and murderer, is no longer viewed
in the guise of a Robin Hood. There was a time when the life
story of a gangster was on sale alongside the autobiographies of
an ex-President and a candidate for the Presidency, but with that
gangster in prison the glamour of the outlaw has passed away,
The present seriousness may be due to the depression which set
in during 1929 or perhaps it dates back to an earlier period, when
post-war frivolity began to decline. The attitude of flaming
youth has been indicated by the manifest desire for higher edu-
cation. The number of college students nearly trebled between
1919 and 1930, notwithstanding the increased severity in en-
rollment requirements. Some of these new aspirants for aca-
demic honors may be purely " collegiate," but reports from the
authorities in the institutions of higher learning are to the effect
that students are more industrious and give less trouble than
those of a decade ago.
At the present time, we are living in something like an age of
ideas although herd behavior, standardization, and technicalism
are in evidence and in force. The political and economic changes
that have come about since the war tend to make us reflective and
in such a mood we are given to inquire concerning the true
bases of civilization. Democracy, we believe, must render an
account and give a reason for its existence, since it can no longer
be taken for granted. The social consciousness has become
keener and more intelligent. A decade ago, in such a depression
as was experienced in 1921, very little was done to relieve un-
employment, but at the present time, when all classes of society
are suffering from deflation, numerous agencies to relieve dis-
tress and provide work are in operation. This serious endeavor
to assist the unemployed may be due to the dread of a pos-
sible communism in place of democracy, but, if that be the case,
it is only an example of national intelligence in America. For
the most part, it seems as though relief agencies were prompted
by common sense and common humanity. Our plight is com-
mon; the gap between rich and poor, Dives and Lazarus, is no
longer a great, fixed gulf.
PRESENT SERIOUSNESS 623
The present outlook cannot be called a dark as much as a
serious one. The character of the times is usually expressed by
calling the present the Machine Age. In the minds of most
people, this means the mechanization of life and the overpro-
duction of commodities. Others choose to see in the machine
a more serious idea. These make a broad application of the
principle that work is accomplished only by the degradation of
energy, as though heat, like water, ran down hill. This bit of
steam-engine logic has provoked and to some extent popularized
the idea that the universe is running down and although its
ultimate decline into a universal condition of energy no longer
available is dated forward into the remote future, the spirit of
decline is in the air. The extent to which this merits serious
consideration will be discussed in the final chapter of this work:
The Resultant View of History.
CHAPTER XXIV
THE RESULTANT VIEW OF HISTORY
THE MEANING OF HISTORY
THE FOREGOING CHAPTERS, WHICH BEGAN WITH THE CELESTIAL
origin of the earth and ended with the problems of con-
temporary life in America, may be looked upon as so much
history. To be sure, they have not followed the traditional lines
of political history with its periods, reigns, wars, movements, and
the like, but still the only possible classification for what has been
said is the historical one. The first ten chapters, which ended
with the close of the mediaeval period, may be considered to be-
long to the past. The second ten, which considered the various
phases of life as we have come to know it, are of the modern
spirit. The last four, including this one, are so many attempts
to come to an understanding with contemporary life and thought.
In all these, a certain conception of history has been implied; this
must now be stated more explicitly. From what we have seen,
we have learned that the historical process means more than
bodies in motion and organisms under development; we have
seen that history means progress of mankind in action and
thought, in industry and science, in economics and politics, in
social and religious life. How is such human history to be
understood ?
The first step to take in understanding history is to realize
that it is not confined to the past. History is a temporal proc-
ess which, instead of tracing a line back of it, rolls up its past be-
hind and proceeds much after the manner of a snowball as
it rolls forward. A historical period like that of the Hebrews
and early Christians, Greeks and Romans, lived its own life
while it was in force, but does not fail to live on in us, i£ only
by way of memory. What we found in history was not the pas-
sage of time over spaces where different people were located, but
a series of trends which have thrust their way forward into our
lives. This is because the things that we found in history were
PERIODS AND TRENDS
not merely events that took place in some " then and there " in
distinction from our " here and now," but trends or tendencies
that keep on affecting our own lives. We recall these now as
industries and institutions, arts and religions, systems of eco-
nomics and politics, to say nothing of languages and social or-
ganizations. These are still with us. Archaeology may explore
a prehistoric cave and discover primitive tools, unearth an ancient
temple and find an altar, decipher an old cylinder and read the
record of a realm; we also work and worship and write history.
We are in natural sympathy with these men of the past, even
the fossil men of some geological age.
PERIODS AND TRENDS
If we are to enter into the spirit of history, we must abandon
the idea that history can be represented space-wise as so many
sections of human existence and consider it time-wise as so
many trends of human life. This will prevent us from saying
that in the past man had art and religion just as now we have
science and industry; it will lead us to see that in our own way
we have the same desires and aims that men had in the past.
Thus, instead of taking an external view of history and asldng
the questions of "When?" and "Where?" we must take an
internal view and meet the questions " Why ? " and " How ? "
Indeed, it is just as near the truth of history to say that it is a
phase of the present as to consider it a part of the past. In fact,
we must regard past and present, if not also the discernible fu-
ture, as phases of the perpetual present, the grand contemporane-
ity of the world.
History is twofold: it deals with both events that take place
in the space-time continuum and our intellectual view of them.
The direction of history is both forward and backward; like
Wagner's Ring of the Niebetungs, as he composed it, the music
proceeds from beginning to end, the story from end to beginning.
The actual course o£ history is forward according to the di-
rectional character of time* but the study of it is backward from
the present to the remote period under observation. The fact
is that a decisive battle was fought at Cr£cy in 1346, at Water-
626 THE RESULTANT VIEW OF HISTORY
loo in 1815, at the Marne in 1914. These are the physical
facts but the "at's" and "in's" do not tell the whole story.
These spaces and times belong to the past where they have
inscribed their own record, but the meaning of these military
operations, which is not fully realized in our present, is a
psychological process. It moves backward in memory to the
point when and where the event took place, but does not fail
to carry a XXth-century consciousness with it. History as
fact keeps recoiling in the form of history as truth.
But how are we to understand the truth of history when the
present assimilates the past? If history is a flux carrying even
its deposits along with it, a true conception of what has taken
place in the past would seem to be impossible; " has taken
place," we say, since the perfect tense seems more appropriate
than the past. Now, this view, which we are finding unavoidable,
may seem to give us the course of history but not the truth of
it. Even the channels of history appear to keep changing. But
with the physico-historical fact, this is not the case; the monument
set up on the spot, if nothing else, shows us that. Historical ap-
preciation, however, in distinction from historical chronicle is
in the same process of change as civilization itself. When we
raise the question of truth, we have two forms of verity before
us: truths of fact and truths of thought. Hence we must keep
asking, "Have we the correct fact? " and "Have we the right
idea?"
HISTORICAL COHERENCE
In taking up these parallel questions, we are called upon to
apply two different criteria of truth : the criterion of correspond-
ence and that of coherence. In the case of history as a chronicle,
we obtain a truth when our present idea corresponds with the
past fact, as whether George IV was or was not at the battle o£
Waterloo. When history means more than a succession of events
and the study of it involves more than a chronicle, we arrive
at a truth of history when we decide whether the Reformation
was a purely ecclesiastical movement, whether slavery was the
cause of the Civil War, or whether Germany was responsible
HISTORICAL COHERENCE 627
for the World War. In American history, we are observing a
change from the patriotic to the more philosophical presentation
of the subject. Now, that which guides us in such historical
study is the criterion of coherence, the coherence of idea with
idea. We wish to have the historical fact fit into the general
scheme of things which we have worked out in independent
ways. It is as though we changed the form of a figure without,
however,, altering its area. Its area remains the same no matter
in what form we may change its outline. The present with its
accumulated wisdom is bound to dominate the past. It was in
this sense that Bruno and Bacon referred to the moderns as the
true " ancients."
The same importance of the present in history appears in the
way history as a record is written. When we deal with the
past, we are inclined to believe that it sheds light upon the pres-
ent. Thus we study primitive forms of civilization and cul-
ture, ancient arts and religions for the sake of interpreting our
own efforts toward outer and inner perfection. But, as a matter
of fact, the past does not reveal the present as much as the
present reveals the past. "Why," asks Sidney Hook, "do we
re-write the history of the past so often even when no new
* facts ' have been discovered ? What are the sources of our new
insight into past events and personalities ? If we had a complete
motion picture of the trial and death of Socrates, would we once
and for all time understand these events? " He answers these
questions by pointing out that we interpret the less-known past
by the better-known present and says, " The present is the basis
from which we determine the kind o£ interpretation we must
apply to the past.*' x We may not know a stone hatchet better
than the cave man did, but we have a more perfect comprehen-
sion of instruments generally. We may not comprehend all that
a primitive worshiper found in his rude temple, but we have a
deeper insight into the meaning o£ worship. We may not be
certain that we understand the hieroglyphic, but we appreciate
the value of the written record. The present is our historical
guide.
* M A Pragmatic Critique of the HistoHco-Genetic Method/1 Efsays in Honor
of John Dewty* Vol 3QI* ppu i6i~i6a.
628 THE RESULTANT VIEW OF HISTORY
PAST AND PRESENT
In considering this perpetual present, we are confronted by
what the science of the day calls " the time-space continuum "
rather than absolute time and space each existing in its own
right. In this continuum, what we used to call " things " are
more like "events"; they are made up of both location and
date. From this point of view, all reality is history, while the
science of it is historical investigation. Our own course of dis-
cussion, while not that of science, began with certain considera-
tions drawn from astronomy, geology, and biology. Therefore,
it may be well to observe how these sciences in their historical
character view the remote past in the light of the present. In
the case of astronomy, the selection of the tidal theory in prefer-
ence to the nebular hypothesis is due to observations made at the
present time. The astronomer studies events in the skies of the
present, as these are observed on earth, and further experiments
with starlike masses of rotating gases in order to discover the
most likely form of stellar behavior. In geology, the age-old work
of natural forces is interpreted in the light of similar agencies
at work today, so that " the method of geological research may
be defined as an inquiry into the past in the light of the present,
of the solving of the unknown in the light of the known."2
Evolution is hardly the subject of experiment, yet the mechanism
at work within it is a subject of research in the laboratory. Thus
does the present seek to assimilate the past; thus do we proceed
from what the race has learned about the past to that past itself.
The knowledge of nature and man that we have today gives
us insight into the less developed psychology and physics of the
past. Our psychology, dealing with the life of the mind as we
know it, throws light upon anthropology, or the life of the primi-
tive mind. Our astronomical observations and measurements
give us insight into the less perfect view of the heavens enjoyed by
Copernicus and Ptolemy, just as our advanced views of geometry
and mechanics increase our knowledge of classic mathematics and
physics. The course of actual history is in the forward direction,
but the comprehension of it is the reverse of this; we go from
2 Pirsson and Schuchert, Introductory Geology (1924), pp, 6-7,
THE INADEQUACY OF FACTS
the present to the past. There can be no doubt that the genetic
or historical method of viewing institutions like the Roman Em-
pire or systems like Platonic philosophy or forms of government
like monarchy is able to throw a light on present problems, but
it is a reflected light; it is the light of our own contemporary
thought. What we require in order to comprehend history is
something more than the movement of mankind in time and
space; we require the meaning of these movements — the con-
quests of Alexander, the wars of Caesar, or the campaigns of
Napoleon. In our own day, half a generation since the World
War, we are trying to gain a presentiment of how this catastrophe
will appear in the eyes of the next generation and the future
generally. Already we have begun to change our former views as
to Germany's war-guilt.
When we review some classic work of history, we realize that it
was more than a faithful chronicle of events set in a successive
order* We see that the monumental work on history was colored
by the time in which it was written. In the exemplary instance
of Gibbon's Decline and Fall of the Roman Empire (1776-1788)
we have a work whose accuracy and completeness are beyond
reproach, but this did not render it unnecessary for Mommsen to
write his Romische Geschichte eighty years later. Moreover,
Gibbon's work, besides being a history of Rome, is a kind of his-
tory o£ rationalistic England in the XVIIIth century. In the case
of H. G. Wells' great Outline of History (1920), we seem to have
a complete and objective picture o£ the world as we know it
today, but in the course of time this work will come to be re-
garded as a great essay on the subject of social reform in the XXth
century.
THE INADEQUACY OF FACTS
The historical method that came into vogue during the XlXth
century consisted in factuality and the principle of natural de-
velopment. It was based upon Positivism and Darwinism, and
assumed to be dispassionate and objective. What it attempted to
do was to present the course o£ history in the form of actual
development pretty much after the scientific manner of evolu-
630 THE RESULTANT VIEW OF HISTORY
' tionary procedure. But it is a question whether such a disinter-
ested view of historical facts in regular succession can give us
the truth of history as this unfolds. " A visitor from a distant
star, descending upon the earth," says Hook, " might know the
chronicle of events down to the slightest detail, might on his
way down, since nothing is lost in the ether, discover how every-
thing came to be what it is, but unless his mind-set were similar
to ours, unless he had experienced directly or vicariously the
chief forms of human interest, he would never understand that
history."3 In the case of those who seek to apply the factual
and evolutionary principles, it should be realized that they, far
from being disinterested in their point of view or objective in their
procedure, are making use of XlXth-century principles : namely,
the Positivism and Evolutionism referred to. These were not
in vogue .during the XVIIIth century, they may not continue to
the end of the present one.
But this is not to say that the production and pursuit of his-
tory as these have ever been carried on are in vain; still less is it
to suggest the absurd idea that history in the common sense of
that term should not be written and read. The idea that is seek-
ing expression may be indicated by saying that an adequate con-
ception of history makes certain demands upon us. These de-
mands may be indicated somewhat as follows: that we should
seek truths and not merely facts; 4 should enter into sympathetic
relations with the historical situation; and should understand that
past events have contemporary significance, This does not mean
that we are so to ignore time as to blot out the difference between
past and present, a thing we are not likely to do. Indeed, the
absurdity of such temporal confusion, whereby we think of
Caesar as speaking a modern language and using such a modern
device as a telephone, is a common source of the comic. We
leave the events of the past just where they took place; it is their
values in the light of the trends they exemplified and the institu-
tions they illustrated that we would bring up to the present* In
this manner, we appreciate the Hebrew character of our religion,
8 " A Pragmatic Critique of the Historico-Genetic Method," Essays in Honor
of John Dcwcy, Vol. XII, pp. 163-164.
4 Hoylaad, History as Direction, Ch. III.
FACTS AND TRUTHS 631
the Greek form of our science, the Roman essence of our law, and
the Christian atmosphere of our life. It is in this sense that we
are able to intuit the history of the past.
FACTS AND TRUTHS
So dominant is the idea that history is the accumulation of
facts, that it is worth while indulging a more vital conception
of the past. History is not a road which the race has traveled,
its various periods so many milestones; it is more like a stream
in which we ourselves bathe. Aristotle observed something like
this when in comparing history with poetry he said, " The one
speaks of things which have happened, the other of such as might
have happened. Hence, poetry is more deserving of attention
than history. For poetry speaks of universals, but history of
particulars." B Goethe had this fluid and symbolic sense of
history in mind when he uttered that significant line in Faust,
" All the past is but a parable — Alles Vergangliche 1st nur cin
Gleichniss." Emerson sensed it when he said, " All the facts of
history preexist in the mind as laws. Each law in its turn is
made by circumstances predominant, and the limits of nature
give power to but one at a time. A man is the whole encyclo-
pedia of facts. The Creation of a thousand forests is in one acorn
and Egypt, Greece, Rome, Gaul, Britain, America lie folded
already in the first man." ° All this, or the significance of it,
we have sought to express by saying that the present is the in-
terpreter of the past, so that it is only as one lives fully in his
own day that one is able to feel the trends that have ever been
engendering.
Since history deals with truths to which facts are subordinate,
it can become the object of reflective thought as well as factual
investigation. The trends that we discover in civilization can
just as fully be turned into ideas about which we can reason or
at least speculate. This might appear to indicate that we are able
to perfect a philosophy of history — a most ambitious undertak-
ing; but with the leading ideas of civilization and culture before
us, have we not a right to consider their general meaning? la
* Potties, tr. Buckley, Ch» IX. fl Essay on History.
632 THE RESULTANT VIEW OF HISTORY
taking up such a task, we receive preliminary encouragement
from the fact that history exists in Time, We may not be able
to understand the complete nature of the temporal process, but
we know that it moves onward like a stream and exerts a force
capable of changing all that is in that stream. We may imagine
that we are able to draw certain things out of the time-stream
and place them on some sort of terra -fir ma. We attempt this
when we date and locate a historical period like that of the
Roman Empire or lay down the fixed principle of a science
such as geometry or divide the history of culture into periods
o£ ancient and modern. Yet, after we have considered the
nature of both the historical process and the events that take
place in it, we are inclined to feel that empires, sciences, and
historical periods as we have formulated them are like rafts float-
ing along on the stream of history. They maintain their form,
their integrity, but still do not fail to move onward in the
flux.
HISTORICAL METHODS
How can we smooth out the irregular course of a human his-
tory which exhibits such a multitude of facts and variety of
forms? The task might seem hopeless, but the usual procedure
in philosophy of history makes the matter suspiciously simple.
This procedure consists in something that looks like drawing
imaginary lines of latitude and longitude over the revolving,
moving globe of history, whereon are actually found, not only
the sharp distinction between sea and land, but the endless
variety of geographical forms. The lines of latitude and longi-
tude enable us to keep our bearings, but do not so thoroughly
aid us in determining what actually exists and happens within
such a mathematical framework. But, of course, the philosophy
of history does not attempt anything really analogous to what
we have just indicated in connection with theoretical geography;
it navigates, if we may so say, by other means than those of
imaginary lines. Nevertheless, the linear method is the one that
the philosophy of history uses, whence comes its unusual sim-
plicity.
The lines of history arc drawn in four forms-— straight, cir*
THE LINEAR METHOD £33
cular, pendular, and spiral. When the linear method is fol-
lowed, it does not require us to believe that the course of his-
tory is in a straight line, but only that its general direction is
a forward one. A road will have to follow the configurations
of the land and thus move in and out, up and down, but still
it progresses to some remote point. The circular method does
not necessitate history to exemplify the form of a geometrical
figure; all that is requisite to fulfill the demands of the theory
is that the object, which is civilization, shall return to its source.
A planet does not move in a circular orbit or even in a perfectly
elliptical one, but it does resume its original position. The
pendular method is the linear one doubling upon itself. Its
movement is that of forward-backward. Yet this oscillation is
not an exact reproduction of the pendulum's behavior, which
follows the law of equal time, or isochronism. The significant
idea is that of retreat, or return. In the case of the spiral method,
which is partly circular and partly pendular, the idea involved is
that of a return to the original position, but upon a higher level.
Each of these four views must be analyzed and, as far as possible,
adjusted to actual history.
THE LINEAR METHOD
The linear method is the most attractive and most obvious.
Time seems like a stream which moves forward carrying in-
dividuals, nations, and events along with it, If we consider a
certain portion of time, for example one's own generation, or a
larger but still limited period like that of American history, it
does seem as though the course of things were progressive; from
small to large, from simple to complex, from ignorance to knowl-
edge. The life of an individual or a nation as lived is thought
of as something progressing along a relatively straight line. But
if in maturity that individual looks both backward and forward,
he will observe that the next generation is repeating the general
plan of his own life. Likewise with a nation; a Greek like Po-
lybius will see Rome repeating certain features of Greek life; a
modern historian like Mommsen will observe the Roman trend
in German life. Yet the linear method will always impress one
THE RESULTANT VIEW OF HISTORY
as containing a part, at least, of the general plan of history*
But this method involves something more than a forward
movement.
It involves the idea of progress in the sense of something
cumulative. The present inherits the past, adds its own con-
tribution, and passes the whole amount on to the approaching
future. In this sense, the linear method is optimistic. It has
appealed to widely divergent types of mind — the extremely
religious and the scientific. Accordingly, we find this historical
method upheld by such different pairs of thinkers as St. Augus-
tine and Bossuet, Comte and Spencer. Their respective ideas are
those of revelation and evolution, the unfolding of a divine
plan or the development of a natural program. In both phases
o£ this linear method, we find the principle of gradual ac-
cumulation, but not that alone; we find the idea of consumma-
tion. There is a remote goal toward which all historical move-
ment is tending. With St. Augustine, this was a divine realm,
or the City of God; with Spencer, it was a human order in the
form of a perfect Social State.
When, now, we take this view out of its theoretical setting and
use it as a guide in the interpretation of history, what do we
find? Generally that it is the historical view of the western
world. The Hebrews, although of oriental origin, have adapted
themselves to the Occident and in the Hebrew consciousness we
find a distinct futurism dating as far back as the days of Abra-
ham. He and his seed were to inherit the Promised Land,
and the scepter was not to depart from Judah or a lawgiver
from between its feet until Shiloh had come. The kingdom
that was established later on was to be a perpetual one moving
onward until the time of the New Jerusalem. The Christian
conception was hardly different in plan from this, except that
it was less earthly and turned human gaze forward toward
the coming of the Kingdom of God or to the Last Judgment.
The Latin mind may not have thought of the Empire in just
this manner, but it did not proceed with the idea that its develop-
ment was to be followed by decline. The Latin mind acted
rather than thought, and in so doing made plans for aft indefi-
nite future.
THE CIRCULAR METHOD 635
THE CIRCULAR METHOD
The circular method of history is more after the manner of
the Orient than the Occident; it is exemplified best by the
Sanskrit mind in connection with Brahmanism. Nevertheless,
the circular method is involved at times in the linear. For it is
hardly possible to think of a line of progress as continuing to in-
finity or even ad indefinitum, and since progress, or movement,
must persist, the course of things tends to return to its starting-
point and thus round out a circle of movement. In both Bibli-
cal and pagan conceptions of history, this roundabout regressus
appears in the form of a return to something like the original
Eden or the Golden Age. In this manner, history completes a
cycle of all possibilities and unites the Alpha with the Omega.
India furnishes the most complete example of the circular
method of history if the cycle in question can be called history.
In its own national history from about 2000 B.C. to 1000 A.D., the
history of India yields almost no dates, although Buddha was
reputed to have been born 557 B.C. and in 244 B.C. King Asoka
convened the third Buddhist council and adopted the "Asoka
Canon " of Buddhistic writings. However, there is a suggestion
of historical movement in the activities of the Brahma, Vishnu,
and Siva — creator, preserver, and destroyer of the world, al-
though the Brahman does not indicate by what cosmic and his-
torical processes this circular course of things comes about
Buddhism afforded a somewhat closer approach to the historical,
although not in our sense of that term, when it introduced the
principle of Transmigration, whereby the human soul in making
its earthly passage to Nirvana was compelled to pass through
various forms of earthly existence until it had extinguished de-
sire and achieved the wisdom of life.
The Greek mind did not rejoice in a deep historical sense but
tended to live in a beautiful present forgetful of the past and
as oblivious of the future, Its art and philosophy seem to have
been timeless things deliberately made rather than slowly evolved.
Yet in Heraclitus and Empedoclcs we find the principles of
historical thought — the Flux of the one and the principle of
Recurrence in the other, The Flux of Heraclitus was not a
THE RESULTANT VIEW OF HISTORY
smooth evolution but something characterized by contradiction
and strife, as also by the union of opposites; moreover, it promised
no culminations. Empedocles had a more definite plan in his
principle of constructive Love and destructive Hate among the
elements of the world, whereby the Many become One only to be
broken up again into the inchoate Many. " Thus inasmuch as
One has been wont to arise out of Many and again with the
separation of the One the Many arise, so things are continually
coming into being and there is no fixed age for them; and further
inasmuch as the elements never cease changing places con-
tinually, so they always exist within an immovable circle."7
Yet this was pure philosophy rather than philosophy of history.
The cyclical conception of actual history occurred, to Polybius
(c, 204-122 B.C.) in connection with the study that he as a Greek
made of the Roman Empire. It was his immediate aim to show
how all the civilized nations of the world had fallen under the
domination of Rome, but the result was to delineate a universal
idea of history. According to Polybius, mankind began its
history in a pre-political condition not unlike that indicated by
the modern idea of the State of Nature; to this primitive con-
dition, by reason of calamity, man tends to return. The in-
habitants of the primitive social order submitted to the rule of the
strongest and formed a political monarchy based upon force.
When the ideals of justice and political responsibility developed,
the monarchy assumed a more ethical form and the natural
monarch was esteemed king. But when the king became des-
potic, he was supplanted by wise and virtuous leaders who
formed an aristocracy which, upon its degradation, sank into
an oligarchy and then degraded itself into the low democracy of
mob-rule. This brought the nation back to its original condition
of nature, prepared the way for a new despot, and inaugurated
another cycle of the same sort.8 Such a view of history is
popular with pessimists. We observe it in such a mysterious
poem as William Blake's The Mental Traveller as interpreted
by William M. Rossetti, as also in The Isle of Penguins by the
late Anatole France. The circular method of history is likely to
7 Fairbanks, First Philosophers of Greece, p. 167.
8 Cf. Dunning, History of Political Theories, Vol I» Ch. IV, $ 4,
THE PENDULAR METHOD
become popular at the present time with peace following war
and suggesting further warfare.
THE PENDULAR METHOD
The pendular method of history follows upon the circular
about as the latter was found in a certain turn of the linear.
But the notion that history moves around in a vast circle or that
it swings back and forth monotonously is distinctly oriental.
Nevertheless, most of us tend to apply the pendular method
at times, as we observe how, like the ebb and flow of the tide,
depression, defeat, and the like are wont to follow prosperity
and victory. It is as though a certain balance were maintained
or as though a principle of compensation so worked as to
prevent a perpetual rise in the tide of human affairs, as also
to promise a pessimistic people something better in the future.
During the XXth century and more poignantly at the present
time, we are witnessing what appears to be a demonstration of
the pendular principle. Meanwhile, we are waiting for the
same pendulum, which has gone to the extreme of depression,
to swing back to a more prosperous condition of things.
The classic expression of this method is to be found in the
Yi~King> or Eoo\ of Changes, among the Chinese classics. The
plan of the Yi-King is presented in a form apt to bewilder
the mind by its combination of simplicity and complexity. The
work consists of sixty-four hexagrams or series of six lines half
o£ them broken to indicate weakness and failure, the other half
unbroken to signify the very opposite quality and state of affairs.
Suppose we imagine six unbroken lines read, or viewed, from
the bottom up. They indicate so many stages of progress which,
having been completed, must revert to failure. The interpreta-
tion given by the ancient Chinese editor is symbolized by a
dragon reposing in the deep, whence he arises, turns to the
field, roams abroad, leaps up, and then attempts to fly only to fall
again into the deep. The lesson is one of the certainty of
changes with the moral of conservatism and modesty.
Or suppose we turn from this first hexagram to the second,
made up as this is of six broken lines of weakness. The same
THE RESULTANT VIEW OF HISTORY
certainty of changes is then supposed to operate in such a happy
way that, having patiently endured failure and affliction, the
subject of the changes, individual or nation, is allowed to realize
that the next change will be in his favor. The eleventh hexa-
gram is of interest in that it is composed of three strong lines
followed by as many weak ones. The implication is that, as
there has been good fortune at the beginning, there may be
disorder and defeat at the end. The reading of these strong-weak
lines as given by the editor is illuminating: " The third line, un-
divided, shows that while there is no state of peace that is not
liable to be disturbed, and no departure of evil men so that they
shall not return, yet when one is firm and correct, as he realizes
the distresses that may arise, he will commit no error. There
is no occasion for sadness at the certainty of such recurrent
changes, and in this mood of happiness the present may be en-
joyed." 9 Such a method of reasoning upon the arrangement of
lines seems absurd to us, but is it not as near rationality as the
present practice of astrology? Should we not be wiser and thus
consider the lesson of this ancient Chinese system? In the in-
flation that came about during and following upon the World
War, we might have realized that just as much deflation was
bound to come; during the long period of depression, we might
have taken courage from the thought that, after the manner of the
hexagrams, a succession of weak lines would have to be followed
by as many strong ones.
THE SPIRAL METHOD
The spiral method of history tends to embrace all the others.
It is linear in that it indicates progress, circular in the way it
provides for a return to the original source of the movement,
pendular in the negative principles involved in a zig-zag move-
ment. These lines are recast in the form of a spiral staircase.
The most commanding exponent of this method is Hegel, whose
whole philosophy may be said to be patterned upon the spiral
notion. The particular method is the dialectical one whereby
Being passes through the stages of the affirmative and negative
9 The Yi»Kingt ir. Legge, m hc<
THE SPIRAL METHOD 639
to arrive at a higher synthesis of these in Being-for-self. We
may clarify this paradoxical philosophy by suggesting the simple
mathematical analogy of plus, minus, and plus-or-minus signs.
Or we may state it in theological form by thinking of God as
merely existing, then, as creating a world as something whose
imperfection is the contradictory of the divine nature and, finally,
as " reconciling the world unto Himself," thereby realizing his
own nature.
How does this profound conception of the world apply to
human history ? In religion, the threefold method of Becoming
is exemplified in oriental religion where God is all; in pagan
religion where, with Greek mythology and Roman politics, Man
is all; and, finally, in Christianity where these contradictions are
synthesized in the God-Man o£ the Incarnation. In art, the triad
of development proceeds from Asiatic symbolism, wherein all art
is sensuous, to Greek classicism, which reveals a happy combina-
tion of the sensuous and spiritual, and thence, finally, to Chris-
tian romanticism, which liberates art from the sensuous and
places it upon the higher level of spirituality. In political history,
the threefold development of the Absolute Idea concerns itself
with the principle of freedom. In the oriental world, only one
individual is free — the despot; and even his freedom is ham-
pered by the despotic rule he must ever exercise. In the Graeco-
Roman world, which delivered itself from despotism, some are
free, but alongside these aristocrats we find a slave population.
In the modern Christian world, not one or some, but all are
free or destined to become so with the final abolition o£ slavery.
The aim of political history is to establish permanent freedom by
reconciling monarch to subject, or State to citizen. This is
achieved by constitutional government, brought to a certain de-
gree of perfection in England, where, as Hegel says, "The
parliament governs, although Englishmen are unwilling to allow
that such is the case." 10 The critics of constitutional government
claim that even this form does not establish freedom for the
individual, in that abuses in the way of special "privileges " creep
in, so that the individual is free only in theory, not in actuality.
10 kttetwes on the Philosophy of History, tr. Sibree, p. 474*
64o THE RESULTANT VIEW OF HISTORY
"THE DECLINE OF THE WEST"
The most spectacular of all philosophies of history is the most
recent; it is found in The Decline of the West — Der Untergang
des Abendlandes, which appeared toward the close of the World
War, or in July, 1918. According to the author, the work was
ready when the war broke out, was worked over again by the
spring of 1917, but had to appear later. It was translated in 1926
by Charles Francis Atkinson. The most significant factor in
Spengler's conception of history is found in his idea of time,
which bears striking resemblance to the real duration of Bergson,
although Bergson's name is not mentioned in Spengler's work.
Time is thought of as a stream, or series of streams, which flow
to their respective outlets without any of the stoppages peculiar to
the centuries or periods by which history is usually known. The
result of such a method is to produce a new idea of contem-
poraneity. This is based upon analogies in civilization rather
than identities in dates; it is cultural, not chronological. It is as
though an ancient Roman at the age of twenty-one were " con-
temporary " with a modern Englishman who had just attained
his majority. On the other hand, it is as though a babe born in
Peking on January i, 1931, were three thousand years older than
a babe born in New York on the same date. " There is no history
in itself," says Spengler; n there are as many histories as there
are nations or even as many as there are individuals. There is
certainly no genuine world-history in the form of a study which
makes western Europe the basis of a chronicle divided into the
triad of ancient-mediaeval-modern. This is only the " Ptolemaic
system of history" into whose place Spengler would introduce
the Copernican.12 Now, as a matter o£ fact, what Spengler
does amounts to more than a change in the point of reference;
he places history on something like the principle of Relativity,
wherein all calculations depend upon the position of the observer,
who can make all the necessary corrections.18
The Decline of the West is a massive, 900-page, erudite work
full o£ fantasy, penetrated with insight and abounding in the most
11 The Decline of the West, Vol. II, p. 26. *>* lb,t Vol. I, p, 03.
"JJ.,VoU,p. 1 8.
SPENGLER'S METHOD 641
varied of historical phenomena. In every serious work, the
reader must raise two questions: what does he mean? what does
it mean ? — the author and what he says ? When a work is
well written, it is only the latter question which needs be asked.
In the case of The Decline of the West, we are continually in
doubt concerning the author's meaning and the significance of
the historical process he analyzes so incessantly. However, we
can gain some insight into his serious message by comparing
his historical method with those just reviewed.
SPENGLER'S METHOD
Spengler does not follow the linear method of history in pre-
senting his impressive program of spiritual, cultural, and political
epochs. He is far too sensitive to the multilinear directions of
history to be so obvious in his method. Likewise, he observes
that the variety of the historical process permits of new begin-
nings, that many rich forms of culture have sunk into the stream
of time, and that new casts of possible cultures may appear in the
future. Nor does Spengler show any inclination to adopt the
circular method, according to which world-history is an eternal
repetition of the same cycle. Although Spengler has learned
much from Nietzsche, he is unwilling to employ the latter's
doctrine of Eternal Recurrence, derived as this was from the
notion that, since there is a finite number of elements in the
world, there must be a finite number of arrangements of these,
and that, in time, history would repeat itself. There are repetitions
in the Spenglerian scheme in that each separate culture passes
through a certain period like "that of Rationalism; but world-
history as a whole knows no such reversals in time.
The pendular method of history, the oscillation between the
poles of revolution and reaction, prosperity and depression,
is accepted by Spengler but only in an adapted form. In every
separate culture, as the Chinese or the classical, there is the
pendular swing from an initial period of rich, expansive feeling
to the opposite phase of restrictive and critical thought. But
there is no pendular swing between different cultures as in the
Hegelian system, where the sweep of history moves from the
S.T.— 43
642 THE RESULTANT VIEW OF HISTORY
oriental to the pagan and from the pagan back to something
like the oriental in the form of Christianity. Separate cultures
can appear at any time or place in any order without reference
to one another, as we observe in the special case of Asiatic and
Aztec civilizations.
Although Spengler borrowed the principles of his idealism
from Hegel, he does not follow the spiral method which this
great Transcendentalist glorified in the form of the dialectical
triad of Being, Negation, Becoming. The point at which they
differ is that Hegel found a new culture born in the travail
of an older one, whose image it bore or to whose pattern it re-
turned. Hegel insisted on making particular civilizations parts
of an organic whole in world-history or Objective Mind, while
Spengler finds this organic principle limited to the development
of each particular culture developing apart from the others.
Spengler's is a Goethean or poetical conception of history, not
a Hegelian and rationalistic one. The motto that might be
printed above almost every page of The Decline of the West is
the oracular line from Faust, " All the past is but a parable —
Alles Vergangliche ist nur ein Gleichniss" As we shall see pres-
ently, Spengler does not attempt to interpret history upon the
basis of causal connection but by means of a frontal force, a
vis & jronte which he calls " Destiny."
THE Two KEYS TO HISTORY
The door of history has two keys, causality and destiny; man
has tried to unlock it by using the key he has been holding in
his right hand, the key of causality which fits so well into the
lock of nature. Spengler's historical method consists in applying
the key that man has held in his left hand, but has not used: the
key of destiny. " In the Destiny-idea," says he, " the soul reveals
its world-longing, its desire to rise into the light, to accomplish
and actualize its vocation. To no man is it entirely alien and not
before one has become the unanchored * late * man of the .JB&
gagolis is original vision quite overpowered by matter-of-fact feel-
ing 7nd mechanizing thought. Even then, in some intense
hour, the lost vision comes back to one with terrible clearness
THE TWO KEYS TO HISTORY 643
shattering in a moment all the causality of the world's surface." ±4e
It is only by intuiting the destiny or vocation of nations that one
can interpret their history, which is hidden from those who per-
sist in reasoning about it on the basis of causality. When we
analyze nature, we find causality a necessary principle of calcu-
lation; when we consider life, we become aware of a different
idea — destiny or vocation. Destiny is bound up with time in
the same way that causality is attached to space. The difference
in Spengler's mind is that between Goethe and Kant, yet after
all it has been Bergson who has made such temporal thinking
possible for the XXth century.
When we apply the general principle of time-destiny and
ignore the opposite notion of space-causality, we observe that
every culture, or the being of a nation, is organic. But what de-
termines its specific form? Why was ancient culture so sensi/
tive to space, quality, and order, whereas the culture of the
modeaiTis alive to time, quantity^ gjuLpower? In the Asiatic;
world, why is the worTd-reeling of Arabian or Semitic culture
so different from Chinese, and both so alien to western con-
sciousness ? These differences are due to the soul or spirit which
inhabits races and informs them of its existence. As in the case
of Hegel's philosophy of history, so with Spengler; the develop-
ment of a culture is the expression of something spiritual; the
Spirit with Hegel, a spirit with Spengler. This spFrifis^a proc-
ess which hardens into " style," the style of the soul as this is
observed in the Doric and Gothic. Style is apparently some-
thing sclerotic; it reveals itself, as Spengler indicates at the be-
ginning of his vast work, in mathematics, in the very meaning
of numbers. Accordingly, the ancients needed only Euclidean or
visible geometry, whereas the moderns found need of an analyti-
cal and rational method of dealing with space, " The classical
soul in the person of Pythagoras discovered its own proper Apol-
lonian number, the measurable magnitude; the western soul in
the person of Descartes and his generation (Pascal, Fermat,
Desargues) discovered a notion of number that was the child
o£ a passionate, Faustian tendency toward the Infinite."15
** The Vecltoe of the West, Vol. I, p. n8t
19 »., p- 75t
644 THE RESULTANT VIEW OF HISTORY
The Spenglerian idea of "style" is so unusual and yet so
illuminating that it may receive the stress of an additional para-
graph. "Style," says he, "is not what the shallow Semper,
worthy contemporary of Darwin and materialism, supposed it
to be, the product of material, technique and purpose. It is
the very opposite of this, something inaccessible to art-reason, a
revelation of the metaphysical order, a mysterious * must/ a
Destiny." 16 It is this destiny which pursues and overtakes man,
making it useless for him to contend with it. Nothing signifi-
cant in the history of the world could have happened differently
and, as Hegel had suggested, all the evil and tragic serve a neces-
sary purpose. These ring out like counterpoint in a divine
symphony whose ultimate harmony we catch in naught but
vague and fleeting snatches. Old-fashioned theology expressed
this idea as the " ways of Providence; " Hegel referred to it as
"the cunning of Reason — die List der Vernunft!' With
Spengler, there is a kind of symbolic necessity in every sequence
of events no matter how trivial those happenings may appear.
All events are ways of the spirit which, however mysterious, do
not fail to reveal characteristic forms.
THREE TYPES OF CULTURE
The ways the spirit takes are such as to engender three types
of soul: the Apollonian, Faustian, and Magian, classifications
which Spengler borrows from Nietzsche. These arc spiritual
styles, or types, to be found in every form of culture, although
only one of them can be dominant at any one time, These
three "souls," as Spengler calls them, appear as eddies in the
current of history; they come and go at his call in philosophy o£
history. In Chapter VI of Volume I, they receive independent
and fairly full treatment. The Apollonian soul is Grecian, it
identifies the ego with the body, which it glorifies in the nude
statue. The Faustian soul is western, expresses itself in the
fugue, rejoices in a dynamic form, and promotes introspection.
The Magian soul of Arabian culture is mystical It appeared
originally in algebra, astrology, and alchemy, reveals itself in
1<J The Decline of the West, Vol. I, p. an.
THREE TYPES OF CULTURE 645
the mosque, mosaics, and arabesques, as also in Persian, Jewish,
and Christian scriptures.
The Apollonian soul represents the spirit of natural, rhythmic,
and proportionate expression. It is the glorification of bodily
phenomena. It is anatomical and mechanical, works and thinks
in straight lines and circles, has a Euclidean geometry and a
monistic philosophy. Its deities are creatures of sun and light;
its heroes men of simple motives and obvious qualities. Fini-
tude and purity are the principles that dominate its world-feeling;
the city-state is its form of political expression, the small temple
its ideal edifice, and the doom of Oedipus its conception of
destiny. Its spirit is that of an Attic forever, quite in opposition
to the Christian conception of the world.
The F^ustian soul breathes the spirit of infinitude. Fulfill-
ment is only a pause in a life of perpetual longing, rest a shift-
ing boundary-line in an endless Becoming. Maternity is its
symbol of life and time its ideal of destiny. Suffering and sacri-
fice arc the price of its serenity. Its space is infinite and non-
Euclidean; its physical science is concerned with mathematical
relations rather than with qualities. Its art-ideal is the draped
body, not the nude; its architecture is the ascending Gothic, not
the horizontal Doric; in the art of painting, it uses light-and-
shade instead of contour-outline. Cabinet diplomacy is its poli-
tics, Beatrice and Gretchen its romantic ideals, and King Lear
the symbol of its destiny. In its moods, the Faustian soul is
marked by brooding introspection, the tendency to think about
thought and create an idealistic picture o£ the world. In its
practical philosophy, it is thirst for power and gain; it is the
very soul of western Europe after the fall of Rome,
The Magian soul is not made so vivid, since it lacks the clarity
of the Apollonian and Faustian. In its weirdncss, the Magian
mind is bizarre and may be represented by the arabesque. It
seeks to command by secret wish and brute force, not by classical
reason or Christian love. Alchemy and astrology are its sciences;
its architecture is marked by the mosque and the horse-shoe arch.
Its religion is Manichean and its theology a hierarchy of super-
natural powers. Its central idea is neither the Apollonian finite
or the Faustian infinite, but that of the incomplete. Its politics
646 THE RESULTANT VIEW OF HISTORY
assumes the form of the absolute State; it appropriates alien
elements without assimilating them. It is the soul of Arabian-
Jewish culture in Europe. But what about the great " Decline "
or Downfall?
CIVILIZATION AND MACHINERY
Spengler contends that of the three cultures the Appollonian
and Magian are dead and the Faustian is dying. This he tries to
show by an examination of all the contemporary manifestations of
this surviving but expiring culture. The occasion but not the
cause of the mortal illness now being experienced by the Faustian
soul is an intoxication, a disease produced by the creation of
modern technics. The Faustian is being killed by the machine!
" Faustian man has become the slave of his creation. His number
and the arrangement of his life as he lives it have been driven
by the machine on to a path where there is no standing still and
no turning back." 17 Spengler, however, does not make it clear
whether the end of Faustian western culture means the end of
all civilization. He himself accepts the fate of the Faustian and
feels that western man can best fulfill his destiny and meet his
cibom by going down fighting. This final battle, whose outcome
is uncertain, will be fought in the name of Caesarism.
The general plan of The Decline of the West is summed up at
the end of Volume I, in three tables of " contemporary " epochs:
the spiritual, cultural, and political; these date as far forward
as the year 2200 and after. The spiritual epochs are analogous
to the seasons. Thus we find Spring with its rural, intuitive, and
myth-making forms; Summer with a ripening consciousness, re-
form, urban life, and rationalism; Autumn of enlightenment,
city sophistication, and science; and Winter with its materialistic
world-outlook, megapolitan civilization, utility, and prosperity.
The cultural epochs include an early period of elementary ex-
pression to a later one when art passes into the hands o£ the great
masters. The notion of the " decline of the west " is expressed in
Spengler's table as follows:—- " 1800-2000, XlXth century.
From Napoleon to the World Wan "System of the Great
*7 The Decline of the West, Vol II, p, 504*
SOVIETISM AND CAESARISM 647
Powers,' standing armies, constitutions, XXth-century transition
from constitutional to informal sway of individuals. Annihila-
tion wars. Imperialism." This period which we call the " pres-
ent" had its historical parallel in the Hyksos period of the
Egyptians, in the period of political Hellenism from Alexander
to Hannibal and Scipio, as also in the history of China between
480 and 230 B.C. That which may guide us in forecasting the
future is a consideration of what Egypt was under Rameses II,
the condition of Rome from Trajan to Septimius Severus, and
the state of Eastern Han Dynasty from 25 to 220 AJ>.
This general plan, which construes history as a year with its
four seasons, becomes more plausible when applied to the life-
times of individual nations. Their historical lives pass in review
before the vision of those who behold history as process rather
than as periods. Some cultures, like the Babylonian and Egyp-
tian, have passed on, reached their culmination, and are now
dead from old age. One of these extinct cultures, the Aztec,
ended by violent death. "It was not starved, suppressed or
thwarted but murdered in the full glory of its unfolding, de-
stroyed like a sunflower whose head is struck off by one in pass-
ing," 18 The Chinese, Hindu, Classical, and Arabian cultures
are well advanced toward senility, and western culture, having
passed the prime of life, is preparing to follow them. Far be-
hind these other cultures is the Russian, which is still in its in-
fancy, " Tolstoi,*1 says Spengler, " is the former Russia, Dostoiev-
sky the coming Russia," l0
SOVIETISM AND CAESARISM:
But in thus dealing with the nations, Spengler does not show
any preference for Soviet Russia. His idol is not Lenin but
Dostoievsky, hence he says, " The real Russian is a disciple of
Dostoievsky ** and " to Dostoievsky's Christianity the next thou-
sand years will belong/* ao There is nothing in contemporary
Russia, however* to encourage such a prophecy, The mixed
feelings with which Spengler proclaims the portents of western
i* &., Vol ll p. 43. *° **•' P- *»**
i* nn p, 194,
648 THE RESULTANT VIEW OF HISTORY
doom are manifested in the conflicting accounts he gives of the
final struggle between the Third and Fourth Estates in western
Europe. These are bourgeois society and the mass. Although
Spengler himself condemns the money-motif of bourgeois cul-
ture, and compares it unfavorably with the ideals of nobility
and priesthood, he maintains that it is a genuine although dis-
torted expression of Faustian culture. In the mass-civilization
that he conjures up in opposition to it, he sees nothing but
black shadows, the blotting out of " every form, every distinc-
tion of rank, the orderliness of property, the orderliness of
knowledge." Its victory is inevitable but it will be the victory of
a negative principle which must turn upon itself in blind fury.
tc Thus the Fourth Estate becomes the expression of the passing
of a history into the historyless. The mass is the end, the radical
nullity."21
Spengler, however, concludes his gigantic work in a more
optimistic manner by offering an alternative solution to the prob-
lem of history, a means other than Sovietism. This is the prin-
ciple of Caesarism. In it we recognize the Fascist movement in
Italy and the ideal that Hitler has for Germany. How will it
operate? The blight of money can be washed away only by
blood and blood will flow from the sword which the new Caesar-
ism holds over old capitalism. "The coming of Cacsarism/'
says he, " breaks the old dictatorship of money and its political
weapon, democracy."22 Such Caesarism will subordinate the
acquisitive aspects of the Faustian economy to the productive,
for its organization will transcend all interests. In place of a de-
sire for profit there will rule a sense of duty as the incentive to
social activity. Rulership will be found in strong families which
will keep alive the traditions necessary for rigorous and dicta-
torial exercise of power. Such are the alternatives; it must be
cither the Fascist Caesarism or the victory of the Fourth Estate
— Sovietism. Spengler has faith in Caesarism and is glad to sec
it approaching with quiet, firm step. It indicates our historical
" direction "; if it were not for such a possibility life would not
be worth living.28
21 The Decline of the West, Vol. II, p. 358. *» #„ p. 507.
ONE CULTURE OR MANY 649
ONE CULTURE OR MANY
By what means is Spengler led to such a dire conclusion?
Or, to propose a larger question, wherein consists the validity of
his historical reasoning, what is its value? We may let him pass
judgment upon himself. He did not plan a philosophy of history;
he attempted no more than portraiture, which he has succeeded
in creating; he has given us physiognomy rather than philosophy.
Of this he is aware all through his work and thus says, 4< All
modes of comprehending the world may, in the last analysis, be
described as Morphology. The Morphology of the mechanical
and extended, a science which discovers and orders nature-laws
and relations, is called Systematic, The Morphology of the
organic, of history and life and all that bears the sign of direction
and destiny, is called Physiognomic." 24 The result of such a
" physiognomic " method is something enlightening but not
convincing. One may see a man's personality and much of his
life-history in his countenance, but one cannot so easily pass
judgment upon his character; in like manner, one may observe
facial resemblances between two individuals who after all are
entirely different sorts of men. The same applies to nations;
we sense something characteristic about them, so that we can
understand the spirit of France by visiting Paris or grasp the
American spirit by a trip to New York. Moreover, we can ob-
serve analogies between Paris and Athens, the British Empire
and the Roman. But we cannot thereby lay down principles,
Spengler's method of historical portraiture led him to regard
the history of mankind as made up of separate cultures rather
than as having one culture with different phases. In the ancient
Asiatic world, there were such separate cultures in China and
India; each lived its own life and died its own death. But in
the ancient European world there was no such line drawn be-
tween Greece and Rome, so that we find complementary rather
than contrasted forms of civilization and such an ingrafting of
the Grecian by the Roman as to produce at last a Graeco-Roman
type of life. In western history, what we find is not a series
of national portraits but a system of cultural diffusion and social
*« lb.t Vol I, p. 100.
650 THE RESULTANT VIEW OF HISTORY
heredity, or a Europeanized form of culture. How could Faus-
tian civilization in distinction from the Apollonian have de-
veloped its physical science without the aid of Greek mathematics
or its political constitutions apart from Roman law? Much
of modern art has been due to the Renaissance as well as the
tendency to return to the classical idea of form. If we eliminate
classical influence from modern culture what remains is but
sheep without a shepherd.
What shall we say of that spiritual psychology whereby
Spengler distinguishes three souls, three corresponding cultures:
the Apollonian, Magian, Faustian? The idea itself is inviting
and tends to beguile us away from the drab space-time differen-
tiations of history given habitually as east and west, north and
south, ancient and modern, this century or that. There must be
some more penetrating way of dealing with the massive ex-
periences of races and the turns taken in the sluggish stream of
human history. We recognize the need of something vital and
expressive when we divide history into periods of the Oriental,
Pagan, Christian, or when, under the influence of the aesthetical,
we distinguish between the Classic and Romantic. Hence we
are inclined to sympathize with Spengler's attempt to consider
the essence and character of history rather than time and place
of merely historical chronicle. Yet we find something un-
satisfactory in the way the Apollonian, Magian, and Faustian
souls appear and exert their sway in history,
A NATION'S CULTURE AND ITS SOUL
This is not due to the special, or Nietzschean, method whereby
Spengler characterizes forms of culture or the periods o£ their
regime; our dissatisfaction has a deeper source. We arc dis-
satisfied with the way that Spengler relates soul or spirit to cul-
ture and civilization. If a soul like the Apollonian determines
the particular form of culture bearing its name, what determines
the soul? If this mysterious soul expressing itself in independ-
ence of any causal principle determines such institutions as
slavery, feudalism, and capitalism, how can we account for the
fact that these appear when they do and follow in the order indi*
A NATION'S CULTURE AND ITS SOUL 651
cated? How can the spirit of the age, the Zeitgeist, or the be-
havior of a nation be accounted for by attributing to it a certain
style of soul ? When Christianity and the remnant of paganism
found in neo-Platonism were struggling for survival and the
domination of the western world, why did Christianity prevail?
And when Mohammedanism arose in the Vllth century, why
did not Christianity prevent it from becoming a world religion?
There are mysteries in such movements and they are not to be
explained away by evoking some even more mysterious soul.
If we consider this question more narrowly in the form of
centuries which have their own dominant principles, the same
difficulty appears and the appeal to a kind of soul seems to fail
us. If the ancient principle of order prevailed in the age of
Pericles and, later, of Augustus, if there was ignorance in the
Dark Ages, the spirit of adventure in the XVIth century, of
individualism in the XVIIIth, of evolution in the XlXth, and
technicalism in the present one, shall we say that the " soul " was
the result of the centuries or rather that the centuries were the
product of the animating soul? Spengler's souls seem to be
independent factors operating as they will without regard to
any actual situations or causal influences. In the "American
soul/' as we might call it, the ideas of size and power, of limitless
progress and equal opportunity have loomed large in American
civilization. Even today we are still talking about our " rugged
individualism." Is this due to a mysterious " American soul " in
peoples who or whose ancestors were products of a different en-
vironment? Or is it rather something more causal, more natural
in the form of the practical problems arising from the physical
conquest of a new land alive with opportunities?
Is THE MACHINE A FRANKENSTEIN MONSTER?
Spengler's method of confusing effect with cause brings him
to his dire conclusion that the nations of the western world are
approaching a preordained period of decline. This comes about
in connection with his sad moralizings upon " The Machine."
The downfall of the west, which built the machine, is due to
the fact that man has become enslaved in one of his own area-
652 THE RESULTANT VIEW OF HISTORY
tions, a kind of Frankenstein Monster. It is true that the machine
is a problem. It provides for mass production but not mass dis-
tribution and reveals the sharp contrast between engineering and
economics. But the machine itself cannot enslave man; it can
be no worse than a challenge to man to improve his social
order in the way that he has improved his machinery. The
problem of civilization is both social and technological and since
we are destined to have machines it is for us to see that they
work properly, not that they stop running; that they benefit
more and more people as they become larger and larger and that
they be used in place of plowshare and pruning hook rather
than sword and spear; for peace, not war.
When we come to the final question of " decline of the west,"
we must admit that the World War has been the indication of
something so terrible that a writer like Spengler may be justified
in his pessimism. We can have no excuses to offer for it and
no reasons for rejoicing in it. The war caused destruction
which the future must repair and a debt which the future must
pay. It can be made the cause of an actual downfall if the
participants in it attempt to repeat the ghastly performance. But
certain phases of the decline which might seem a real downfall in
the minds of those who lived in the old order cannot be viewed
so pessimistically by those who had long since outgrown them.
This concerns the old ideal of monarchy. If, as is the case,
there was the downfall of thrones in many European coun-
tries, the democratically minded person may consider that a
cause for rejoicing and regard the falling of thrones a distinct
gain.
Finally, we cannot agree with Spengler that the dying o£ the
Faustian soul is destined to invite another and perhaps final con-
flict, a conflict between the forces of Bolshevism and Fascism,
There are still other forces in the world. Since these two politics
are now in operation, it is more logical to think of the world as
watching their individual performances and thereby weighing
their merits. At last they will be known by their fruits. Mean-
while, we might recall the words of wisdom we quoted from
the Chinese classic, the Yi-King: " While there is no state of
peace that is not liable to be disturbed and no departure of evil
IS THE MACHINE A FRANKENSTEIN MONSTER? 653
men so that they shall not return, yet when one is firm and cor-
rect as he realizes the distresses that may arise, he will commit no
error. There is no occasion for sadness at the certainty of such
recurrent changes, and in this mood of happiness the present
may be enjoyed."
INDEX
Abelard, 236, 242, 245
Abraham, 100; the call of, 101-103
Adams, Henry, 59, 214, 232
Adams, J. C., 329
Adams, Iconic, 508
Aeronautics, 610-611
Aeschylus, 119, 155
Aesthetics, Greek, 156-157
Agreement, Method of, 89
Agriculture, feudal, 231-232; in Indus-
trial Revolution, 427-432
Agrippa, Marcus Vipsanius, 170
Aircraft, 262, 6n
Aircraft Yearbook,, 6n note
Airplane, Langley's, 597
Albertus Magnus, 345, 259
Alcuin, 236
Alexander, pope, 554
Alexander of Hales, 243
Alexander the Great, 62, 87, 118, 629
Alfred, king, 182
Algae, as earth-formers, 8-9
A-lo-peu, 576
Ambrose, pope, 174
America, 80, 83; conception of politics
in, 364-365; industrialism in, 445-
448; range of verse in, 506-507;
norm of value in, 526; life in, 530;
population o£» 530; culture in, 565-
568
"American Soul,'* the, 651
American Telegraph and Telephone
Building, 35
Americanization of Europe, 619
Ames, E. S,» 476
Amos, iso, i as
Amphibians, 9-10
Amritsar, Massacre of, 591
Andectst of Confucius, 577, 579, 581
Anarchy, feudal, 226-227
Anaxagorai, 136, 318
Anaximander* 136
Anaximencs, 137, 318
Ancestor worship, 43
Andromcus Cyrrhe8t$$» 170
Angell, Norman, 598
Animality, and humanity, 80-82
Animism, 42-43
655
Anselm of Canterbury, 249
Anti-social view, the, 369-370
Antoninus, emperor, 575
Apollo, 78, 129, 136, 192, 540, 541,
542, 558
Apollonian soul, the, 644-645, 646,
650
Apollonius, 277
a posteriori and a priori, 328-330
Apostles, the, 69, 197-200; see also
Gospels
a priori and a posteriori, 328-330
Apuleius, 183-184
Aqueducts, Roman, 179-180
Aquinas, St. Thomas, 187, 236, 237,
243, 249, 250-251, 254, 280, 349,
351, 4°2
Archimedes, 68, 138-139, 249, 251,
262
Architecture, Hebrew, 115-116; Ro-
man, 176-178; Gothic, 177, 238-
240, 482-483; American, 483-485
Aristarchus, 138
Aristophanes, 126, 148 note, 155, 400
note
Aristotle, 23, 39, 85-86, 87-88, 89, 92,
128, 143, t47, 187, 191, 234, 249,
250-251, 280, 318, 319, 320, 323,
333» 340, 343-345* 34$, 347» 349»
350» 356, 367* 399-400, 63,1; Poetics,
156; Politics, 344
Ark wright, Richard, 434
Arnold, Edwin, 582
Arnold, Matthew, 125, 192, 242, 551,
552
Art, 26, 37; the effect of, 30-32;
primitive, 30-33; as play, 32-33; as
expression, 34-35; ancient and mod-
ern, 322-323; in contemporary civili-
zation, 482-509; see d$o Architec-
ture, Literature, Music, Painting,
Poetry, Sculpture
Aryan tongue, the, 590
Aryans, 124
Ashley, Sir William, 414
Asia, 187, 261; see also China, India,
Japan
Asiatic relations, our, 590-591
656 INDEX
" Asoka Canon,*' the, 635
Astronomy, Copernican, 4, 274-277,
331; Greek, 136, 138, 139-140;
Roman, 169; religious significance
of, 466-467
Astruc, Jean, 469-470
Atherton, Gertrude, 535
Atkinson, Charles Francis, 640
Atom, the new, 311-312
Aucassin and Nicolette, 237
Augier, Emile, 386
Augustus, Age of, 80, 541
Aurignacian man, 13
Austin, John, 366
Averroes, Ibn Roshd, 249, 250
Avicenna, Ibn Sina, 249, 250
Babbitt, Irving, 583
"Babbitts," 568
Babylonian Exile, 116-117
Babylonians, the, 121
Bach, Sebastian, 498, 546, 555
Bacon, Francis, 79, 86-87, 88, 89, 92,
182, 251, 252-253, 285, 551
Bacon, Roger, 235, 243, 250, 251-254,
259, 260, 267, 274, 627
Bacteria, 8
Bakewell, Robert, 428-429
Balaam, The Oracles of, 113
Balzac, Honore* de, 386, 603
Bank of International Settlements, the,
609
Baroque, the, 487, 547, 550, 562
Baudelaire, Charles, 389
Baxter, Richard, 273
Bazard, Saint- Amand, 411
Beard, Charles A., 447, 600, 6t2
Beaumanoir, Codification of, 216
Bedc, 182, 236
Beethoven, Ludwig van, 504, 555
Bel, Alexander Graham, 447
B8a Kun, 605
Bell, Clive, 495
Benefice, 222
Beneke, F. E., 516
Bentham, Jeremy, 266
Beowulf, 553
Bergson, Henri, 16-17, 2I> 24» 29-30,
92, 257, 278, 290, 324, 475» 55i»
640, 643
Berkeley, George, 326
Berlioz, Hector, 498, 501
Bernard of Clairvaux, 185
Berahardi, Friedrich, 557
Bernini, Lorenzo, 487
Bcrthollct, Claude Lewis, 443
Bcsnard, Paul Albert, 495
Bessemer, Sir Henry, 437
Bhagavad Gita, the, 583
Bible, 118-121; 196 et seq.; 469-473
Binder, Rudolf M., 599 note
Biology, and evolution, 467-469
Bjornson, Bjornstjerne, 387
Black Death, the, 261
Blaeu, Willem Jansen, 264
Blake, William, 636
Blanc, Louis, 411
Block printing, 575
Blount, Charles, 455
Blount, Thomas, 454
Boer War, the, 581
Bogert, E. L., 602 note
Bohm von Bawerk, Eugene, 416
Bohr, Niels, 614
Bolingbroke, Henry St, John, 459
Bolsheviki, the, 599
Bolshevism, 652
Boniface VIII, pope, 217, 220
Books, see Literature
Borglum, Gutzon, 486, 488
Borodin, Alexander, 563
Bossuct, Jacques Benigne, 58, 634
Botticelli, Sandro, 193, 265, 489, 490
Bourget, Paul, 95-96, 566-567
Bourne, Fox, 358 note
Boxers, the, 587
Bracton's Laws, 239
Bradford, Frederick Alden, 419
Brahe, Tycho, 276, 277
Brahmanas, the, 583
Brahmanism, 462, 474
Brain, food and, 15-17; the human,
17-18; and mind, 18-20; the free,
26-28
Briggs, Dr. Charles, 470
Bright, Sir Charles, 447
British Commonwealth of Nations, 595,
606
British Museum, the, 575
Brooks, W, K., 59
Browning, Elizabeth Barrett, 384, 508
Browning, Robert, 385, 553
Bruno, Giordano, 260, 467, 627
Bryan, William Jennings, 465
Bryce, Viscount James, 3x5
Buckle, Henry Thomas, 59
Buddhism, 124, 188, 462, 513, 582
Bulwer-Lytton, E. G,» 384
Bunyan, John, 554
Bureaucracy, Roman, 172-1 73
Burke, R. B», 250 note, 254 note
Burlingamc, Anson, 586
INDEX 657
Burnouf, Eugene, 474
Bury, Arthur, 458
Butler, Bishop Joseph, 375, 459
Bynner, Witter, 583
Byron, George Gordon, 384
Cabanis, Pierre Jean George, 286
Caesar, Augustus, 162, 170, 172-173,
179, 1 80
Caesar, Julius, 62, 87, 162, 176, 629
Cacsarea Philippi, 200
Caesarism, Sovictism and, 647-648
Caldcron de la Barca, Pedro, 559
Calendar, the Gregorian, 169, 253; the
Julian, 169, 253
Calvin, John, 268, 270, 273, 350
Calvinist, the, 61
Calvinistic doctrine of election, 351;
and Puritan economics, 273-274
Cambridge Modern History, 269 note
Canova, Antonio, 487
Capitalism, Protestantism and, 271-
272; and communism, 620-621
Carlyle, R. W. and A. J., 221 note, 224
note
Carlyle, Thomas, 385
Carman, Bliss, 505
Carncades, 163
Carpenter, John Aldcn, 502
Carpini, Friar John Piano, 576
Carthage, 544
Cartwright, Edmund, 434
Carver, Thomas Nixon, 417
Cassidorus, 259
Catholic Encyclopedia, 268 note
Cato, 1 66
Causation, physics, 59-61
Cavaliere, Emilio del, 549
Cavour, Count Camillo Bcnso di,
444
Caxton, William, 264
Celsus, 165
Cervantes, Miguel de, 559^56*0
Cezanne, Paul, 489, 494* 49#» 497
Chang-Chicn, 574
Chanton de Roland, 558
Charlemagne, 62
Chasins, 503
Chateaubriand, Francois, 189
Chaucer, 504
Chavanaes, Edouard, 571 note
Cheney, Edward P., 439*44°
Cheyne, Thomas Kelly, 47 *
** Cheyne-Stokes " respiration, 141
Chicago Poems, 505
Chiton of Sparta, 134
China, 60; Old, 570-572; French in-
terest in, 578-579J literature of, 581-
582; English interest in, 585-586;
American interest in, 586; awaken-
ing of, 587-588; and Japan, 589-590
Chinese Garden, the, 578
Chinese Revolution of 1911, the, 587
Chino-Japancse clash, the, 589
Chivalry, 229
Chopin, Frederick, 498, 500
Chords, new, in modern music, 500-
502
Chow Dynasty, the, 571
Christ, religion of, 196-197; psychology
of, 203-204; no reformer, 204-206;
and money power, 206-207
"Christ of China," the, 571
Christianity, 152, 158, 187-211, 512,
546; Judaism and, 99-100; culture
of, 188-190; and Classicism, 190-
191; essence of, 194-195, 469; po-
litical interpretation of, 200-202,
207-209; the fusion of paganism
and, 249-250; rational, 458-4595
conflict with science, 464-469
Chrysler Building, 612
Chubb, Thomas, 457, 45^-459
Chung Yung, 577
Church, and State, 174, 219-221; po-
litical power of, 216-221; secular
power of, 221-222; the Holy Catho-
lic, 216
Cicero, 87, 151 note, I59» 163-164,
176, 180, 181, 182, 183, 184, 401,
537* 543 ., ,
Cimabue, Giovanni, 237, 261, 265, 495,
548
Circular method, in history, 633, 635-
637, 641
Citroen, Andre*, 443
City-state, Greek, 144-148; mythology
and the, 128-130
Civil War, the American, 446* 6*$
Civilization, meaning of, 50-53; fac-
tors in, 50-74; instruments and in-
stitutions of, 55-56; cause and pur-
pose in, 56-57; double task of, 57-
58; and progress, 64-65; Roman,
158-186; Greek, 125-127; feudal,
a 1 2-233; political factor in modern,
338-367; sculpture and, 4&5-"487»
painting and, 4 8 8-49° » an<* ma*
chinery, 646-647
Clan, the, 70
Clark, James Freeman, 474
Clark, John Bates, 416
658
Classicism, 189-190, 538, 540-542,
554; Christianity and, 190-191
Claudius, emperor, 167
Claudius Ptolemaeus, 139
Cleopatra, 535
Clerids Laicos, 217, 219
dormant, the, 440
Clocks, 169-170
Coal, and iron, 436-437
Coatsworth, Elizabeth, 508
Coe, G. A., 476
Cohen, Morris, 277, 378
Coherence, historical, 626-627
Co-hong, the, 584, 585
Coke of Holkham, 428
Colbert, Jean Baptiste, 405
Colenso, bishop, 470
Coleridge, Samuel, 577
Collins, Anthony, 457-458
Cologne Cathedral, 484
Comet, the, 435> 44°
Commerce, feudal, 231-232
Commons, John R., 418
Communication, as a value, 527-528
Communism, capitalism and, 620-621
Communist Manifesto, the, 366, 380,
412
Composers, French and German, 499-
500; American, 502-503
Comte, Auguste, 58, 371, 374, 375,
376, 383, 465, 550, 634
Condorcet, Nicholas, 67
Confucius, 571, 575? 579> 5^1
Conquest, contrasted with contempla-
tion, 84-87
Conrad, Joseph, 537
Consciousness, the liberation of, 21-23
Consent of the governed, the, 338-340
Constable, John, 496, 553
Contemplation, contrasted with con-
quest, 84-87
Cooper, James Fenimore, 568
Copernican astronomy, 262
Copernican Revolution, the, 274-275
Copernicus, 68, 140, 193, 236, 250,
274-277, 279, 326, 335, 337, 466,
467, 628
Copland, Aaron, 502
Corncille, Pierre, 541
Corot, Camille, 496
Correggio, Antonio da, 489, 490
Cosimo, Picro di, 265
Coster, Laurens Janszoon, 264
Courbet, Gustav, 489
Cournot, Antoine, 415
Cowell, Henry, 502
INDEX
Crane, Nathalia, 508
Cre*cy, 625
Credi, Lorenzo di, 265
Critolaus, 163
Croce, Benedetto, 322
Cro-Magnon man, 25
Cromwell, Oliver, 405
Crop-sharers, 231
Cross Currents in Europe Today, 600
Crusades, feudalism and the, 232-233
Cubism, 32, 97, 491, 494, 551
Cubists, the, 266, 494
Cui, Ce"sar, 563
Culture, forms of, 75-98; meaning of,
75-76; and humanity, 77-79; con-
trasts, 79-80; opponents of, 89-92;
and work, 92-93; and democracy,
94-95; Hebrew, 118-119; Greek,
125-157, 538-540; Roman, 158-186,
543-5453 scholastic, 234-258, 482;
Christian, 188-190, 191-193; per-
sonal and national, 537-538; types
of national, 537-568; Apollonian
form of, 540; classical, 540-542, 647;
Italian, 546-549; French, 549-551;
English, 551-554; German, 555-
558; Spanish, 558-560; Russian,
561-565; American, 565-568; Chi-
nese, 572, 647; three types of, 644-
646; Hindu, 647; Arabian, 647
Cumberland, Richard, 371
Cunard Company, 440
Cunningham, William, 414
Cusanus, Nicholas, 236
Customs Union, 445
Cynewulf, 553
Cynics, 63, 128, 152
Dadaism, 97, 551
Dalton, John, 554
Dampier-Whetham, William, 274, 375
notet 276 note, 278 note* 279 note
Daniel, n8, 567
Dante Alighieri, 189, 237, 354-256,
260, 482, 508, 547
Darwin, Charles, 69, 337, 37*, 373,
375, 468, 554, 644
Darwinism, 336, 629
Daumier, Honore*, 489
Davenport, Herbert, 416
David, Jacques Louis, 495
David, Kingdom of, 112-1x3
Davidtc literature, 113-115
Davy, Humphry, 435-436
Dawes plan, the, §06
Dayton Trial, the, 467
INDEX
659
Debussy, Claude Achille, 498, 500
Decadence, 379, 387, 389; and dilet-
tantism, 95—97
Decalogue, the, 108
Declaration of Independence, the, 364
" Decline o£ the West," 640 et seq.
Degas, Hilaire-Germain, 496
Deification, of Roman emperors, 173-
175
Deism, English, 453-454; downfall of,
459-460
Dckker, Thomas, 554
Delacroix, Ferdinand, 495
della Robbia, Luca, 486
Democracy, 294, 345-346; culture and,
94-95
Democritus, 58, 137, 166, 251
Demosthenes, 156
DC Quinccy, Thomas, 439
Descartes, Rene", 22, 279, 282, 283,
314, 325, 326, 327, 368, 375, 379,
3?*» 393
Desires, of the nations, 526-527
** Destiny-idea," of Spenglcr, 643-644
Determinism, 58-59; social, 61-62; in-
adequacy of, 63-64
Deuteronomy, 108, 109
De Witt, Wilhelm, 470
Diaz, Rodrigo, 558
Dickens, Charles, 384
Dickinson, Emily, 505, 508
Dies Irae, 237
Dietz, F, C,, 443 note, 445 note, 448
note
Difference, Method of, 89
Dilettantism, decadence and, 95-97; of
French culture, 549-550
Diogenes, 163 ^
Diogenes Laertius, 146 note, 149 note
Dionysus, 78, 129, 134, i35-*3<>» 5»9»
542
Dionysian Cult, the, 542
Diophantcs of Alexandria, 140
Disarmament Conference, the, 608
Divine Comtdy* the» 504
Dodwell, Henry, 459
Dominicans, the, 237, 344, 356
Donatella, 486
Don Quixote t 559-560
Doitoicviky, Fyodor, aoa, 386, 390,
391, 561, 56*, 563, 534-5H 583»
584* $47
Drama, thesl*-, 386-387
Dreiser, Theodore, 3871 568
Driver, Samuel R.» 471
Dryden, John, 554
Dualism, modern, 281-282
Dues, feudal, 228
Dumas fl$, Alexandra, 386
Dunning, W. A., 339, 344 note, 347,
352 note, 358 note, 636 note
Duns Scotus, 85, 236, 256
Dupont- White, Charles Brook, 413
Durer, Albrecht, 265, 555, 556
Ear hart, Amelia, 611
Earth, formation of the, 2-3; age of,
3-4, 6
East, the, 57, 59, 262, 561, 569, 583;
the Near, 232, 262; and West, 570;
the Far, 584; political approaches
to the, 584-585
Eastern thought, and Western, 579-581
Eckermann, Johann Peter, 580
Economics, feudal, 227-228; Calvinistic
and Puritan, 273-274; and ecclcsias-
ticism, 269—270; beginnings of, 395—
397; money-making, 397-399; Greek
merchants and philosophers, 399-
400; Roman, 401-402; in the Mid-
dle Ages, 402-403; modern mer-
cantilism, 403-405; the Physiocrats,
405-406; the Economists, 406-408;
laisscz faire, 409-410; the Social-
ists, 410-413; Critical School of,
413; Historical School of, 413-415;
Mathematical School of, 415-416;
Psychological School of, 416-417; In-
stitutional School of, 418-419; Theo-
retical School of, 419-420; the
"New Era,'* 421-423
Economists, the, 406-408
Eddington, A. S<, 2, 3, 64, 290, 298
Edison, Thomas A., 446-447
Education, Greek, 144-145, 148-149
Egoism, opposition to, 370, 371
Ehrenfels, Christian, 517
Eichorn, Johann Gottfried, 470
Eighteenth Amendment, the, 479
Einstein, Albert, 97, 296", 331, 614
Electra complex, 128, 533
Eliot, George, 384
Elohirn, 106
Elohfot, the, 460-470
El Shaddai, xoo
Emerson, Ralph Waldo, 62, 63, 247,
3*5» 3fa» 390» 39*» 48o, 537, 538,
567-568, 581-582, 631
Empedocles, 137, 635-636
Emperors, deification of, 173-175
Emperors, the Earthly, 571; the
Heavenly, 571
66o
INDEX
Empire, the Holy Roman, 214, 216,
219
Empire State Building, 482, 484, 612
Empiricism, 316, 326, 328, 331, 332,
335, m
Empiricists, the, 235, 326-328
Enclosure Acts, British, 431-432
Encyclopedia. Britannica, 311 note
Encyclopedia of Religion and Ethics,
14 note, 305 note, 469 note
Encyclopedic tendency, the, 285-287
Encyclopedists, the French, 285-286
Energy, physical, 83; value and, 511
Enfantin, Barthelcmy, 411
England, in Industrial Revolution, 427-
428, 432-437* 438-441
English culture, 551-554
English Deism, 453-456, 479
Enlightenment, the, 353, 425, 453
Entertainment, as a value, 529-530
Eoanthropus, 13
Eoliths, 13, 31
Epictetus, 514
Epicureans, the, 152, 347, 370, 516
Epicurus, 147; Garden of, 190, 347
Epistles, the, 195-196
Eratosthenes, 139
Erdmann, Edouard, 342 note
Ethics, feudal, 229-230
Eudacmonism, 85-86
Eugenist, the, 73
Euripides, 145, 542
Europe, since the Armistice, 603-604
Evolution, 19, 21, 25, 83, 262, 331,
630; of man, 1-24, 25-26, 482;
biology and, 467-469
Exodus, of the Hebrews, 106-108
Exogamy, 40
Factory Acts, 450-451
Pacts, and truths, 631-632
Faery Queen, the, 504
Fairbanks, Arthur, 636 note
Family, the, 70; as social factor, 39;
Roman, r6o
Farm, the enclosed, 429-432
Farming, see Agriculture
Fascism, 294, 367, 648, 652
Fathers, the, 69
Faus£t 91, 504, 556, 558
Faustian soul, the, 644-645, 646, 650
Federal Council of Churches, the, 478
Federal Reserve Act of 1913, 421
Fetter, ^Frank Albert, 416
Feudalism, 212-233; origin of, 212-
213 j law, 215-217; essence of, 222-
224; economics, 227-228; ethics of,
229-230; and the crusades, 232-233
Feuerbach, Ludwig, 25, 463, 479
Fichte, J. S., 360, 388, 557
Fief, and town, 230-231
Field, Eugene, 505
Field, Stephen, 446
Fielding, Henry, 384
Finalism, 20
Fire, use of, 13
Fisher, Irving, 415
Fitch, John, 440
Fitzgerald Contraction, 309
Five Year Plan, the, 367, 389, 606-
608
Flapper, the, 534, 617
Flaubert, Gustav, 386
Florus, 185-186
Fontencllc, Bernard, 67
Food, and life, 14-15; and brain, 15-
17
Form, piety, force and, 517-519
Fossil men, 12-14
Fossils, 5-6, 11-14
Fourier, Francois, 411, 450
Fourth Dimension, 299-300
Fra Angclico, 193, 548
France, Anatolc, 15, 386, 530, 636
Franciscans, the, 237, 244, 256
Franck, Cc*sar, 498
Franklin, Benjamin, 272
Frazcr, Sir fames, 41, 43, 476
Frederick II, 219, 405
Free Thought, 456-458
Freedom, and mechanism, 284-285
French culture, 546-549
French Revolution, the, 424-425, 441,
510
Freud, Sicgmund, 97, 476, 533
Friday, David, 418
Fulton, Robert, 440
Funk, Wilfred, 509
Fu Hsi, 571
Futurism, 35, 97, 49 *> 493, 494
Cad the Seer, The Book, oft s*4
Gainsborough, Thomas, 553
Galen, 143
Galileo, 262, 298, 301, 307, 334, 335,
326, 335. 350» 435» 4^6, 540* 54°*»
and modern science, 277-279
Gallic genius, 566, 579; and skepti-
cism, 550-551
Galsworthy, John, 387, 554
Gandhi, 591, 592, 593, 595
Garibaldi, Giuseppe, 444
INDEX
661
Gaskill, Mrs., 384
Gauguin, Paul, 35, 492-493, 496
Gcddcs, Alexander, 470
General will, the, 362-364
Geneva Protocol, the, 605
Gens, the, 70
German culture, 555-558
Germany, in Industrial Revolution,
444-445
Geuljpcx, Arnold, 283
Ghiberti, 486
Ghirlandajo, 265
Giles, H. A., 583
Giotto, 237, 261, 265, 495, 548
Gladstone, William Ewart, 465
Gluck, Christoph, 498
Goal of life, the, 321
God, and Caesar, 201-209
Gods, high and low, 131-132; and
men, 130-131
Godwin, William, 384
Goethe, Johann Wolfgang von, 28, 73-
74, 90-91, 92, 95, 102-103, in,
125, 360, 508, 518, 537» 538, 555»
556, 557. 558, 580, 631, 642, 643;
as culture pattern, 556-557
Gogol, Nikolai, 562
Golden Age, the, 65, 635
Golden Sough, The, 44
Golden Legend, The, 237
Goldenweiser, Alexander, 31, 36, 60
Goldsmith, Oliver, 554
Gorky, Maxim, 563
Gospel, the Fourth, 472-473
Gospels, the, 190, 199-200, 471-472
Gosscn, Herman, 415
Gothic, the, 548, $59» 645
Gothic architecture, 190, 192
Gothic cathedral, the, 237, 238*240,
482, 483* 485
Gothic era, 80, 238-240
Government, Roman, ^ 170-172; dicta-
torial and democratic, 367
Goya, 560
Gravity, matter and, 309-311
Great Mlnnon* The, 598
Greece, and Rome* 158-159? empire,
236
Greek aesthetics, 156-157
Greek culture, 125-157, 538-540
Greek tragedy, 58, 154*156
Greek*, the, 29, 33, 48, 50, 58* 67, 69,
83» 94» *34> 292? religion of, 58,
ia8~i$6; and Hebrews, 125-* 3,6 j
the classic conception of, 126-137;
versatility of, 137-138; mythology
and city-state religion, 128-130; sci-
ence and philosophy, 136-137; math-
ematics, 138-140; medical practice,
140-142; education, 144-145, 148-
149; politics, 144-145, 151-153;
philosophy, 149-151; literature, 153-
157; merchants and philosophers,
399-400; language, 539~54°
Gregory VII, pope, 175
Gresham's Law, 400, 403
Grosseteste, Robert, 243, 252
Grotius, Hugo, 332, 333, 350, 356, 357,
358, 361, 454> 455. 457
Ground of things, the, 316-317
Grounds of Rights against Tyrants,
The, 339
Group marriage, 70
Guizot, Francois, 228 note
Gutenberg, Johann, 263-264
Haan, Hugo, 422
Haecceitati, 257
Hain, Robert, 264
Hals, Frans, 265
Hamilton, Walton, 418
Han, The Sons of, 572-574
Han Dynasty, the, 572
Handel, George Frederick, 498
Hanseatic League, 237-238
Hanson, Howard, 502
Hargrcavcs, James, 434
Harper, Robert F., 471
Harris, Roy, 502
Harte, Bret, 568
Harvard Business Review, 422
Harvey, William, 182
Hase, Karl, 200, 201
Hauptmann, Gerhardt, 386, 389
Haydn, Joseph, 555
Hayes, C. J. H., 444-445
Health, as a value, 530-531
Hebraism, 118
Hebrews, 99-124; origin of the, 100-
xor, in Egypt, 103-105; the Exodus,
1 06-1 08 ; Babylonian Exile, 116-117;
and Hittites, 109-110; kings of the,
110-1x2; literature of the, 113-115,
118-121; idea of God, 122-123; and '
Greeks, 125-126
Hegel, G. W. R, 58, 189, 256, 360,
464, 638~639» &P, 643, 644; phi-
losophy of religion, 461-463, 475
Heine, Heinndb, 537, 555
Hellenism, 118; see also Greeks
Helmholtz, Hermann von, 6
Hclvetius, Claude Adrien, 381
662
INDEX
Henry VIII, 268-269
Heraclides, 138
Heraclitus, 137, 150, 318, 539, 635
Herbert of Cherbury, 454, 457
Herder, Johann Gottfried, 58
Herodotus, 144
Heron of Alexandria, 139
Herophilus, 142
Herschel, John, 329
Hervieu, Paul, 386
Hcsiod, 128, 154
Het Loo, 578
Hexateuch, writers of the, 120-121, 470
Heywood, Thomas, 554
Higher criticism, 469-471
Hindemith, Paul, 499
Hindenburg, Paul von, 607
Hindus, 290, 569, 590; industry, 592-
** 594
Hipparchus, 139
Hippocrates, 140—142
Hippocratic Oath, the, 141
Hiram, King of Tyre, 1 1 5
Historical coherence, 626-627
Historical methods, 632-639
Historical view, the, 358-359
History, the meaning of, 624-625; two
keys to, 642-644
Hitler, Adolf, 607
Hittites, Hebrews and, 109-110
Hobbes, Thomas, 51, 338, 354, 355
ct seq., 361-363, 368, 369, 370, 372,
373> 375. 379, 383* 455
Holbein, Franz, 265, 555, 556
Homer, 68, 126, 128, 260, 508, 537
Homo sapiens, 13-14, 48, 85
Honegger, Arthur, 500
Hook, Sidney, 627
Horace, I79»t573
Hornik, Philipp von, 405
Houdon, Jean Antoine, 487
House of Bondage, the new, 448-449
Hoylaud, John $., 394 note, 630 note
Hsia period, the, 571
Huang-Ti, 571
Huang-ti, empress, 573
Hubbard, Elbert, 458
Hubble, Edwin Powell, 3
Hugo, Victor, 386
Humanism, 334, 453» 479~48r
Humanity, social life and, 37-38;
nature of, 46-47; culture and, 77-
79; animality and, 80-82
Hume, David, 44, 297, 326, 327* 372>
373i 459-46o
Hummel, Arthur, 583
Hundred Years' War, the, 261, 553
Hunt, Leigh, 384
Huntington, Ellsworth, 59
Hutcheson, Francis, 372
Huxley, Thomas, 465, 587
Huysmans, J. K., 390
Ibn Batuta the Moor, 576
Ibsen, Henrik, 40, 45, 187-188, 203,
204, 248, 257, 387, 388, 391, 519,
596
Ideal losses, of the World War, 602-
603
Idealism, 316, 332
Identity, Law of, 315
Ideologies, modern, 287-288
Ilgen, 470
Iliad r the, 154, 504
Immediate values, 83-84
Immigration, the end of, 621
Immoralism, 388
Immunity, example of, 225-226
Impressionism, 491, 494
Impressionists, the, 266, 492; in music,
498
Incunabula, 264, 265
India, 60, 393, 635; today, 591-592;
political ambitions, 594; see also
Hindus
Indian National Congress, 592
Individualism, opposition to, 387-389
Industrial Revolution, the, 263, 381,
424, 425-427, 428, 430, 432, 438,
441; in England, 427-438, 433-437>
438-441; on the Continent, 441-444;
in Germany, 444-445; in America,
445-448
Industry, 26; emancipation through, 28,
29; and intellect, 29-30; old and
new, 424-425; in civilization, 424-
452; Hindu, 592-594
Ingersoll, Robert G., 458
Inner life, outer existence and, 87-89
Innocent III, pope, 218, 241
Insensible variations, 248
Institutions, and instruments, 55
Intellect, and industry, 29-30
Intellectualism, the spirit of, 317-319
Iron, coal and, 436-437
Isaac, 103
Isaiah, 120, 123
Isocrates, 134-136, 146 note, 153
Israel, Kingdom of, 116
Italian culture, 546-549
Italy, 57
Ives, Charles, 502
INDEX
663
Jacob, 103
Jacob, The Blessings of, 113
Jacquard, Joseph, 443
Jahvist, the, 469-470
Jahweh, 106, 123
James, Henry, 537
James, William, 465, 476
Jamnia, Council of, 121
Japan, China and, 589-590
Japanese, the, 42; mind, 588
]asher, The Boo £ of, in, 113
Java man, 12
Jeans, Sir James, 2, 3, 335
Jefferson, Thomas, 221
Jcnghiz, Khan, 576
Jeremiah, 120, 123
Jevons, William Stanley, 415
Jewish nationalism, the end of, 117-
1x8
Jews, the, 56; see also Hebrews
Joan of Arc, 534
Job, 119
Jonah, 119
Jordanus, 577 note
Joseph, 103-104
Jowett, Benjamin, 400 note
Judah, Kingdom of, 116, 122
Judaism, and Christianity, 99-100
Judges, The Boo\ of, 216
Jus natural, 346
Justinian, Code of, 170-171
Juvenal, 163
Kan-Ying, 574
Kaiser Wilhelm, 557
Kaloi fagathoi, the, 538
Kant, Immanucl, 19, 44> 1^4, 189, 194,
206, 256* 394» 296, 297, 314, 310*
332» 3»5» 326, 3*8, 33*» 3&>, 375>
388, 393, 4&>, 46i, 475» 476» 5*6»
550, 609; Categories of, 204; Cate-
gorical Imperative, 204, 321, 516
Kapila, 256
Kay, John, 434
Keats, John, 385, 333
Kcllogg-Briand Pact, the, 609
Kelvin, Lord, 6
Kepler, Johsum, 193, 3361 263, 375-
377» 379, a8o, 301, 326, 466-467
Kingdom, the Ideal, 309-20
Kingdom of God, the, 188, 190, 193,
194, 195, 303, 308-209
Kings, history of the Hebrew, m~
na
Kipling, Rudyard, 99
Kirchcr, Athanaaius, 577
Kirin-Changchun Line, the, 589
Knies, Karl, 413, 414
Kome, the, 343
Ktema es aeif 190
Kultur, 76, 555
Labor legislation, 450-451
Labor, socialized, 382
La Comte, Louis, 578
Laissez faire, 409-410
Lancaster, Sir Ray, 6
" Land of Sinim," 573
Land tenure, 213-215, 430
Langley's airplane, 597
Language, 27; the development of, 35-
37; Latin, 158, 180-183; 545-546;
Greek, 539~540
Lao Tze, 571, 577, 579-580, 582
Laplace, Pierre de, 2, 69
Latin language, 158, 545-546; the
persistence of, 180-183; vulgar,
181
Latin literature, 180-186
Latin science, 165-167, 168-170
Latini, Brunetto, 243
Laughter, Hobbes* conception of, 370
Law, the Levitical, 45; Hebrew, 119-
I2i ; Roman, 159, 170-172; feudal,
215-217
Lea, Henry C., 269
League of Hellenes, 145
League of Nations, the, 221, 246, 262,
590, 605, 606, 608
Lccky, William, 210
kc£ge» James, 581, 638 note
Leibnitz, G* W., 90, 326, 327
Leonardo da Vinci, 254, 263, 265, 266,
267, 274, 489, 490, 497, 537
Lcrminier, 252 note
Lessing, G., 125, 541, 558
Leuba, J. H., 476
Leucippus, 137, 1 66
Leverner, A. J., 329
Leviticus, 108, 109
Lewis, Sinclair, 387
Lex drifts, 346
Life, origin of, 5-7 j process, 7-9; and
food, 14-15; definition of, 14-15;
socialization of, 379
Life of Laxetrillo, the, 560
Li Kuang-H, 574
Lindbergh, Charles A,, 610
Lindsay, Vachel, 505, 506
Linear method, in history, 633-634,
#3j5» ^37» 64*
Lippi, Filippo, 265
664
INDEX
List, Friedrich, 413, 414
Liszt, Franz, 498
Literature, Hebrew, 113-115, 118-
121; Greek, 153-157; Latin, 180-
186; social ideal in, 384-391?
Spanish, 559-560; Russian, 562—563;
Chinese, 581-582; see also Poetry
Little Entente, the, 605
Livy, i 62 note, 1 83
Lobatchevsky, 564
Locke, John, 51, 326, 358~359> 455»
457, 458
Logos, the, 540
Lombard, Peter, 242
Looms, new and old, 433-435
Lope de Vega, 559
Lord, and vassal, 224-226
Lotto, Lorenzo, 265
Lotzc, Hermann, 54, 99-100, 516
Louis XIV, 577
Louis Philippe, 442
Lowell, Amy, 583
Lowell, Percy, 329
Lucretius, 165-166
Luther, Martin, 263, 269, 270, 273,
35o» 4^9
Lycurgus, 108
Lycll, Sir Charles, 69
Lysias, 156
MacDonald, Ramsay, 451
Mach, Ernest, 279
Machiavclli, 350
Machine, the, 432-433, 446, 451; man
and, 432-433
Machine Age, the, 447, 619, 623
Machinery, and civilization, 646-647
Maeterlinck, Maurice, 498
Magian soul, the, 644-645, 646, 650
Magic, 43-44
Magna Carta, 237
Malhcrbe, 541
Malory, Sir Thomas, 554
Malthus, Thomas, 407, 408, 409
Malthusian Law, the, 408, 409
Mammals, the, 10-11
Man, evolution of, 1-24, 25-26; the
Piltdown, 12-13; the Java, 12, 26;
Aurignacian, 13, 25; the Heidelber-
ger, 13, 52; the end of Creation, 20-
21 ; Cro-Magnon, 25, 52; the dis-
covery of, 25-26; humanizing of,
25-49; emancipation of, 47-49; the
Neanderthal, 52; the measurer of all
things, 298-300; remains unchanged,
313-313; a political animal, 343-
345; and machine, 432-433; a valu-
ing animal, 510
Manchu, 585
Mandeville, Sir John dc, 577
Manet, Edouard, 496, 498
Manufactures, 432-435
Marco Polo, 576-577
Marcus Aurelius, 209, 514, 574, 575
Marine Corps, the, 599
Marinus, 573
Markham, Edward, 505
Marne, the, 626
Marsh, Adam, 252
Marshall, Alfred, 417
Marsupials, n
Martin Brothers, 437
Marx, Karl, 61, 360, 366, 412, 451
Masaccio, 265
Maseficld, John, 504
Mason, John, 434
Masters, Edgar Lee, 505
Mathematics, Greek, 138-140
Mather, Frank, 496, 497
Matter, mind and, 282-284; and
gravity, 309-311
Maupassant, Guy dc, 386
Mazzini, Giuseppe, 444
Mechanism, freedom and, 284-185;
modern, 275-277
Mediacvalism, see Scholasticism
Medical practice, Greek, 140-142; Ro-
man, 167-168
Meinong, Alexander, 517
Mclanchthon, Philipp, 269
McndclicrT, Dmitri, 330, 564
Mcngcr, Carl, 416
Mercantilism, rnodern, 403-405
Merimc*e, Prosper, 33
Merton, statutes of, 43 1
Merz, Charles, 60 a note
Mctazoa, 9
Method, the scholastic, 235-237; mod-
ern scientific, 289-313
MicaA, 120, 123
Michelangelo* 266, 487, 488, 490, 491,
497, 5Q4, 547-548
Middleton, Thomas, 554
Mill, James, 366
Mill, John Stuart, 366, 371* 374, 383,
407, 409-410, 587
Millay, Edna St. Vincent, 508
Mills, Darius, tfn
Milton, John, 504, 508, 553
Mind, brain and, x8~ao; the emergence
of, 23-24; and matter,
emergence of the modem*
INDEX
665
Mirabeau, 579
Mirbeau, Octave, 386
Missing link, the, 12
Mitchell, Wesley Glair, 397 note, 402
note, 418
Mithra, 174
Moderni, the, 253, 261
Modernism, 259-263
Moliere, 203, 331
Mommscn, Theodor, 339, 629, 633
Monet, Claude, 496, 498
Money, and Christ, 206-207; in the
Middle Ages, 402-403
Money-making, 397-399
Monotremata, 10-11
Monroe, Harriet, 504
Monroe, Robert, 14, 400 note, 402
note, 405 note
Montague, James J., 509
Montaigne, Michel dc, 90, 550
Montesquieu, Charles dc, 59, 358
Moore, Henry L., 415
Moore, Virginia, 508
Morality, socialization of, 383
Morals, laxity of, 615-616
Morris, Harold, 503
Morris, William, 385, 593
Morse, Samuel F. B., 447
Moses, 62; the career of, 105-106; as
legislator, 108-109; as author of the
Pentateuch» 469-470
Moslems, Indian, 592
Mo Tze, 571
Moussorgsky, 563
Moving pictures, 613
Mozart, W. A., 498
Mukden-Hailungcheng railway, 589
Mukdcn-Kirm road, 589
Miillcr, F. Max, 474, 581
Mun, Thomas, 404
Murillo, 265, 560
Music, contemporary, 497-499 » French
and German composers, 499-500;
new chords, 500-502; American
composers, 502-503
Mussolini, Benito, 367
Myron, 157, 486, 540
Mysteries, Eleusinian, 134
Mythology, and city-state religion, n8~
130
Napoleon Bonaparte, 62, 215, 365, 435,
44*, 442, 596, 629, 646
Napoleon HI, 442
Napoleonic Wars, 432
Nash, Ogdcn, 509
Nathan the Prophet, The 3oo1( of,
114
Nationalists, Hindu, 592, 594
Natural selection, 8, 19, 468
Nature, and humanity, 53—54
Neanderthal man, 13
Near East, the, 570
Nebular hypothesis, 1-2
Nco-Classicism, French, 125
Neo-Platonism, 651
Neptune, the discovery of, 329
Nero, 164
Nestorian missionaries, 575
Nftv Standard Encyclopedia, 604 note,
613 note
New York Times, 602 note
New York University, 447
New Testament, see Bible
New Testament criticism, 471-472
Newton, Isaac, 47, 58, 182, 193, 280,
295> 296, 307, 310, 326, 379, 406,
435> 467* 49i» 554
Newtonian mechanics, 331
Nibclungen Lied, the, 237, 559
Nietzsche, Friedrich, 189, 247, 257,
335* 336» 5io» 542, 641
Nihilism, 387, 390-392
Nominalism, 245-249
Nemos, 346
Norman Conquest, the, 553
Nous poctikos* 320
Novalis, 388
Novel, the Greek, 156; the picaresque,
560; the Russian, 562-563
Novus Atlas Sinensis, 577
Numa, 1 68
Numbers, Book, of, 108, 109
Odoric, friar, 576
Odyssey, the, 154
Oedipus complex, 128, 533
Oifys, the, 341, 343
Old Testament, see Bible
Omar, 576
O'Neill, Eugene, 35, 128, 583
Opium War, the, 585, 586
Oresme, Nicole, 403
Orient, see East
Orientalism, the rise of, 576-578
Ornstein, Leo, 503
Orphic*, the, 135
Osbora, Henry Fairfield, 7, 8, 10
Ostwald, Wilhelm, 59
Othman, 576
Otho the Great, 215
Outer existence, and inner life, 87-89
666
INDEX
Owen, Robert, 411, 451
Oxford, University of, 241-242
Paine, Thomas, 365, 458
Painting, modern, 265-266, 491-497;
pictures civilization, 488—490; two
effects of, 494-495
Palcoliths, 31
Palestrina, 547
Palma Vecchio, 265
Panaetius, 163
Pan-ku, 571
Panthenon, the Roman, 482
Paper-making, 262, 575
Papias, 471-472
Papinian, 267
Pareto, Leon, 415
Paris, University of, 242-243
Parmenides, 137, 318
Parsival, 237
Parthenon, the, 34, 482
Pascal, B., 189, 550
Patanjali, 256
Patent Office, United States, 446
Paulinism, 197-199
Pavlov, 564
Pax Romana, 216
Pearson, Karl, 293, 297, 301, 313
Pendular method, in history, 633, 637-
638, 641
Peninsula and Oriental, the, 440
Pentateuch, the, 119, 469-470
Pentheus, 542
Pericles, 127, 136; Age of, 79-80,
65i
Periodic Law, the, 330
Periods, and trends, 625-626
Permanent Court of International Jus-
tice, 609
Perron, Anquetil du, 474
Perry, Commodore, 588
Persian Mithra, 162
Personal protest, the, 389
Perugino, 193
Pessimism, oriental, 583-584
Petrarch, 261, 508, 546
Petronius, 163, 183
Pheidias, 157, 486, 487, 539, 540
Philip the Fair, 217, 220
Philistines, the, in, 123
Philosophy, Greek, 136-137, 149-151,
318; Roman, 163-165; influence of,
3*4-337; and politics, 332-3345 of
religion, 453, 460
Phoenicians, tie, 290, 341
Phusis, 346
Physics, classic, 279-280
Physiocrats, the, 405-406
Picasso, Pablo, 489, 494
Piety, form, force and, 517-519
"Pigeon English," 587
Piltdown man, 12-13
Pisano, Niccolo, 261, 486
Pissarro, 496
Pithecanthropus erectus, 12, 52
Planck, Max, 332, 614
Planets, nebular hypothesis, 1-2; tidal
conception, 2
Plato, 47, 62, 127 note, 133, 138, 147,
150, 152, 187, 188, 191, 204, 209,
250, 256, 274, 294, 314, 318, 319,
320, 322, 323, 332, 338, 339. 34*-
342, 343, 367, 399-400, 476, 539J
Academy of, 347; Allegory of the
Cave, 319; Republic, 340-342
Platonism, 209-210
Plautus, 155
Pleistocene period, 12
Pliny the Elder, 166, 573
Plotinus, 277
Pluto, 329
Poc, Edgar Allan, 95, 389
Poem of the Cid, 558-559
Poetry, up-to-date, 503-504; Renais-
sance of 1912, 504-506; American,
506-509; English, 552-553
Polls, the, 341, 343
Politics, Greek, x 44-145* *5i~*53» 339»
340-346; and Christianity, 200-202,
207-209; Roman, 214, 339-340;
philosophy and, 332-334; modern,
338; Hebrew, 338-339; post-classic,
346-348; Christian, 348-352; State
of Nature, 352-354; Natural Rights,
354-356; pessimistic, 356-358; the
historical view of, 358-359; Rous-
seau's, 359-360; the social contract,
360-362; the general will, 362-364;
the American conception of, 364-
365; and economics, 365-366; and
the social view, 368-369
Polyandry, 38
Polybius, 633, 636
Polygamy, 38
Pope, power o£ the, 318-219
Popular Mechanics, 614
Popular Science t 614
Population, census of, 6x8
Porphyry, 244
Posidonius, 163
Positivism, 629, 630
Post, Georgtt B., oil
INDEX
667
Post-classic politics, 346-348
Postimpression School, the, 496
Pound, Ezra, 583
Poussin, Nicholas, 495
Poverty, progress and, 449-451
Powell, John, 503
Powers, Hiram, 487
Pragmatism, 33°-332, 333» 334~337
Pragmatists, 235, 256, 317, 334
Praxiteles, 486, 488, 540
Precarial will, a, 222-223
Precarium, 222
Present, the so-called, 596-597; seri-
ousness of the, 621-623; past and,
628-629
Press, the, 263
Priesthood, Greek, 133-134
Primates, the, 27
Primitive belief, 41-44; survivals of,
45-46
Printing, 263-264
Printing press, Gutenberg's, 263-264
Progress, civilization and, 64-66;
meaning of, 66-68; stages of, 69-71;
standards of, 71-72; physical and
moral, 72-73; and poverty, 449-451
Prohibition, 617-618
Prophets, and the Law, 119-121
Protagoras, 149. 334» 539» 5^6
Protestantism, and capitalism, 271-
272; see also Reformation
Protozoa, 9
Proudhon, Pierre, 411, 450
Prudcntcs, the, 171-172
Psalms, Book oft **3
Psychology, as a value, 531-533
Psychozoic Era, 241
Ptolemy, 170, 573, 628
Pufendorf, Samuel, 357, 360
Pushkin, Alexander, 562
Pyramid, the Great, 482, 483, 484
Pythagoras, 138, 274, 318
Pythagoreans, the, 135, 136
Qttctdriviuint the, 243
Quantum Theory, the, 311, 312-313*
614
Quesnay, Francois, 405, 579
Quidditati, 257
Rabelais, Francois, 267
Radio, 262
Railroad, the, 438-440
"Railroad Mania," 439
Ranke, Leopold von, 58
Raphael, 203, 265, 409
Rationalism, 316, 317, 326, 328, 330,
332, 335
Rationalists, 326-328, 331
Ratzel, 59
Realism, 316, 332; mediaeval, 244-
246; today, 246-247
Reese, Lizette Woodworth, 508
Reformation, the German, 262, 267-
269
Reger, Max, 499
Reginald, archbishop, 218
Reichwein, 578 note
Reimarus, 200
Relativity, 262, 274, 306-308, 312-313,
490, 491
Relief Administration, American, 604
Religion, 26, 27, 165; beginnings of,
41-42; Hebrew, ^0-^24; Greek,
128-136; Roman, 159-163; of Christ,
196-197; contemporary, 453; Natu-
ral, 455-456; Free Thought, 456-
458; Deism, 453-454, 459-460; Ra-
tional Christianity, 458-459; German
philosophy of, 460-464; conflict with
science, 464-469; comparative, 473-
475; psychology of, 475~476; ^the
Social Creed, 477-479; Humanism,
479-481
Rembrandt, 203, 265, 497
Remote values, 83-84
Renaissance, the, 48, 78, 128, 189, 261,
263, 425, 487, 489, 490, 549; the
spirit of the, 266-267; Italian cul-
ture and the, 546-548
Renan, Ernest, 471-472, 473, 550-
551
Renoir, Pierre, 495, 498
Reptiles, 9-10
Republic, of Plato, 209, 340-342
Respighi, Ottorino, 501
Restoration, period of the, 554
Revival of Learning, the, 262
Reynard the Fox, 237
Rheims, Cathedral, 35
Ribera, 560
Ricardo, David, 407, 408, 409, 411
Richards, I. R,, 583
Richardson, Samuel, 384
Riemann, 564
Rights, Natural, 455-456
K/k Veda, 99
Riley, James Whltcomb, 505
Rirmky-Korsakoflf, 563
Ritchie, D. G,, 351 note
"Road Opener,'* the Chinese, 574
Robinson, Edwin Arlington, 505
668
INDEX
Rockefeller Foundation, 530
Rockefeller Institute for Medical Re-
search, 530
Rocket, the, 439
Rodbertus-Jagetzow, J., 411
Rodin, Auguste, 18, 487
Rogers, James Edwin, 414
Roman Empire, 96, 236, 632
Romance languages, the, 590
Romance of the Rose, 237
Romanesque cathedral, the, 177
Romanoffs, the, 599
Romantic School, o£ music, 498, 500
Romanticism, 189, 379, 387, 388, 389,
489; German, 88
Rome, civilization of, 158-186; Greece
and, 158-159; religion of, 159-161;
deities of, 161-163; philosophy, 163-
165; medicine, 167-168; law, 170-
172; government, 170-172; bureau-
cracy, 172-173; artists and builders
of, 175-178; culture of, 544-545
Roscellinus, 244, 245
Rossetti, William, 636
Rosher, William, 413
Round Table Conference, 595
Rousseau, Jean Jacques, 51, 89-90, 91,
95» 358, 359-3^0, 363, 364, 459-
4t°> 579
Rousseau, Theodore, 496
Rowlatt Acts, the, 592
Royal Mail Steam Packet, the, 440
Rubens, Peter Paul, 265, 495, 497
Rubinstein, Anton, 563
Ruhr, occupation of the, 604
Ruskin, John, 385, 552
Russian culture, 561-565; Five Year
Plan, 606-607
Rutherford, Sir Ernest, 554
Sachscnspiegel, 216
Sacred Boo\s of the "East, 474
Sacrifices, Greek, 131-132
Sagitta, 9
St. Ambrose, 153
St. Augustine, 58, 153, 187, 191, 349,
256* 270, 349, 365, 634
St. Francis d'Assisi, 189, 28*1
Saint-Gaudens, Augustus, 488
St. Paul, 67, 69, 1 8 8, 191, 204
St, Paul's, in London, 482
St. Peter's, in Rome, 35, 482
Saint-Simon, Henri de, 411, 450
Salter, Sir Arthur, 422-423
Samson, no
Samuel, no, xix-xia
Samuel the Seer, The Boo\ of, 114
Sandburg, Carl, 505
Sankhya, the, 318
Sankhyam school, 256
Sapientia Sinica, 577
Saplings, 507
Sappho, 154, 508
Sargon, 116
Satire, Roman, 184-186
Saul, in
Saussaye, P. D. C. de, 474
Schiller, Friedrich von, 31, 128, 359,
54i, 557, 558
Schlegel, Friedrich, 388, 390
Schleicrmacher, 189, 460, 464, 475
Schmoller, Gustav von, 414
Scholastic, the, 507
Scholasticism, 48, 85, 158, 211, 234-
258; the nature of, 234-235; method
of, 235-237; culture, 237-238; uni-
versities, 240-244; the old and the
new, 256-258
Schonberg, Arnold, 499
Schoolmen, the, 69, 259, 261
Schopenhauer, Arthur, 23, 73, 256, 516,
517, 583
Schumann, Robert, 498
Schumpcter, Joseph, 415
Science, Greek, 136-137, 142-143;
Latin, 165-167, 168-170; modern,
277-279, 289-313; the value of,
291-293; and citizenship, 292-293;
popular, 613-615; and invention,
614
Science News Letter, 614
Scientific method, modern, 289-313
Scientific paradox, the, 303-304
Scott, Walter, 384, 385
Scotus Erigena, 236
Scriabin, 501
Sculpture, and civilization, 485-487;
Gothic, 486*; modern, 487-488
"Second Empire,** 187-188
Seneca, 164, 166, 168
Senior, Nassau William, 407
Septuagcnt, the, 118
Serra, Antonio, 405
Services, feudal, 228
Seven Deadly Values, 527
Seven Scholars of Chang-an, 572
Sex, as a value, 533-534
Shaftesbury, A. A, C., 371
Shakespeare, 68, 79, 304, 504, 508,
518, 553, 556, 565
Shang period, the, 571
Shapley, Harlow, 3
INDEX
669
Shaw, George Bernard, 73, 201, 247,
387, 535» 554
Shelley, Percy B., 128, 384
Shen-ming, 571
Shcphard, Arthur, 502
Sherman anti-trust law, 597
Sibelius, Jean, 502
Sibylline Oracle, the, 162
Sidgwick, Henry, 371
Signac, 494
Simocatta-Thcophylactus, 573
Sismondi, Sismonde de, 413
Skepticism, Gallic, 550
Skplastikps, 234
Skyline, the American, 611-612
Skyscraper, the American, 483, 485
Slavery, Greek, 147-148
Smith, Adam, 372, 373, 406-407, 587
Social conception of life, 368-394
Social contract, the, 352, 360-362
Social creed, of Protestantism, 477-
479
Social Gospel, the, 453, 476-477
Social ideals, in literature, 384-391
Social science, 304-306; 376-378
Socialism, 187, 366-367; Christian,
47^477
Socialists, 73, 410-412
Socialization, of life, 379-38°; of work,
380-382; of morality, 383
Sociology, modern, 376-377
Socrates, 63, 83, ,87, 149, 192, 203,
206, 256, 313, 3I4» 3i8, 334> 473*
539» 566, 627
Soil, the, 427-428; see also Agriculture
Solar system, the, 1-2
Solomon, 114-116
Solomon's Temple, 115-116
Solon, 134
Sophists, the, 83, 334
Sophocles, 144, 155, *93» 34^
Sorrows of Wcrther, The, 556, 583
Soul, problem of the, 323-324
Soviet, the, 346, 294
Sovietism, and Caesarism, 647-648
Space-time continuum, the, 308-309
Spanish culture, 558-560
Spanish War, the, 598
Sparta, 34** 34»
Speech, parts of, 37
Speed, as a value, 518-529
Spencer, Herbert, 58, 375» 4^5* 5^7»
#34
Spengler, Oswald* 475i 548 note* &>3»
640 ci scq.
Spenser, Edmund, 553
Spieltrieb, and art, 31-32
Spinning jenny, the, 434
Spinoza, Benedict, 22, 256, 283, 325,
326, 355, 455-45<5, 457, 469
Spiral method, in history, 633, 638-
639
Stabat Mater, 237
Stalin, Josef, 367
Standard Oil Company, 597
State, Church and, 174, 219-221; the
best, 344; Chinese conception of,
579; sec also Politics
State of Nature, the, 352~354» 355» 35^,
357> 358-359. 360, 363, 364, 369,
383
Steam, 435-43^
Steam engine, the, 29
Steamboat, the, 440-441
Steel, 437-438
Stendhal-Beyle, H.» 390, 537
Stcphenson, George, 437, 439
Stcuart, Sir James, 405
Stevens, Alfred, 487
Stevens, John, 446
Stirner, Max, 247, 248, 391, 392
Stoicism, 209-210, 406, 516; Roman,
164
Stoics, the, 63, 128, 347^ 370, 514
Storm and Stress period, 555
Strabo, 573
Strauss, David F., 463
Strauss, Richard, 500, 501
Stravinsky, Igor, 501, 502
Strindberg, August, 387
Sudden Mutations, 248
Sudcrmann, Hermann, 386, 389
Suetonius, 179 note, 183
Sun, the, i, 2
Sun Yat-scn, 588
Sung period, the, 572
Swabcnsplegcl, 216
Symbolism, French, 88, 379, 387; in
painting, 498
Sympathy, the ideal of, 371-374
Tacitus, 183
Taft, Lorado, 488
Tagore, Rabindranatih, 592, 594, 595
Tai Tsung, emperor, 576
Talleyrand, C. M, 389
Tang dynasty, the, 571
Tang Tai Tsuag, 575
Tic, the, 577» 580
Tfo Teh King, the, 580
Taoism, 513, 582
Tatiwig, F, W;» 417
670
INDEX
Teasdale, Sara, 508
Tel-el- Amarna tablets, 104
Tennyson, Alfred, 185, 189, 385
Terence, 155
Terrestrial point of view, 4-5
Thales, 136, 318
Thatcher, and McNeal, 218 note, 219
note, 221 note, 223 note
Theodosius I, 174, 576
Theophrastus, 143
Thesis-drama, the, 386-387
Thirty Years' War, 555
Thomas, S. G., 437
Thorndike, Lynn, 437
Thorwaldsen, Bertel, 487
Thucydides, 127 note, 144, 148, 156
Tidal conception of the solar system, 2
Tiele, Cornelius P., 474
Tindal, Matthew, 456, 457, 459
Titian, 265, 489, 547
Toland, John, 456, 457, 458
Toleration, free thought and, 456-458
Tolstoi, Count Leo, 189, 201, 583,
647
Tool-making, 13-14
Torguafo Tasso, 556, 583
Totemism, 39-41
Town, fief and, 230-231
Townshend, Charles, 428
Tragedy, Greek, 154-156
Treaty, of Locarno, 606; of St. Ger-
main, 604; of Trianon, 604; of Ver-
sailles, 604
Trends, periods and, 625-626
Trilobites, 9
Triviufn, the, 243
Truce of God, the, 217-218
Truths, facts and, 631-632
Tschaikowsky, Peter, 563
Tull, Jethro, 427-428
Turgenev, Ivan, 30, 386, 390, 562,
5^4
Turkish Empire, the, 592
Turner, Joseph M. W., 489, 494, 496
Twain, Mark, 568
Tylor, Sir Edward B., 41, 43, 475
Unam Sanctam, 220
United States, Constitution o£, 207
" United States of India," 594
Unity, of things, 301-303
Universe, size of the, 3-4
Universities, the rise of, 240-242
Utttcrmeyer, Louis, 507, 508
Upanishads, the, 99, 583
Urban life 618-620
Value, and energy, 511; oriental con-
ception of, 513-514; Christian, 515;
modern theories of, 516-517; and
human life, 519-520; definition of,
520-522; as pleasure, 522-523; and
desire, 523-524; and desiderata, 524-
525
Vandals, 174
Van Dyck, Anthony, 265
Van Gogh, 494, 496
Varro, 167, 243
Vassal, lord and, 224-226
Veblen, Thorstein, 418
Vecchio, 549
Vcdanta, the, 318, 583
Velasquez, 265, 560
Verrocchio, 26*5
Vertcbrata, 91
Vespasian, 331
Vestal Virgins, 160, 178
Vico, Giambatista, 58, 549
Vigny, Alfred de, 109
Virgil, 159, 182, 543, 573
Vitrivius, 169
Voltaire, 90-91, 92, 95, 579
Wagner, Richard, 388, 498, 543, 625
Waley, Arthur, 583
Walras, Leon, 415
Walton, Edna Lou, 509 note
War, see World War
Warburton, Samuel, 456
Ward, Lester, 376
Wars of the Lord, The Book of the,
113
Wars of the Roses, 553
Watson, John, 476
Weber, Max, 61, 271-273
Weiss, A. P,, 59
Wells, H. G.» 201, 205, 629
Werturtheil, 511
Wesley, John, 273
West, the, 57, 59, 561
Westinghousc, George, 446
Westminster, statutes of, 431
Whcelock, John Hall, 583
White, Andrew D.» 465
Whitman, Walt, 504
Wieser, Friedrich von, 416
William of Champeaux, 341, 242, 344,
245
William of Occam, 236
William of Rubruquis, 576
Williams, Roger, aai
Winckelman, J, J,» 135
Wolfram von £scheobtc&» 337
INDEX
Women, Athenian, 147; the status of,
616-617; poets, 508
Wool worth Building, the, 484, 612
Work, culture and, 92-93; socializa-
tion of, 380-382
World Court, the, 609
World War, the, 52, 246, 386, 444,
483, 510, 520, 534, 588, 591, 596,
598, 602, 607, 627, 629, 646, 652
Wright, Orville and Wilbur, 597
Wu-ti, emperor, 574
Wylie, Elinor, 508
Xenophon, 87, 108, 395, 473
Yi-King, the, 637-638, 652-653
Yogins, 256
Youth, as a value, 534-535
Zend Avesta, the, 474
Zeno, 209, 514; the Porch of, 347
Zeus, 129
Zola, Emile, 386
Zollvcrein, 445
Zubar£n, 560
128969